But relics are protected by glass
Glass plays an important role in the protection of cultural relics. In the protection of cultural relics, glass mainly has the following applications: ** I. Direct protection role in cultural relics exhibition ** 1. ** Physical isolation ** - For example, in some cultural relics display scenes, such as the precious stone lion in front of the Seven Star Rock Water Moon Palace, it was protected by glass. The glass acts as a physical barrier to prevent the audience from coming into direct contact with the cultural relics, preventing human touch, collision, and other possible damage to the cultural relics. 2. ** Stable environment ** - For some cultural relics that were more sensitive to environmental factors, the glass showcase could create a relatively stable small environment to a certain extent. For example, glass display cabinets could reduce the erosion of cultural relics by the external environment such as dust and impurities. At the same time, it could help regulate the temperature and humidity inside the display cabinet, providing a more suitable micro-environment for the preservation of cultural relics. 3. ** Show the effect ** - The glass used in museum display cabinets usually had high clarity and clarity. It was made of high-purity transparent materials with extremely high light transmission without obvious particles and stripes. This kind of glass could truly restore the color and texture of the cultural relics, allowing the audience to clearly see every detail of the cultural relics, enhancing the viewing experience while protecting the cultural relics from external environmental interference. ** 2. Special protection of glass relics ** 1. ** Purpose of glass cultural relic protection and environmental control ** - The purpose of glass cultural relics protection is to prevent or slow down its damage and maintain its integrity and stability. Glass relics are very sensitive to environmental factors (such as temperature, humidity, light, etc.), so controlling these factors is the key to protecting glass relics. Glass cultural relics should be stored in a constant temperature, humidity, and light-proof environment. Glass products such as glass covers or glass display cabinets help to create such an environment in this process to prevent further damage. 2. ** Glass application in preventive protection measures ** - In the museum exhibition, anti-violet curtains and indoor humidity adjustment measures could be used for glass relics, and glass display cabinets and other facilities were an important part of these preventive protection measures. They could be combined with other measures, such as placing humidity adjustment materials in the glass showcase to protect the glass artifacts. 3. ** Protection after repair ** - For glass relics that have been damaged and repaired, protective facilities such as glass covers can prevent them from being damaged again. After the restoration of glass relics, there may be a relatively fragile structure. The glass cover can avoid external factors such as accidental collisions and environmental changes that affect the restoration effect. Read more exciting novels for free
Cultural relics protected in the desert
There were many cultural relics protection measures in the desert area. For example, in the Peacock River Beacon Group, the earliest buildings here could be traced back to the Han Dynasty. It was a historical witness of border development, ethnic exchanges, and cultural integration. It was a national key cultural relic protection unit, so there must be corresponding protection measures. In Ejina Banner of Alxa League in Inner Mongolia Autonomous Region, there was a "Hump (Great Wall) Cultural Relics Protection Team". There were many cultural relics in Ejina Banner, including 197 Great Wall sites, including beacon towers and beacon towers built in different historical periods. Due to the scattered distribution of the Great Wall, it was difficult to patrol daily. In 2016, the "Hump (Great Wall) Cultural Relics Protection Team" was established. 33 voluntary protectors were responsible for daily patrol tasks. For example, the protector Hai Long was responsible for the safety of the cultural relics of the Black City site. In addition to daily patrol and inspection, he also repaired damaged facilities. This summer, he also served as a guide. The herdsman Weidong took the initiative to join in and voluntarily took care of and patrolled the immovable cultural relics around the Green City Ruins and other pastures. The annual patrol range reached more than 2000 kilometers. In addition, the Ejina Banner Cultural Relics Protection Center also set up the "Ejina Banner Great Wall Protection Station" in the key Great Wall area of the Juyan site, and carried out cultural relics protection publicity and education work for the herdsmen around the site. In Dunhuang, Mogao Grottoes are an important treasure trove of cultural relics. There are more than 200 people in the cultural relics protection team of Dunhuang Research Institute. Among them, there are scientific researchers running between cultural heritage sites and laboratories, and there are also cultural relics restoration experts who have been rooted in the front line all year round. The grotto monitoring center displayed the data of "Mogao Grottos-Cave Body and Micro-environment Monitor" in real time through the large screen, including dynamic data such as temperature, humidity, carbon dioxide concentration, volatile organic compound content, etc., so as to protect the cultural relics of Mogao Grottoes. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There are protected cultural relics everywhere
