The Palace Museum used nearly 900 cultural relics
In order to welcome the "New Year's Greeting-The New Year in the Forbidden City" exhibition held on January 6,2019, the Palace Museum used nearly 900 pieces of cultural relics in a record break. The cultural relics exhibition was located in the main hall of the Meridian Gate and the exhibition hall of the East and West Yanchi Tower, with a total of 885 pieces of cultural relics on display. This was the largest number of cultural relics and the largest exhibition area since the establishment of the Palace Museum. Generally, the number of cultural relics used in the exhibition was about 100, and the annual exhibition could reach more than 300. The largest single exhibition in the history of the Palace Museum was the 1935 London International Exhibition of China Art, with 735 cultural relics on display. Read more exciting novels for free
Cultural Relics in the Palace Museum
There were many types of cultural relics in the Forbidden City's warehouse. In the process of the cultural relics of the Forbidden City moving south, it was known that the cultural relics transported from the Forbidden City included more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzes, bronze mirrors, and bronze seals, countless jade articles, and 3773 boxes of documents, including the archives of the Qing court collected by the imperial historian and the inner government, the imperial records of the Ming and Qing Dynasties, daily life notes, and the historical materials of the Taiping Heavenly Kingdom. There were also the Siku Quanshu and various rare books and engraved copies. At that time, one of the earliest printed works discovered in China was the fifth generation edition of the Dharani Sutra, and the oldest stone carving in China was the Qiyang Stone Drum. These cultural relics reflected the richness of the cultural relics in the Forbidden City and were the precious cultural wealth of the Forbidden City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Palace Museum Cultural Relics Magazine No. 348
The editor-in-chief of the 348th issue of the Palace Museum Cultural Relics Magazine (March) was Feng Mingzhu. It contained many research articles related to the cultural relics of the Palace Museum, such as Zheng Yongchang's "When the Water Flowing-Special Exhibition of the Qing Dynasty River Works Archives and Maps" and Lin Tianren's "Early Qing Dynasty River Affairs and Gao Bin's Flood Control". The magazine was priced at 200 New Taiwan Dollars, and the ISSN was 1011 - 9078. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Experience and Enlightenment of Reviving the Cultural Relics in the Palace Museum
The Palace Museum had many experiences and inspirations in the activation of cultural relics: ** 1. Development of educational resources ** 1. ** Diverse curriculum and activity development ** - Development of hands-on experience courses, such as making Eight Banners dolls and window lattice table lamps, etc., so that participants could learn relevant historical and cultural knowledge during the hands-on process. For example, the making of Eight Banners dolls could let primary school students understand the historical evolution of the Eight Banners system, and the making of window lattice table lamps could allow them to understand the various windows in the Forbidden City and experience the traditional China cultural meaning, aesthetic meaning, and spatial beauty. - To organize a comprehensive inquiry activity to let the public understand the culture of the Forbidden City in depth. - To publish popular readers and spread knowledge about the Forbidden City's architecture, cultural relics, costumes, history, solar terms, and so on to the public in an easy-to-understand manner. - He launched online classes to break through space constraints and expand the audience so that more people could learn the history and culture of the Forbidden City. 2. ** Combining Interesting Elements ** - Interesting elements were incorporated into the design of courses and activities, such as the elves on the Hall of Supreme Harmony, I washed the "stone" in the Forbidden City, and the "bone" of the world. This would enhance the enthusiasm and interest of the public to participate and spread knowledge in a relaxed and interacting way. ** 2. Management of volunteers ** 1. ** Professional and flexible ** - In the management of volunteers, professionalism and flexibility were required. It was necessary to ensure that volunteers had certain professional knowledge to provide accurate information and good service to tourists, and to maintain flexibility in management to adapt to different situations and needs. 2. ** Management and Incentives in Parallel ** - Establishing an effective management mechanism and paying attention to the motivation of volunteers. Build a close emotional connection with the volunteers, full of humane care, so that the volunteers can actively participate in their work, thereby enhancing the visitor's experience and letting the visitors feel the warmth of the museum. ** 3. Augmented education ** 1. ** New video production ideas ** - In the video work of the audio visual education, such as the production of educational promotional videos, exhibition supporting films, the use of new ideas. Through vivid video cases to promote educational activities, exhibition, etc., to attract the public with intuitive visual effects and better spread the Forbidden City culture. These experiences inspired other cultural and cultural institutions to tell local stories well, do a good job in cultural relics publicity planning, strengthen exchanges and mutual learning, pay attention to the use of friendly and popular methods to spread historical and cultural knowledge to the public, and pay attention to innovation in management and education communication methods to realize the activation and utilization of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Palace Museum's 100-Year Cultural Relics Exhibition
