Copper gilded three-legged furnace with double halberd ears
The following information was related to the three-legged cauldron with gilded bronze halberd ears: - The halberd ear furnace was made in imitation of the Song Dynasty porcelain style. It got its name because its ear was like the halberd head of a weapon. The halberd was given to the Minister of Punishment and his subordinates by the emperor. It symbolized defending the country and stabilizing justice. There are more than a dozen kinds of halberds in copper furnaces, most of which are powerful and powerful. - At the beginning of the Qing Dynasty, the imitation Xuande bronzes were mostly based on the original objects, which could present a complete temperament and demeanor, which was quite the true meaning of Xuanlu. There were some gold-plated halberd ear-muffs that were regarded as classic examples. Their shapes were comparable to those in Mr. Wang Shixiang's collection, such as the dignified and upright atmosphere. - There was a Ming Dynasty gilded copper tube type halberd ear furnace with a diameter of 9.6 cm, a height of 6.9 cm, and a weight of 903 g. It was made in the Xuande year of the Ming Dynasty. The lines of the furnace body were smooth and smooth, and the curvature of the furnace wall was slightly larger than that of common similar vessels. Compared with the model that gradually became honest after entering the Qing Dynasty, it was more ancient, and the ears were beautiful and harmonious. The whole body was gilded, but there were two white spaces on the abdomen. The inner part of the ring and the inner wall near the mouth were also gilded. The gold was thick and the color was bright. The white spaces could faintly see snowflake gold. Its shape and gilded decoration are unique, exquisite workmanship and beautiful utensils, holding it deep and solid, pressing it with your hand, slightly caressing it will moisten it, and the strange light will shine brightly. Inside the ring was a frame with three lines of six-character regular script,"Ming Dynasty Xuande Year System". It was judged to be an official work of the Ming Dynasty by combining the quaint shape of the instrument, the rich and beautiful gilded decoration, and the exquisite craftsmanship of the design. Moreover, the three halberd ear-tube furnaces included in Wang Shixiang's "Collection of Treasures: Records of Long-lived Things in Lisong Residence"("Yutang Qingwan" model,"Xianxian's Collection" model,"Meng Bo's" model) were the more typical representatives of this furnace type. Among them, the "Yutang Qingwan" model was similar to this furnace type, such as the body and the two ears were soft and firm, full of changes. There was also a halberd ear furnace that had a rather prominent feature. The shape of the mouth was slightly larger, and there was a unique gilding decoration technique. The outer wall of the furnace was intentionally left white, making it abstract and mysterious. The shape of the white space on the furnace wall is similar to the fish pattern on the outer wall of the Xuande glazed red three-fish pattern high-foot bowl collected by the Palace Museum. It has the same effect, while the other white space is like a mountain shape. In addition, the gilded color and exposed copper of this furnace were almost identical to the gold and copper statues of the Yongxuan period of the Ming Dynasty, which was quite rare among copper furnaces. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Filament Enamel Gilded Furnace
There are many forms of gold-plated copper gilded glaze furnaces. For example, the gold-plated copper gilded glaze furnace made in the Qianlong period of the Qing Dynasty is a three-legged, two-eared, circular furnace. The gold-plated hollow bat and cloud pattern cover are decorated with four groups of glazed ruyi-shaped lotus patterns, gold-plated hollow cloud dragon pattern buttons, gold-plated inscriptions on the furnace mouth, colorful thunder patterns on the lower part of the mouth edge, ruyi patterns on the body, and lotus patterns on the twining branches. The bottom has the four-character regular script of "Qianlong Year System". The total height is 32 cm, and the maximum width is 38 cm. Exhibits and collections in the Museum of the Summer Resort; There was also a silk-strung enameled beast-face-patterned stove, which was 17.4 cm high, 8 cm in diameter, and 2.6 cm in foot distance. The shape of the stove imitated the bronze ware of the Western Zhou Dynasty. The top of the stove was a steamer and the bottom was a Li. The rope pattern stood on the ears. The top of the stove was gilded with a lotus seat and a dragon pattern button. The whole body was covered with sky-blue glaze. The cover was decorated with beast-face patterns, the abdomen was decorated with banana leaf patterns, and the inside was decorated with beast-face patterns. The three bags were also decorated with beast-face patterns. The images of the beast-face patterns were different and varied. The feet were gilded with gold. The middle of the bottom is engraved with the words "Qianlong Year System" in regular script. It is now in the collection of the National Palace Museum in Taiwan. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Gilded Copper Guanyin
