National and Shanxi Key Cultural Relics Protection Site
National key cultural relics protection sites shall be approved by the State Council, the Ministry of Culture and tourism, and the State Administration of Cultural Heritage to determine and announce. The eighth batch of national key cultural relics protection units announced on October 7,2019 totaled 762, covering ancient sites (167), ancient buildings (280), ancient tombs (30), modern and important historical sites and representative buildings (234), cave temples and stone carvings (39), others (12) and other different types, distributed in various provinces of the country, such as 79 in Shanxi Province, 62 in Henan Province, etc. The number of existing national key cultural relics in Shanxi ranks first in the country. Among them, there are many famous cultural relics protection units, such as Lizhuang Confucian Temple, which was built in the third year of Jin Taihe to Da 'an.(1201 - 1211), rebuilt in the first year of Yuan Zhizhi (1321). In 2013, it was announced by the State Council as the seventh batch of national key cultural relics protection units; Huguan's Zhenze Two Immortal Palace was the sixth batch of national key cultural relics protection units; Ying County's stupa was selected as the sixth batch of national key cultural relics protection units (registered as Jingtu Temple), and the inner Great Wall was a part of the Great Wall of national key cultural relics protection units. In addition, Shanxi Province announced the protection plan for 26 national key cultural relics protection units, including Jinci Temple and Jingyin Temple in Taiyuan, Xinghua Village Fenjiu Workshop in Fenyang and many other cultural relics protection units. Read more exciting novels for free
City-level cultural relics protection site
Different regions had different city-level cultural relics protection sites. For example, Chongqing City announced 444 cultural relics protection units above the municipal level; Guiyang City announced seven batches of municipal cultural relics protection units; Panzhou has many municipal cultural relics protection sites, such as Danxia Mountain Huguo Temple, Pufu Temple, etc., which cover ancient buildings, ancient ruins, cave temples and stone carvings, etc. The time of announcement and the units responsible for management are also different. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The first to eighth batches of national key cultural relics protection sites
As of 2023, China had issued eight batches of national key cultural relics protection sites, totaling 5058. These included 1194 ancient sites, 418 ancient tombs, 2160 ancient buildings, 307 cave temples and stone carvings, 952 important modern historical sites and representative buildings, and 27 others. The first batch of national key cultural relics protection sites was announced on March 4, 1961. There were 180 sites in total, divided into six categories: "revolutionary sites and revolutionary memorial buildings","cave temples","ancient buildings and historical memorial buildings","stone carvings and others","ancient sites", and "ancient tombs". The eighth batch of national key cultural relics protection sites was approved and announced on October 7,2019. There were a total of 762 sites, including ancient sites (167), ancient buildings (280), ancient tombs (30), important modern historical sites and representative buildings (234), cave temples and stone carvings (39), and others (12). These national insurance units were distributed throughout the country, with Shanxi Province, Henan and other provinces having a large number of national insurance units. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Introduction to the Provincial Cultural Relics Protection Site in Jilin Province
There are a total of 400 provincial-level cultural relics protection units in Jilin Province. On February 18,2024, the list of the eighth batch of provincial-level cultural relics protection units in Jilin Province was published, including the site of Daqiaotun in Mafang Village, Liujia Town, Yushu City, Changchun City, and the site of Weizili in Xiaochengzi Village, Xiaochengzi Township, Nong 'an County (two of which were merged with the existing provincial-level cultural relics protection units). The Andamu Nanshan site in Longtan District of Jilin City and the former site of Daiwangzhaizi secret camp were also approved as the eighth batch of provincial key cultural relics protection units. These provincial-level cultural relics protection units were an important part of the rich cultural relics resources in Jilin Province, and they were of great significance in the cultural inheritance of Jilin Province. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relics in southern Shanxi
Jinnan had a rich variety of cultural relics. In terms of architecture, there was the Guangren King Temple of the Tang Dynasty, whose main hall reflected the architectural style of the Tang Dynasty. Its structure was concise, simple and vigorous. The Boating Zen Master Pagoda of the Tang Dynasty was a typical example of the round Tang Pagoda. There was also the Langzhai Brick Pagoda that was no later than the Tang Dynasty. Longmen Temple was even more unique. In the courtyard, one could see buildings from the Five Dynasties to the Qing Dynasty, such as the West Side Hall of the Five Dynasties and the main hall of the Northern Song Dynasty. The stage of the Niuwang Temple in Wei Village of the Yuan Dynasty was one of the oldest stage relics in China. Its stone pillars and caissons were neat and beautiful, and there were well-preserved murals on the back wall. The Flying Cloud Tower of the Ming Dynasty was located in the Dongyue Temple. Together with the wooden pagoda of Ying County, it was known as the "South Tower and North Tower". The architectural structure was unique. In terms of murals, there were wonderful murals in the main hall and waist hall of Qinglong Temple, and there were murals of Yuan Dynasty opera in Guangsheng Temple. In terms of unearthed cultural relics, the Xihoudu site unearthed a large number of fossils of extinct animals such as the right horn of elk in southern Shanxi 1.8 million years ago. This site was also a representative of the early Paleolith Age and one of the oldest known Paleolith cultural relics in China. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shanxi Tianshui cultural relics