The National Palace Museum would celebrate its 100th anniversary in 2025 and planned to launch 13 special exhibition to promote Chinese cultural relics. At present, there was no more information about the 100-year cultural relics exhibition of the Forbidden City (here, the Forbidden City in Beijing). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Hakka Cultural Relics Museum
The following are some of the more well-known Hakka cultural relics museum: - Ganzhou Hakka Cultural Relics Museum, founded in 2004, is located on the third floor of the Fine Arts College of Jiangxi Normal University. The exhibition hall, reception, and storeroom covered an area of more than 1,000 square meters, and the collection of cultural relics was more than 15,000 pieces (sets). The collection included eight series of Hakka architectural wood carvings, stone (brick) carvings, plaque, porcelain, clothing, furniture, family (clan) records, and printed carvings. There were national precious cultural relics. It was the largest Hakka cultural relics museum in China, playing an important supporting role in the research of Hakka studies and folklore in China. It is open from 9:00 to 17:00 from Monday to Friday, except for legal holidays. Take bus No. 112 and No. 117 to the Golden Campus of the Normal University and walk 300 meters west. - China Hakka Museum: The collection of waterwheel kiln porcelain, famous paintings and calligraphy, etc., has been assessed by the expert group of the provincial cultural relics appraisal station. Three pieces/set have been assessed as first-class cultural relics (two green glazed double-series pots of the Tang waterwheel kiln and a 1978 autumn scenery of Lin Fengmian), eight pieces/set of third-class cultural relics, and 10 pieces/set of general cultural relics. - The Zhengzhou Zhanshi Hakka Culture Museum was located in an alley at the intersection of East and West Main Streets in Zhengzhou. It was founded in 2014 by the director of Chaozhou Hakka in Guangdong Province, who had set up a business in Zhengzhou for more than ten years. It was open to the public for free. There were a total of four basic exhibition halls, displaying a variety of Hakka culture and art through Hakka furniture, porcelain, contract books and other cultural relics, including the origin of Hakka, the grand occasion of the Ming Dynasty's Silk Road on the Sea, the microcosm of Hakka life culture, as well as the atmosphere of the reception room and guest room. - Kaohsiung City Hakka Museum: It was the largest Hakka museum in Taiwan. It occupied a large area and was built with red tiles and glazed tiles. It was similar to the architecture of the mainland Hakka. The museum has an exhibition area, an office, a large conference hall, etc. It focuses on the exhibition of Hakka cultural relics and occasionally holds Hakka cultural activities to study Hakka traditional customs. It will be open tomorrow from 9:00 to 17:00. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Ya 'an Cultural Relics Museum
Ya 'an Museum was located by the Qingyi River, with a total building area of 8681 square meters. It was officially opened to the public in December 2010. After the "4.20" post-disaster reconstruction and upgrading, the display function was greatly improved. At present, there are more than 20000 cultural relics in the collection. It is the only city-level museum in Sichuan Province that combines the display function and the cultural relics center warehouse. The museum was divided into a central exhibition area, a temporary exhibition area, a cultural relic center warehouse, and an office reception room. The precious cultural relics unearthed in Ya 'an were mainly displayed on the Southern Silk Road and the Ancient Tea Horse Road. The central exhibition area had five exhibition halls, namely, the charm of Hanjia, the expansion of territory, the quilt of Han Dynasty, the charm of elegant wind, and the tea and Tibetan horses. The contents included stone inscriptions, stone tools, bronze ware, pottery, porcelain, seals, calligraphy and painting arts of Han Dynasty, as well as the historical relics of Ya' an tea. The exhibition in the museum integrated digital expression methods to present the history behind the cultural relics to the audience in multiple directions and senses. As of 2019, the museum had 17401 pieces (sets) and 1151 precious cultural relics (sets). The cultural relics displayed in the museum were all exquisite cultural relics unearthed in the first district of the seven counties of Ya 'an, including a group of precious stone carvings of the Han Dynasty on the Southern Silk Road, such as the stone beasts at the gate of Jiangcheng and the stone beasts in front of Fan Min's tomb, as well as exquisite cultural relics such as ancient Shu bronze and Ming Dynasty terracotta warriors. There were nearly 500 pieces in total. The treasure of the museum is the "Chengdu Spear". This bronze spear was discovered in the late Warring States Period. The word "Chengdu" was engraved on its Jiao Department. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Museum of Fame Cultural Relics
