The technical requirements for the exhibition cabinets of cultural relics in the museum
The technical requirements for the cultural relic display cabinet in the museum are as follows: ** 1. Materials ** 1. ** Safety and stability ** - The materials used for the showcase must be stable and safe for the cultural relics. Due to the direct or indirect contact between the display cabinet and the cultural relics, if the material contains sulfur, sulfur, or other acidic components, it will release harmful gases (such as sulfur dioxide, sulfur dioxide, nitrogen dioxide, oxygen dioxide, volatile organic acid, volatile aldo, etc.) after contact with the cultural relics or aging. Therefore, it was relatively safer to use stainless steel, aluminum alloy, and steel plates with plastic-coated surfaces. - Generally, materials that are potentially harmful to cultural relics include wood, paint, glue, leather, woolen fabrics, chemical fiber fabrics, and some textile dye. However, if it is determined through testing or chemical analysis that it will not cause damage to cultural relics, it can also be used to manufacture cultural relics display cabinets. For example, wooden display cabinets can also be used after meeting the relevant treatment requirements. Its processing technology includes wood drying, woodworking processing, and surface treatment. Wood drying must make the moisture content meet the requirements. Woodworking included saw-cutting, chiseling, planing, and other mechanical processing as well as technical work such as glue assembly. Surface treatment included painting, coloring, and surfacing. - The lining, lining, and decorative materials of the display cabinet should also be tested or analyzed to determine that they were harmless before they could be used in the cultural relic display cabinet. 2. ** Material Attributes ** - The hardness of the fire-resistant board is 4 - 7 times that of wood, 2 - 20 times that of ordinary glass, and 15 - 80 times that of plexiglass. It has the characteristics of wear resistance, heat resistance, impact resistance, etc. It can be cut according to the design requirements during construction. - Aluminium-plastic composite board was a popular new type of lightweight board. The surface was made of a polythene material, the middle layer was made of an aluminum layer or a PVP plastic base material, and the back was added with heat-resistant and sound-absorbing aluminum foam profile or rock wool and other thermal insulation materials. There were many commonly used thickness to choose from. - The main raw material of the plasterboard was building plaster. It had the characteristics of light weight, high strength, waterproof and damp-proof, and could be sawed and drilled. It was often used in the living room, bedroom, office, and other places. It was not suitable for the main structure of the cultural relic display cabinet, but it might be used as an auxiliary part. ** 2. Control of temperature and humidity ** 1. ** Sealing ** - The showcase should have good sealing properties because the cultural relics were sensitive to temperature and humidity. Good sealing properties could directly affect the temperature and humidity inside the showcase to a large extent, providing a relatively independent and stable storage space for the cultural relics. In order to ensure the tightness, the glass must be seamlessly connected to the display cabinet. It can also use raw materials such as sealing tape, sealants, and sealants. 2. ** humidity control equipment ** - The interior should be equipped with automatic temperature and humidity measuring instruments and humidity control equipment. There are two options for humidity control. One is to install a dryer. When the humidity exceeds the required range, the humidity controller can automatically turn on the dryer to reduce the humidity and display an alarm signal at the same time. The other is to place a moisture absorption buffer material (such as silica gel). There is enough space in the lower box of the showcase for the moisture absorption buffer material. The moisture absorption buffer material can absorb moisture in the humid climate in summer and release moisture in the dry climate in winter to maintain the humidity in the showcase. The staff needed to change the moisture absorption buffer material according to the climate characteristics. According to the experience of the Museum of Canada, about 20 kilograms of silica gel should be placed in each cubic meter of the showcase space (general situation). For a well-sealed showcase, 2.5 kilograms of silica gel should be placed in each cubic meter of the showcase space to meet the requirements. The lower layer of the showcase should have enough air holes for air exchange with the upper layer of the cultural relics. ** 3. In terms of structure ** 1. ** Overall structural stability and reliability ** - There were various forms of display cabinets, such as wall-through cabinets, wall-in-wall niche cabinets, etc., which had slightly better stability and reliability. Independent cabinets placed independently had higher requirements for stability and reliability. During the production, not only should the cabinet body follow the basic principle of triangular stability, but the internal stability structure should also be used. The connection between the metal cabinet body and the glass cabinet body should also maintain good stability and reliability. It is best to use anti-slip locks for independent cabinets to avoid damage caused by sliding movement. 