There were many types of cultural relics in the Forbidden City, covering many aspects. From the perspective of archaeological excavation, a large number of cultural relics were unearthed in the Forbidden City. For example, a large number of imperial porcelain fragments and other cultural relics were unearthed in the area west of Longzong Gate, including porcelain fragments from the Yuan Dynasty. The excavation in the Nanda reservoir area south of Xihua Gate also found a variety of imperial porcelain fragments, covering more than 20 types of blue and white, underglaze red, yellow glaze, etc. The cultural relics of the Forbidden City also included paintings, jade, bronze, bronze mirrors, bronze seals, and so on. During the relocation of the cultural relics of the Forbidden City to the south, there were more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzeware, bronze mirrors, and bronze seals, as well as a large number of jade articles. There were also 3773 boxes of documents, including the archives of various departments of the Qing Dynasty, the imperial records of the Ming and Qing Dynasties, the daily life notes, and the archives and historical materials of the Taiping Heavenly Kingdom collected by the imperial historian and the imperial government. At the same time, there were also the Siku Quanshu and various rare and engraved copies. For example, the fifth generation of the Tuoluni Sutra, one of the earliest printed works discovered in China. The most ancient stone carving in the country, the Qiyang Stone Drum, was also among them. In addition, the Palace Museum also had a lot of topics related to cultural relics, such as the ancient characters and numbers platform of the Palace Museum, such as the dragon offering auspicious--the year of the dragon cultural relics, the jade rabbit welcoming the spring--the year of the rabbit cultural relics, the auspicious tiger welcoming the auspicious--the year of the tiger cultural relics, the "Hundred Oxen Celebrating the New Year"--the "cow" cultural relics in the Forbidden City, and the Yin Ruins oracle bone inscriptions collected by the Palace Museum. At the same time, there was also the "Palace Museum Calendar·2025·Innocent Version" with 100 stories of the Palace Museum's cultural relics collection. It excavated the color stories of the Palace Museum's cultural relics from the perspective of innocence and matched with the traditional color knowledge questions and answers, bringing readers a unique perspective of the Palace Museum's cultural relics. Read more exciting novels for free
There were many types of cultural relics in the Forbidden City's warehouse. In the process of the cultural relics of the Forbidden City moving south, it was known that the cultural relics transported from the Forbidden City included more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzes, bronze mirrors, and bronze seals, countless jade articles, and 3773 boxes of documents, including the archives of the Qing court collected by the imperial historian and the inner government, the imperial records of the Ming and Qing Dynasties, daily life notes, and the historical materials of the Taiping Heavenly Kingdom. There were also the Siku Quanshu and various rare books and engraved copies. At that time, one of the earliest printed works discovered in China was the fifth generation edition of the Dharani Sutra, and the oldest stone carving in China was the Qiyang Stone Drum. These cultural relics reflected the richness of the cultural relics in the Forbidden City and were the precious cultural wealth of the Forbidden City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Palace Museum had a variety of cultural relics exhibition halls. Among them were treasures, clocks, paintings, porcelain, sculptures, and other art collections. There were also temporary special exhibition. For example, from June 21 to September 22,2024, the "National Colors and Palace Colors--Qing Dynasty Palace Embroidered Clothing Color Exhibition" was held on the second floor of the Jiade Art Center. This was the Palace Museum's special exhibition of palace clothing held again after 16 years. 91 cultural relics and 2 sets of scientific specimens came from the Palace Museum. From August 8th to November 8th, 2008, an exhibition titled " Celestial Clothing--Fine Qing Dynasty Court Clothing Collection from the Palace Museum " was also held at the Meridian Gate Tower. In addition, there were also exhibition halls such as the Forbidden City Bronze Museum. At the same time, the Palace Museum would also display the original state of the palace's historical relics. These pavilions displayed different types of cultural relics and displayed the achievements of ancient China culture and art in many ways. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The editor-in-chief of the 348th issue of the Palace Museum Cultural Relics Magazine (March) was Feng Mingzhu. It contained many research articles related to the cultural relics of the Palace Museum, such as Zheng Yongchang's "When the Water Flowing-Special Exhibition of the Qing Dynasty River Works Archives and Maps" and Lin Tianren's "Early Qing Dynasty River Affairs and Gao Bin's Flood Control". The magazine was priced at 200 New Taiwan Dollars, and the ISSN was 1011 - 9078. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In order to welcome the "New Year's Greeting-The New Year in the Forbidden City" exhibition held on January 6,2019, the Palace Museum used nearly 900 pieces of cultural relics in a record break. The cultural relics exhibition was located in the main hall of the Meridian Gate and the exhibition hall of the East and West Yanchi Tower, with a total of 885 pieces of cultural relics on display. This was the largest number of cultural relics and the largest exhibition area since the establishment of the Palace Museum. Generally, the number of cultural relics used in the exhibition was about 100, and the annual exhibition could reach more than 300. The largest single exhibition in the history of the Palace Museum was the 1935 London International Exhibition of China Art, with 735 cultural relics on display. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Palace Museum had many experiences and inspirations in the activation of cultural relics: ** 1. Development of educational resources ** 1. ** Diverse curriculum and activity development ** - Development of hands-on experience courses, such as making Eight Banners dolls and window lattice table lamps, etc., so that participants could learn relevant historical and cultural knowledge during the hands-on process. For example, the making of Eight Banners dolls could let primary school students understand the historical evolution of the Eight Banners system, and the making of window lattice table lamps could allow them to understand the various windows in the Forbidden City and experience the traditional China cultural meaning, aesthetic meaning, and spatial beauty. - To organize a comprehensive inquiry activity to let the public understand the culture of the Forbidden City in depth. - To publish popular readers and spread knowledge about the Forbidden City's architecture, cultural relics, costumes, history, solar terms, and so on to the public in an easy-to-understand manner. - He launched online classes to break through space constraints and expand the audience so that more people could learn the history and culture of the Forbidden City. 2. ** Combining Interesting Elements ** - Interesting elements were incorporated into the design of courses and activities, such as the elves on the Hall of Supreme Harmony, I washed the "stone" in the Forbidden City, and the "bone" of the world. This would enhance the enthusiasm and interest of the public to participate and spread knowledge in a relaxed and interacting way. ** 2. Management of volunteers ** 1. ** Professional and flexible ** - In the management of volunteers, professionalism and flexibility were required. It was necessary to ensure that volunteers had certain professional knowledge to provide accurate information and good service to tourists, and to maintain flexibility in management to adapt to different situations and needs. 2. ** Management and Incentives in Parallel ** - Establishing an effective management mechanism and paying attention to the motivation of volunteers. Build a close emotional connection with the volunteers, full of humane care, so that the volunteers can actively participate in their work, thereby enhancing the visitor's experience and letting the visitors feel the warmth of the museum. ** 3. Augmented education ** 1. ** New video production ideas ** - In the video work of the audio visual education, such as the production of educational promotional videos, exhibition supporting films, the use of new ideas. Through vivid video cases to promote educational activities, exhibition, etc., to attract the public with intuitive visual effects and better spread the Forbidden City culture. These experiences inspired other cultural and cultural institutions to tell local stories well, do a good job in cultural relics publicity planning, strengthen exchanges and mutual learning, pay attention to the use of friendly and popular methods to spread historical and cultural knowledge to the public, and pay attention to innovation in management and education communication methods to realize the activation and utilization of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The National Palace Museum would celebrate its 100th anniversary in 2025 and planned to launch 13 special exhibition to promote Chinese cultural relics. At present, there was no more information about the 100-year cultural relics exhibition of the Forbidden City (here, the Forbidden City in Beijing). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are some of the more well-known Hakka cultural relics museum: - Ganzhou Hakka Cultural Relics Museum, founded in 2004, is located on the third floor of the Fine Arts College of Jiangxi Normal University. The exhibition hall, reception, and storeroom covered an area of more than 1,000 square meters, and the collection of cultural relics was more than 15,000 pieces (sets). The collection included eight series of Hakka architectural wood carvings, stone (brick) carvings, plaque, porcelain, clothing, furniture, family (clan) records, and printed carvings. There were national precious cultural relics. It was the largest Hakka cultural relics museum in China, playing an important supporting role in the research of Hakka studies and folklore in China. It is open from 9:00 to 17:00 from Monday to Friday, except for legal holidays. Take bus No. 112 and No. 117 to the Golden Campus of the Normal University and walk 300 meters west. - China Hakka Museum: The collection of waterwheel kiln porcelain, famous paintings and calligraphy, etc., has been assessed by the expert group of the provincial cultural relics appraisal station. Three pieces/set have been assessed as first-class cultural relics (two green glazed double-series pots of the Tang waterwheel kiln and a 1978 autumn scenery of Lin Fengmian), eight pieces/set of third-class cultural relics, and 10 pieces/set of general cultural relics. - The Zhengzhou Zhanshi Hakka Culture Museum was located in an alley at the intersection of East and West Main Streets in Zhengzhou. It was founded in 2014 by the director of Chaozhou Hakka in Guangdong Province, who had set up a business in Zhengzhou for more than ten years. It was open to the public for free. There were a total of four basic exhibition halls, displaying a variety of Hakka culture and art through Hakka furniture, porcelain, contract books and other cultural relics, including the origin of Hakka, the grand occasion of the Ming Dynasty's Silk Road on the Sea, the microcosm of Hakka life culture, as well as the atmosphere of the reception room and guest room. - Kaohsiung City Hakka Museum: It was the largest Hakka museum in Taiwan. It occupied a large area and was built with red tiles and glazed tiles. It was similar to the architecture of the mainland Hakka. The museum has an exhibition area, an office, a large conference hall, etc. It focuses on the exhibition of Hakka cultural relics and occasionally holds Hakka cultural activities to study Hakka traditional customs. It will be open tomorrow from 9:00 to 17:00. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
