Unearthed pottery relics

There were many types of pottery relics, which appeared in various historical periods of ancient China and had different characteristics. During the Shang Dynasty, a ceramic sewer was unearthed in the Yin Ruins of Anyang, which indicated that China's research on drainage systems was quite in-depth at that time. From the perspective of colored pottery, China colored pottery was developed on the basis of red pottery. It was made by using a specific dye to paint the surface of the red pottery and then firing it. For example, the painted pottery boat-shaped pot in the Yangshao culture period was shaped like a boat and painted with a net pattern at the belly of the pot; The painted pottery human-faced fish-patterned basin had human-face patterns and fish patterns on the inner wall, reflecting the worship of fish by Banpo people; The painted pottery stork fish stone axe vat was a representative work of China painting in its infancy, painted with storks, fish and giant axes; The painted pottery dance basin in the Majiayao culture period was painted with 15 people holding hands and dancing. The black pottery was formed by adding water from the top of the kiln at the final stage of the firing of the object to extinguish the charcoal and produce thick smoke to blacken the object. The eggshell black pottery cup in the Longshan culture could be called the essence of ancient pottery. Its shape was unique and beautiful. The thinnest part of the cup was less than 0.5 mm, and the whole body was black and glossy. The texture was delicate and warm. There were also other black pottery products such as black pottery cups and pottery cauldrons that had their own characteristics. White pottery was white inside and outside, and its body was white. It was made of porcelain clay or kaolin. It originated in the Neoliths Era and reached its highest achievement in the Shang Dynasty. During the Longshan culture period, there were white pottery and other representative cultural relics. In addition, cultural relics such as small terracotta warriors and horses were found near the tomb of King Qingwang in Gaomi; among the cultural relics returned to China by the National Art Museum of Australia, there were painted terracotta figures riding horses; the Longshan culture of the Neolith Age also had painted dragon-patterned pottery plates with dragons painted on the inner walls, known as "the first dragon pottery in China". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The preservation of pottery cultural relics required many considerations. First of all, the warehouse where the pottery cultural relics were stored should have a good ventilation environment. This was the basic condition. The room should maintain an appropriate temperature and humidity, and the temperature should not exceed 25 ° C. The temperature in the micro-environment of the museum display cabinet should be about 14 - 24 ° C. Secondly, due to the influence of various deterioration factors in the underground burial environment and after being unearthed, the texture of the pottery became loose and fragile. While maintaining the relative balance of temperature and humidity in the preservation environment, it also needed to be protected by means of disinfection, desalting, repair and reinforcement. After being unearthed, most of the surface and soil of the pottery were contaminated with dirt and covered with coagulated substances (such as carbon dioxide or plaster, clay, as well as sulfuric acid, Silicate and other substances), which needed to be treated. Moreover, whether it was displayed or stored in the museum, it could not be separated from the assistance of the museum display cabinet. It was a better choice to use professional cultural relics display cabinets and cultural relics storage exhibition. These display cabinets could be made according to the cultural relics protection standards, such as radiation protection, temperature and humidity control, air exchange and other functions designed according to the characteristics of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were many kinds of knife relics unearthed in China. For example, the jade knife from ancient times, including the dragon-patterned jade knife from the Shang Dynasty. It was slender, double-edged, with a short handle, serrated stripes on the back, and the tip of the knife was upturned. There were holes on the back of the blade for holding wood and carved with dragon patterns to show the characteristics of the Shang Dynasty. There was also the seven-hole jade knife from the Xia Dynasty, about 65 centimeters long and 0.4 centimeters thick. The blade was sharp and there were seven holes on the back. In addition, there was a jade knife with a bone handle about 20 centimeters long. The blade was made of four jade leaves and was unearthed in many places in China, including Taiwan. In addition, in 2010, a large knife speculated to be Wu Sangui was unearthed in Majiazhai, Guizhou Province, weighing only 12 jin; a ring-headed iron knife was unearthed from the