2. ** Intelligent security system and electronic anti-theft system ** - Different anti-theft system solutions were made according to the characteristics of different cultural relics. When the showcase was opened or damaged in an abnormal situation, the alarm was triggered to play the corresponding effect. Combined with the video surveillance system, the intelligent security protection of the cultural relics showcase was realized. ** 4. Daylighting ** 1. ** Light source selection and adjustment ** - The light source was divided into two types: artificial light source and natural light source. The artificial light source could be adjusted according to the special requirements of the cultural relics on the brightness, angle, range, etc., to adjust the appropriate lighting effect. It was suitable for cultural relics with special requirements on temperature and humidity. ** 5. Esthetics ** 1. ** Combination of design and artistic aesthetics ** - During the exhibition of cultural relics, under the condition of ensuring the needs of the exhibition, the cultural and artistic influence of the exhibition should be exerted in all directions, and the artistic performance and artistic beauty of the products should be reasonably combined to maximize the overall exhibition effect. Read more exciting novels for free
Glass characteristics of museum cultural relics display cabinets
The glass of the museum's cultural relic display cabinet has the following characteristics: 1. ** Strong impact resistance **: It is mostly made of sandwiched glass. The special colloid in the middle bonds the two pieces of glass together. When it is broken by external impact, it can maintain its integrity. The glass fragments will not fall, which can avoid damage to the human body and cultural relics. 2. ** Good anti-reflective property **: Using low reflective glass, based on nano-pore silica technology, the surface is coated with a special chemical coating to form a protective cover. This could prevent the cultural relics from fading under the illumination of the infrared rays and meet the needs of the museum for the protection of cultural relics. 3. ** Not easy to break **: Usually double-layered glass with high firmness. Even if the glass is broken, it will adhere to the film. It has a certain protective effect on cultural relics and can also buy time to deal with theft and destruction. 4. ** Ultraviolet Filterable **: It can effectively filter the violet rays to prevent the surface of paper and wooden cultural relics from peeling off and fading due to the radiation of the violet rays. 5. ** No color bias **: Low iron content, can accurately display the original color of cultural relics, is very important for the display of cultural relics with high artistic quality. 6. ** Excellent display effect **: It has the characteristics of high light transmission rate and low reflection rate. For example, the light transmission rate of the third-generation showcase glass can reach more than 98% and the reflection rate is less than 1%. The audience will not be disturbed by their own shadows when viewing the cultural relics. 7. ** Good craftsmanship **: The processing technology has been improved, the accuracy of cutting size is high, and it is closely connected with the showcase to improve the tightness. 8. ** Reduce cleaning burden **: The surface has been specially treated to prevent some fingerprints and dirt, reducing the difficulty of cleaning. When dirt accumulates to a certain extent, it can be easily cleaned with a rag and special cleaner. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Palace Museum Cultural Relics Exhibition Hall
The Palace Museum had a variety of cultural relics exhibition halls. Among them were treasures, clocks, paintings, porcelain, sculptures, and other art collections. There were also temporary special exhibition. For example, from June 21 to September 22,2024, the "National Colors and Palace Colors--Qing Dynasty Palace Embroidered Clothing Color Exhibition" was held on the second floor of the Jiade Art Center. This was the Palace Museum's special exhibition of palace clothing held again after 16 years. 91 cultural relics and 2 sets of scientific specimens came from the Palace Museum. From August 8th to November 8th, 2008, an exhibition titled " Celestial Clothing--Fine Qing Dynasty Court Clothing Collection from the Palace Museum " was also held at the Meridian Gate Tower. In addition, there were also exhibition halls such as the Forbidden City Bronze Museum. At the same time, the Palace Museum would also display the original state of the palace's historical relics. These pavilions displayed different types of cultural relics and displayed the achievements of ancient China culture and art in many ways. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Two cultural relics exhibition launched in Jinci Museum
