1. ** Showcase space ** - The structure and size of the showcase should be planned according to the cultural relics displayed, which should meet the aesthetic needs of the cultural relics display and highlight the color and cultural content of the cultural relics. The design style was mostly retro to reflect the sense of dignity. After all, the museum was a cultural exhibition place, and the design of the showcase had to match the cultural relics displayed. - The interior space of the showcase could be equipped with a light source, giving people a sense of pleasure in the color tone, forming the focus of their eyes. - The design of the booth should display the cultural relics as a whole, so that the audience could see the largest aspect of the cultural relics. At the same time, the fabric of the booth should not be too bright to avoid visual fatigue. 2. ** Bright theme ** - The museum displayed the treasures of China culture, and the design of the display cabinets had to follow the concept of " the most important thing in the production of display cabinets is the display." The color tone was usually dark to show solemnity, and the display cabinet should reflect the characteristics of steadiness. The light source inside the exhibition hall was generally warm, so that the cultural relics could be displayed more vividly. Each exhibition hall should have its own unique charm and uphold the concept of never getting tired of looking at it. Read more exciting novels for free
Regarding the Hebi cultural relic showcase, there was information on the purchase of the Hebi City Museum showcase. One of the procurement projects was numbered as No. of the procurement project, which was funded by the funds within the budget. The planned completion period was 60 calendar days. The procurement budget was not shown in detail, and the security deposit was 13,000.00 yuan. The supplier must meet the basic conditions stipulated in article 22 of the "Government Purchasing Law of the People's Republic of China", have a copy of the valid business license issued by the industrial and commercial department, a tax registration certificate, an organization code certificate, a production or processing enterprise with independent legal personality and a business scope that includes the purchase content, and have the certification of the Iso14001 environmental management system and the certification of the Iso9001 quality management system. Submit no less than two copies of similar performance proof materials (subject to the contract) that have participated in a single exhibition cabinet contract of a prefecture-level museum in the past three years, and the project does not accept consortium bids. There was also a government procurement project for the independent showcase of Hebi City Museum, numbered as "HBBB [2013] No. 303." The original bidding project involved 19 independent showcase of the museum. The time in the relevant announcement, the time to receive the bidding documents, the deadline for submission of the bid security, and the time of the bid opening had been changed. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In Fujian, there was an incident in which the cultural relics exhibition cabinet of the Putian City Museum was turned into a "100-yuan wishing well" by tourists throwing coins and banknotes. The exhibition cabinet was located in the history hall on the second floor of the museum. The artifacts inside were from the sea and were relatively recent. Some of them were incomplete when they were unearthed. This incident reflected that there may be some problems in the management of cultural relics display cabinets in Fujian and the guidance of tourists 'behavior. Generally speaking, cultural relics display cabinets had many functional requirements. For example, the sealing property should be good, with a certain degree of breathability so that the administrator could regulate the internal environment, and the cultural relic atmosphere should be protected. The glass should be made of special glass. The middle layer of the film should be tough and sticky, and it should not be easily penetrated after being damaged by impact. The fragments should not fall off and be closely adhered to the film. It should have the properties of shock, theft, bulletproof, explosion resistance, etc. The lock should be wear-resistant, dirt resistant, moisture resistant, corrosion resistant, frost resistant, and can also be equipped with voice alarm, touch alarm, and wireless monitoring system. The structural design should be scientific and reasonable to meet the requirements of cultural relics display and storage. Metal materials should be used for production and assembly, and it should have a certain weight and stability. Independent display cabinets should be flexible and convenient to move and fix. The door opening should be light, noiseless, simple and convenient to operate, and the overall performance should be stable and reliable. There should be no major faults except for vulnerable parts. In addition, some of the cultural relics display cabinets also had constant temperature and humidity machines (display cabinet micro-circulation constant temperature and humidity machines). The temperature was generally controlled between 18 - 24 degrees Celsius, and the humidity was controlled between 40% - 60%(depending on the material of the cultural relics). It had air purification, anti-vibration, and anti-violet functions. There was also an intelligent control function that could automatically adjust the temperature and humidity according to the type of cultural relics and storage conditions. It also had a scheduled cleaning function. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The standards for cultural relics showcases covered many aspects: ** 1. Security ** 1. ** Safe structure ** - The frame of the showcase must be constructed with high-strength and impact-resistant materials. It must have sufficient earthquake resistance, bearing capacity, and considerable mechanical strength. It must not break or fall apart when subjected to external forces to ensure the safety of the stored cultural relics. For fragile items, the display cabinet must have shockproof, shockproof, and anti-slip measures. The auxiliary support plates and fixing cards must be firmly fixed. - The showcase should be equipped with ultra-hard, wear-resistant and rust-proof locks. The keyhole should be hidden to prevent illegal intrusion. There should be more than two keyholes installed on the door. The two keys should be managed by two managers respectively. 