Palace Museum Cultural Relics Exhibition Hall
The Palace Museum had a variety of cultural relics exhibition halls. Among them were treasures, clocks, paintings, porcelain, sculptures, and other art collections. There were also temporary special exhibition. For example, from June 21 to September 22,2024, the "National Colors and Palace Colors--Qing Dynasty Palace Embroidered Clothing Color Exhibition" was held on the second floor of the Jiade Art Center. This was the Palace Museum's special exhibition of palace clothing held again after 16 years. 91 cultural relics and 2 sets of scientific specimens came from the Palace Museum. From August 8th to November 8th, 2008, an exhibition titled " Celestial Clothing--Fine Qing Dynasty Court Clothing Collection from the Palace Museum " was also held at the Meridian Gate Tower. In addition, there were also exhibition halls such as the Forbidden City Bronze Museum. At the same time, the Palace Museum would also display the original state of the palace's historical relics. These pavilions displayed different types of cultural relics and displayed the achievements of ancient China culture and art in many ways. Read more exciting novels for free
The Palace Museum's 100-Year Cultural Relics Exhibition
The National Palace Museum would celebrate its 100th anniversary in 2025 and planned to launch 13 special exhibition to promote Chinese cultural relics. At present, there was no more information about the 100-year cultural relics exhibition of the Forbidden City (here, the Forbidden City in Beijing). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics in the Palace Museum
There were many types of cultural relics in the Forbidden City's warehouse. In the process of the cultural relics of the Forbidden City moving south, it was known that the cultural relics transported from the Forbidden City included more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzes, bronze mirrors, and bronze seals, countless jade articles, and 3773 boxes of documents, including the archives of the Qing court collected by the imperial historian and the inner government, the imperial records of the Ming and Qing Dynasties, daily life notes, and the historical materials of the Taiping Heavenly Kingdom. There were also the Siku Quanshu and various rare books and engraved copies. At that time, one of the earliest printed works discovered in China was the fifth generation edition of the Dharani Sutra, and the oldest stone carving in China was the Qiyang Stone Drum. These cultural relics reflected the richness of the cultural relics in the Forbidden City and were the precious cultural wealth of the Forbidden City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The temperature of the cultural relics exhibition hall
The temperature control of the cultural relics exhibition hall in different museum was different. Generally speaking, in order to protect cultural relics, the temperature was usually controlled between 15 - 22 ° C. For example, the temperature of some museum exhibition halls was controlled at 18 ° C- 22 ° C all year round, while others were controlled at 24.7 ° C- 26.6 ° C, and some were controlled at 18 - 22 ° C. These temperature ranges were determined by considering the needs of cultural relics protection and the audience's body sensations. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Renderings of the Cultural Relics Exhibition Hall
The following are some ideas related to the renovation renderings of the cultural relics exhibition hall: - As for the Academy's cultural exhibition hall, its exhibition hall area was 500 square meters and was divided into four areas. For example, the "Source of Mind Learning" area adopted an archaic architectural style to reproduce the original appearance of the Academy. The history and architectural features of the Academy could be displayed in the form of exhibition boards, pictures, videos, sculptures, etc., as well as the panoramic model of the Academy.(High-definition three-dimensional model, touch-screen operation to view details), Wang Yangming's thought evolution map (dynamic Timeline, sliding screen to browse and inquire), Academy cultural heritage display cabinet (transparent display cabinet to display cultural heritage with text and voice explanation) and other multi-media equipment. The "Rhyme of Mind" area adopted a modern minimalist style. There was a Rhyme of Mind Wall (LED wall to display influence and contribution, and there were also interaction games and tests), a Rhyme of Mind Stage (using phantom imaging technology to display the performance inheritance in art forms and there were interaction devices), and a Rhyme of Mind Pavilion (semi-open space using special effects screen technology to display contemporary applications and promotion). The "Path of Mind" area adopted a modern technological style. It was equipped with the Path of Mind navigation (a large touch control all-in-one machine to display application guidance in different fields), the Path of Mind experience (a small VR device to display the influence of different periods and regions), and so on. - In the exhibition hall in Liulichang area of Jinjiang District, Chengdu City, digital media functions were arranged in the hall. There were 3D cultural relics display equipment without glasses, scene interaction digital media (to deepen the understanding of the theme), VR simulation display (digital simulation restoration of the past grand occasion), etc. The arrangement of these different functions could also be reflected in the decoration renderings, such as reserving suitable space for digital media display and reasonable viewing area. