Or the painted pottery cultural relics that become Pisces
Some of the painted pottery cultural relics that were shaped like double-fish were represented by three-colored pottery double-fish bottles and three-colored pottery double-fish pots. The three-colored double-fish vase was unearthed in 1975 at the ruins of Tang City in Saogou Mountain, Yangzhou. It was 23 cm high and 8 cm in diameter. The vase was shaped with the popular mascot double-fish. The mouth, eyes, and scales of the fish were all available. The fish mouth was the mouth of the bottle. The double ridges were double tied. There were small holes between the double ridges for easy tying. The surface of the vase was glazed with green, yellow, and brown. The three-colored double-fish teapot was a cultural relic of the Tang Dynasty. It was unearthed in Yidu, Shandong Province and now stored in the Shandong Provincial Museum. It was 24.5 cm high, 4.1 cm in diameter, and 10.4 cm in diameter. It was a double-fish shape. It had a small mouth, a bulging belly, and a high circle foot. There were fin-shaped decorations on both sides. There were horizontal ears on the upper end that could be tied with ropes for easy carrying. It was in the shape of a double-fish from the side and four fish from the top. It might mean "everything goes well". Read more exciting novels for free
Production of pottery xun cultural relics
There were differences in the production of pottery xun in different regions. Taking Xi'an as an example, the production of pottery xun consisted of eight processes and hundreds of small processes, such as soil selection, soil mixing, kneading, molding, opening, polishing, firing, etc. The main material was the red soil of the three-toed horse in White Deer Plain. The production process of Yumen pottery xun mainly includes finding soil, drying soil, grinding powder, soaking soil, kneading mud, connecting blank (drawing blank), painting, drying, entering kiln, leaving kiln, etc. The mud used for production is mainly red clay, which is made through more than ten processes. Generally speaking, the production process included the selection, mixing, kneading, drying, drying, and other steps. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Illustrations of pottery figurines and cultural relics
Wang Congying, an art teacher from Taizhou, Zhejiang Province, created an illustration of the pottery figurines in Nanjing Museum. These terracotta warriors were portrayed by the illustrator as cartoon characters riding on "Pi Pi Monster" and dancing "Seaweed Dance", which were similar to "Baby Is Not Sleepy" and "Chopping Hand Terracotta Warriors". They were given popular elements and added new charm. After artistic processing, the images became popular on the Internet and attracted netizens 'likes. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Standard for Meta-data of Cultural Relics of the pottery category
The local standard, Data Element Standard for Cultural Relics and Artworks Part 3: Porcelain (db11/t1219.3 - 2022), was implemented on July 1, 2022. The standard was written based on the characteristics of ceramic cultural relics and the data information requirements for the circulation of cultural relics in the market. According to the framework requirements of the "Cultural Relic and Art Meta Data Standard," the description of the ceramic cultural relic art object included the description of the cultural relic art object itself and the description of the market circulation. For the selection of the description items of cultural relics and artworks, according to the standard definition of the meta-data items in the "Cultural Relics and Artworks Meta-data Standard", combined with the actual situation of ceramic artworks, six core data elements were determined, including identification, name, category, time, characteristics, and appearance. These description items were the most basic data elements and data elements to describe the characteristics of the object. At the same time, six non-core data elements were determined. This standard is applicable to the design, construction, and application of information systems related to porcelain in cultural relics and artworks. It has solved the data management problems such as the data format and description language of the collection records of ceramic cultural relics and artworks. It has filled the gaps in the data format, description language, storage, and exchange of ceramic cultural relics and artworks. It has promoted the cultural relics stores in Beijing to participate in the circulation of cultural relics and artworks. The cultural relic auction company provided technical support for the design and construction of the cultural relic purchase and sale, auction information, and credit management system for the data format, description language, data recording, data storage, and exchange of the recording data of ceramic cultural relics and artworks. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
pottery relics
