Taoist relics

In China culture, poetry and cultural relics were closely related. On the one hand, poetry was a vivid description of cultural relics. For example, in the first collection of poems in our country, the Book of Songs, Gan Tang could be regarded as an early poem related to the protection of cultural relics. There was also a Tang Dynasty blue-glazed brown colored "Jun Sheng, I am not born" poetry pot. The poetry on the pot body reflected the combination of cultural relics and poetry. The porcelain of Changsha kiln was decorated with ancient poems. Most of the ancient poems on these porcelain were created in the Tang Dynasty and carried the mainstream culture of the Tang Dynasty. On the other hand, there were also poems on the cultural relics. For example, Guo Ji Zi's white plate, the inscription on the bottom of the plate was mainly four words, and it was decorated with rhyme. The diction was beautiful, and the writing was completely similar to the Book of Songs. It could be seen as a poem cast on bronze ware. Moreover, some sentences in the inscription could be cited with the historical facts recorded in the Book of Songs, which had extremely high historical value. In short, cultural relics and poetry were the two treasures of China culture. They were intertwined and complemented each other in the long river of history. Cultural relics witnessed the changes of the times and human wisdom, while poetry was the expression of literati's feelings and the poetic reappearance of history. The two complemented each other and jointly constructed the brilliant picture of Chinese civilization. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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The following were some recommendations for novels related to the cultural relic category: " The Reborn Cultural Relic Master,"" The Great Appraiser,"" The Antique Appraiser,"" The Golden Eye Appraiser of Antiques,"" I Can Repair Antiques,"" The Foreignland's Ace Appraiser,"" The World's Collection," and so on. These novels covered topics such as the identification of cultural relics and the restoration of cultural relics. They were suitable for readers who liked such topics.

You might want to ask about the name of the novel related to the 17 sariras. If that's the case, it's the second part of Journey to the West. There was a story about Tathagata and Wutian in the later part of Journey to the West. They were symbiotic beings with two sides of the same body. They had the same magical power and needed 17 compassionate ancient Buddhist relics to resolve the deadlock. Among them, Sun Wukong's Boneless Sarira was the key to breaking the deadlock between Buddha and Demon. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The cultural relics contained many feelings of longing. For example, in the Book of Songs, Xiaoya, Yuanyang, the mandarin duck was compared to the love between husband and wife, and the "red bean" mentioned in Wen Tingyun's "Two Songs of Southern Songs" represented deep love. These literary works also echoed the cultural significance embodied in cultural relics. For cultural relics like the engraved silver box, the bottom of the box was engraved with a pair of men and women standing side by side and the words "two people of the same heart". It was as if one could see the scene of a man giving a powder box to a woman he liked a thousand years ago. It contained the love between a man and a woman. The Western Zhou jade pendant was two meters long. It was the only thing Marquis Mu of Jin cared about and doted on the second wife. It reflected the deep feelings between husband and wife. Even if they were separated by yin and yang, it contained the thoughts of the living for the deceased. The golden hairpin in the Suzhou Museum had witnessed the love between Sun Ce and Da Qiao. Now, it could also make people feel the yearning and nostalgia that spanned thousands of years. More than 4800 pieces of exquisite jewelry were unearthed from the tomb of the King of Mingliang Zhuang and his step-concubine, which witnessed the experience of the husband and wife living together. Behind their "living in the same quilt and dying in the same cave", there was also endless longing and attachment for each other. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!

Sarira is divided into killing thief fruit position sarira, not born fruit position sarira, should be for fruit position sarira.