You may have some misunderstandings. Shanxi is a provincial administrative region, and Tianshui is a prefecture-level city in Gansu Province. There were many cultural relics in Tianshui, such as more than 80 cultural relics recovered from the case of ancient tomb robbery recently cracked by the police in Wushan County, the portrait brick of the Azure Dragon of Han Dynasty in the museum of Tianshui City, and the "screen stone coffin bed" unearthed from an ancient tomb of Sui Dynasty more than 1400 years ago in Tianshui. In addition, there were also the Four Directions Stele of Yuquan Temple in Qinzhou District of Tianshui in the List of the First List of Ancient Monument Names and Cultural Relics, the Ming Dynasty's Reiki Buddhist Shrine Inscription and Preface Stele in Maiji District, the Ming Dynasty's Maiji Mountain Expulsion of Grain Stele, the Four Steles of Incense Fields in Ruiying Temple of Maiji Mountain, the Lu Gongji Statue Stele in Qingshui County, and the Heyu Cliff Stone Inscription and Thousand Buddha Statue Stele in Zhangachuan County. In addition, Tianshui also had a rich collection of cultural relics and a clean Chengji Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Zhuanghe cultural relics site
Zhuanghe has the ruins of Wutun in the north of Black Island and the ruins of Jingyuan Ship. The cultural relics unearthed at the Beiwutun site on Black Island proved that humans lived and multiplied here as early as the Neoliths. The site could be excavated with an area of about 10,000 square meters. In April 1990, the excavation revealed an area of 500 square meters. The site was divided into two floors. Three houses were found on the upper floor and five houses were found on the lower floor. There were a large number of shells piled up in the south. A total of 410 cultural relics such as pottery, stone, bones, and jade were unearthed. Judging from the unearthed agricultural production tools, primitive agriculture had begun to take shape at that time, and there were also a wide variety of fishing tools. The jade birds, spinning wheels with sun patterns, human-faced pottery pieces, and fine line drawings on the burned bones unearthed here showed the primitive state of ancient human artistic creation, aesthetic appreciation, and religious consciousness. The site was 6500 to 5500 years old, which was equivalent to the time and scale of the Banpo cultural site in Xi'an. In 1985, it was announced as a "municipal cultural relic protection unit" and in 2008, it was announced as a "provincial cultural relic protection unit". The unearthed cultural relics were mainly collected by the Institute of Cultural Relics and Archeology of Liaoning Province. In 2012, Zhuanghe City Museum received 13 pieces. The site of the Jingyuan Ship was located in the Old Man Stone Sea Area of Heidao, Zhuanghe, in the Dalian City, Liaoning Province. In 2014, the wreckage of an iron shipwreck was discovered. In 2018, it was confirmed to be the sunken ship of the Beiyang Navy in the Jiawu Sea War-"Jingyuan Ship". The wreckage of the ship was upside down on the seabed. The bow of the ship faced northeast, tilting slightly from bow to stern by 2 - 3°. The overall length was 80 meters, the width was 12 meters, and the maximum buried depth was 6.4 meters. There were more than 500 pieces of cultural relics in total, and there were a wide variety of materials, including iron, wood, copper, lead, glass, porcelain, leather, etc. Their uses included ship components, weapons and ammunition, and daily necessities and tools for officers and soldiers on board. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shanxi Province Cultural Relics and Museum
Shanxi Province has many cultural relics and museum resources. Shanxi Museum was located on the west bank of the Fen River in Taiyuan City, Shanxi Province. It was a national first-class museum. It was founded in 1919, and the new modern building was completed in 2004. It was officially opened on September 26, 2005. The collection was rich, including the cultural relics of the Tao Temple ruins of the new era, the cultural relics of the Shang Dynasty, the cultural relics of the Zhou Dynasty, the cultural relics of the Northern Dynasty, the local porcelain of Shanxi, the cultural relics of the Jin and Yuan Dynasties, and the cultural relics of the Jin merchants of the Ming and Qing Dynasties. The basic exhibition was themed with "Jin Hun". The exhibition space was more than 10,000 square meters and was divided into seven historical and cultural topics and five artistic topics. In March 2008, it was opened to the public for free. In May of the same year, it was selected as one of the first batch of national first-class museum. In 2009, it became one of the 11 state-level museum jointly built by the central government and local governments. In 2013, it was named "2013 Most innovative museum". It had eight treasures (also known as twelve treasures), such as the Jin Marquis Bird, the Shang Dynasty Dragon-shaped Gong, and the Houma Alliance. These cultural relics had extremely high historical and artistic value. For example, the Jin Marquis Bird was a bronze ware of the Western Zhou Dynasty. It had a unique shape and combined the shape of a bird and an elephant. It was the prototype of the academy emblem. The dragon-shaped gong of the Shang Dynasty was the representative work of the bronze culture of the "Fang State" in the late Shang Dynasty. The Hou Ma Alliance Book was a letter document related to the Zhao family's alliance activities in the Spring and Autumn Period. The Shanxi Museum of Archeology was a national second-class museum, directly under the Shanxi Provincial Cultural Relics Bureau. It was located in the west of No. 40 Confucian Temple Lane, Taiyuan City, Shanxi Province (formerly the Confucian Temple of Taiyuan Prefecture). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics Protection Title
