There are a total of 400 provincial-level cultural relics protection units in Jilin Province. On February 18,2024, the list of the eighth batch of provincial-level cultural relics protection units in Jilin Province was published, including the site of Daqiaotun in Mafang Village, Liujia Town, Yushu City, Changchun City, and the site of Weizili in Xiaochengzi Village, Xiaochengzi Township, Nong 'an County (two of which were merged with the existing provincial-level cultural relics protection units). The Andamu Nanshan site in Longtan District of Jilin City and the former site of Daiwangzhaizi secret camp were also approved as the eighth batch of provincial key cultural relics protection units. These provincial-level cultural relics protection units were an important part of the rich cultural relics resources in Jilin Province, and they were of great significance in the cultural inheritance of Jilin Province. Read more exciting novels for free
The Old City of Xi Country was a provincial-level cultural relic protection unit in Xi County. The old city of Xi Country was located 4 kilometers southwest of Xi County, 500 meters southwest of Xuzhuang Village in Chengjiao Township. It was located on the north bank of the old Huai River. Pugong Mountain, which Su Dongpo praised as the "first peak in the southeast", stood in the east of the old city. There was Qingshui River in the northeast and plains in the north. The terrain of the ruins was dangerous and strategic. It was an important road for water and land transportation. It was easy to defend and attack. It met the needs of many battles, so it was built into a city. The city wall was 846 meters long from east to west, 420 meters wide from north to south, 30 meters wide at the base of the wall, and 2532 meters in circumference. The area of the city site was about 355,000 square meters. The first section of the north city wall was well preserved (30 meters long, 25 meters wide, and more than 10 meters high). The thickness of the ramming layer was 0.08 - 0.12 meters, and the diameter of the ramming pit was 0.04 meters. There were four villages in the city, Zhang Zhuang, Wang Dian, Li Gang and Huang Zhuang. The cultural relics unearthed and collected over the years include bronze swords of the Spring and Autumn Period, bronze dagger-axes, chariots and horses of the Warring States Period, bronze arrowheads, bronze tripods, etc., pottery pots, urns, pots, etc., and broken pottery fragments outside the village can be seen. The site provided important information for the study of Chu culture in the Huaihe River basin. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Different regions had different city-level cultural relics protection sites. For example, Chongqing City announced 444 cultural relics protection units above the municipal level; Guiyang City announced seven batches of municipal cultural relics protection units; Panzhou has many municipal cultural relics protection sites, such as Danxia Mountain Huguo Temple, Pufu Temple, etc., which cover ancient buildings, ancient ruins, cave temples and stone carvings, etc. The time of announcement and the units responsible for management are also different. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In October 2018, Fujian Province announced the list and scope of protection of the ninth batch of provincial cultural relics protection units, a total of 252 (including seven merged protection units), covering ancient sites, ancient tombs, ancient buildings, stone carvings and statues, modern and important historical sites and representative buildings, among which more than half were local buildings and revolutionary cultural relics. In January 2019, Sichuan Province announced the ninth batch of provincial cultural relics protection units, totaling 196. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In 2013, the Shandong Province Government announced the list of the fourth batch of provincial cultural relics protection units. There were 52 ancient sites, ancient tombs, ancient buildings, cave temples and stone carvings, modern and important historical sites and representative buildings in Jinan City. A total of 606 provincial cultural relics protection units were added in the province, exceeding the total number of the first three batches of cultural relics protection units. Many cultural relics used to be county-level cultural relics protection units or registered cultural relics protection units. This time, they were directly upgraded to provincial-level cultural relics protection units. These provincial-level cultural relics protection units would be protected according to the working policy of "protection first, rescue first, reasonable utilization and strengthening management". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yuyao City Cultural Relics Protection Management Office was an institution under the Yuyao City Culture, Radio, Television, and Sports Bureau. The management office once openly recruited non-staff members from the public. The recruitment followed the principles of publicity, equality, competition, and merit. According to the employment standards of both virtue and ability, it was conducted through open registration, unified examination, and employment based on merit, including qualification review, examination (in the form of interview), physical examination, and inspection. The interview mainly tested comprehensive analysis ability, practical problem solving ability, organizational coordination ability, language expression ability, etc. The full score was 100 points. Those who scored less than 60 points were directly eliminated. The interview results were the test results. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Zhuanghe has the ruins of Wutun in the north of Black Island and the ruins of Jingyuan Ship. The cultural relics unearthed at the Beiwutun site on Black Island proved that humans lived and multiplied here as early as the Neoliths. The site could be excavated with an area of about 10,000 square meters. In April 1990, the excavation revealed an area of 500 square meters. The site was divided into two floors. Three houses were found on the upper floor and five houses were found on the lower floor. There were a large number of shells piled up in the south. A total of 410 cultural relics such as pottery, stone, bones, and jade were unearthed. Judging from the unearthed agricultural production tools, primitive agriculture had begun to take shape at that time, and there were also a wide variety of fishing tools. The jade birds, spinning wheels with sun patterns, human-faced pottery pieces, and fine line drawings on the burned bones unearthed here showed the primitive state of ancient human artistic creation, aesthetic appreciation, and religious consciousness. The site was 6500 to 5500 years old, which was equivalent to the time and scale of the Banpo cultural site in Xi'an. In 1985, it was announced as a "municipal cultural relic protection unit" and in 2008, it was announced as a "provincial cultural relic protection unit". The unearthed cultural relics were mainly collected by the Institute of Cultural Relics and Archeology of Liaoning Province. In 2012, Zhuanghe City Museum received 13 pieces. The site of the Jingyuan Ship was located in the Old Man Stone Sea Area of Heidao, Zhuanghe, in the Dalian City, Liaoning Province. In 2014, the wreckage of an iron shipwreck was discovered. In 2018, it was confirmed to be the sunken ship of the Beiyang Navy in the Jiawu Sea War-"Jingyuan Ship". The wreckage of the ship was upside down on the seabed. The bow of the ship faced northeast, tilting slightly from bow to stern by 2 - 3°. The overall length was 80 meters, the width was 12 meters, and the maximum buried depth was 6.4 meters. There were more than 500 pieces of cultural relics in total, and there were a wide variety of materials, including iron, wood, copper, lead, glass, porcelain, leather, etc. Their uses included ship components, weapons and ammunition, and daily necessities and tools for officers and soldiers on board. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The surface protection of cultural relics is one of the important operational units of cultural relics protection. Its purpose was to prevent the erosion of the surface of cultural relics by harmful gases in the air, acid, alkalium, salt, secondary pollution generated by the action of nitrogen, sulfur dioxide or metal dioxide, and harmful microorganisms carried by dust. Sealing materials were mainly divided into natural and synthetic materials. Natural materials included shellac, wax, oil, etc., while synthetic materials were synthetic resins, including acryl, polyvinyl-Butyral, epoxy, etc. The requirements for the sealing material included the color being transparent and not changing the original color of the object. It also required water resistance, water resistance, dust resistance, ventilation, isolation, and so on. In the specific practice of cultural relic protection, such as the porcelain unearthed from the "South China Sea I", in order to keep the precious ink book at the bottom of the vessel as much as possible, after the porcelain was washed, it was necessary to apply a sealing material before the desolation and soaking. The iron and copper cultural relics unearthed were eroded by seawater and air. After cleaning, rust removal and other protective steps, they also needed to be coated with sealing materials to isolate the air. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Lucheng had taken many measures to protect cultural relics. Firstly, from the perspective of philosophy, they should adhere to the working principle of "protection first, strengthen management, excavate value, effectively use, and let cultural relics come alive". In terms of specific actions, establish and improve the safety and responsibility supervision system of cultural relics, and improve various cultural relics protection measures. For example, the District Culture and Travel Bureau strengthened safety precautions, strictly implemented cultural relics safety responsibility, supervision, inspection and patrol mechanisms, signed cultural relics safety responsibility letters with villages and towns and cultural relic users, and formed a three-level cultural relics protection responsibility system in districts, towns and villages to enhance protection awareness; In accordance with the principle of territorial management, all kinds of cultural relics shall