Shanxi Province Cultural Relics and Museum
Shanxi Province has many cultural relics and museum resources. Shanxi Museum was located on the west bank of the Fen River in Taiyuan City, Shanxi Province. It was a national first-class museum. It was founded in 1919, and the new modern building was completed in 2004. It was officially opened on September 26, 2005. The collection was rich, including the cultural relics of the Tao Temple ruins of the new era, the cultural relics of the Shang Dynasty, the cultural relics of the Zhou Dynasty, the cultural relics of the Northern Dynasty, the local porcelain of Shanxi, the cultural relics of the Jin and Yuan Dynasties, and the cultural relics of the Jin merchants of the Ming and Qing Dynasties. The basic exhibition was themed with "Jin Hun". The exhibition space was more than 10,000 square meters and was divided into seven historical and cultural topics and five artistic topics. In March 2008, it was opened to the public for free. In May of the same year, it was selected as one of the first batch of national first-class museum. In 2009, it became one of the 11 state-level museum jointly built by the central government and local governments. In 2013, it was named "2013 Most innovative museum". It had eight treasures (also known as twelve treasures), such as the Jin Marquis Bird, the Shang Dynasty Dragon-shaped Gong, and the Houma Alliance. These cultural relics had extremely high historical and artistic value. For example, the Jin Marquis Bird was a bronze ware of the Western Zhou Dynasty. It had a unique shape and combined the shape of a bird and an elephant. It was the prototype of the academy emblem. The dragon-shaped gong of the Shang Dynasty was the representative work of the bronze culture of the "Fang State" in the late Shang Dynasty. The Hou Ma Alliance Book was a letter document related to the Zhao family's alliance activities in the Spring and Autumn Period. The Shanxi Museum of Archeology was a national second-class museum, directly under the Shanxi Provincial Cultural Relics Bureau. It was located in the west of No. 40 Confucian Temple Lane, Taiyuan City, Shanxi Province (formerly the Confucian Temple of Taiyuan Prefecture). Read more exciting novels for free
Cultural relics in southern Shanxi
Jinnan had a rich variety of cultural relics. In terms of architecture, there was the Guangren King Temple of the Tang Dynasty, whose main hall reflected the architectural style of the Tang Dynasty. Its structure was concise, simple and vigorous. The Boating Zen Master Pagoda of the Tang Dynasty was a typical example of the round Tang Pagoda. There was also the Langzhai Brick Pagoda that was no later than the Tang Dynasty. Longmen Temple was even more unique. In the courtyard, one could see buildings from the Five Dynasties to the Qing Dynasty, such as the West Side Hall of the Five Dynasties and the main hall of the Northern Song Dynasty. The stage of the Niuwang Temple in Wei Village of the Yuan Dynasty was one of the oldest stage relics in China. Its stone pillars and caissons were neat and beautiful, and there were well-preserved murals on the back wall. The Flying Cloud Tower of the Ming Dynasty was located in the Dongyue Temple. Together with the wooden pagoda of Ying County, it was known as the "South Tower and North Tower". The architectural structure was unique. In terms of murals, there were wonderful murals in the main hall and waist hall of Qinglong Temple, and there were murals of Yuan Dynasty opera in Guangsheng Temple. In terms of unearthed cultural relics, the Xihoudu site unearthed a large number of fossils of extinct animals such as the right horn of elk in southern Shanxi 1.8 million years ago. This site was also a representative of the early Paleolith Age and one of the oldest known Paleolith cultural relics in China. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shanxi Tianshui cultural relics
You may have some misunderstandings. Shanxi is a provincial administrative region, and Tianshui is a prefecture-level city in Gansu Province. There were many cultural relics in Tianshui, such as more than 80 cultural relics recovered from the case of ancient tomb robbery recently cracked by the police in Wushan County, the portrait brick of the Azure Dragon of Han Dynasty in the museum of Tianshui City, and the "screen stone coffin bed" unearthed from an ancient tomb of Sui Dynasty more than 1400 years ago in Tianshui. In addition, there were also the Four Directions Stele of Yuquan Temple in Qinzhou District of Tianshui in the List of the First List of Ancient Monument Names and Cultural Relics, the Ming Dynasty's Reiki Buddhist Shrine Inscription and Preface Stele in Maiji District, the Ming Dynasty's Maiji Mountain Expulsion of Grain Stele, the Four Steles of Incense Fields in Ruiying Temple of Maiji Mountain, the Lu Gongji Statue Stele in Qingshui County, and the Heyu Cliff Stone Inscription and Thousand Buddha Statue Stele in Zhangachuan County. In addition, Tianshui also had a rich collection of cultural relics and a clean Chengji Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Hakka Cultural Relics Museum