Here are some examples of titles related to heritage preservation: ** I. Title emphasizing the importance of cultural relics protection ** 1. "Cultural Relics Protection: The Key to Inheriting the Roots of Culture" 2. "Protecting Cultural Relics: The Cornerstone to Consolidating the National Spirit--On the Profound Meaning of Cultural Relics Protection" ** 2. Title of the Cultural Relics Protection Work ** 1. "Cultural Relic Protection Work: From Repair and Preservation to Value Interpretation." 2. "Exploring the Protection of Cultural Relics: Safety Management, Ways of Use, and Inheritance Mission" ** 3. Title combined with the protection of cultural relics in specific areas ** 1. "Heritage Conservation in [Area Name]: Achievement, Challenge and Future Vision" 2. "Creation and Development of Cultural Relics Protection in [Region]: Taking [a specific cultural relic protection project or cultural relic] as an example." ** 4. Title on Cultural Relics Protection Personnel ** 1. "Cultural Relic Protector: The part-time guardian mission behind the annual salary of 2400 yuan" 2. "Focus on Cultural Relics Protection Manpower: How They Hold Up the Sky of Cultural Relics Protection" ** 5. Title from the perspective of integration of cultural relics protection and tourism ** 1. "Integration of Cultural Relics Protection and Travel: Making Cultural Relics 'Live' and 'Flame'" 2. "Cultural Relics Protection under the Integration of Culture and Travel: New Opportunity and New Challenge" <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Surface protection of cultural relics
The surface protection of cultural relics is one of the important operational units of cultural relics protection. Its purpose was to prevent the erosion of the surface of cultural relics by harmful gases in the air, acid, alkalium, salt, secondary pollution generated by the action of nitrogen, sulfur dioxide or metal dioxide, and harmful microorganisms carried by dust. Sealing materials were mainly divided into natural and synthetic materials. Natural materials included shellac, wax, oil, etc., while synthetic materials were synthetic resins, including acryl, polyvinyl-Butyral, epoxy, etc. The requirements for the sealing material included the color being transparent and not changing the original color of the object. It also required water resistance, water resistance, dust resistance, ventilation, isolation, and so on. In the specific practice of cultural relic protection, such as the porcelain unearthed from the "South China Sea I", in order to keep the precious ink book at the bottom of the vessel as much as possible, after the porcelain was washed, it was necessary to apply a sealing material before the desolation and soaking. The iron and copper cultural relics unearthed were eroded by seawater and air. After cleaning, rust removal and other protective steps, they also needed to be coated with sealing materials to isolate the air. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Lucheng Cultural Relics Protection
Lucheng had taken many measures to protect cultural relics. Firstly, from the perspective of philosophy, they should adhere to the working principle of "protection first, strengthen management, excavate value, effectively use, and let cultural relics come alive". In terms of specific actions, establish and improve the safety and responsibility supervision system of cultural relics, and improve various cultural relics protection measures. For example, the District Culture and Travel Bureau strengthened safety precautions, strictly implemented cultural relics safety responsibility, supervision, inspection and patrol mechanisms, signed cultural relics safety responsibility letters with villages and towns and cultural relic users, and formed a three-level cultural relics protection responsibility system in districts, towns and villages to enhance protection awareness; In accordance with the principle of territorial management, all kinds of cultural relics shall sign the safety target responsibility letter step by step, establish and improve the assessment and evaluation mechanism of cultural relics safety responsibility, organize and carry out special inspection and supervision of cultural relics safety from time to time, and do a good job in the scope of cultural relics protection and the construction control zone in accordance with the law and regulations. In terms of manpower security, many staff members participated in the protection of cultural relics, such as Yang Aiping's family guarding Yuanqi Temple, and the staff of the District Culture and Travel Bureau actively carried out relevant work, such as preaching the important spirit of cultural relics protection at the grassroots level. In terms of cultural relics protection achievements, Lucheng now has 6 national protection, 15 provincial protection, 7 municipal protection, and 78 county protection. It has also carefully planned to promote the cultural relics protection and utilization project and the "Civilization Watch Project". It is initially determined to start with 3 revolutionary cultural relics and 2 ancient buildings to carry out part of the cultural relics display work to achieve the combination of cultural relics protection and utilization. In terms of publicity and promotion, we should actively explore new ways of "win-win" for the protection of cultural relics and rational use. For example, we should spread the knowledge of cultural relics protection to the masses and create an atmosphere for everyone to participate in the protection of cultural relics. At the same time, we should use online exhibition technology to allow more historical relics to be displayed and introduced through pictures and electronic means to promote cultural heritage to come alive, meet the needs of the people to share the fruits of cultural development, and further promote the integration and development of cultural relics work and tourism industry. Create a new business form of craftsman cultivation + ancient architecture research, and transform the advantages of cultural relics resources into the development advantages of cultural tourism industry under the premise of protection. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>