Copper gilded three-legged furnace with chisel pattern
The bronze gilded three-legged furnace was a cultural relic of the Qing Dynasty. It was shaped like a three-legged furnace. It was exquisitely made and beautifully shaped. It was estimated to be worth about 28,000 - 36,000 yuan. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Copper gilded three-legged furnace with double halberd ears
The following information was related to the three-legged cauldron with gilded bronze halberd ears: - The halberd ear furnace was made in imitation of the Song Dynasty porcelain style. It got its name because its ear was like the halberd head of a weapon. The halberd was given to the Minister of Punishment and his subordinates by the emperor. It symbolized defending the country and stabilizing justice. There are more than a dozen kinds of halberds in copper furnaces, most of which are powerful and powerful. - At the beginning of the Qing Dynasty, the imitation Xuande bronzes were mostly based on the original objects, which could present a complete temperament and demeanor, which was quite the true meaning of Xuanlu. There were some gold-plated halberd ear-muffs that were regarded as classic examples. Their shapes were comparable to those in Mr. Wang Shixiang's collection, such as the dignified and upright atmosphere. - There was a Ming Dynasty gilded copper tube type halberd ear furnace with a diameter of 9.6 cm, a height of 6.9 cm, and a weight of 903 g. It was made in the Xuande year of the Ming Dynasty. The lines of the furnace body were smooth and smooth, and the curvature of the furnace wall was slightly larger than that of common similar vessels. Compared with the model that gradually became honest after entering the Qing Dynasty, it was more ancient, and the ears were beautiful and harmonious. The whole body was gilded, but there were two white spaces on the abdomen. The inner part of the ring and the inner wall near the mouth were also gilded. The gold was thick and the color was bright. The white spaces could faintly see snowflake gold. Its shape and gilded decoration are unique, exquisite workmanship and beautiful utensils, holding it deep and solid, pressing it with your hand, slightly caressing it will moisten it, and the strange light will shine brightly. Inside the ring was a frame with three lines of six-character regular script,"Ming Dynasty Xuande Year System". It was judged to be an official work of the Ming Dynasty by combining the quaint shape of the instrument, the rich and beautiful gilded decoration, and the exquisite craftsmanship of the design. Moreover, the three halberd ear-tube furnaces included in Wang Shixiang's "Collection of Treasures: Records of Long-lived Things in Lisong Residence"("Yutang Qingwan" model,"Xianxian's Collection" model,"Meng Bo's" model) were the more typical representatives of this furnace type. Among them, the "Yutang Qingwan" model was similar to this furnace type, such as the body and the two ears were soft and firm, full of changes. There was also a halberd ear furnace that had a rather prominent feature. The shape of the mouth was slightly larger, and there was a unique gilding decoration technique. The outer wall of the furnace was intentionally left white, making it abstract and mysterious. The shape of the white space on the furnace wall is similar to the fish pattern on the outer wall of the Xuande glazed red three-fish pattern high-foot bowl collected by the Palace Museum. It has the same effect, while the other white space is like a mountain shape. In addition, the gilded color and exposed copper of this furnace were almost identical to the gold and copper statues of the Yongxuan period of the Ming Dynasty, which was quite rare among copper furnaces. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
The artistic achievement of gilded silver copper bamboo joint furnace
The gilded silver copper bamboo joint stove had many artistic achievements. From the perspective of craftsmanship, it had both openwork and embossed sculptures, as well as gilding and silver-gilding techniques. The lines were smooth, the colors were rich, and the craftsmanship was superb. From the shape, the smoking furnace was composed of three parts: the furnace body, the furnace handle, and the base. The furnace body was carved with four coiling dragons, three coiling dragons below the furnace body and three coiling dragons above the furnace handle, and two coiling dragons below the furnace handle. There were a total of nine coiling dragons, with the meaning of supreme and auspicious. The furnace handle was in the shape of a long bamboo joint and was divided into five sections. Bamboo leaves were carved on the sections. The lower end of the bamboo joint furnace handle was connected to the base. The base was carved with two coiling dragons. They raised their heads and opened their mouths. They held the bamboo handle in their mouths. Their scales were gilded and their whiskers and claws were gilded with silver. The shape was wonderful and vivid. The furnace cover was hollow and towering, showing the shape of Boshan Mountain, symbolizing the celestial mountain on the sea. When the light smoke curled out, it would create the effect of hazy mountain scenery and lively mountains. The four coiling dragons embossed on the furnace's body were faintly discernible in the vast expanse of smoke, as if they were soaring into the sky. The entire smoking furnace was cast into the immortal world of Bo Mountain. It was carved with the supreme dragon, which was integrated with the green bamboo and the wind. It was a rare masterpiece of art and worthy of being a rare treasure. The art had reached the peak of perfection. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Sunflower mouth three-legged lion pattern gilded silver plate introduction