tomb of Li Xian, the general of the hussars of the Northern Zhou Dynasty, weighing about 1.3 kg; an oxtail knife unearthed in the late Qing Dynasty weighed 1 kg, etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Since the reform and opening up, the central, provincial, and municipal cultural and cultural institutions have carried out many archaeological excavation and clean-up in Ya 'an, and many cultural relics have been unearthed. These cultural relics spanned a long time, from the Old Stone Age to the Ming and Qing Dynasties, including jade, stone, pottery, copper, iron, bamboo, wood, lacquer, and other materials. There were thousands of them. These unearthed cultural relics became the basis for the selection of "Elegant Elegance in the Rain: The Essence of Ya 'an Cultural Relics". Some of the typical cultural relics unearthed in Ya 'an are as follows: - ** Bronze weapons from the Warring States Period **: For example, the bronze spear with the inscription of "Chengdu" on the tiger head pattern of Bashu. It is 21.9cm in length and 3.1cm in width. The tiger head is huge and has the inscription of "Chengdu". - Seals of the Warring States Period and Han Dynasty: There are various kinds of symbols called Bashu symbols (also known as Bashu language) on the seal. Up to now, no one has been able to translate and explain them. There are symbols such as "king","heart-shaped pattern","hand-shaped pattern", and "moon-shaped pattern" on the seal. A few seals are Chinese characters. - ** Han Dynasty Stone Coffin **: The stone coffin of Yingjing was chiseled from red sand. On one side of the stone coffin, there were pictures of men and women kissing intimately, arch, door, etc. On the other side, there were pictures of horses, etc. The front of the coffin was carved with double watchtowers, and the back of the coffin was carved with rosefinch. The contents were rich and the carvings were exquisite. - ** Bronze Sword of the Warring States Period **: A silver-plated spiral hilt with a beaded pattern on the mountain was unearthed from the stone tomb of Hanta Mountain in Longdong Town, Baoxing County in 1990. It was 50cm long, 5.5cm wide and 3.2cm thick. A bronze sword with a hollowed-out fish-shaped hilt was unearthed from the Waxigou pit tomb in Wulong Township, Baoxing County in 1978. It was 31cm long, 4.1cm wide and 1.5cm thick. - ** Bronze Ge from the Warring States Period **: A bronze Ge with tiger head pattern collected in Laochang Village of Longdong Town in the 1980s. It is 18.3cm long, 3cm wide, and 4cm in diameter. The Ge is in the shape of a cross, with an arc blade and a slightly raised middle ridge. In addition, the cultural relics displayed in the Ya 'an city Museum were all exquisite cultural relics unearthed in the first district of the seven counties of Ya' an, including the stone beasts at the gate of Jiangcheng, the stone beasts in front of Fan Min's tomb and other Han Dynasty stone inscriptions, as well as ancient Shu bronze, Ming Dynasty terracotta warriors and other exquisite cultural relics. There were also related cultural relics unearthed in Yingjing County, such as a painted pottery pot, a bronze sword, and two pieces of jade. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The pottery cultural relics of the Tang Dynasty include the Tri-colored Colored Glazed Tile of the Tang Dynasty, the dragon head pot with pottery decals, and the Kunlun slave figurines of the Tang Dynasty. Tri-colored glazed pottery of the Tang Dynasty was popular during the Tang Dynasty. Its full name was "Tri-colored glazed pottery of the Tang Dynasty." It belonged to low-temperature glazed pottery. The glaze colors were yellow, green, white, brown, blue, black, etc. Most of them were yellow, green, and white as the basic glaze colors. It was unearthed in a vast area, and the Tri-colored Glazed Tile of the Tang Dynasty unearthed in Luoyang, Henan Province was the earliest, the largest in quantity, and the largest in scale. It was also known as the "Tri-colored Glazed Tile of the Tang Dynasty in Luoyang". It rose in the period of Emperor Gaozong of the Tang Dynasty. In the early Tang Dynasty, the production process was simple and the types of products were few. In the prosperous Tang Dynasty, the production process was complicated and the quality of the products was high. In the late Tang Dynasty, the production and development declined, the production scope was reduced and the process was rough. After the Tang Dynasty, only parts of the north continued to produce and the level of craftsmanship was relatively low. The firing process was exquisite. Generally, it needed to be fired twice. First, it was fired at a high temperature of about 1000 - 1100 ° C. Then, it was evenly glazed and put into the kiln to be baked at about 800 ° C for the second time. There was also the painted Tri-colored Colored Glaze of the Tang Dynasty that was directly painted after the firing. Tri-colored glazed pottery of the Tang Dynasty had various shapes, including daily utensils.