The following are some of the more well-known Hakka cultural relics museum: - Ganzhou Hakka Cultural Relics Museum, founded in 2004, is located on the third floor of the Fine Arts College of Jiangxi Normal University. The exhibition hall, reception, and storeroom covered an area of more than 1,000 square meters, and the collection of cultural relics was more than 15,000 pieces (sets). The collection included eight series of Hakka architectural wood carvings, stone (brick) carvings, plaque, porcelain, clothing, furniture, family (clan) records, and printed carvings. There were national precious cultural relics. It was the largest Hakka cultural relics museum in China, playing an important supporting role in the research of Hakka studies and folklore in China. It is open from 9:00 to 17:00 from Monday to Friday, except for legal holidays. Take bus No. 112 and No. 117 to the Golden Campus of the Normal University and walk 300 meters west. - China Hakka Museum: The collection of waterwheel kiln porcelain, famous paintings and calligraphy, etc., has been assessed by the expert group of the provincial cultural relics appraisal station. Three pieces/set have been assessed as first-class cultural relics (two green glazed double-series pots of the Tang waterwheel kiln and a 1978 autumn scenery of Lin Fengmian), eight pieces/set of third-class cultural relics, and 10 pieces/set of general cultural relics. - The Zhengzhou Zhanshi Hakka Culture Museum was located in an alley at the intersection of East and West Main Streets in Zhengzhou. It was founded in 2014 by the director of Chaozhou Hakka in Guangdong Province, who had set up a business in Zhengzhou for more than ten years. It was open to the public for free. There were a total of four basic exhibition halls, displaying a variety of Hakka culture and art through Hakka furniture, porcelain, contract books and other cultural relics, including the origin of Hakka, the grand occasion of the Ming Dynasty's Silk Road on the Sea, the microcosm of Hakka life culture, as well as the atmosphere of the reception room and guest room. - Kaohsiung City Hakka Museum: It was the largest Hakka museum in Taiwan. It occupied a large area and was built with red tiles and glazed tiles. It was similar to the architecture of the mainland Hakka. The museum has an exhibition area, an office, a large conference hall, etc. It focuses on the exhibition of Hakka cultural relics and occasionally holds Hakka cultural activities to study Hakka traditional customs. It will be open tomorrow from 9:00 to 17:00. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Museum of Fame Cultural Relics
Different halls of fame had different relics. For example, the Hangzhou Celebrity Memorial Hall preserved the national first-class cultural relic, the Cemetery List of the Dead Soldiers of the 19th Route Army written by Mr. Zhang Taiyan; There were more than 30000 cultural relics in the Zhucheng City, including more than 50 national first-class cultural relics, 65 second-class cultural relics, and 383 third-class cultural relics. The collection was complete, including production tools and daily utensils that reflected the development of social productivity, primitive characters and paintings that expressed human civilization, exquisite bronze ware, a wide variety of pottery, exquisite porcelain, various cultural works of art, decorations, stone statues, local documents, historical records, etc. Among them, the collection of fine works include the Eagle Beak Pot, Xuande Big Bowl, etc. In addition, the Wenzhou Mathematics Hall of Fame displayed the life stories, academic achievements, and related cultural relics of Wenzhou mathematicians since the late Qing Dynasty, but the specific cultural relics were not mentioned. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics in the Palace Museum
There were many types of cultural relics in the Forbidden City's warehouse. In the process of the cultural relics of the Forbidden City moving south, it was known that the cultural relics transported from the Forbidden City included more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzes, bronze mirrors, and bronze seals, countless jade articles, and 3773 boxes of documents, including the archives of the Qing court collected by the imperial historian and the inner government, the imperial records of the Ming and Qing Dynasties, daily life notes, and the historical materials of the Taiping Heavenly Kingdom. There were also the Siku Quanshu and various rare books and engraved copies. At that time, one of the earliest printed works discovered in China was the fifth generation edition of the Dharani Sutra, and the oldest stone carving in China was the Qiyang Stone Drum. These cultural relics reflected the richness of the cultural relics in the Forbidden City and were the precious cultural wealth of the Forbidden City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics and Museum New