The two major cultural relics exhibition in the Jinci Museum were: 1. On October 20th, 2023, the Song Dynasty Cultural Relics Exhibition was held until December 10th. The exhibition was hosted by the Municipal Bureau of Cultural Relics, organized by the Municipal Cultural Relics Protection Research Institute, Jinci Museum and other units. It was divided into four units: "Color of the Song Dynasty-Building Kilns and Building Glasses","Rhyme of the Song Dynasty-Flower Arranging","Elegance of the Song Dynasty-Burning Incense" and "Wind of the Song Dynasty-Human Fireworks". More than 200 pieces of exhibit showing the life of Song people were exhibited, of which 166 pieces (groups) came from Fujian. Through these pieces of exhibit, the unique customs of the Song Dynasty were presented, allowing the people to feel the life atmosphere and cultural atmosphere of the Song Dynasty. 2. On May 18th, 2024, the "Yuyao Long River-Lingjiatan Cultural Exhibition" would be held for two months. It was guided by the Institute of Cultural Relics and Archeology of the Anhui Province, organized by the Taiyuan City Relics Bureau and other units, organized by the Taiyuan City Relics Protection Research Institute and other units, and co-sponsored by the Maanshan City Museum and other units. A total of 123 cultural relics (sets) and 93 replicas (sets) were exhibited, recreating the prosperous scenery of Lingjiatan. At the same time, there were supporting educational activities such as expert lectures and youth social education activities. The exhibition design focused on the popularity of archaeological knowledge and the use of special techniques to bring a brand-new viewing experience. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Palace Museum's 100-Year Cultural Relics Exhibition
The National Palace Museum would celebrate its 100th anniversary in 2025 and planned to launch 13 special exhibition to promote Chinese cultural relics. At present, there was no more information about the 100-year cultural relics exhibition of the Forbidden City (here, the Forbidden City in Beijing). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Municipal Museum Holds Guangdong Anti-corruption Cultural Relics Exhibition
In order to cooperate with the "two studies and one action" learning education, the municipal museum and the provincial mobile museum jointly launched the "Guangdong Anti-corruption Cultural Relics Picture Exhibition". The exhibition was divided into thought chapters, policy chapters, character chapters, punishment chapters, and exhortation chapters. At the same time, there was also a large-scale historical and cultural documentary,"Examining History and Asking for Purity," for viewing. The purpose of the exhibition was to absorb the beneficial elements of the previous clean government culture, to help the construction of clean government culture, and to arouse everyone's further attention and thinking about the construction of clean government culture. In addition,"Guangdong Province Anti-corruption Cultural Relics Exhibition" was also exhibited in Enping City Museum. The exhibition focused on the same five chapters to display the excellent anti-corruption culture of the Chinese nation. It was hoped that the majority of party members and cadres would enhance their awareness of anti-corruption through visits. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
A complete variety of cultural relics display cabinets
From the reference materials, the processing types of cultural relics display cabinets were more diverse. In terms of structure, there were vertical cabinets, flat cabinets, wall cabinets, etc. In terms of functional use, there were cabinets suitable for different purposes such as antique porcelain collection display, museum cultural relics display, private collection exhibition hall display, etc. In terms of shape, in addition to the conventional shape of the cabinet, there were also special-shaped cabinets. Moreover, the size of the showcase could also be customized according to the different needs of the cultural relics. For example, it could support various sizes and display cabinets of various styles according to the customer's requirements. At the same time, the showcase had different requirements and standards in terms of material selection, design concept, process production, safety performance, etc., which also reflected the variety and complexity of the cultural relic showcase processing. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Introduction to the types of cultural relics display cabinets
The common types of cultural relics display cabinets were as follows: 1. * * Special display cabinet **: Used in museum displays and some individual displays. It is a display cabinet specially made for specific items. It is only suitable for this item and not for other items. 2. * * Suit-type display cabinet **: It refers to the structure of the set of tables, tables, stools, etc. in the traditional furniture of our country, and is made into square blocks or tables of different sizes. When in use, the size and height difference can be changed, and the combination form is diverse; when not in use, small pieces can be placed in large pieces in turn, occupying only the volume of the largest table, which can fully utilize the internal space of the large display cabinet and reduce the storage or transportation space. For example, folding display shelves, folding screens, folding booths, etc. 3. * * Spare parts disassembling showcase **: Since the 21st century, there have been showcase cases that are composed of spare parts and can be disassembled and reassembled. They are mainly divided into two categories: the combination of connecting parts and tubes (poles), and the combination of connecting parts and plates or mesh boards. This type of showcase was widely used in expositions, museum displays, and window displays. For example, right-angled isosceles-triangle booths (with two heights) were combined into different shapes. 