The gold-plated silver plate with a three-legged lion pattern was a cultural relic of the Tang Dynasty. It was 6.7 centimeters high and 40 centimeters in diameter. It was unearthed in Bafuzhuang, Xi'an, Shaanxi Province in 1956 and is now stored in the National Museum of China. The silver plate was shaped like a sunflower petal, with three casted curly leaves on the bottom. The plate was decorated with the pattern of a lion roaring back. The image of a lion was realistic, full of muscles, powerful and powerful, and its posture was mighty and majestic, which perfectly displayed the insufferably arrogant style of the king of beasts. The plate had a wide edge, and there were no auxiliary patterns around it. The plate was decorated with peony patterns. These were the characteristics of the golden flower silver plate in the prosperous Tang Dynasty. In the Tang Dynasty literature, the golden flower silver plate referred to a silver plate decorated with gilded patterns. The golden hammer with a very high quality was hammered into thin slices, cut into fine threads, and placed into a clean pot to heat up until it was red. Mercury, which was seven times the weight of the gold wire, was poured into the pot and stirred into mud. After cooling down, he added sulfuric acid into the gold mud, cut out the gold mud, and repeatedly applied it on the carved patterns. After applying it evenly, he washed off the sulfuric acid with warm water and baked it. He used crystal or agate to constantly grind the gilded parts to evaporate the mercury. Finally, he polished the surface of the silver plate. There were no lions in China. During the Sui and Tang Dynasties, the Silk Road was peaceful, and merchants from the Western Regions came and went. The Western Regions countries paid more lions to the royal family of the Tang Dynasty. The craftsmen of the Tang Dynasty integrated the foreign patterns (such as lion patterns) with the traditional patterns (such as peony patterns) to create artifacts with their own national characteristics. This was reflected on the gold-plated silver plate with the three-legged lion pattern in Kuikou. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
A brief introduction of the gilded silver plate and dragon pattern copper teapot
The gilded gold and silver dragon pattern copper pot was unearthed in 1968 from the tomb of Liu Sheng, King Jing of Zhongshan in Lingshan, Mancheng. It is now in the collection of Hebei Province Museum. The pot was decorated with gold and silver. It was 59.5 centimeters high, 37 centimeters in diameter, and weighed 16.25 kilograms. The mouth of the pot is slightly extravagant, the belly is round and round, and there is a pair of rings on the upper abdomen. The lid of the pot is curved, and the edge of the lid is slightly closed. The mouth of the lid is used to insert the pot. There are three cloud-shaped buttons on the lid. The buttons are gilded with silver and decorated with three gold-plated Kui phoenixes. It was huge and majestic. In terms of decorative patterns, the mouth and the foot were decorated with silver-gilded cloud patterns. The neck was decorated with a triangular pattern of gold and silver. There was a gilded wide band under the neck and the foot. The main decorative pattern was the gilded dragon pattern on the abdomen. Four thick single-headed double-bodied dragons rolled up and down, circling left and right. The dragons were decorated with smooth golden cloud patterns. The gold and silver patterns complemented each other. It was magnificent and elegant. It skillfully combined the complexity of the composition and the balance of the color tone perfectly. It showed the peak of the bronze decorative craftsmanship of the Western Han Dynasty. The bottom of the pot was engraved with an 18-word inscription: "Chu official, groove, can hold a stone, weighing two jun eight jin ten liang, first". According to the inscription, this pot was originally owned by Liu Jiao, King of Chu Yuan. Later, Liu Wu, the grandson of Liu Jiao, participated in the "Rebellion of the Seven Kingdoms" and died in defeat. The imperial court confiscated this pot and gave it to Liu Sheng. From the inscription, it could be seen that this pot was a container for holding "wine grains". It was a continuation of the "Li pot" in the Spring and Autumn Period and was specially used to hold many wine grains. The inner wall of the pot is painted with a layer of red paint. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Gilded Pattern Material