In recent years, many universities had added majors related to cultural relics and museum. For example, Heze University's application for the undergraduate major of cultural relics and museum studies was successfully approved. It planned to recruit 40 students and recruit students in the province. Hunan Normal University newly established the major of cultural relics and museum studies. All of these were to adapt to the development needs of modern cultural relics and museum industry, respond to the national strategic policy, and strengthen the cultivation of outstanding talents in literature and art. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Huazhou Cultural Relics Museum
In Huazhou, there was Weinan City Huazhou District Ming and Qing Shadow Play Museum. It was located at the entrance of Shaohua Mountain National Forest Park in Lianhuasi Town, Huazhou District. The exhibition hall covered an area of 2000 square meters and the public service area was 800 square meters. The exhibition hall of the museum was centered on the shadow puppets of the Ming and Qing Dynasties in Shaanxi Province. In addition to Shaanxi Province, there were also countries such as Malaysia and Thailand. The collection included various types of shadow puppets. This was a non-state-owned museum. Visits were free. It was open from Monday to Saturday and closed on Sunday. In addition, there might be other cultural relics in Huazhou, but the reference materials did not mention it in detail. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Pingyuan Museum Cultural Relics
The Pingyuan Museum collected more than 30,000 sets of cultural relics, especially bronze ware, ancient calligraphy and painting, Buddha statues, stone inscriptions and rubbings, etc. The number of cultural relics above the level was among the best in all cities in the province. Among them, six precious cultural relics were rated as "treasures of the town hall", namely Niu Shoujue, Huo Junxiao, Zhao Mengfu's running calligraphy axis, Zheng Banqiao ink bamboo stone orchid painting axis, Dehua kiln white glaze Guanyin sitting statue, Guan Gong bronze statue, etc. Niu Shoujue, also known as the bronze jue of 'Fei Fu', was unearthed in Chuqiu, Hui County in 1952. It was a bronze ware of the late Shang Dynasty and was part of the' Fei Fu'. In addition to the jue cup, there were also tripod, Gui, Zun, You and other objects. The jue is wide and flowing, with a sharp tail, a round drum at the bottom, a triangular pyramid at the foot, and a cover. The top of the lid is decorated with a cow's head, the top of the lid is decorated with a dragon pattern and a semi-circular ring, and the belly is decorated with a taotie pattern. The words 'Fei Fu' are cast inside the lid. It is rare to see a lidded jue, so this jue is extremely precious. The Green Jade Owl of the Shang Dynasty was a three-dimensional round sculpture. The jade material was Hetian bluish-white jade. The whole body was decorated with patterns. The chest, wings, head and back were decorated with feather patterns and cloud patterns. The cutting skills were concise and skillful, the lines were natural and smooth, and the design was quite ingenious. It was a national first-class cultural relic. The bronze statue of Guan Yu was a cultural relic of the Ming Dynasty. It was 172 cm high, 118 cm wide and weighed 578 kg. The statue was huge in size, exquisite in casting, and unique in shape. It was rare in the country. It was highly realistic, and its size and appearance were basically the same as a real person's. It was rare in the country. Guan Yu was wearing a scarf on his head with a belt hanging down his shoulders. His face was square and wide, with thick eyebrows. His phoenix-like eyes were slightly closed, his nose was high, and his long beard was floating in front of his chest. He wore armor, tiger head to protect his abdomen and shoulders, and a knot at his waist that naturally hung down. He wore a battle skirt and battle boots. His left hand was placed on his thigh in a palm position, and his right hand was placed on his right leg in a fist position, perfectly displaying Guan Yu's majestic image of loyalty. This statue had a unique origin. After many twists and turns, it was collected in the Pingyuan Museum. Moreover, Guan Yu had multiple cultural meanings in folk culture, such as the God of Wealth. Zhao Mengfu's semi-cursive scroll and Zheng Banqiao's ink bamboo and stone orchid scroll were treasures of ancient calligraphy and painting. The white glazed Guanyin sitting statue of Dehua kiln was also one of the treasures of the museum. These cultural relics reflected the social system, social production, and social life of different periods, displaying the brilliance and splendor of Chinese culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