4. * * Plug-in showcase **: It is composed of various plate components. After the specific components are cut out, they are plugged and assembled to form a showcase for different purposes such as booths, shelves, screens, flower beds, and indicator signs. 5. * * Single Combined Showcase **: First design one or more single showcases, and then use more than two (or only one single unit) to combine or stack, forming a new showcase with varying shapes and specifications. 6. * * Overall Retractable Showcase **: Each part of the showcase is connected by movable joints (connecting pieces) and can be folded and folded. When it is used, it can be pulled open to form a screen wall skeleton or a connected grid. When it is not used, it can be folded into a cluster of rods (tubes). For example, the "One Pull" display rack, Type I and Type II display racks belong to this kind of convenient overall retracting showcase. 7. * * Complete non-mountable display cabinet **: Most of the first-generation display cabinets belonged to this type. Their structure and shape could not be changed. If they were no longer used, they could only discard or dismantle the materials to make other types of display cabinets. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Production and installation of cultural relics display cabinets
The production and installation of the cultural relic display cabinet included many links: ** 1. Design segment ** 1. ** Design blueprints according to requirements ** - The drawings shall be designed according to the requirements of Party A. Different renderings shall be designed according to different grades. The display case manufacturer shall establish a special design process based on the measurement table to reflect the specific information of the project and facilitate the operation and implementation of the project. The design document was traceable, starting from the moment the project measurement sheet was received. 2. ** Dealing with possible problems ** - The cultural relic showcase was the most critical and problematic part of the entire display cabinet production process, mainly reflected in the changes in the venue and production requirements. If the venue was changed, it was usually necessary to inform Party A in advance, and Party A would inform the manufacturer of the display cabinet to re-measure in time. In terms of production requirements, there may be rigid regulations that conflict with Party A's standards. Party A should strengthen communication and confirmation to facilitate the on-site operation of the display cabinet manufacturers. After the drawings are confirmed, a special offer will be made. After Party A has confirmed and reviewed it, the production will be notified after the review is passed. ** 2. Production Stage ** 1. ** Factory Operation Flow ** - Party A shall send the notice of production of the display cabinet to the producer in written form. The notice shall include the amount to be reviewed, the production area, the production type, the time of entry, the time of completion, and other specific information. After the producer received the production notice, he would send the design flow chart and the confirmed renderings to the factory. When the factory received the design flow chart (reflecting the production requirements), it would complete the review work, establish the project material collection list, and produce the materials needed for the project. The workers went to the warehouse to collect materials for production according to the material collection list. 2. ** Quality Control ** - After the completion of the factory's production, the factory manager had to carry out on-site acceptance of the project and establish a list of on-site acceptance of the project to ensure the qualification rate of the products before installation. During this process, the factory had to strictly follow the requirements of the design process list, and the factory manager also had to review the products according to the design process. ** 3. Installations ** 1. ** Pre-installation preparation ** - Before installing the museum's cultural relics display cabinet, all installation tools, installers, duty officers, etc. must be prepared. 2. ** Requirements for installation ** - Confirm the detailed installation and installation sequence of the museum display cabinets. Otherwise, it will reduce work efficiency and affect construction time. At the same time, the ground, walls, and other facilities on the site should be protected from damage. The installation tools and equipment of the exhibition cabinets in the museum should be placed well and not discarded at will. 3. ** Clean up after installation ** - After installing the museum's cultural relics display cabinet, the site should be cleaned to ensure that the site was clean and tidy, so as not to cause inconvenience to customers. In the process of making and installing the cultural relic display cabinet, there were many factors to consider: 1. ** Material Selection ** - When choosing the material of the showcase, the principle of corrosion resistance and safety should be followed. Metal materials with high corrosion resistance and metal strength such as aluminum alloy and stainless steel should be given priority. When choosing the auxiliary materials, the strength of the rubber or plastic should be high enough. 