The following were some materials for the gilded patterns: 1. China style gilt gold auspicious cloud pattern. 2. The simple background of gold landscape, such as green ink gold national style ink painting creative background, gold foil bamboo landscape ink painting gold landscape material, etc. 3. China style New Year's calendar, simple 2024 art words, China style New Year's calendar, golden 2024 dragon year, creative art words. 4. He could use the Midjourney hint to create a gold-gilded pattern in the national style, such as gold, blue, and green mountains, pavilions, and pavilions with gold-gilded details under the China embroidery technique; golden lines depicting the outline of the mountain, with green clouds, thin lines surrounding the mountain, people carrying bamboo baskets on the mountain path, flying cranes, gold-inlaid peach blossoms fluttering in the wind, and other elements; Klein blue, golden waterfall, mountains, trees, and other elements, gold-plated mountains and rivers, golden flowing water, gold foil, layers of pink and jade green mountains, orange suns, and other elements. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
A brief introduction to the gilded, silver, copper bamboo joint smoking furnace of the Han Dynasty
The Han Dynasty gilded silver bamboo joint smoking furnace was made of bronze. The furnace body was in the shape of a hemisphere. The whole body was cast in copper, and the surface was gilded with gold and silver. It was unearthed in 1981 in the burial pit of Princess Yangxin's tomb in Maoling of Emperor Wu of the Han Dynasty in Xingping County, Shaanxi Province. It is now displayed in the second exhibition hall of Shaanxi History Museum. In terms of shape, it was 58 cm tall, 9 cm in diameter, 13.3 cm in diameter, and weighed 2570 grams. It was composed of a base, a furnace handle, a furnace body, and a furnace cover. The base was in the shape of a circle foot, and two dragons were carved on it to bite the furnace handle. The furnace handle was in the shape of a bamboo joint, divided into five sections, and was carved with bamboo leaves and forks. There were three dragons on the top of the furnace handle to support the furnace body. The furnace body was in the shape of Boshan. The lower part of the furnace body was carved with dragon patterns. The background color was silver, and the dragon body was gilded. The upper part of the furnace body was embossed four golden dragons. The dragon head looked back, and the dragon body emerged from the waves. The lines were smooth and the shape was wonderful. The furnace cover was carved with multi-layered mountains, just like the legendary Bo Mountain where the immortals lived. The smoke holes used the overlapping mountains to open in hidden places. When the incense was burned, the smoke curled up and surrounded the furnace body, like a celestial mountain on the sea. There were inscriptions on the outside of the cover of the smoking furnace and the outer side of the ring foot. The inscription on the outer side of the furnace cover was: "The inner is Weiyang Shangwo, a golden bamboo smoked furnace, weighing 10 catties and 12 taels, made by the government in four years, lost in October of the fifth year, the third day". There were 33 words on the outer side of the ring foot: "The inner is Weiyang Shangwo, a golden bamboo smoked furnace, weighing 11 catties, made by the temple in four years, lost in October of the fifth year, the fourth day". This smoking furnace was one of the most exquisite Boshan furnaces, reflecting the aesthetic taste and living habits of the Han Dynasty. It had high artistic value and historical research value. China had a long history of incense. In the Han Dynasty, after the Western Regions were dug out, a large number of foreign spices were introduced, and incense was popular. The incense burner was very popular among literati and nobles. As a palace item of the Han Dynasty, this incense burner might be a gift from Emperor Wu of the Han Dynasty to his sister, Princess Yangxin, and her husband, Wei Qing. It reflected the lifestyle of the royal nobles of the Han Dynasty and also demonstrated the superb level of arts and crafts of the ancient Chinese. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Filament Enamel Gilded Furnace
There are many forms of gold-plated copper gilded glaze furnaces. For example, the gold-plated copper gilded glaze furnace made in the Qianlong period of the Qing Dynasty is a three-legged, two-eared, circular furnace. The gold-plated hollow bat and cloud pattern cover are decorated with four groups of glazed ruyi-shaped lotus patterns, gold-plated hollow cloud dragon pattern buttons, gold-plated inscriptions on the furnace mouth, colorful thunder patterns on the lower part of the mouth edge, ruyi patterns on the body, and lotus patterns on the twining branches. The bottom has the four-character regular script of "Qianlong Year System". The total height is 32 cm, and the maximum width is 38 cm. Exhibits and collections in the Museum of the Summer Resort; There was also a silk-strung enameled beast-face-patterned stove, which was 17.4 cm high, 8 cm in diameter, and 2.6 cm in foot distance. The shape of the stove imitated the bronze ware of the Western Zhou Dynasty. The top of the stove was a steamer and the bottom was a Li. The rope pattern stood on the ears. The top of the stove was gilded with a lotus seat and a dragon pattern button. The whole body was covered with sky-blue glaze. The cover was decorated with beast-face patterns, the abdomen was decorated with banana leaf patterns, and the inside was decorated with beast-face patterns. The three bags were also decorated with beast-face patterns. The images of the beast-face patterns were different and varied. The feet were gilded with gold. The middle of the bottom is engraved with the words "Qianlong Year System" in regular script. It is now in the collection of the National Palace Museum in Taiwan. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Introduction to the Gilded Fuming Furnace