On the Public Cultural Space of the Cultural Relics Museum
The public cultural space of the cultural relics museum was an important place in modern society that integrated cultural inheritance, education, leisure and other functions. Firstly, many cultural relics museum have optimized their public cultural space in a variety of ways. For example, the 1950 cultural space around Lake Cui was built based on buildings with historical value. It was built on the basis of the Yunnan Liberation Memorial Hall. It had different areas such as a book bar, a beverage area, and an outdoor public area, providing reading, leisure communication, and other functions. The book bar had a large collection of books for free reading. The outdoor public area was surrounded by green bamboos, and the dining area covered with ginkgo leaves in winter provided special drinks. This space perfectly integrated culture and leisure, and also created a new way to activate and utilize the historical and cultural resources around Cuihu Lake. Secondly, some of them cooperated with other commercial or public spaces to expand public cultural spaces. For example, the cultural and art space of "Vientiane Museum" was launched by the cross-border cooperation between the museum and the business circles such as Hefei Vientiane City, including the graphic display area, the high-imitation cultural relics exhibition area and the cultural creation exhibition area. The audience could listen to the explanation of cultural relics by scanning the QR code and browse the official Short videos of the museum online, so that the public could experience the museum culture at their doorstep. Moreover, the museum itself was constantly creating new public cultural spaces. Take a district museum as an example. This was a district-level comprehensive museum with an exhibition hall area of about 1100 square meters. It was composed of two halls, namely basic exhibition hall and temporary exhibition hall. The basic exhibition hall displayed local history through different theme parts. It also had highlight exhibition items such as scene restoration, 160-degree circular screen cinema, phantom imaging, virtual commentary, etc., so as to enrich the cultural exhibition content as much as possible in the limited space and enhance the cultural experience of the public. In addition, the public cultural space of the cultural relics museum also carried an educational function. For example, the Xiadu Ruins Museum in Erlitou contained rich historical information and witnessed the development of the Xia Dynasty in many aspects. Through the display of these cultural relics, the audience could understand the origin of the Chinese civilization and inherit the cultural heritage. However, there were also challenges in the process of building and operating public cultural spaces. For example, the Yingtian Gate Ruins Museum in Luoyang could only use photos instead of real objects for exhibition because the cultural relics were under archaeological research. This reflected the need to balance the research and protection of cultural relics with the satisfaction of public expectations. However, the British Museum encouraged tourists to touch China cultural relics, which violated the principle of cultural relics protection. It also showed the lack of cultural respect and cultural relics protection management in the museum, which showed the importance of building a healthy and positive public cultural space. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics of Kangxi in Henan Province
There were some cultural relics from the Kangxi period in Henan, such as the ear-shaped furnace of the Qing Kangxi halberd collected by the Henan Museum, as well as the September chrysanthemum cup of the "Colorful December Flower Cup", which was made in the official kiln porcelain during the Kangxi period. This cultural relic was shaped with chrysanthemum as the theme, embellished with lake stones, dead branches and butterflies. The picture was taken from the poem "Chrysanthemum" by Luo Yin of the Tang Dynasty, but the "frost" in the poem was written as "fragrance", which was very meaningful. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>