There were mainly the following ways to send cultural relics to the museum: 1. ** Citizens take the initiative to donate **: For example, the citizens of Yu County have a strong sense of cultural relics protection. For example, in the early 1980s, three pieces of Song Dynasty porcelain were dug up in the construction of the Power Bureau. The workers took the initiative to send them to the museum. In 2001, after the coal mine workers discovered the Taoist stone statues of the Ming Dynasty, they took the initiative to contact the museum. In this atmosphere of cultural relics protection awareness, the people often took the initiative to contact the cultural relics department when they discovered cultural relics. 2. ** Museum Collection **: The museum staff will actively search for and collect cultural relics. For example, the staff of the Yu County Museum took active action after learning that there were cultural relics unearthed. For example, the Taoist stone statues of the Ming Dynasty were brought back to the museum through a series of operations such as renting a car, climbing mountains, and hanging. As for cultural relics such as the Thousand Buddha Pagoda, the museum staff would also take measures to protect it after discovering that it was in an environment that might be weathered. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were on-the-job graduate students applying for the major of cultural relics and museum. Cultural relics and museum majors were included in the professional master's degree enrollment. Master of Cultural Relics and Museum (code 0651). Different institutions had their own enrollment situation. For example, the former National Cultural Relics and Museum Professional Degree Postgraduate Education Guidance Committee was located in the Department of Cultural Relics and Museology of Fudan University. There were also institutions such as the People's University of China, Chifeng University, Shandong University, Zhengzhou University, Guangzhou Academy of Fine Arts, etc., which also had enrollment related to cultural relics and museum majors. If an on-the-job employee wanted to apply for a graduate student in this major, he or she needed to pay attention to the enrollment requirements, examination content, and other relevant information of each university. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Here are some of the amazing artifacts in the museum: - The chime bell of Marquis Yi of Zeng in Hubei Province, China, was a large-scale ritual instrument in the early Warring States Period. Although it had been used for more than 2,000 years, it could still be played. Its carvings were exquisite, covering a variety of subjects such as humans, beasts, dragons, phoenixes, petals, and geometric figures. - Egypt's Tutankhamun gold mask was made of 22K thick gold plates, inlaid with various gemstones and colored glass. Although it had been damaged and repaired, it was finally restored to its original appearance. - The gold-plated thousand-handed Guan Yin statue from Vietnam from 1750 to 1850 was an artistic treasure. - The Mona Lisa, now in the Louvre Museum in Paris, France, was an oil painting created by the Italian artist, Leonard Da Vinci, during the Renaissance. It was famous for its superb artistic skills. The posture, expression, and historical significance of the characters in the painting made it extremely valuable. - The horse riding on a flying swallow (formerly known as the bronze galloping horse) unearthed in Gansu Province, China. Its galloping posture comes from the real running posture of the horse. The flying bird under the hoof not only maintains the balance of the sculpture but also reflects the state of the galloping horse's four feet in the air. - The gold-handled iron sword that was known as the "Sword Star of the Qin Dynasty" in China was more than 2000 years old. The hilt was hollow and inlaid with polished turquoise. - The bronze divine tree of China was 4500 years old. It consisted of three parts: the base, the tree, and the dragon. The craftsmanship was complicated and exquisite. - China's ivory carving ball set (also known as the ghost ball) required extremely high craftsmanship. After the carving process was lost for more than 800 years, it was successfully re-produced in 1966. - The bronze sun wheel unearthed from the Sanxing Dui in China, its appearance similar to modern wheels or steering wheels, more than 3000 years ago. - The Painting of Along the River During Qingming Festival by Zhang Zeduan, a painter of the Northern Song Dynasty, depicted the prosperous scene and natural scenery of Bianliang, the capital of the Northern Song Dynasty. - There were four Golden Ou Everlasting Cups specially used by China emperors, which were made in different periods of Emperor Qianlong's youth, prime, and old age. - China's "Twelve Animal Heads" bronze statues (red bronze statues during the Qianlong period) were lost overseas after the Anglo-French coalition forces burned down the Yuanmingyuan in 1860. - The bronze statue of Shiva, the dancing king of India, was exquisite in carving skills, beautiful in shape and rich in cultural content. - The last breath of Thomas Eden, hidden in the Henry Ford Museum in Dearborn, Morgan, USA. - The British royal jewels had been passed down from generation to generation, witnessing the rise and fall of the British royal family. Each gem carried a profound historical heritage. - The "Golden Cicada Jade Leaf" of the Nanjing Museum, China, was unearthed in the Ming Dynasty. The exquisitely carved golden cicada lay on the leaf of the suet and Tian jade, combining art and the temperament of Jiangnan scenery. - The "Furong Stone Coiled Dragon Ear Cover Furnace" of the Nanjing Museum in China was made of Furong Stone and had a unique shape. - The Shang Dynasty's "Boar Bronze Zun" in the Hunan Province Museum of China had the shape of a wild boar. Its body was covered with scales and dragon patterns, and a bird stood on its back. - The "Northern Wei Glass Pot" from the Datong City Museum in China. Although it was crudely made, it had been preserved for thousands of years. The cracks had a unique charm. - Ming Xuande's "Blue and White Red Seawater Dragon Plate" from China's Suzhou Museum had a unique image of a dragon. - The palanquin decorated with gold foil and flowers in Zhejiang Museum of China was decorated with various craftsmanship techniques and carved with many lifelike figures, flowers, birds, insects and beasts. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>