The gilded incense burner was an artifact with unique craftsmanship and cultural value. From a historical perspective, there were gilded furnaces from the early Western Han Dynasty. For example, the gilded furnace from the early Western Han Dynasty was unearthed in Zibo, Shandong Province in 1979. It was 14.4 cm high, 9.3 cm in diameter, covered, and gilded all over. It was now collected in the Zibo City Museum. There was also a gilded gold and silver bamboo smoked furnace from the Western Han Dynasty unearthed in Xingping, Shaanxi Province in 1981. It was made of bronze but was gilded with gold and silver. The base was carved with two dragons. The bamboo-shaped handle was divided into five sections, and a total of nine dragons were decorated to reflect the meaning of "Nine and Five Supreme". The inscription on the outside of the furnace cover showed that this furnace was a living tool of the Western Han Dynasty royal Weiyang Palace. It was once given to his sister, Princess Yangxin, by Emperor Wu of the Han Dynasty. In terms of craftsmanship, craftsmen would use gilding, silk pinching and other techniques on the copper body of traditional smoking furnaces, such as three-legged smoking furnaces. There were also smoking furnaces made of gilding, such as the smoking furnace with bottom chisel carved with dragon ears. Its shape was unique, the craftsmanship was exquisite, and the carving process was vivid. The furnace cover was carved with dragon patterns, the furnace mouth was designed uniquely, and the bottom of the furnace was carved to add unique artistic charm to it. In the Qing Dynasty, there were different types of gold-gilded furnaces, such as the bronze gold-gilded furnace in the Qianlong period of the Qing Dynasty, the gold-gilded cloud-dragon pattern furnace in the early period of the Qing Dynasty, and so on. There was also the footless furnace, which was one of the main types of furnaces in the Qing Dynasty. The cover of this kind of furnace was relatively flat, and it was hollow out as a common decoration, which made it look more ancient. In the Ming Dynasty, there were also bronze gilded halberd ear-tube furnaces. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Gilded Copper Box
Only the description of the gilded copper box is vague. Here are some related gilded copper box cultural relics. In the Eastern Han Dynasty, there was a gold-plated inlaid animal-shaped copper box inkstone. It was unearthed from the Han Tomb in Xuzhou in 1970. It was 25 cm long, 14.8 cm wide and 10.2 cm high. It was gold-plated and inlaid with red coral, lapis lazuli, turquoise, etc. The box cover and the box body are combined by the mother-son mouth. The whole body is shaped like a god beast lying on the ground. Its lower jaw extends forward to form an ink pool for storing water. There are stone inkstones and grinding stones inside. The stone inkstone is Lintao stone in Gansu Province. When it was unearthed, there were ink marks on the inkstone hall. It is a practical inkstone. It is now hidden in Nanjing Museum and is one of the treasures of the town courtyard. In the Qing Dynasty, there was a copper gilded silk inlaid porcelain box. The body was made of copper gilded gold. It was divided into two parts and was almost the same size. The main decoration of the box cover was the four treasures of the Buddhist Eight Treasures. The outer side of the lower part of the box was painted with the other four treasures of the Buddhist Eight Treasures, reflecting the high level of porcelain making in the Qing court. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Gilded Copper Guanyin
The gilded bronze Guanyin was a type of Guanyin statue. It had different characteristics in different periods and was distributed in many museum collections, auctions, and so on. During the Five Dynasties and Ten Kingdoms period, there was a 53-centimeter high gilded copper Guanyin statue (commonly known as "Water Moon Guanyin" among the people). In 1958, it was unearthed in the underground palace of the Ten Thousand Buddha Pagoda of Miyin Pagoda Temple in Jinhua City (formerly Jinhua County), Zhejiang Province. Later, it was collected and exhibited by the National Museum. After returning to the hometown exhibition, it was printed on stamps, and there were plans to replicate and display the replica in Jinhua City. In 2023, Australia returned the gilded copper Guanyin statue to China. In the Ming Dynasty, there was a gilded bronze statue of Guanyin. It was sitting in the lotus position, wearing a corolla on its head, wearing precious ornaments on its chest, wearing gorgeous clothes, with a large head and a thick and short neck. It was collected in the Zhengzhou Museum. In the Qing Dynasty, there was a bronze gilded statue of Guanyin Bodhisattva. It was 32 centimeters high and gilded. Guanyin Bodhisattva wore a crown on her head, her ears drooped, her eyes closed, and her face was serene. She sat on a lotus seat in a lotus position with her palms folded in front of her abdomen. She wore a long robe, plum blossom shaped earrings, and a tassel on her chest. In addition, a 14th-century Xizang four-armed Guanyin statue was sold for 18.87 million Hong Kong dollars. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!