The gilded bronze Guanyin was a type of Guanyin statue. It had different characteristics in different periods and was distributed in many museum collections, auctions, and so on. During the Five Dynasties and Ten Kingdoms period, there was a 53-centimeter high gilded copper Guanyin statue (commonly known as "Water Moon Guanyin" among the people). In 1958, it was unearthed in the underground palace of the Ten Thousand Buddha Pagoda of Miyin Pagoda Temple in Jinhua City (formerly Jinhua County), Zhejiang Province. Later, it was collected and exhibited by the National Museum. After returning to the hometown exhibition, it was printed on stamps, and there were plans to replicate and display the replica in Jinhua City. In 2023, Australia returned the gilded copper Guanyin statue to China. In the Ming Dynasty, there was a gilded bronze statue of Guanyin. It was sitting in the lotus position, wearing a corolla on its head, wearing precious ornaments on its chest, wearing gorgeous clothes, with a large head and a thick and short neck. It was collected in the Zhengzhou Museum. In the Qing Dynasty, there was a bronze gilded statue of Guanyin Bodhisattva. It was 32 centimeters high and gilded. Guanyin Bodhisattva wore a crown on her head, her ears drooped, her eyes closed, and her face was serene. She sat on a lotus seat in a lotus position with her palms folded in front of her abdomen. She wore a long robe, plum blossom shaped earrings, and a tassel on her chest. In addition, a 14th-century Xizang four-armed Guanyin statue was sold for 18.87 million Hong Kong dollars. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Gilded Copper Box
Only the description of the gilded copper box is vague. Here are some related gilded copper box cultural relics. In the Eastern Han Dynasty, there was a gold-plated inlaid animal-shaped copper box inkstone. It was unearthed from the Han Tomb in Xuzhou in 1970. It was 25 cm long, 14.8 cm wide and 10.2 cm high. It was gold-plated and inlaid with red coral, lapis lazuli, turquoise, etc. The box cover and the box body are combined by the mother-son mouth. The whole body is shaped like a god beast lying on the ground. Its lower jaw extends forward to form an ink pool for storing water. There are stone inkstones and grinding stones inside. The stone inkstone is Lintao stone in Gansu Province. When it was unearthed, there were ink marks on the inkstone hall. It is a practical inkstone. It is now hidden in Nanjing Museum and is one of the treasures of the town courtyard. In the Qing Dynasty, there was a copper gilded silk inlaid porcelain box. The body was made of copper gilded gold. It was divided into two parts and was almost the same size. The main decoration of the box cover was the four treasures of the Buddhist Eight Treasures. The outer side of the lower part of the box was painted with the other four treasures of the Buddhist Eight Treasures, reflecting the high level of porcelain making in the Qing court. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Copper Feet Furnace
[Bronze Foot Furnace] In the long river of time, many old things were gradually buried by time, but the copper foot furnace was like an ancient and warm pearl, carrying the memories of the past and a unique cultural charm. The copper foot furnace was a historical object. It was made of copper, and the texture of the copper gave it a steady and heavy feeling. From its appearance, it might not be as exquisite and gorgeous as modern heating equipment, but it had a unique charm. Its surface might have traces left behind by the rubbing of time. It was a mark that had been held by countless hands and cherished by countless families. In the past, the copper foot furnace played an extremely important role. On cold early spring nights, Mother would carefully prepare it, spread old cotton wool on the bottom of the stove, catch things that could bring warmth, then cover it with a copper cover full of holes, and put it in a foot stove made of straw. This series of actions seemed to be a ritual full of love, just to keep it from freezing in the cold night and to let the family enjoy the warmth it brought. For people living in the past, it was not only a tool for warmth, but also a symbol of the warmth of home. When night fell, the family sat together. The copper foot furnace emitted warmth, dispelling the cold and closing the distance between the families. The copper foot furnace also witnessed the exquisite craftsmanship of traditional crafts. In the past, the coppersmiths had meticulously created such copper foot furnaces, integrating their ingenuity and skills into every production process. From a piece of copper to a well-formed foot furnace, it was the blood and sweat of a coppersmith. Coppersmiths could also make utensils such as copper water hookah, copper soup woman, hand stove, incense burner, etc., and copper foot stove occupied a unique position among these copper products. It was closely related to people's daily lives and was the embodiment of the wisdom of people in that era. However, with the development of the times, modern heating equipment continued to emerge, and the copper foot furnace gradually lost its practical value. However, it had not been completely forgotten. It still existed in the memories of some people, in the memories of those who went to the countryside, or in some corner as a reminiscence of their past lives. It was a witness to history, witnessing the changes of different ways of life and the rise and fall of traditional crafts. Now, when we mention the copper foot furnace again, it is more of a cultural symbol. It represented the simple, warm, and smoky life of the past. It allows us to stop in the fast-paced modern life and reminisce about the traditions and emotions that we have gradually forgotten. It was like a silent history book, quietly telling the story of the past, waiting for someone to interpret the rich meaning contained in it. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Gilded three-legged incense burner
