Appreciation of Cultural Relics in the Palace Museum's Su Shi's Painting and Calligraphy Exhibition
The following is some of the cultural relics in the Forbidden City's Su Shi themed calligraphy and painting exhibition: From September 1 to October 30,2020, a total of 78 sets of cultural relics were exhibited in the Special Exhibition of Su Shi's Calligraphy and Painting in the Palace Museum from September 1 to October 30,2020. This included one of Su Shi's earliest calligraphy works, the " Zhi Ping Tie." This was a hand-rolled ink book, 29.2 centimeters long and 45.2 centimeters wide. There was also the first exhibition of the Ming Dynasty painter Zhu Zhifan's "Lin Li Gonglin painted Su Shi's portrait" axis. The Palace Museum collected Su Shi's masterpieces of calligraphy, as well as some important works of Su Shi's teachers and friends, as well as a large number of related art treasures that were influenced by Su Shi and could reflect his artistic thoughts. The collection spanned from the Northern Song Dynasty to modern times, and the categories included calligraphy and painting, inscriptions, utensils, ancient books and rare books, etc. From February 1,2024, the genuine works of Su Shi,"New Year Exhibition Celebration Post" and "People Come to Book Post" collected by the Palace Museum were exhibited in the Hainan Province Museum. At the same time, the works of Huang Tingjian, Mi Fu and Cai Xiang, the other three "Four Song Families" collected by the Palace Museum, were also exhibited. The cultural relics on display showed Su Shi's attainments in calligraphy and painting from different angles. His calligraphy works reflected his unique artistic features such as his unique strokes, font structure, and writing style. The related paintings or paintings related to Su Shi reflected the cultural and artistic atmosphere of the time and Su Shi's influence in the art world from different dimensions. Read more exciting novels for free
The Palace Museum's 100-Year Cultural Relics Exhibition
The National Palace Museum would celebrate its 100th anniversary in 2025 and planned to launch 13 special exhibition to promote Chinese cultural relics. At present, there was no more information about the 100-year cultural relics exhibition of the Forbidden City (here, the Forbidden City in Beijing). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Palace Museum Cultural Relics Exhibition Hall
The Palace Museum had a variety of cultural relics exhibition halls. Among them were treasures, clocks, paintings, porcelain, sculptures, and other art collections. There were also temporary special exhibition. For example, from June 21 to September 22,2024, the "National Colors and Palace Colors--Qing Dynasty Palace Embroidered Clothing Color Exhibition" was held on the second floor of the Jiade Art Center. This was the Palace Museum's special exhibition of palace clothing held again after 16 years. 91 cultural relics and 2 sets of scientific specimens came from the Palace Museum. From August 8th to November 8th, 2008, an exhibition titled " Celestial Clothing--Fine Qing Dynasty Court Clothing Collection from the Palace Museum " was also held at the Meridian Gate Tower. In addition, there were also exhibition halls such as the Forbidden City Bronze Museum. At the same time, the Palace Museum would also display the original state of the palace's historical relics. These pavilions displayed different types of cultural relics and displayed the achievements of ancient China culture and art in many ways. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics in the Palace Museum
There were many types of cultural relics in the Forbidden City's warehouse. In the process of the cultural relics of the Forbidden City moving south, it was known that the cultural relics transported from the Forbidden City included more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzes, bronze mirrors, and bronze seals, countless jade articles, and 3773 boxes of documents, including the archives of the Qing court collected by the imperial historian and the inner government, the imperial records of the Ming and Qing Dynasties, daily life notes, and the historical materials of the Taiping Heavenly Kingdom. There were also the Siku Quanshu and various rare books and engraved copies. At that time, one of the earliest printed works discovered in China was the fifth generation edition of the Dharani Sutra, and the oldest stone carving in China was the Qiyang Stone Drum. These cultural relics reflected the richness of the cultural relics in the Forbidden City and were the precious cultural wealth of the Forbidden City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Treasures, cultural relics, calligraphy and painting