(as) a plate, bowl, pot, jar, animal (such as horses, camels, cattle, sheep, etc.), figures (such as figurines, Buddha statues, etc.), etc. Their shapes reflect the living customs and aesthetic concepts of the Tang Dynasty society. The colors are mainly yellow, green, and white. The colors are bright and the contrast is strong. It is an outstanding achievement in the handicraft industry of the Tang Dynasty. It is also a representative art product formed by the collision of China local culture and foreign culture. In 2008, its firing skills were selected into the second batch of national intangible cultural heritage representative projects. The dragon head pot with ceramic decals was a pottery from the Tang Dynasty, which was now in the Palace Museum. The Kunlun slave figure was a pottery work from the Tang Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

During the archaeological excavation of Mengsa Chengzi Village in Gengma, the city walls and tombs of the Ming and Qing Dynasties were cleared up. A total of 245 relics were cleared, including 46 ash pits, 146 tombs, 6 house sites, 77 ditches and 70 pillar holes. 242 small objects were unearthed, including 119 porcelain, 69 pottery, 6 jade artifacts, 1 gold artifact, 5 silver artifacts, 28 bronze artifacts, 2 lead and tin artifacts, 1 jewelry product and 5 bamboo and wood artifacts. There were 346 small objects excavated from the site of Mangzhen Pagoda, including 38 ironware, 71 stoneware, 43 pottery, 2 glass, 27 porcelain (blue and white porcelain), 1 animal bone, 133 bronze ware, 28 complete bricks and tiles, and more than 10000 incomplete building components such as bricks, tiles, and patterned bricks. In the Mang and other Buddhist temples, an area of 3000 square meters was excavated. 136 ruins were cleared, 24 ash pits, 13 house sites, 11 ditches, 2 roads, 2 walls, 2 pits, 1 active surface, 1 stove, 80 pillar holes, and 355 small objects were unearthed, including 187 copper objects, 69 pottery, 41 porcelain, 18 iron objects, 20 stone objects, 8 glass objects, 5 lead objects, 3 lacquer ware, 2 jade objects, 1 bone object, and 1 tin object. There were also a large number of tiles, tiles, bricks, and other building components and ceramic pieces. These unearthed cultural relics provided a wealth of information for understanding the production and living conditions, social structure, funeral customs, urban architecture, Buddhist culture, and foreign exchanges of the people in the Ming and Qing Dynasties in the area. In addition, in the first phase of archaeological excavation at the site of Gengma Buddha Cave, the seventh cultural layer began to be exposed from November 23,2017. By February 1,2018, a large number of cultural relics, animal and plant remains of the Paleolith Age were unearthed from the seventh-eighth cultural layer. The ninth cultural layer was still intact, and the specimens were obviously larger. The excavation depth reached 4.45 meters and had not yet reached the bottom. It was inferred that it had entered the late Paleolith Age or earlier. The number of artifacts had reached 1644, including stone products, gravel, burned stones. Clam shells, roasted clams, animal bones, bone horns, pottery pieces, plant seeds, and many other types. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

I'm not sure what you meant by "seeing the unearthed cultural relics". Do you want to know the value of the unearthed cultural relics? Or was it the specific situation of a certain unearthed cultural relic? Please clarify the question so that I can answer it. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Many precious cultural relics were unearthed in Baoji. The following are some typical cultural relics: - ** Qin Gongyu **: A musical instrument that was played during the Spring and Autumn Period. It was a national first-class cultural relic. It was unearthed in Taigong Temple in Chencang District, Baoji City, Shaanxi Province in 1978. It is now collected in Baoji Bronze Museum. It is extremely important to study the history of the ancestors of the Qin Dynasty. It also helps to understand the bronze casting technology and music culture of the Qin Dynasty in the early Spring and Autumn Period. - ** He Zun **: A cultural relic from the early Western Zhou Dynasty (King Cheng period), unearthed in 1963. It had a diameter of 29cm, a height of 38.5 cm, and a weight of 14.6 kg. The inscription "Zhaizizhong or (Guo)" was the earliest source of the word "China" so far. It was the treasure of Baoji Bronze Museum. - [Maogong Tripod]: The inscription is 497 words long. It is the first bronze inscription in the Western Zhou Dynasty. The inscription involves many aspects. It is an important material for studying the social history of the Western Zhou Dynasty and is known as a national treasure. - ** Big Yu Ding **: It has a solemn shape and rich inscriptions. It is an important material material for studying the politics, economy, culture, and other aspects of the Western Zhou Dynasty. Together with the Mao Gong Ding, the Guo Ji Zi Bai Pan, and the San Shi Pan, it is known as the "Four