There were many types of pottery relics, which appeared in various historical periods of ancient China and had different characteristics. During the Shang Dynasty, a ceramic sewer was unearthed in the Yin Ruins of Anyang, which indicated that China's research on drainage systems was quite in-depth at that time. From the perspective of colored pottery, China colored pottery was developed on the basis of red pottery. It was made by using a specific dye to paint the surface of the red pottery and then firing it. For example, the painted pottery boat-shaped pot in the Yangshao culture period was shaped like a boat and painted with a net pattern at the belly of the pot; The painted pottery human-faced fish-patterned basin had human-face patterns and fish patterns on the inner wall, reflecting the worship of fish by Banpo people; The painted pottery stork fish stone axe vat was a representative work of China painting in its infancy, painted with storks, fish and giant axes; The painted pottery dance basin in the Majiayao culture period was painted with 15 people holding hands and dancing. The black pottery was formed by adding water from the top of the kiln at the final stage of the firing of the object to extinguish the charcoal and produce thick smoke to blacken the object. The eggshell black pottery cup in the Longshan culture could be called the essence of ancient pottery. Its shape was unique and beautiful. The thinnest part of the cup was less than 0.5 mm, and the whole body was black and glossy. The texture was delicate and warm. There were also other black pottery products such as black pottery cups and pottery cauldrons that had their own characteristics. White pottery was white inside and outside, and its body was white. It was made of porcelain clay or kaolin. It originated in the Neoliths Era and reached its highest achievement in the Shang Dynasty. During the Longshan culture period, there were white pottery and other representative cultural relics. In addition, cultural relics such as small terracotta warriors and horses were found near the tomb of King Qingwang in Gaomi; among the cultural relics returned to China by the National Art Museum of Australia, there were painted terracotta figures riding horses; the Longshan culture of the Neolith Age also had painted dragon-patterned pottery plates with dragons painted on the inner walls, known as "the first dragon pottery in China". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Unearthed pottery relics
preservation of pottery relics
The preservation of pottery cultural relics required many considerations. First of all, the warehouse where the pottery cultural relics were stored should have a good ventilation environment. This was the basic condition. The room should maintain an appropriate temperature and humidity, and the temperature should not exceed 25 ° C. The temperature in the micro-environment of the museum display cabinet should be about 14 - 24 ° C. Secondly, due to the influence of various deterioration factors in the underground burial environment and after being unearthed, the texture of the pottery became loose and fragile. While maintaining the relative balance of temperature and humidity in the preservation environment, it also needed to be protected by means of disinfection, desalting, repair and reinforcement. After being unearthed, most of the surface and soil of the pottery were contaminated with dirt and covered with coagulated substances (such as carbon dioxide or plaster, clay, as well as sulfuric acid, Silicate and other substances), which needed to be treated. Moreover, whether it was displayed or stored in the museum, it could not be separated from the assistance of the museum display cabinet. It was a better choice to use professional cultural relics display cabinets and cultural relics storage exhibition. These display cabinets could be made according to the cultural relics protection standards, such as radiation protection, temperature and humidity control, air exchange and other functions designed according to the characteristics of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Tang Dynasty pottery relics
The pottery cultural relics of the Tang Dynasty include the Tri-colored Colored Glazed Tile of the Tang Dynasty, the dragon head pot with pottery decals, and the Kunlun slave figurines of the Tang Dynasty. Tri-colored glazed pottery of the Tang Dynasty was popular during the Tang Dynasty. Its full name was "Tri-colored glazed pottery of the Tang Dynasty." It belonged to low-temperature glazed pottery. The glaze colors were yellow, green, white, brown, blue, black, etc. Most of them were yellow, green, and white as the basic glaze colors. It was unearthed in a vast area, and the Tri-colored Glazed Tile of the Tang Dynasty unearthed in Luoyang, Henan Province was the earliest, the largest in quantity, and the largest in scale. It was also known as the "Tri-colored Glazed Tile of the Tang Dynasty in Luoyang". It rose in the period of Emperor Gaozong of the Tang Dynasty. In the early Tang Dynasty, the