The following are some of the treasures, cultural relics, paintings, and calligraphy mentioned: - A landscape fan made by Yu Chan during the Taiping Heavenly Kingdom of the Qing Dynasty. - Du Mu's only semi-cursive poem of the Tang Dynasty, Zhang Haohao's Poetry, had been passed down for 1200 years. In modern times, it had experienced many vagaries, from Puyi leaving the palace to the puppet Manchuria, and then to being robbed. It was later bought by Mr. Zhang Boju and finally donated to the Palace Museum in Beijing for free. - Song Huizong's "Poetry, Calligraphy and Painting" three unique authentic works,"Auspicious Crane Painting." - Ming Dynasty's "Pengshan Encounter Carriage Painting", Chen Hongshou's "Three Stars Painting", Ming Xuanzong's "Horse Painting", Chen Chun's "Plum Blossom Narcissus Painting", Xu Wei's "Pomegranate Fruit Painting" and other calligraphy paintings. - Zhao Mengfu of the Yuan Dynasty painted the Statue of the Pharmacist Buddha, and Xu Gu painted the Painting of Fish Playing (Xu Gu had the reputation of being the first painter in the late Qing Dynasty). - Su Shi's "Bamboo and Stone Painting of Xiaoxiang"(the only copy in China) and "Zhi Ping Tie". - Tang Bohu's "Journey to Mt. Guan", Bada Shanren's works, and Wen Zhengming's "Fengtian Hall Morning Court Poetry". - There were many national treasure-level calligraphy and paintings such as the Five Dynasties 'anonymous "Autumn Forest Herds of Deer", including many calligraphy and painting works from the Song Dynasty to the Qing Dynasty, such as Fan Kuan's "Autumn Forest Flying Waterfall", Yan Wengui's "Qifeng Ten Thousand Trees", etc.(including more than 80 first-class calligraphy and painting works and more than 30 excellent works from the Song and Yuan Dynasties). - The Painting of the Seven Sages by the famous modern painter Li Keran (there was a dispute over its identification). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The technical requirements for the exhibition cabinets of cultural relics in the museum
The technical requirements for the cultural relic display cabinet in the museum are as follows: ** 1. Materials ** 1. ** Safety and stability ** - The materials used for the showcase must be stable and safe for the cultural relics. Due to the direct or indirect contact between the display cabinet and the cultural relics, if the material contains sulfur, sulfur, or other acidic components, it will release harmful gases (such as sulfur dioxide, sulfur dioxide, nitrogen dioxide, oxygen dioxide, volatile organic acid, volatile aldo, etc.) after contact with the cultural relics or aging. Therefore, it was relatively safer to use stainless steel, aluminum alloy, and steel plates with plastic-coated surfaces. - Generally, materials that are potentially harmful to cultural relics include wood, paint, glue, leather, woolen fabrics, chemical fiber fabrics, and some textile dye. However, if it is determined through testing or chemical analysis that it will not cause damage to cultural relics, it can also be used to manufacture cultural relics display cabinets. For example, wooden display cabinets can also be used after meeting the relevant treatment requirements. Its processing technology includes wood drying, woodworking processing, and surface treatment. Wood drying must make the moisture content meet the requirements. Woodworking included saw-cutting, chiseling, planing, and other mechanical processing as well as technical work such as glue assembly. Surface treatment included painting, coloring, and surfacing. - The lining, lining, and decorative materials of the display cabinet should also be tested or analyzed to determine that they were harmless before they could be used in the cultural relic display cabinet. 2. ** Material Attributes ** - The hardness of the fire-resistant board is 4 - 7 times that of wood, 2 - 20 times that of ordinary glass, and 15 - 80 times that of plexiglass. It has the characteristics of wear resistance, heat resistance, impact resistance, etc. It can be cut according to the design requirements during construction. - Aluminium-plastic composite board was a popular new type of lightweight board. The surface was made of a polythene material, the middle layer was made of an aluminum layer or a PVP plastic base material, and the back was added with heat-resistant and sound-absorbing aluminum foam profile or rock wool and other thermal insulation materials. There were many commonly used thickness to choose from. - The main raw material of the plasterboard was building plaster. It had the characteristics of light weight, high strength, waterproof and damp-proof, and could be sawed and drilled. It was often used in the living room, bedroom, office, and other places. It was not suitable for the main structure of the cultural relic display cabinet, but it might be used as an auxiliary part. ** 2. Control of temperature and humidity ** 1. ** Sealing ** - The showcase should have good sealing properties because the cultural relics were sensitive to temperature and humidity. Good sealing properties could directly affect the temperature and humidity inside the showcase to a large extent, providing a relatively independent and stable storage space for the cultural relics. In order to ensure the tightness, the glass must be seamlessly connected to the display cabinet. It can also use raw materials such as sealing tape, sealants, and sealants. 2. ** humidity control equipment ** - The interior should be equipped with automatic temperature and humidity measuring instruments and humidity control equipment. There are two options for humidity control. One is to install a dryer. When the humidity exceeds the required range, the humidity controller can automatically turn on the dryer to reduce the humidity and display an alarm signal at the same time. The other is to place a moisture absorption buffer material (such as silica gel). There is enough space in the lower box of the showcase for the moisture absorption buffer material. The moisture absorption buffer material can absorb moisture in the humid climate in summer and release moisture in the dry climate in winter to maintain the humidity in the showcase. The staff needed to change the moisture absorption buffer material according to the climate characteristics. According to the experience of the Museum of Canada, about 20 kilograms of