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Two cultural relics exhibition launched in Jinci Museum
The two major cultural relics exhibition in the Jinci Museum were: 1. On October 20th, 2023, the Song Dynasty Cultural Relics Exhibition was held until December 10th. The exhibition was hosted by the Municipal Bureau of Cultural Relics, organized by the Municipal Cultural Relics Protection Research Institute, Jinci Museum and other units. It was divided into four units: "Color of the Song Dynasty-Building Kilns and Building Glasses","Rhyme of the Song Dynasty-Flower Arranging","Elegance of the Song Dynasty-Burning Incense" and "Wind of the Song Dynasty-Human Fireworks". More than 200 pieces of exhibit showing the life of Song people were exhibited, of which 166 pieces (groups) came from Fujian. Through these pieces of exhibit, the unique customs of the Song Dynasty were presented, allowing the people to feel the life atmosphere and cultural atmosphere of the Song Dynasty. 2. On May 18th, 2024, the "Yuyao Long River-Lingjiatan Cultural Exhibition" would be held for two months. It was guided by the Institute of Cultural Relics and Archeology of the Anhui Province, organized by the Taiyuan City Relics Bureau and other units, organized by the Taiyuan City Relics Protection Research Institute and other units, and co-sponsored by the Maanshan City Museum and other units. A total of 123 cultural relics (sets) and 93 replicas (sets) were exhibited, recreating the prosperous scenery of Lingjiatan. At the same time, there were supporting educational activities such as expert lectures and youth social education activities. The exhibition design focused on the popularity of archaeological knowledge and the use of special techniques to bring a brand-new viewing experience. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The technical requirements for the exhibition cabinets of cultural relics in the museum
The technical requirements for the cultural relic display cabinet in the museum are as follows: ** 1. Materials ** 1. ** Safety and stability ** - The materials used for the showcase must be stable and safe for the cultural relics. Due to the direct or indirect contact between the display cabinet and the cultural relics, if the material contains sulfur, sulfur, or other acidic components, it will release harmful gases (such as sulfur dioxide, sulfur dioxide, nitrogen dioxide, oxygen dioxide, volatile organic acid, volatile aldo, etc.) after contact with the cultural relics or aging. Therefore, it was relatively safer to use stainless steel, aluminum alloy, and steel plates with plastic-coated surfaces. - Generally, materials that are potentially harmful to cultural relics include wood, paint, glue, leather, woolen fabrics, chemical fiber fabrics, and some textile dye. However, if it is determined through testing or chemical analysis that it will not cause damage to cultural relics, it can also be used to manufacture cultural relics display cabinets. For example, wooden display cabinets can also be used after meeting the relevant treatment requirements. Its processing technology includes wood drying, woodworking processing, and surface treatment. Wood drying must make the moisture content meet the requirements. Woodworking included saw-cutting, chiseling, planing, and other mechanical processing as well as technical work such as glue assembly. Surface treatment included painting, coloring, and surfacing. - The lining, lining, and decorative materials of the display cabinet should also be tested or analyzed to determine that they were harmless before they could be used in the cultural relic display cabinet. 