There were many types of gilded three-legged incense burner and each had its own characteristics in different dynasties. In the Ming Dynasty, there was a three-legged gilded copper incense burner used by Tibetans to worship the gods of heaven and earth, and in the Qing Dynasty, there was a three-legged copper gilded chisel flower incense burner, which was exquisitely made and beautifully shaped. It was estimated to be about 28,000 - 36,000 yuan. There was also a three-legged, two-ear, gold-plated incense burner made in the Xuande Year of Ming Dynasty. The Xuande Furnace was a copper incense burner designed and manufactured by Zhu Zhanji, Emperor Xuanzong of Ming Dynasty, in the third year of Xuande of Ming Dynasty. It was the first bronze incense burner in China history to be made of wind-ground copper. It was practical and artistic, with more than 40 colors. The shape of the incense burner was square, the lines were simple, and the temperament was calm. Different periods had different emphasis on precision and quality. The Ming furnace emphasized charm. The furnaces of the late Ming and early Qing dynasties had a simple and heavy feeling. The furnaces of the Yongzheng period had soft lines. The craftsmanship of the refined furnaces of the Qianlong period had reached the highest point in history and was highly respected in the collection of bronzeware. The "De" character at the bottom of the model existed regardless of whether it was horizontal or not. Its shape was ancient and thick. The ones with ears were better than those without ears. The more refined the caster, the better. The value of different size also varied. Small was commonly seen for a diameter of 8 - 12 cm, and medium for a diameter of 15 cm. The quantity was small and the value was high. Those with a diameter greater than 20 cm were rare and had high value. The heavier the same size, the higher the value. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Clear Copper Kylin Furnace
The Qing Copper Kylin Furnace was a cultural relic of the Qing Dynasty and was made of copper. The statue of the unicorn is composed of two parts: the head and the body. The head is like a lion, with a forked horn on the top, protruding canine teeth, straight spoon ears and curly mane; The body is squatting like a dog, with a spine and wearing dragon armor. The hooves are two toes and two little toes above, and the tail is like a pegasus. size were 48.5cm high and 53cm long, while others were 16cm high, 27cm long and 13cm wide. It is now in Lishui City Museum. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Gilded porcelain three-legged incense burner
From the reference materials, it could be seen that there was a Song Ru kiln gilded three-legged two-ear incense burner. It mentioned ceramic incense burner, but there was no more special explanation about the porcelain gilded three-legged incense burner. He only knew that different materials, ages, and craftsmanship would affect the value of the incense burner collection. For example, Ru kiln porcelain was precious to begin with, and the gilding process also increased its uniqueness. However, there was a lack of detailed information on the three-legged incense burner. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Green-Copper Three-Legged Cauldron
Gilded paper, double-sided
In the reference materials, it was mentioned that the gold-plated opening flower basket paper was red on one side and gold on the other. There were two styles: Prosperous Business and Lucky Opening. The gold-plated opening flower basket paper was double-sided waterproof and could be used as a flower wrapping material in a flower shop. The price was 4.30 - 9.80 (3 pieces). However, there was no more detailed information about the two sides of the gilded paper. For example, other than the color, usage, and price, there was no way to answer accurately. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Jun porcelain three-legged furnace reading answer
The Jun Porcelain Tripod Furnace was a traditional Chinese ceramic ware produced during the Northern Song Dynasty. It was famous for its beautiful shape and unique craftsmanship. The following is the reading comprehension answer for the Jun Porcelain Three-legged Furnace: 1 Jun porcelain three-legged furnace is a kind of ceramic ware. Its name comes from its three-legged structure. 2 Jun porcelain three-legged furnace production process is very unique, it needs to go through many processes to complete. 3 Jun porcelain three-legged furnace shape is very beautiful, not only has practical value but also has a certain artistic value. Jun porcelain three-legged stove was a very popular piece of art in ancient times, often given to relatives and friends as decorations or gifts. The collection value of the Jun porcelain three-legged furnace is also very high because of its unique craftsmanship and beautiful shape, making it a precious cultural heritage.