production process was simple and the types of products were few. In the prosperous Tang Dynasty, the production process was complicated and the quality of the products was high. In the late Tang Dynasty, the production and development declined, the production scope was reduced and the process was rough. After the Tang Dynasty, only parts of the north continued to produce and the level of craftsmanship was relatively low. The firing process was exquisite. Generally, it needed to be fired twice. First, it was fired at a high temperature of about 1000 - 1100 ° C. Then, it was evenly glazed and put into the kiln to be baked at about 800 ° C for the second time. There was also the painted Tri-colored Colored Glaze of the Tang Dynasty that was directly painted after the firing. Tri-colored glazed pottery of the Tang Dynasty had various shapes, including daily utensils.(as) a plate, bowl, pot, jar, animal (such as horses, camels, cattle, sheep, etc.), figures (such as figurines, Buddha statues, etc.), etc. Their shapes reflect the living customs and aesthetic concepts of the Tang Dynasty society. The colors are mainly yellow, green, and white. The colors are bright and the contrast is strong. It is an outstanding achievement in the handicraft industry of the Tang Dynasty. It is also a representative art product formed by the collision of China local culture and foreign culture. In 2008, its firing skills were selected into the second batch of national intangible cultural heritage representative projects. The dragon head pot with ceramic decals was a pottery from the Tang Dynasty, which was now in the Palace Museum. The Kunlun slave figure was a pottery work from the Tang Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The tools of crime become cultural relics
In the process of archeology, it was sometimes discovered that the tools of crime had become cultural relics. For example, in the Western Han royal tomb discovered in Lu 'an, Anhui Province, the tomb robbers left behind porcelain bowls, pottery bowls, iron axes, and other tomb robbing tools. Although they were used for tomb robbing, they had now become precious cultural relics. There was also the discovery of candlesticks from the Jin Dynasty in a tomb of the Han Dynasty. The tools left behind by these grave robbers crossed the dynasties and became cultural relics over time to witness the changes in grave robbing techniques. These crime tools became cultural relics, reflecting the broad concept of cultural relics and the variety of archaeological discoveries. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Grade 2 pottery cultural relic
In the information provided, the second-class pottery cultural relics mentioned were Xindian culture triangular pattern colored pottery jars. Its size was 19 cm high, 17.9 cm abdominal diameter, 11 cm caliber, 7 cm bottom diameter, muddy orange-yellow pottery, extravagant mouth, high neck, smooth shoulders, round belly, flat bottom tight, symmetrical ears, white pottery clothes, black and red color on the top, a red color on the inner decoration of the mouth, the neck decorated with red color wide band pattern, filled with triangular pattern, the abdomen decorated with inverted large triangular pattern, and the lower abdomen had a string pattern of patting print. There was also the Bianjialin type pottery of the Majiayao culture. It was 27 centimeters high, 24 centimeters in diameter, 9.7 centimeters in diameter, and 9.5 centimeters in diameter at the bottom. It was orange-yellow clay with a straight mouth and neck. The shoulders were folded down, and the belly was gradually closed down. It had a flat bottom. There were symmetrical ears on the belly. It was decorated with black and red colors. The belly was decorated with large triangular patterns, the shoulders were decorated with fine symmetrical arc patterns of black and red, and the belly was decorated with water ripples. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
pottery cultural relic with characters
There were many cultural relics with words on them. The following are some examples: - There were Chinese characters engraved on the pottery unearthed in Dajiayi, Gaoling County, Gyeongsangbuk Province, South Korea. The word "big" could be recognized, and the other word was suspected to be "king". This pottery was thousands of years old. In addition, the wooden slips unearthed in Gyeongsangdo, South Korea in 2019 were engraved with 94 characters, all of which were Chinese characters. - In China, during the joint archaeological excavation of the construction project of Yuncheng City and Exhibition Center from August to October 2020, 10 ink-written terrines were found in the tomb M15 of the middle and late Western Han Dynasty. There were characters written in official script near the mouth of the terrine shoulders, such as "Five Species","Mai Yiqi","Rice Yiqi","White Grain Rice","Food Yiqi","Water Yiqi","Salt Soy","General Yiqi","Mash Yiqi","Mu Yiqi", etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>