silica gel should be placed in each cubic meter of the showcase space (general situation). For a well-sealed showcase, 2.5 kilograms of silica gel should be placed in each cubic meter of the showcase space to meet the requirements. The lower layer of the showcase should have enough air holes for air exchange with the upper layer of the cultural relics. ** 3. In terms of structure ** 1. ** Overall structural stability and reliability ** - There were various forms of display cabinets, such as wall-through cabinets, wall-in-wall niche cabinets, etc., which had slightly better stability and reliability. Independent cabinets placed independently had higher requirements for stability and reliability. During the production, not only should the cabinet body follow the basic principle of triangular stability, but the internal stability structure should also be used. The connection between the metal cabinet body and the glass cabinet body should also maintain good stability and reliability. It is best to use anti-slip locks for independent cabinets to avoid damage caused by sliding movement. 2. ** Intelligent security system and electronic anti-theft system ** - Different anti-theft system solutions were made according to the characteristics of different cultural relics. When the showcase was opened or damaged in an abnormal situation, the alarm was triggered to play the corresponding effect. Combined with the video surveillance system, the intelligent security protection of the cultural relics showcase was realized. ** 4. Daylighting ** 1. ** Light source selection and adjustment ** - The light source was divided into two types: artificial light source and natural light source. The artificial light source could be adjusted according to the special requirements of the cultural relics on the brightness, angle, range, etc., to adjust the appropriate lighting effect. It was suitable for cultural relics with special requirements on temperature and humidity. ** 5. Esthetics ** 1. ** Combination of design and artistic aesthetics ** - During the exhibition of cultural relics, under the condition of ensuring the needs of the exhibition, the cultural and artistic influence of the exhibition should be exerted in all directions, and the artistic performance and artistic beauty of the products should be reasonably combined to maximize the overall exhibition effect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Two cultural relics exhibition launched in Jinci Museum
The two major cultural relics exhibition in the Jinci Museum were: 1. On October 20th, 2023, the Song Dynasty Cultural Relics Exhibition was held until December 10th. The exhibition was hosted by the Municipal Bureau of Cultural Relics, organized by the Municipal Cultural Relics Protection Research Institute, Jinci Museum and other units. It was divided into four units: "Color of the Song Dynasty-Building Kilns and Building Glasses","Rhyme of the Song Dynasty-Flower Arranging","Elegance of the Song Dynasty-Burning Incense" and "Wind of the Song Dynasty-Human Fireworks". More than 200 pieces of exhibit showing the life of Song people were exhibited, of which 166 pieces (groups) came from Fujian. Through these pieces of exhibit, the unique customs of the Song Dynasty were presented, allowing the people to feel the life atmosphere and cultural atmosphere of the Song Dynasty. 2. On May 18th, 2024, the "Yuyao Long River-Lingjiatan Cultural Exhibition" would be held for two months. It was guided by the Institute of Cultural Relics and Archeology of the Anhui Province, organized by the Taiyuan City Relics Bureau and other units, organized by the Taiyuan City Relics Protection Research Institute and other units, and co-sponsored by the Maanshan City Museum and other units. A total of 123 cultural relics (sets) and 93 replicas (sets) were exhibited, recreating the prosperous scenery of Lingjiatan. At the same time, there were supporting educational activities such as expert lectures and youth social education activities. The exhibition design focused on the popularity of archaeological knowledge and the use of special techniques to bring a brand-new viewing experience. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Palace Museum used nearly 900 cultural relics
In order to welcome the "New Year's Greeting-The New Year in the Forbidden City" exhibition held on January 6,2019, the Palace Museum used nearly 900 pieces of cultural relics in a record break. The cultural relics exhibition was located in the main hall of the Meridian Gate and the exhibition hall of the East and West Yanchi Tower, with a total of 885 pieces of cultural relics on display. This was the largest number of cultural relics and the largest exhibition area since the establishment of the Palace Museum. Generally, the number of cultural relics used in the exhibition was about 100, and the annual exhibition could reach more than 300. The largest single exhibition in the history of the Palace Museum was the 1935 London International Exhibition of China Art, with 735 cultural relics on display. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Palace Museum Cultural Relics Grand View