sign the safety target responsibility letter step by step, establish and improve the assessment and evaluation mechanism of cultural relics safety responsibility, organize and carry out special inspection and supervision of cultural relics safety from time to time, and do a good job in the scope of cultural relics protection and the construction control zone in accordance with the law and regulations. In terms of manpower security, many staff members participated in the protection of cultural relics, such as Yang Aiping's family guarding Yuanqi Temple, and the staff of the District Culture and Travel Bureau actively carried out relevant work, such as preaching the important spirit of cultural relics protection at the grassroots level. In terms of cultural relics protection achievements, Lucheng now has 6 national protection, 15 provincial protection, 7 municipal protection, and 78 county protection. It has also carefully planned to promote the cultural relics protection and utilization project and the "Civilization Watch Project". It is initially determined to start with 3 revolutionary cultural relics and 2 ancient buildings to carry out part of the cultural relics display work to achieve the combination of cultural relics protection and utilization. In terms of publicity and promotion, we should actively explore new ways of "win-win" for the protection of cultural relics and rational use. For example, we should spread the knowledge of cultural relics protection to the masses and create an atmosphere for everyone to participate in the protection of cultural relics. At the same time, we should use online exhibition technology to allow more historical relics to be displayed and introduced through pictures and electronic means to promote cultural heritage to come alive, meet the needs of the people to share the fruits of cultural development, and further promote the integration and development of cultural relics work and tourism industry. Create a new business form of craftsman cultivation + ancient architecture research, and transform the advantages of cultural relics resources into the development advantages of cultural tourism industry under the premise of protection. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Here are some examples of titles related to heritage preservation: ** I. Title emphasizing the importance of cultural relics protection ** 1. "Cultural Relics Protection: The Key to Inheriting the Roots of Culture" 2. "Protecting Cultural Relics: The Cornerstone to Consolidating the National Spirit--On the Profound Meaning of Cultural Relics Protection" ** 2. Title of the Cultural Relics Protection Work ** 1. "Cultural Relic Protection Work: From Repair and Preservation to Value Interpretation." 2. "Exploring the Protection of Cultural Relics: Safety Management, Ways of Use, and Inheritance Mission" ** 3. Title combined with the protection of cultural relics in specific areas ** 1. "Heritage Conservation in [Area Name]: Achievement, Challenge and Future Vision" 2. "Creation and Development of Cultural Relics Protection in [Region]: Taking [a specific cultural relic protection project or cultural relic] as an example." ** 4. Title on Cultural Relics Protection Personnel ** 1. "Cultural Relic Protector: The part-time guardian mission behind the annual salary of 2400 yuan" 2. "Focus on Cultural Relics Protection Manpower: How They Hold Up the Sky of Cultural Relics Protection" ** 5. Title from the perspective of integration of cultural relics protection and tourism ** 1. "Integration of Cultural Relics Protection and Travel: Making Cultural Relics 'Live' and 'Flame'" 2. "Cultural Relics Protection under the Integration of Culture and Travel: New Opportunity and New Challenge" <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are some of the Xizang cultural relics exhibited in the provincial museum: - On September 3,2018, the "Shannan Cultural Relics Exhibition in Xizang" was completed in the new museum of the Anhui Museum. It was open to the public the next day and the exhibition lasted until October 7. It mainly exhibited 94 pieces (sets) of prehistoric stone tools, Tibetan gold ware, literature materials (Pattra-leaf Sutra), Tibetan Buddhist statues, Thangka, Tibetan opera and other related cultural relics found, collected or protected in Shannan, striving to show the historical development process of the Tibetan people. - From January 28 to October 28,2021,"Tibetan Rhyme Banquet_Xizang Cultural Relics Exhibition" was exhibited in the Cultural Relics Exhibition Hall of Qin Shihuang Mausoleum Museum in Shaanxi Province. The exhibition was organized by the Cultural Relics Bureau of the Tibet Autonomous Region and the Cultural Relics Bureau of Shaanxi Province. It gathered 100 precious cultural relics from the Norbulingka Administrative Office and the Potala Palace Administrative Office, focusing on the cultural richness of the Xizang ethnic groups and the historical fact that Xizang had been an inseparable part of the motherland since ancient times. The exhibition helped to increase people's understanding of Xizang cultural relics and Xizang culture, and promoted cultural exchanges between different regions. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>