2. ** Material Attributes ** - The hardness of the fire-resistant board is 4 - 7 times that of wood, 2 - 20 times that of ordinary glass, and 15 - 80 times that of plexiglass. It has the characteristics of wear resistance, heat resistance, impact resistance, etc. It can be cut according to the design requirements during construction. - Aluminium-plastic composite board was a popular new type of lightweight board. The surface was made of a polythene material, the middle layer was made of an aluminum layer or a PVP plastic base material, and the back was added with heat-resistant and sound-absorbing aluminum foam profile or rock wool and other thermal insulation materials. There were many commonly used thickness to choose from. - The main raw material of the plasterboard was building plaster. It had the characteristics of light weight, high strength, waterproof and damp-proof, and could be sawed and drilled. It was often used in the living room, bedroom, office, and other places. It was not suitable for the main structure of the cultural relic display cabinet, but it might be used as an auxiliary part. ** 2. Control of temperature and humidity ** 1. ** Sealing ** - The showcase should have good sealing properties because the cultural relics were sensitive to temperature and humidity. Good sealing properties could directly affect the temperature and humidity inside the showcase to a large extent, providing a relatively independent and stable storage space for the cultural relics. In order to ensure the tightness, the glass must be seamlessly connected to the display cabinet. It can also use raw materials such as sealing tape, sealants, and sealants. 2. ** humidity control equipment ** - The interior should be equipped with automatic temperature and humidity measuring instruments and humidity control equipment. There are two options for humidity control. One is to install a dryer. When the humidity exceeds the required range, the humidity controller can automatically turn on the dryer to reduce the humidity and display an alarm signal at the same time. The other is to place a moisture absorption buffer material (such as silica gel). There is enough space in the lower box of the showcase for the moisture absorption buffer material. The moisture absorption buffer material can absorb moisture in the humid climate in summer and release moisture in the dry climate in winter to maintain the humidity in the showcase. The staff needed to change the moisture absorption buffer material according to the climate characteristics. According to the experience of the Museum of Canada, about 20 kilograms of silica gel should be placed in each cubic meter of the showcase space (general situation). For a well-sealed showcase, 2.5 kilograms of silica gel should be placed in each cubic meter of the showcase space to meet the requirements. The lower layer of the showcase should have enough air holes for air exchange with the upper layer of the cultural relics. ** 3. In terms of structure ** 1. ** Overall structural stability and reliability ** - There were various forms of display cabinets, such as wall-through cabinets, wall-in-wall niche cabinets, etc., which had slightly better stability and reliability. Independent cabinets placed independently had higher requirements for stability and reliability. During the production, not only should the cabinet body follow the basic principle of triangular stability, but the internal stability structure should also be used. The connection between the metal cabinet body and the glass cabinet body should also maintain good stability and reliability. It is best to use anti-slip locks for independent cabinets to avoid damage caused by sliding movement. 2. ** Intelligent security system and electronic anti-theft system ** - Different anti-theft system solutions were made according to the characteristics of different cultural relics. When the showcase was opened or damaged in an abnormal situation, the alarm was triggered to play the corresponding effect. Combined with the video surveillance system, the intelligent security protection of the cultural relics showcase was realized. ** 4. Daylighting ** 1. ** Light source selection and adjustment ** - The light source was divided into two types: artificial light source and natural light source. The artificial light source could be adjusted according to the special requirements of the cultural relics on the brightness, angle, range, etc., to adjust the appropriate lighting effect. It was suitable for cultural relics with special requirements on temperature and humidity. ** 5. Esthetics ** 1. ** Combination of design and artistic aesthetics ** - During the exhibition of cultural relics, under the condition of ensuring the needs of the exhibition, the cultural and artistic influence of the exhibition should be exerted in all directions, and the artistic performance and artistic beauty of the products should be reasonably combined to maximize the overall exhibition effect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Palace Museum Cultural Relics Grand View