Cultural relics have irreplaceable historical, cultural, and scientific value. Protecting cultural relics is of great significance in many aspects. From a legal point of view, the country has a clear cultural relics protection law, which stipulated the various requirements for the protection of cultural relics, the classification of cultural relics, and clarified the responsibilities of various departments in the protection of cultural relics, such as the cultural relics administrative department, the public security department, the industrial and commercial administrative department, the urban and rural planning department, and the customs. They must do a good job in the protection of cultural relics within their respective responsibilities. The financial departments of governments at all levels should also provide financial support for the protection of cultural relics and strictly manage the use of relevant funds. From the perspective of cultural inheritance, cultural relics were an important carrier for inheriting cultural roots. For example, Shanxi was an important birthplace of the Chinese nation and Chinese civilization. Its many cultural relics carried the development of Chinese civilization. Through the protection of cultural relics, it could condense the national spirit and enhance the national self-esteem and pride. From a social perspective, the protection of cultural relics was the responsibility of the entire society. On the one hand, it was necessary to train professionals to ensure the professionalism of cultural relics protection work. On the other hand, it was necessary to create a good social atmosphere and publicize cultural relics protection knowledge through various media to enhance the awareness of cultural relics protection in the whole society. Moreover, the protection of cultural relics was closely related to other aspects of social development, such as the mutual promotion of tourism. Under the premise of protecting cultural relics, the reasonable development and utilization of cultural relics as tourism resources could attract tourists and obtain economic benefits. At the same time, it could also play a role in propaganda and education for people in tourism activities, promote traditional culture, and be conducive to the protection of cultural relics themselves. In short, the protection of cultural relics involved many aspects such as law, cultural inheritance, social development, and so on. Therefore, the protection of cultural relics was emphasized everywhere. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Gobi protected cultural relics
There are many cultural relics being protected in the Gobi area. In Xinjiang, Wufuer Corban of Yuli County Culture, Sports, Radio, Television and tourism bureau (Cultural Relics Bureau) has been guarding the peacock river beacon group for 28 years. Every day, he crossed the Gobi Desert, desert, beach, saline-alkalized land, etc. to check whether the fence around the beacon tower was eroded by sand and wind, whether it had collapsed, etc. If it had collapsed, he would take photos and report it for professional maintenance. Most of the beacon towers in Peacock River were located in no man's land. The environment was harsh. Mosquitoes were rampant in summer, and the winter was extremely cold. The temperature difference between day and night was extremely large. However, Wufuer Corban still insisted on carrying water and dry food every day, riding a motorcycle or walking to patrol. In Alxa Left Banner of Alxa League in Inner Mongolia Autonomous Region, local farmers and herdsmen formed the cultural relics protection team of the Great Wall of Alxa Left Banner to protect the cultural relics in the Gobi. Because the cultural relics were scattered and remote, the Alxa Left Banner Cultural Relics Administration Bureau, which was short of manpower, could not bear the responsibility of patrolling. Therefore, the local farmers and herdsmen, out of their love for their hometown, carried out the volunteer service of patrolling immovable cultural relics. The protection team, established in 2015, had grown from 10 members to 44 members. They walked or rode motorcycles and camels to the depths of the Gobi Desert, which was difficult to reach by car. They patrolled and protected more than 200 key cultural relics protection units, including beacon towers, city barrier sites, rock paintings, etc. The team members made use of their spare time to patrol from time to time. Some of them were also responsible for publicizing the knowledge of cultural relics protection to enhance the public's awareness of cultural relics protection. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
300,000 relics
I'm not sure what you want to ask about the "300,000 cultural relics". If it is a museum that collects 300,000 cultural relics, the Egyptian National Museum collects more than 300,000 historical relics, and China Three Gorge Museum in Chongqing has more than 290,000 cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Investigation of Zhejiang Medical Relics and Relics
There were many relics and sites related to medicine in Zhejiang. In terms of the site, the Kuahuqiao site in Xiaoshan unearthed Chinese medicinal herbs and herbal medicine pots about 7000 - 8000 years ago, starting the development of Zhejiang traditional Chinese medicine. Traditional Chinese medicine such as gorgon seeds and traditional Chinese medicine instruments were found in the ruins of Liangzhu Ancient City and Hemudu. Ganoderma lucidum samples were unearthed from Tianluo Mountain in Zhejiang Province, and the use of ganoderma lucidum as a medicine was traced back to at least 6800 years ago. From the perspective of medical cultural relics, there was an exhibition of traditional Chinese medicine industry equipment and cultural relics in the backyard of the China Folk Museum. It displayed cultural relics such as small bottles used by doctors to collect medicinal herbs, as well as medical books that recorded how much money was weighed and the price list of medicinal herbs. These all reflected the rich medical cultural heritage retained in the development of traditional Chinese medicine in Zhejiang. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Beaded relics
