Too often leads to rhythm division
It is often cited as a double-tone, forty-nine words. The rhythm is divided as follows (Take Xin Qiji's "Taichang Yin·Jiankang Mid-Autumn Night Fu for Lv Shuqian" as an example): The first half of the song: A round/Autumn shadow/Turning golden waves, Flying mirror/Re-grinding. He took the wine and asked Liu E: What should I do if I have white hair and deceive others? The second part of the song: ride the wind/good to go, the sky/thousands of miles, straight down/to see the mountains and rivers. Chop off the osmanthus tree, the way is clear, the light is more. Different postures might have certain differences in the number of words and rhythm, but generally, they followed the rule of two tones, three flat rhymes for the first and second parts, and one rhyme to the end.
Too often leads to rhythm
Too often lead, double tone. The original form is forty-nine words, with four sentences in the first paragraph and three sentences in the second paragraph. The variation is fifty words, with four sentences in the first paragraph and three sentences in the second paragraph. The rhythm required that there were rules for the position of different words. Positive body meter contrast example words (Xin Qiji's "Tai Chang Yin·Immortal machine seems to want to weave fine Luo"): In the flat, in the flat. the middle is narrow and flat. the middle is narrow and flat. It's narrow in the narrow, flat in the flat. The middle is flat and the middle is narrow, the middle is flat and the middle is narrow, the middle is narrow and the middle is flat. the middle is narrow and flat. The middle is narrow and the middle is flat. Variant meter (Gao Guanguo's "Tai Chang Yin·Jade Skin Light Lining Bixia Clothes" as a representative): The second sentence of the first paragraph of this word is six characters, which is different from the second sentence of the first paragraph of the formal style. The other parts are flat and slightly different. You can refer to the formal style in the score. In the word score, the word (flat) or (flat) refers to the word in the bracket, which can be used as a flat tone word or a sound tone word, but the marked word is the positive example, and the words before the double vertical sign are all rhymes, which must be leaf rhyme.
Tai Chang leads Xin Qiji's rhythm division
Taichang cited the mid-autumn night of Jiankang as Lu Shuqian's Fu Xin Qiji [Song Dynasty]. The rhythm is divided into: One round/Autumn shadow/Turning golden wave, Flying mirror/Regrinding. He took the wine and asked Liu E: What should I do if I have white hair and deceive others? With the wind/good go, the sky/ten thousand miles, straight down/to see the mountains and rivers. Chop off the osmanthus tree, the way is clear, the light is more.
Division of Rhythm in the Three Paths
The rhythm of 'In the Middle of the Three Winding Paths' was divided according to the sense of language of the poem. This poem was a seven-character quatrain by a poet of the Southern Song Dynasty. The first sentence wrote the time of the trip, the second sentence wrote the route, the third sentence wrote that the beautiful scenery of the green shade was still as rich as when climbing the mountain, and the fourth sentence wrote the sound of the oriole. The pleasant sound of the oriole was added to the roadside green forest, adding endless vitality and interest to the road of Sanqu Mountain. The specific division of rhythm needed to be felt and grasped according to the artistic conception and language sense of the poem.
The Rhythm Division of Raising Bamboo
The reading rhythm of the Bamboo Raising Story could be divided according to the composition of the classical Chinese sentences, following the principle of pausing between the subject and the verb, and pausing between the verb and the object. The following is the rhythm of the book: Why does bamboo seem to be virtuous? Bamboo roots are solid, so it can cultivate virtue. When a gentleman sees the root of bamboo, he thinks that it is good to build a place that cannot be uprooted. Bamboo is upright in nature, upright in order to stand upright; When a gentleman sees bamboo's nature, he thinks that it can stand upright in the middle. The heart of the bamboo is empty, and the empty heart is used to reflect the Tao. When a gentleman sees the heart of the bamboo, he thinks of using the empty heart. Bamboo knot chastity, chastity is determined; When a gentleman sees a person's chastity, he thinks of a person who can sharpen his reputation and conduct, so that he can be consistent in danger. This kind of rhythm division helped to understand the sentence structure of classical Chinese, and it also helped to better grasp the rhythm when reading. While waiting for the TV series, you can also click on the link below to read the original work of " Little Fox Demon Matchmaker " to understand the plot in advance!
The rhythm division of classical Chinese reading
The rhythm of the reading of classical Chinese could be divided according to the following steps: Step One: Start Slowly Point: Point Stone: Stone Done: Done Gold: Gold Step 2: Gradually increase the pace Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Step 3: Speed up the pace again Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Step 4: Gradually slow down the pace Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Step Five: Final End Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold
The Rhythm Division of Reading Ancient Poetry
The rhythm of reading ancient poems could be divided according to syllables or meanings. The method of syllable division was to determine the rhythm according to the number of syllables in the poem. Usually, a four-character poem had two beats per sentence, a five-character poem had three beats per sentence, and a seven-character poem had four beats per sentence. The method of meaning division was to determine the rhythm according to the grammar structure of the sentence and the pause between the sentence components. For example, the pause of a classical Chinese sentence was often between the subject and the verb or between the verb-object. The rhythm of reading ancient poems could also be determined by the tone words at the beginning of the sentence or the words that played a soothing role in the sentence. In short, the rhythm of ancient poetry reading could be determined according to syllables and meaning.
The rhythm division of long-lost reading
If it was Nalan Xingde's "Everlasting Lovesickness," the rhythm of reading was divided as follows: Mountain/a journey, water/a journey, body/Yuguan/that side, deep night/thousand tent lights. The wind/night watch, snow/night watch, the sound of breaking/hometown/dream can not be, hometown/no such sound. If it was the plot of the TV series "Long Lovesickness", there was no such thing as a rhythm division. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!
Mochizuki Huaiyuan's Rhythm Division
The rhythm of Wangyue Huaiyuan's recitation could be divided into: Ocean/Bright Moon, End of the World/Together at this time. Lovers complain about the distant night, and they miss each other at night. When the candle is extinguished, the light is full of pity. When I put on my clothes, I feel dew. I can't stand the gift of my full hand. I'll go back to sleep and dream of a good time. The novel "Watching the Moon on Fish Island" is equally exciting. Everyone is welcome to click and read it!
The difference between sentence division and rhythm division in classical Chinese
Parsing sentences and dividing rhythms are two very important skills in reading classical Chinese. Stagnation refers to the separation of a word or phrase in a sentence into several parts in order to understand its meaning and tone more clearly. In classical Chinese, sentence division was usually achieved by dividing the non-predicative verb such as the verb, adjective, and other adverbs into the subject, the verb, and the object. Rhythm was the rhythm and rhythm of the words in the sentence in classical Chinese. In classical Chinese, the pronunciation and arrangement of some words will affect the rhythm of the sentence, so understanding the rhythm of the sentence is very important for the accuracy of the sentence. When reading classical Chinese, one needed to divide the sentences and rhythm cleverly in order to better understand the meaning and expression of the sentences.
On the Rhythm Division of Night Tour in Chengtian Temple
The rhythm of the night tour of Chengtian Temple was divided as follows: Yuanfeng sixth year/October 12th/night, undressing/sleepy, moonlight/entering the house, Xinran/getting up. Thinking that there was no one to play with, he went to Chengtian Temple to find Zhang Huaimin. Huaimin/also/did not sleep, walk/together in the courtyard. Under the courtyard, the water is like a puddle of water, and the water is like a pool of algae and grass, which is the shadow of bamboo and cypress. According to the sentence breaks and the meaning of the text, the rhythm can be divided into the above parts.