There were many types of cultural relics in the Forbidden City, covering many aspects. From the perspective of archaeological excavation, a large number of cultural relics were unearthed in the Forbidden City. For example, a large number of imperial porcelain fragments and other cultural relics were unearthed in the area west of Longzong Gate, including porcelain fragments from the Yuan Dynasty. The excavation in the Nanda reservoir area south of Xihua Gate also found a variety of imperial porcelain fragments, covering more than 20 types of blue and white, underglaze red, yellow glaze, etc. The cultural relics of the Forbidden City also included paintings, jade, bronze, bronze mirrors, bronze seals, and so on. During the relocation of the cultural relics of the Forbidden City to the south, there were more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzeware, bronze mirrors, and bronze seals, as well as a large number of jade articles. There were also 3773 boxes of documents, including the archives of various departments of the Qing Dynasty, the imperial records of the Ming and Qing Dynasties, the daily life notes, and the archives and historical materials of the Taiping Heavenly Kingdom collected by the imperial historian and the imperial government. At the same time, there were also the Siku Quanshu and various rare and engraved copies. For example, the fifth generation of the Tuoluni Sutra, one of the earliest printed works discovered in China. The most ancient stone carving in the country, the Qiyang Stone Drum, was also among them. In addition, the Palace Museum also had a lot of topics related to cultural relics, such as the ancient characters and numbers platform of the Palace Museum, such as the dragon offering auspicious--the year of the dragon cultural relics, the jade rabbit welcoming the spring--the year of the rabbit cultural relics, the auspicious tiger welcoming the auspicious--the year of the tiger cultural relics, the "Hundred Oxen Celebrating the New Year"--the "cow" cultural relics in the Forbidden City, and the Yin Ruins oracle bone inscriptions collected by the Palace Museum. At the same time, there was also the "Palace Museum Calendar·2025·Innocent Version" with 100 stories of the Palace Museum's cultural relics collection. It excavated the color stories of the Palace Museum's cultural relics from the perspective of innocence and matched with the traditional color knowledge questions and answers, bringing readers a unique perspective of the Palace Museum's cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Palace Museum Cultural Relics Magazine No. 348
The editor-in-chief of the 348th issue of the Palace Museum Cultural Relics Magazine (March) was Feng Mingzhu. It contained many research articles related to the cultural relics of the Palace Museum, such as Zheng Yongchang's "When the Water Flowing-Special Exhibition of the Qing Dynasty River Works Archives and Maps" and Lin Tianren's "Early Qing Dynasty River Affairs and Gao Bin's Flood Control". The magazine was priced at 200 New Taiwan Dollars, and the ISSN was 1011 - 9078. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Palace Museum used nearly 900 cultural relics
In order to welcome the "New Year's Greeting-The New Year in the Forbidden City" exhibition held on January 6,2019, the Palace Museum used nearly 900 pieces of cultural relics in a record break. The cultural relics exhibition was located in the main hall of the Meridian Gate and the exhibition hall of the East and West Yanchi Tower, with a total of 885 pieces of cultural relics on display. This was the largest number of cultural relics and the largest exhibition area since the establishment of the Palace Museum. Generally, the number of cultural relics used in the exhibition was about 100, and the annual exhibition could reach more than 300. The largest single exhibition in the history of the Palace Museum was the 1935 London International Exhibition of China Art, with 735 cultural relics on display. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Municipal Museum Holds Guangdong Anti-corruption Cultural Relics Exhibition
In order to cooperate with the "two studies and one action" learning education, the municipal museum and the provincial mobile museum jointly launched the "Guangdong Anti-corruption Cultural Relics Picture Exhibition". The exhibition was divided into thought chapters, policy chapters, character chapters, punishment chapters, and exhortation chapters. At the same time, there was also a large-scale historical and cultural documentary,"Examining History and Asking for Purity," for viewing. The purpose of the exhibition was to absorb the beneficial elements of the previous clean government culture, to help the construction of clean government culture, and to arouse everyone's further attention and thinking about the construction of clean government culture. In addition,"Guangdong Province Anti-corruption Cultural Relics Exhibition" was also exhibited in Enping City Museum. The exhibition focused on the same five chapters to display the excellent anti-corruption culture of the Chinese nation. It was hoped that the majority of party members and cadres would enhance their awareness of anti-corruption through visits. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>