There were many types of cultural relics in the Forbidden City, covering many aspects. From the perspective of archaeological excavation, a large number of cultural relics were unearthed in the Forbidden City. For example, a large number of imperial porcelain fragments and other cultural relics were unearthed in the area west of Longzong Gate, including porcelain fragments from the Yuan Dynasty. The excavation in the Nanda reservoir area south of Xihua Gate also found a variety of imperial porcelain fragments, covering more than 20 types of blue and white, underglaze red, yellow glaze, etc. The cultural relics of the Forbidden City also included paintings, jade, bronze, bronze mirrors, bronze seals, and so on. During the relocation of the cultural relics of the Forbidden City to the south, there were more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzeware, bronze mirrors, and bronze seals, as well as a large number of jade articles. There were also 3773 boxes of documents, including the archives of various departments of the Qing Dynasty, the imperial records of the Ming and Qing Dynasties, the daily life notes, and the archives and historical materials of the Taiping Heavenly Kingdom collected by the imperial historian and the imperial government. At the same time, there were also the Siku Quanshu and various rare and engraved copies. For example, the fifth generation of the Tuoluni Sutra, one of the earliest printed works discovered in China. The most ancient stone carving in the country, the Qiyang Stone Drum, was also among them. In addition, the Palace Museum also had a lot of topics related to cultural relics, such as the ancient characters and numbers platform of the Palace Museum, such as the dragon offering auspicious--the year of the dragon cultural relics, the jade rabbit welcoming the spring--the year of the rabbit cultural relics, the auspicious tiger welcoming the auspicious--the year of the tiger cultural relics, the "Hundred Oxen Celebrating the New Year"--the "cow" cultural relics in the Forbidden City, and the Yin Ruins oracle bone inscriptions collected by the Palace Museum. At the same time, there was also the "Palace Museum Calendar·2025·Innocent Version" with 100 stories of the Palace Museum's cultural relics collection. It excavated the color stories of the Palace Museum's cultural relics from the perspective of innocence and matched with the traditional color knowledge questions and answers, bringing readers a unique perspective of the Palace Museum's cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Palace Museum Cultural Relics Magazine No. 348
The editor-in-chief of the 348th issue of the Palace Museum Cultural Relics Magazine (March) was Feng Mingzhu. It contained many research articles related to the cultural relics of the Palace Museum, such as Zheng Yongchang's "When the Water Flowing-Special Exhibition of the Qing Dynasty River Works Archives and Maps" and Lin Tianren's "Early Qing Dynasty River Affairs and Gao Bin's Flood Control". The magazine was priced at 200 New Taiwan Dollars, and the ISSN was 1011 - 9078. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Painting and calligraphy cultural relics concentrated cabinet custom
There were several key points to the custom-made cabinet for painting and calligraphy cultural relics: 1. ** Function **: - It could provide a good environment for the preservation of calligraphy and painting relics. For expensive ancient calligraphy and paintings, they should be stored in a dry and cool place. Some of the shelves could use the intelligent environmental monitoring system to supervise and adjust the storage environment so that the paintings were in a suitable environment to avoid mold and moisture. The traditional way of preserving hanging paintings, such as hanging them on the wall, was easy to cause the hanging paintings to be affected by the moisture and mold of the wall, and the custom-made painting and calligraphy cultural relics intensive cabinet could improve this situation. - It could be used to store and display paintings and cultural relics. The custom-made painting and calligraphy cultural relics cabinet could not only preserve and store paintings and calligraphy in good condition, but also display them to the outside world. If there was a need, the glass door of the painting and calligraphy cultural relics cabinet could be customized. This would help protect the ancient paintings (avoid touching and unrolling to prolong life) and make it easy to view. 2. ** In terms of the custom-made process **: - For example, a cabinet that was specially used to store paintings and cultural relics. - To determine the specifications and size, the manufacturer will determine the specifications, size, load bearing, etc. of the dense cabinet according to the customer's opinions and their own production experience. They can also send technicians to measure and plan the customized plan. 3. ** Price: - The price of customized products was relatively high because it was designed and produced according to the actual needs of users. It was not standardized according to the production line, and the cost would increase. However, on the other hand, it could allow precious calligraphy and painting cultural relics to be stored and protected in better space, avoid the problems of different size and different typographies, and meet the needs and preferences of different users. Therefore, a higher price also had its value. 4. ** In terms of product specifications **: - For example, Xinyi's painting and calligraphy cultural relics cabinet was 900*550* 2300mm (width * depth * height), and the price was 1950 yuan/cubic meter. Different cabinets could be customized in terms of material, style, and function. For example, the material could be made of steel, the style could be modern and simple, and the function could be moved or locked. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>