The reference materials mentioned that amber, agate, and crystal beads were first-class cultural relics. There were a total of 56 beads, including 43 agates, 6 ambers, and 7 crystals. They were of various shapes, such as spherical, olive, earring, cylindrical, squatting beast, and so on. They were colorful. Among them, the amber squatting beast was small in shape and exquisite in craftsmanship. However, he did not find any more information about the beaded cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Taoist relics
Poetry Relics
In China culture, poetry and cultural relics were closely related. On the one hand, poetry was a vivid description of cultural relics. For example, in the first collection of poems in our country, the Book of Songs, Gan Tang could be regarded as an early poem related to the protection of cultural relics. There was also a Tang Dynasty blue-glazed brown colored "Jun Sheng, I am not born" poetry pot. The poetry on the pot body reflected the combination of cultural relics and poetry. The porcelain of Changsha kiln was decorated with ancient poems. Most of the ancient poems on these porcelain were created in the Tang Dynasty and carried the mainstream culture of the Tang Dynasty. On the other hand, there were also poems on the cultural relics. For example, Guo Ji Zi's white plate, the inscription on the bottom of the plate was mainly four words, and it was decorated with rhyme. The diction was beautiful, and the writing was completely similar to the Book of Songs. It could be seen as a poem cast on bronze ware. Moreover, some sentences in the inscription could be cited with the historical facts recorded in the Book of Songs, which had extremely high historical value. In short, cultural relics and poetry were the two treasures of China culture. They were intertwined and complemented each other in the long river of history. Cultural relics witnessed the changes of the times and human wisdom, while poetry was the expression of literati's feelings and the poetic reappearance of history. The two complemented each other and jointly constructed the brilliant picture of Chinese civilization. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
indoor relics
Indoors cultural relics were usually placed in an environment with strict security measures, such as being placed in glass boxes, which ensured the safety of the cultural relics. For example, Xianyang Museum (II) had indoor cultural relics, and Hummingbird photography forum had exquisite photos of indoor cultural relics for photography enthusiasts to appreciate. This helped them learn photography skills, post-processing skills, understand photography equipment, and share beautiful photos. Inside the Great Buddhist Temple, there was the largest indoor wooden statue of the reclining Buddha in Asia and the most complete first printed version of Yongle Northern Collection. It was a Buddhist art museum that integrated various cultural elements. The indoor archaeological work of Nanhai No. 1 carried out in the museum had many advantages, such as the ability to artificially control and simulate the burial environment of the shipwreck, providing the necessary platform for the application of various technologies and fine excavation. In addition, Changsha had an immersive digital exhibition of life art-Mawangdui Han Dynasty culture. Through the combination of history and technology, people could immerse themselves in the cultural thoughts behind the indoor cultural relics of Mawangdui Han Tomb. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
pottery relics
There were many types of pottery relics, which appeared in various historical periods of ancient China and had different characteristics. During the Shang Dynasty, a ceramic sewer was unearthed in the Yin Ruins of Anyang, which indicated that China's research on drainage systems was quite in-depth at that time. From the perspective of colored pottery, China colored pottery was developed on the basis of red pottery. It was made by using a specific dye to paint the surface of the red pottery and then firing it. For example, the painted pottery boat-shaped pot in the Yangshao culture period was shaped like a boat and painted with a net pattern at the belly of the pot; The painted pottery human-faced fish-patterned basin had human-face patterns and fish patterns on the inner wall, reflecting the worship of fish by Banpo people; The painted pottery stork fish stone axe vat was a representative work of China painting in its infancy, painted with storks, fish and giant axes; The painted pottery dance basin in the Majiayao culture period was painted with 15 people holding hands and dancing. The black pottery was formed by adding water from the top of the kiln at the final stage of the firing of the object to extinguish the charcoal and produce thick smoke to blacken the object. The eggshell black pottery cup in the Longshan culture could be called the essence of ancient pottery. Its shape was unique and beautiful. The thinnest part of the cup was less than 0.5 mm, and the whole body was black and glossy. The texture was delicate and warm. There were also other black pottery products such as black pottery cups and pottery cauldrons that had their own characteristics. White pottery was white inside and outside, and its body was white. It was made of porcelain clay or kaolin. It originated in the Neoliths Era and reached its highest achievement in the Shang Dynasty. During the Longshan culture period, there were white pottery and other representative cultural relics. In addition, cultural relics such as small terracotta warriors and horses were found near the tomb of King Qingwang in Gaomi; among the cultural relics returned to China by the National Art Museum of Australia, there were painted terracotta figures riding horses; the Longshan culture of the Neolith Age also had painted dragon-patterned pottery plates with dragons painted on the inner walls, known as "the first dragon pottery in China". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>