Different halls of fame had different relics. For example, the Hangzhou Celebrity Memorial Hall preserved the national first-class cultural relic, the Cemetery List of the Dead Soldiers of the 19th Route Army written by Mr. Zhang Taiyan; There were more than 30000 cultural relics in the Zhucheng City, including more than 50 national first-class cultural relics, 65 second-class cultural relics, and 383 third-class cultural relics. The collection was complete, including production tools and daily utensils that reflected the development of social productivity, primitive characters and paintings that expressed human civilization, exquisite bronze ware, a wide variety of pottery, exquisite porcelain, various cultural works of art, decorations, stone statues, local documents, historical records, etc. Among them, the collection of fine works include the Eagle Beak Pot, Xuande Big Bowl, etc. In addition, the Wenzhou Mathematics Hall of Fame displayed the life stories, academic achievements, and related cultural relics of Wenzhou mathematicians since the late Qing Dynasty, but the specific cultural relics were not mentioned. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics and Museum New
In recent years, many universities had added majors related to cultural relics and museum. For example, Heze University's application for the undergraduate major of cultural relics and museum studies was successfully approved. It planned to recruit 40 students and recruit students in the province. Hunan Normal University newly established the major of cultural relics and museum studies. All of these were to adapt to the development needs of modern cultural relics and museum industry, respond to the national strategic policy, and strengthen the cultivation of outstanding talents in literature and art. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Huazhou Cultural Relics Museum
In Huazhou, there was Weinan City Huazhou District Ming and Qing Shadow Play Museum. It was located at the entrance of Shaohua Mountain National Forest Park in Lianhuasi Town, Huazhou District. The exhibition hall covered an area of 2000 square meters and the public service area was 800 square meters. The exhibition hall of the museum was centered on the shadow puppets of the Ming and Qing Dynasties in Shaanxi Province. In addition to Shaanxi Province, there were also countries such as Malaysia and Thailand. The collection included various types of shadow puppets. This was a non-state-owned museum. Visits were free. It was open from Monday to Saturday and closed on Sunday. In addition, there might be other cultural relics in Huazhou, but the reference materials did not mention it in detail. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Pingyuan Museum Cultural Relics
The Pingyuan Museum collected more than 30,000 sets of cultural relics, especially bronze ware, ancient calligraphy and painting, Buddha statues, stone inscriptions and rubbings, etc. The number of cultural relics above the level was among the best in all cities in the province. Among them, six precious cultural relics were rated as "treasures of the town hall", namely Niu Shoujue, Huo Junxiao, Zhao Mengfu's running calligraphy axis, Zheng Banqiao ink bamboo stone orchid painting axis, Dehua kiln white glaze Guanyin sitting statue, Guan Gong bronze statue, etc. Niu Shoujue, also known as the bronze jue of 'Fei Fu', was unearthed in Chuqiu, Hui County in 1952. It was a bronze ware of the late Shang Dynasty and was part of the' Fei Fu'. In addition to the jue cup, there were also tripod, Gui, Zun, You and other objects. The jue is wide and flowing, with a sharp tail, a round drum at the bottom, a triangular pyramid at the foot, and a cover. The top of the lid is decorated with a cow's head, the top of the lid is decorated with a dragon pattern and a semi-circular ring, and the belly is decorated with a taotie pattern. The words 'Fei Fu' are cast inside the lid. It is rare to see a lidded jue, so this jue is extremely precious. The Green Jade Owl of the Shang Dynasty was a three-dimensional round sculpture. The jade material was Hetian bluish-white jade. The whole body was decorated with patterns. The chest, wings, head and back were decorated with feather patterns and cloud patterns. The cutting skills were concise and skillful, the lines were natural and smooth, and the design was quite ingenious. It was a national first-class cultural relic. The bronze statue of Guan Yu was a cultural relic of the Ming Dynasty. It was 172 cm high, 118 cm wide and weighed 578 kg. The statue was huge in size, exquisite in casting, and unique in shape. It was rare in the country. It was highly realistic, and its size and appearance were basically the same as a real person's. It was rare in the country. Guan Yu was wearing a scarf on his head with a belt hanging down his shoulders. His face was square and wide, with thick eyebrows. His phoenix-like eyes were slightly closed, his nose was high, and his long beard was floating in front of his chest. He wore armor, tiger head to protect his abdomen and shoulders, and a knot at his waist that naturally hung down. He wore a battle skirt and battle boots. His left hand was placed on his thigh in a palm position, and his right hand was placed on his right leg in a fist position, perfectly displaying Guan Yu's majestic image of loyalty. This statue had a unique origin. After many twists and turns, it was collected in the Pingyuan Museum. Moreover, Guan Yu had multiple cultural meanings in folk culture, such as the God of Wealth. Zhao Mengfu's semi-cursive scroll and Zheng Banqiao's ink bamboo and stone orchid scroll were treasures of ancient calligraphy and painting. The white glazed Guanyin sitting statue of Dehua kiln was also one of the treasures of the museum. These cultural relics reflected the social system, social production, and social life of different periods, displaying the brilliance and splendor of Chinese culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>