2. ** Protection Function ** - The showcase must have fire resistance, and the material itself should meet the fire resistance requirements. At the same time, it had to have dust-proof, insect-proof and other protective functions to deal with various potential security threats. - Alarm devices, including vibration alarms and glass breaking alarms, should be installed inside. Closed-circuit television monitors should also be installed. The glass used in the showcase should be glued glass, which can enhance the impact resistance. ** 2. Protective aspects ** 1. ** Stable environment ** - The display cabinet should provide a constant temperature and humidity environment for the cultural relics to prevent the changes in temperature and humidity from causing damage to the cultural relics. 2. ** Light Protection ** - UV-resistant glass should be used internally, with reasonable lighting design to prevent direct light from hitting the surface of the cultural relics and reduce the phenomenon of light aging. The tightness of the display case was also one of the key factors to protect cultural relics from external interference. ** 3. Exhibition effect and audience experience ** 1. ** Visualization ** - The use of high light transmission glass or acryl materials, combined with scientific and reasonable lighting design, ensured that the audience could clearly and comfortably view the cultural relics and highlight the details and beauty of the cultural relics. 2. ** Access ** - Easy-to-read display labels and explanations were provided to help the audience understand the background and history of the cultural relics. The opening system of the showcase should be simple and flexible, so that the staff could carry out daily maintenance and management. ** 4. Unity and creativity ** 1. ** Unification ** - The design of the display cabinet had to be coordinated with the overall style of the museum and the theme of the exhibition. The unified color tone, style, and technical characteristics could create a harmonious and orderly display environment. 2. ** Creation ** - On the basis of the principle of unity, modern design concepts and technical means, such as dynamic display and virtual reality, could be used to enrich the audience's visual experience. At the same time, the internal structure and display mode should be flexibly adjusted and optimized according to the characteristics of cultural relics. ** 5. Function and aesthetics ** 1. ** Function ** - The display needs, protection needs, and audience viewing needs of cultural relics should be fully considered. For example, special protective measures should be provided for fragile or sensitive cultural relics, and sufficient display space should be designed for large displays. 2. ** Esthetics ** - The appearance and material of the showcase should pay attention to details and craftsmanship to display the value and beauty of the cultural relics. At the same time, it should integrate modern aesthetic elements and artistic expression techniques to become a beautiful scenery in the museum. ** 6. Operation requirements ** 1. ** Door opened ** - During the exhibition, the cabinet door should be opened flexibly, which was very important to improve the efficiency of the exhibition and the later maintenance of the museum. The showcase manufacturer had to communicate closely with the museum designers and storekeepers to design a museum showcase with comprehensive functions and flexible opening, including whether the showcase opening mechanism was hidden and whether the base design was horizontal. 2. ** Ease of maintenance ** - The convenience of replacing the moisture absorption buffer material should be fully considered, so that the maintenance work of the showcase is convenient and simple. In addition, air tightness was also an important factor in measuring the quality of the showcase. A well-sealed showcase could provide a relatively stable preservation environment for cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The solid wood pastry showcase and the Chinese cultural relic showcase were both wooden showcases. The wooden showcase was mainly made of various types of wood and could be manufactured by the showcase factory. For the solid wood pastry display cabinet, it may be made of wood suitable for the food display environment. The design should consider the display effect of the pastry and the convenience for customers to view and choose. The display cabinet of Chinese cultural relics was used to display Chinese cultural relics, so the protection requirements of cultural relics needed to be considered, such as the control of temperature and humidity, and the prevention of light damage. The choice of materials might be more inclined to wood with high stability and no chemical impact on cultural relics. The design should conform to the Chinese style and ensure the safety of cultural relics display. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Your question is incomplete. Please clarify what you want to know about the cultural relics in Shaanxi Museum, such as their age, characteristics, and whether they are the treasures of the museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The price of a cultural relic showcase varied due to many factors. From the size specifications, the price of a small showcase (less than 1 meter in length) may be 5000 to 20000 yuan; the price of a medium-sized showcase (1 to 3 meters in length) is generally 20000 to 50000 yuan; and the price of a large showcase (more than 3 meters in length) is usually more than 50000 yuan. In terms of material selection, the price of ordinary glass and metal frames may be around 3000 to 8000 yuan per square meter; the price of bulletproof glass, high-quality stainless steel or aluminum alloy is 10000 to 30000 yuan per square meter or even higher. Simple cabinets, such as ordinary stand-alone cabinets, flat cabinets, etc., may cost between 10000 yuan and 30000 yuan. As for the factory direct sales, we did not obtain the direct price information of the cultural relic display cabinet factory direct sales, so we could not answer accurately. