The Rhythm Division of Reading Ancient Poetry
The rhythm of reading ancient poems could be divided according to syllables or meanings. The method of syllable division was to determine the rhythm according to the number of syllables in the poem. Usually, a four-character poem had two beats per sentence, a five-character poem had three beats per sentence, and a seven-character poem had four beats per sentence. The method of meaning division was to determine the rhythm according to the grammar structure of the sentence and the pause between the sentence components. For example, the pause of a classical Chinese sentence was often between the subject and the verb or between the verb-object. The rhythm of reading ancient poems could also be determined by the tone words at the beginning of the sentence or the words that played a soothing role in the sentence. In short, the rhythm of ancient poetry reading could be determined according to syllables and meaning.
Joy of Life
The rhythm division of classical Chinese reading
The rhythm of the reading of classical Chinese could be divided according to the following steps: Step One: Start Slowly Point: Point Stone: Stone Done: Done Gold: Gold Step 2: Gradually increase the pace Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Step 3: Speed up the pace again Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Step 4: Gradually slow down the pace Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Step Five: Final End Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold Point: Stone: Form: Gold
The rhythm division of long-lost reading
If it was Nalan Xingde's "Everlasting Lovesickness," the rhythm of reading was divided as follows: Mountain/a journey, water/a journey, body/Yuguan/that side, deep night/thousand tent lights. The wind/night watch, snow/night watch, the sound of breaking/hometown/dream can not be, hometown/no such sound. If it was the plot of the TV series "Long Lovesickness", there was no such thing as a rhythm division. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!
Life is like a summer flower, reading aloud the rhythm division
Division of Rhythm in the Three Paths
The rhythm of 'In the Middle of the Three Winding Paths' was divided according to the sense of language of the poem. This poem was a seven-character quatrain by a poet of the Southern Song Dynasty. The first sentence wrote the time of the trip, the second sentence wrote the route, the third sentence wrote that the beautiful scenery of the green shade was still as rich as when climbing the mountain, and the fourth sentence wrote the sound of the oriole. The pleasant sound of the oriole was added to the roadside green forest, adding endless vitality and interest to the road of Sanqu Mountain. The specific division of rhythm needed to be felt and grasped according to the artistic conception and language sense of the poem.
The Rhythm Division of Raising Bamboo
The reading rhythm of the Bamboo Raising Story could be divided according to the composition of the classical Chinese sentences, following the principle of pausing between the subject and the verb, and pausing between the verb and the object. The following is the rhythm of the book: Why does bamboo seem to be virtuous? Bamboo roots are solid, so it can cultivate virtue. When a gentleman sees the root of bamboo, he thinks that it is good to build a place that cannot be uprooted. Bamboo is upright in nature, upright in order to stand upright; When a gentleman sees bamboo's nature, he thinks that it can stand upright in the middle. The heart of the bamboo is empty, and the empty heart is used to reflect the Tao. When a gentleman sees the heart of the bamboo, he thinks of using the empty heart. Bamboo knot chastity, chastity is determined; When a gentleman sees a person's chastity, he thinks of a person who can sharpen his reputation and conduct, so that he can be consistent in danger. This kind of rhythm division helped to understand the sentence structure of classical Chinese, and it also helped to better grasp the rhythm when reading. While waiting for the TV series, you can also click on the link below to read the original work of " Little Fox Demon Matchmaker " to understand the plot in advance!
Mochizuki Huaiyuan's Rhythm Division
The rhythm of Wangyue Huaiyuan's recitation could be divided into: Ocean/Bright Moon, End of the World/Together at this time. Lovers complain about the distant night, and they miss each other at night. When the candle is extinguished, the light is full of pity. When I put on my clothes, I feel dew. I can't stand the gift of my full hand. I'll go back to sleep and dream of a good time. The novel "Watching the Moon on Fish Island" is equally exciting. Everyone is welcome to click and read it!
Too often leads to rhythm division
It is often cited as a double-tone, forty-nine words. The rhythm is divided as follows (Take Xin Qiji's "Taichang Yin·Jiankang Mid-Autumn Night Fu for Lv Shuqian" as an example): The first half of the song: A round/Autumn shadow/Turning golden waves, Flying mirror/Re-grinding. He took the wine and asked Liu E: What should I do if I have white hair and deceive others? The second part of the song: ride the wind/good to go, the sky/thousands of miles, straight down/to see the mountains and rivers. Chop off the osmanthus tree, the way is clear, the light is more. Different postures might have certain differences in the number of words and rhythm, but generally, they followed the rule of two tones, three flat rhymes for the first and second parts, and one rhyme to the end.
The difference between sentence division and rhythm division in classical Chinese
Parsing sentences and dividing rhythms are two very important skills in reading classical Chinese. Stagnation refers to the separation of a word or phrase in a sentence into several parts in order to understand its meaning and tone more clearly. In classical Chinese, sentence division was usually achieved by dividing the non-predicative verb such as the verb, adjective, and other adverbs into the subject, the verb, and the object. Rhythm was the rhythm and rhythm of the words in the sentence in classical Chinese. In classical Chinese, the pronunciation and arrangement of some words will affect the rhythm of the sentence, so understanding the rhythm of the sentence is very important for the accuracy of the sentence. When reading classical Chinese, one needed to divide the sentences and rhythm cleverly in order to better understand the meaning and expression of the sentences.
Reading Ancient Poetry
Ancient poetry reading was an activity that expressed ancient poetry through reading aloud. In the classroom teaching of ancient poetry reading appreciation, many reading methods could be used, such as leading reading, reading in groups, reading with background music, reading in different roles, etc., to promote students 'understanding and perception of ancient poetry. Different types of ancient poetry, subject matter, style, artistic conception, and language characteristics were suitable for different reading methods. In addition, it was also important to divide the rhythm of reading ancient poetry. One had to understand the meaning of the sentence, combine it with the text notes or punctuations, and use grammar knowledge to judge the structure of the sentence and the natural pause. Reading ancient poems and essays could be done by listening to them online or downloading the MP3 files of ancient poems and essays. There were also some ancient poetry reading software that could be downloaded for free, such as the Ancient Poetry Dictionaryapp and the Dragonfly PM app. In addition, they could also participate in some ancient poetry recitation classes or activities to improve their reading skills and comprehension skills.
A cluster of flowers, poetry, and rhythm detection
A cluster of flowers Ci rhyme for the double tone, a total of seventy-eight words, up and down each seven sentences, each with four levels of rhyme (the whole word eight rhymes). The format of the first and second pieces is the same, and the meter is: flat, flat Ping Ze Ping Ze, Ze Ping Ze (beans), Ping Ze Ping Ze (rhyme). Ping Ze Ze Ping, Ping Ze Ze, Ping Ze Ping (rhyme). It is best to use the fifth and sixth sentences as antithesis or even antithesis, which should be grasped flexibly. The first word must be narrow, and the second word should not be limited, but three narrow words should be avoided as much as possible. It should be noted that Zhang Xian's and Su Shi's Ci styles were exactly the same when they were tested. When testing the rhyme of the Ci poems, the Ci poems of a bunch of flowers could be tested according to this rhyme.