There were many factors to consider when shooting cultural relics and jewelry. For the shooting of cultural relics and jewelry, the first thing to pay attention to was the lighting. As some cultural relics are sensitive to light, such as paper, fabrics, prints, rubber paintings, colored leather, plant specimens, etc., the recommended illumination value is <50LX.(Color temperature <4000K); bamboo, wood, rattan, bone, lacquer, murals, natural leather, animal specimens and other light-sensitive items, the recommended illumination value is <180LX (color temperature <4000K); For the types of items that are not sensitive to light, such as metal, stone, glass, porcelain, jewelry, and glaze, the recommended illumination value is <300LX (color temperature <6500K). The most commonly used flash lamps in daily life, such as the Xenon Lamp, had a color temperature of about 6200K and an instantaneous illumination of more than 10,000 LX, far exceeding the tolerance of many cultural relics. Therefore, it was generally not possible to use flash lamps to shoot cultural relics and jewelry, in case the infrared and infrared rays in the strong light caused damage to the surface of the cultural relics and jewelry, causing the molecules on the surface of the cultural relics and jewelry to decompose or react to change the original characteristics. In addition, the violet rays in the sun could also cause damage to cultural relics, so in addition to avoiding flashes, it was also necessary to prevent cultural relics and jewelry from being exposed to the sun. Secondly, copyright issues also needed to be considered. If the cultural relics and jewelry were works that had signed an agreement with the museum or gallery, they were not allowed to shoot at will to avoid harming the interests of the relevant parties. If the above conditions were met, suitable lighting equipment could be used, such as soft lighting in the venue or some special photography lighting equipment, without damaging the cultural relics and jewelry. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Taicang was rich in cultural relics. In terms of ancient bridges, Taicang Stone Arch Bridge was built in the first year of Yuan Dynasty (1330). There are five well-preserved bridges, including Zhou Bridge, Zhoujing Bridge, Gao Bridge, Jingting Bridge and Jinji Bridge. In 2006, it was announced as the sixth batch of national key cultural relics protection units; Boxun Bridge was built in 1934, which is the junction bridge between Taicang and Kunshan. In terms of ancient architecture, Yanshan Garden was the home of Wang Shizhen, a writer and historian of the Ming Dynasty. There were many scenic spots in the garden. Wang Xijue's former residence was built during the Wanli period of the Ming Dynasty. The existing gate house and Wang's ancestral hall had three entrances. The calligraphy stele of Zhao Mengfu of the Yuan Dynasty in the stele corridor of the courtyard was a valuable ancient stele inscription and was listed as a provincial cultural relic protection unit in Jiangsu Province. The West Tower of Huangjing Town was built during the Wanli period of the Ming Dynasty and rebuilt during the Qianlong period of the Qing Dynasty. It was the only well-preserved ancient tower in Taicang, and also the cultural relic protection unit and red ruins of Taicang City. The "Little Red Tower" in Chengxiang Town is now the theme art museum of the Wanguo Wharf. The Liuhe Tianfei Palace was built in the fifth year of Xuanhe of the Northern Song Dynasty (1123 AD). It was moved to the current site in the Yuan Dynasty and promoted to the national key cultural relic protection unit in 2013. Its sleeping hall architectural style is simple and elegant. In terms of ancient ruins, Liangzhu Culture and Maqiao Culture were excavated in 2003, filling the gaps in Taicang's primitive culture. Taicang's history was traced back to 4500 years ago, and it was called the "Root of Taicang". In addition, by 2011, there were 2 national cultural relics protection units, 6 provincial cultural relics protection units, and 29 city (county) level cultural relics protection units. Liuhe Tianfei Palace was listed as a national key cultural relics protection unit in 2014. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Sarira is divided into killing thief fruit position sarira, not born fruit position sarira, should be for fruit position sarira.

The ownership of the ancestral tomb cultural relics needed to be judged according to the situation. If the items in the ancestral graves were identified as cultural relics by the cultural relics department, especially the funerary objects in the ancestral graves before 1911 (belonging to ancient tombs), according to the Law of the People's Republic of China on the Protection of Cultural Relics, all cultural relics left in the underground, inland waters and territorial waters of the People's Republic of China belonged to the state. Even if it was his own ancestral grave, he had no right to deal with it. However, if it could be proved to be an ancestral cultural relic, for example, if there was sufficient evidence to prove that it was left by an ancestor and belonged to a cultural relic with an owner, such as digging up an ancient coin under the homestead that could prove that it was buried by his grandfather, according to article 6 of the Law of the People's Republic of China on the Protection of Cultural Relics, the ownership of collectively owned and privately owned memorial buildings, ancient buildings, ancestral cultural relics, and other cultural relics obtained according to law was protected by law. In addition, if only ordinary funerary objects were found during the process of moving the ancestral grave, the legal heir would inherit them legally. If cultural relics are found in ancestral graves and are concealed or refused to be handed over, the cultural relics department of the people's government at or above the county level shall, together with the public security organs, recover the cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>