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following is information about the size of some cultural relics: - Plain yarn unlined garment (Western Han Dynasty): 128 cm long, 190 cm long sleeves, 48 cm wide waist, total material of about 2.6 square meters, weight of only 49 grams; There are also specifications of 140 cm long, 245 cm long sleeves, 52 cm wide waist. - Song Dynasty Han clothing (Northern Song Dynasty Nanling Tie Guai Tomb wide sleeves): length 64.5 cm, shoulder width 78 cm, sleeve length 44.5 cm, sleeve length 149 cm, sleeve width 12.2 - 37 cm; Narrow sleeve clothing length 108.3 cm, shoulder width 83 cm, sleeve length 33 cm, sleeve length 167 cm, sleeve width 34 - 39 cm. - In the underground palace of Changgan Temple in the Northern Song Dynasty, there are women's clothes with mud gold flowers, birds, silk lining and long-sleeved double-lapel; In the tomb of Huang Sheng in Fuzhou in the Northern Song Dynasty, there are purple-brown silk printed gold painted lace unlined clothes with double-lapel, without button loop or tie on the lapel. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Luoyang's cultural relic renovation design has its own uniqueness. On the one hand, when carrying out the renovation design of Luoyang cultural relics, it was necessary to take into account the characteristics of cultural relics buildings, such as long time span, uneven construction level, complex forms, and various types. Common problems include the damage of the protected parts of the building and the protected items, the change of the use function, the local adjustment of the layout and structure, the distortion of the building, the inclination and settlement affecting the safety of the use, the damage of the building components causing the structural bearing capacity to be insufficient, the damage of the internal and external decorations affecting the normal use of the building, the damage of the original equipment and facilities or the inability to meet the normal use requirements, and the external environmental factors affecting the normal use of the building. Therefore, the conditions for protection and repair are complicated and difficult. When carrying out the specific repair design, it was necessary to formulate a detailed special repair plan, covering the construction method, technological measures, quality requirements, and so on. For example, when it came to wood-related repairs, it should be noted that the moisture content of the wood should be compatible with the climate and environment of the building. The requirements of different places were different. If the moisture content did not meet the requirements, the oil decoration operation could cause the internal wood structure to rot. If the structure, structure, and material quality are found to be inconsistent with the design during the repair process, the site shall be protected. Only after effective measures are taken to eliminate potential safety risks can the construction continue. In addition, when the renovation project of Luoyang Shanshan Guild Hall was established, the principles of "not changing the original state of cultural relics" and "minimum intervention" should be followed. The scope of the project included glazed screen wall, dance building, worship hall, east and west corridor building and courtyard, etc. During the preparation of the project plan, it was necessary to strengthen the survey of the current situation, analyze the causes of the damage and the degree of damage, and formulate targeted protection measures; the original courtyard ground should adopt excavation and repair measures as much as possible and retain the original old bricks; fully summarize the effects of the previous maintenance projects to improve the protection measures and operational requirements; clearly define the way of exhibition and utilization of cultural relics buildings and reflect them in the plan; refine the project budget, clarify the project content, and supplement the basis for charging fees. These were all aspects that needed to be considered during the renovation design of Luoyang cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There are many museum in Xi'an. The following are some of the precious cultural relics in the museum: - ** Shaanxi History Museum **: There are 18 national treasure-level cultural relics, including the gold-inlaid agate cup, which is a jade carving of the Tang Dynasty. It is the only beautiful jade carving of the Tang Dynasty that has been seen so far. The most exquisite jade carving of the Tang Dynasty is also the product of the cultural exchange between China and foreign countries in the Tang Dynasty. It is listed in the first batch of cultural relics that are prohibited from going abroad. The gilded dancing horse holding a cup with silver patterns was a silverware of the Tang Dynasty. It was one of the first batch of cultural relics that were forbidden to be exhibited abroad. The silver pot was 18.5 centimeters high. The overall shape was modeled after the leather bag used by nomadic people to store water on horseback. The upper mouth was closed and the bottom was flat and curved. No welding lines could be seen around the whole body. The three-colored camel figurines were pottery of the Tang Dynasty. It was a treasure of the museum and one of the cultural relics that were forbidden to go abroad. - ** Banpo Museum in Xi'an **: It has many cultural relics, such as red pottery headpot and human-faced painted pottery basin. There are 18678 cultural relics in the museum, including 4528 cultural relics above Level 3. - ** Museum of Northwest University **:"The Han Dynasty annexed the world" tile and the epitaph of Jing Zhencheng were rather special. The "Han Dynasty annexed the world" tile was unearthed in Xi'an City and was an important cultural relic of the Western Han Dynasty. It symbolized the unification and prosperity of the Han Dynasty and had extremely high artistic and historical value. It was a valuable material for studying ancient Chinese architecture and history. Jing Zhencheng's epitaph was the only material found in China so far about the Tang envoy, which witnessed the communication between Chinese and Japanese civilizations. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The door of the cultural relic storeroom of Yunnan Museum is Grade 3 (Grade C). The size of the clear passage is 1500X2300 double-door, and the quantity is 3. The lock was equipped with three imported mechanical password locks (three locks and two openings), which could achieve fire and explosion protection, waterproof, moisture and smoke protection, flame cutting protection, drilling protection, and shockproof functions. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>