2. ** Sealing Requirement ** - The design of the showcase and the installation of the cabinet had extremely high requirements for the tightness to prevent the elements in the air such as sulfur and sulfur from corroding cultural relics such as bronzes, to prevent harmful gases from entering, and to prevent the loss of noble gases in the showcase. 3. ** Internal environmental control ** - The temperature and humidity inside the showcase should be controlled within a suitable range. The general temperature should be between 18 ° C and 20 ° C, and the humidity should be around 40%, which is very important for the protection of cultural relics. 4. ** Light Control ** - The interior of the showcase should be illuminated with a low-violet cold light lamp, and it was forbidden to illuminate the same part of the cultural relic for a long time to avoid damage such as aging. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Small cultural relics exhibition
There were many forms of small-scale cultural relics exhibition. For example, the audience in the listening spring appraisal program held various treasures, like a small cultural relics exhibition. However, this program was suspended due to questions about the source of the treasures, the sense of the script, and the over-specialization under the banner of public welfare. In addition, the "Small but Beautiful-Luxurious Cultural Relics Exhibition" organized by Henan Museum can also be regarded as a small cultural relics exhibition. It was exhibited from March 27th to August 5th, 2024. It exhibited 210 pieces (groups) of treasures collected by the Museum of Archaology, History and Art of Luxurious State, with an audience of more than 750,000 people. During this period, Henan Museum also launched more than 50 cultural and creative products with exhibition elements. There was also an exhibition of fine glass relics jointly organized by the Forbidden City and Guardian, which displayed many exquisite cultural relics such as flower pot bottoms from the Guangxu period. The Nanjing Museum's Su Shi Painting and Calligraphy Art Spirit Exhibition could also be regarded as one kind. It exhibited more than 150 paintings and calligraphy works from the Song Dynasty to the Qing Dynasty, including more than 80 first-class paintings and calligraphy works. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Song cultural relics exhibition
The following is some information about the Song Dynasty Cultural Relics Exhibition: - "Song Yun Craftiness-Song Dynasty Cultural Relics Exhibition" opened on October 20,2023 in Jinci Museum, displaying more than 200 pieces of artifacts depicting the life of Song people. The exhibition lasted until December 10. The exhibition was organized by the Taiyuan City Relics Bureau and organized by many units. The exhibition was divided into four units: "Color of the Song Dynasty-Building Kilns and Glasses","Rhyme of the Song Dynasty-Flower Arranging","Elegance of the Song Dynasty-Burning Incense", and "Wind of the Song Dynasty-Worldly Fireworks". Through the exhibition, the elegant yet fashionable Song Dynasty was presented, and the plain place was filled with romance. It was a unique style that made people feel the life and cultural atmosphere of the Song Dynasty. 166 pieces (groups) of the exhibition were from Fujian. - "Elegant Song: Song Dynasty Cultural Relics Exhibition" held by Kaifeng City Museum relied on Kaifeng's long historical and cultural resources to excavate Song culture and promote the excellent culture of Song Dynasty. The exhibition exhibited 316 pieces (sets) of cultural relics of the Song Dynasty selected by many cultural and cultural institutions in China. Through these cultural relics, it narrated the unique leisure and leisurely city customs of the Song Dynasty formed by the rapid social and economic development and the rich life of the people. It also described the elegant life of the Song people, which was elegant but fashionable, plain but romantic, unrestrained and comfortable, as if it was a poem or a painting. There were also books that compiled the exhibited cultural relics into volumes and published them. - Starting from October 17,2020, the Kaifeng City Museum held a three-month-long Song Dynasty Cultural Relics Exhibition in Hall 8 on the first floor of Zhongyi Lake Pavilion District. The main structure of the exhibition is divided into two parts: "Feng Song" and "Ya Song". The first part tells about the market customs of Song Dynasty, and the second part reflects the aesthetic taste and elegant taste of literati in Song Dynasty. Together with 13 cultural and cultural institutions, more than 300 exquisite cultural relics close to the life of Song people are exhibited, including Song Dynasty calligraphy and painting, aristocratic cultural relics, unearthed clothing silk fragments, exquisite porcelain, etc. At the same time, there are also related creative works, interaction performances, social education, lectures and a series of activities. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>