National Treasures" of the late Qing Dynasty. - ** Pan **: Unearthed in Yangjia Village, Mei County, Baoji City, Shaanxi Province in 2003, it was cast with 372 inscriptions, which almost completely recorded the lineage of the kings of the Western Zhou Dynasty. It provided important evidence for the study of the lineage of the late Western Zhou bronzes and was known as the "Bronze History Book". - ** Sanshi Plate **: Also known as the Bo Man Plate, it was a bronze ware from the late Western Zhou Dynasty. It was unearthed in Fengxiang, Shaanxi Province (now Fengxiang District, Baoji City) during the Qianlong period of the Qing Dynasty. It is now in the National Palace Museum in Taiwan. There were 19 lines of inscriptions and 357 words cast on the inner bottom, which recorded the matter of the land paid by the Bo people to the San family. It was an important historical material for studying the land system of the Western Zhou Dynasty. Its inscriptions and calligraphy were simple and strong. - ** Feng Xing Shu Gui **: In 1978, it was unearthed from a late Western Zhou bronze cellar in Fenmen Town, Fufeng County, Baoji City, Shaanxi Province. In November 1984, it was stolen and lost overseas. Later, it was successfully recovered by the State Administration of Cultural Relics from the United States. It arrived in Beijing on January 28,2024, ending 40 years of overseas wandering. - ** Bird Pattern You **: A cultural relic of the Zhou Dynasty, unearthed in Daijiawan, Baoji, Shaanxi Province in 1927. - ** Huyou **: An early cultural relic of the Western Zhou Dynasty. It was unearthed from Tomb No. 3 of Shigushan, Weibin District, Baoji City, Shaanxi Province in 2012. It was only exhibited from July 8 to August 10. It was a wine vessel specially used to hold fragrant wine for sacrifice. The casting was exquisite and the patterns were gorgeous. - ** Dragon Seal **: An early cultural relic of the Western Zhou Dynasty. It was unearthed from Tomb No. 3 of Shigushan, Weibin District, Baoji City, Shaanxi Province in 2012. It was only exhibited from July 8 to August 10. It was the only Western Zhou bronze seal unearthed by scientific archaeological excavation in China. One of the only two remaining Western Zhou bronze seals in China was used to hold wine vessels such as You. - ** Bronze Armor **: An early cultural relic of the Western Zhou Dynasty. It was unearthed from Tomb No. 1 of Shigushan, Weibin District, Baoji City, Shaanxi Province in 2012. It is the earliest bronze armor discovered in China and the only Western Zhou armor. - ** Shan Wufu pot **: A cultural relic of the late Western Zhou Dynasty (Xuanwang period). It was unearthed in the cellar of Yangjia Village, Mei County, Baoji in 2003. It was 58.1 cm high and weighed 50 pounds. It was stylish and decorated with intricate patterns. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

As the description of "unearthed cultural relics verification" was incomplete, it was not clear what was to be verified. If it was about the location of the Xia Dynasty, the unearthed cultural relics proved that the Xia Dynasty was not in Henan at all; the epitaph of the Tang Dynasty general unearthed in Xi'an confirmed that the name of Japan was given by Wu Zetian; the newly unearthed cultural relics in Sanxing Dui, according to some experts' speculation, may be related to the legendary Luo Book (but not completely confirmed); The cultural elements shown by a large number of unearthed cultural relics confirmed that Dulan in Qinghai was a node of cultural exchange between the East and the West on the Silk Road. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The following are some of the unearthed silver pot relics: - The silver pot of the Song Dynasty was unearthed from the Song cellar in Xiaoquan Town, Deyang County, Sichuan Province. Its shape is straight neck, long flow and curved handle. It is now collected in Nanjing Museum. - In July 1958, a shabby silver pot was unearthed in Dingling (the mausoleum of Zhu Yijun of the Ming Shenzong). Dingling was located at the eastern foot of Dayu Mountain in Changping District, Beijing City. Although this silver pot looked ordinary, there was a period of the Ming Dynasty hidden behind it. - In 1970, a silver teapot with a cup in the mouth of a dancing horse was unearthed from the kiln collection of the Tang Dynasty in Hejia Village, southern suburbs of Xi'an, Shaanxi Province. It was 14.4 cm high, 2.2 cm in diameter, 8.9 - 9.2 cm in bottom diameter and weighed 547 grams. - The gold-plated leather flask with the pattern of a dancing horse holding a cup was collected in the Shaanxi History Museum. It was a cultural relic that was prohibited from being exhibited abroad. - The gilded gold and silver pot unearthed from Li Xian's tomb was called Hu Ping in ancient Chinese literature. This cultural relic was of great value for studying the relationship between Central Asia, Persia, the Eastern Roman Empire and China, especially the position and role of Guyuan on the Silk Road. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>