Standard for Meta-data of Cultural Relics of the pottery category
The local standard, Data Element Standard for Cultural Relics and Artworks Part 3: Porcelain (db11/t1219.3 - 2022), was implemented on July 1, 2022. The standard was written based on the characteristics of ceramic cultural relics and the data information requirements for the circulation of cultural relics in the market. According to the framework requirements of the "Cultural Relic and Art Meta Data Standard," the description of the ceramic cultural relic art object included the description of the cultural relic art object itself and the description of the market circulation. For the selection of the description items of cultural relics and artworks, according to the standard definition of the meta-data items in the "Cultural Relics and Artworks Meta-data Standard", combined with the actual situation of ceramic artworks, six core data elements were determined, including identification, name, category, time, characteristics, and appearance. These description items were the most basic data elements and data elements to describe the characteristics of the object. At the same time, six non-core data elements were determined. This standard is applicable to the design, construction, and application of information systems related to porcelain in cultural relics and artworks. It has solved the data management problems such as the data format and description language of the collection records of ceramic cultural relics and artworks. It has filled the gaps in the data format, description language, storage, and exchange of ceramic cultural relics and artworks. It has promoted the cultural relics stores in Beijing to participate in the circulation of cultural relics and artworks. The cultural relic auction company provided technical support for the design and construction of the cultural relic purchase and sale, auction information, and credit management system for the data format, description language, data recording, data storage, and exchange of the recording data of ceramic cultural relics and artworks. Read more exciting novels for free
Illustrations of pottery figurines and cultural relics
Wang Congying, an art teacher from Taizhou, Zhejiang Province, created an illustration of the pottery figurines in Nanjing Museum. These terracotta warriors were portrayed by the illustrator as cartoon characters riding on "Pi Pi Monster" and dancing "Seaweed Dance", which were similar to "Baby Is Not Sleepy" and "Chopping Hand Terracotta Warriors". They were given popular elements and added new charm. After artistic processing, the images became popular on the Internet and attracted netizens 'likes. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
pottery relics
There were many types of pottery relics, which appeared in various historical periods of ancient China and had different characteristics. During the Shang Dynasty, a ceramic sewer was unearthed in the Yin Ruins of Anyang, which indicated that China's research on drainage systems was quite in-depth at that time. From the perspective of colored pottery, China colored pottery was developed on the basis of red pottery. It was made by using a specific dye to paint the surface of the red pottery and then firing it. For example, the painted pottery boat-shaped pot in the Yangshao culture period was shaped like a boat and painted with a net pattern at the belly of the pot; The painted pottery human-faced fish-patterned basin had human-face patterns and fish patterns on the inner wall, reflecting the worship of fish by Banpo people; The painted pottery stork fish stone axe vat was a representative work of China painting in its infancy, painted with storks, fish and giant axes; The painted pottery dance basin in the Majiayao culture period was painted with 15 people holding hands and dancing. The black pottery was formed by adding water from the top of the kiln at the final stage of the firing of the object to extinguish the charcoal and produce thick smoke to blacken the object. The eggshell black pottery cup in the Longshan culture could be called the essence of ancient pottery. Its shape was unique and beautiful. The thinnest part of the cup was less than 0.5 mm, and the whole body was black and glossy. The texture was delicate and warm. There were also other black pottery products such as black pottery cups and pottery cauldrons that had their own characteristics. White pottery was white inside and outside, and its body was white. It was made of porcelain clay or kaolin. It originated in the Neoliths Era and reached its highest achievement in the Shang Dynasty. During the Longshan culture period, there were white pottery and other representative cultural relics. In addition, cultural relics such as small terracotta warriors and horses were found near the tomb of King Qingwang in Gaomi; among the cultural relics returned to China by the National Art Museum of Australia, there were painted terracotta figures riding horses; the Longshan culture of the Neolith Age also had painted dragon-patterned pottery plates with dragons painted on the inner walls, known as "the first dragon pottery in China". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Research of Cultural Relic Meta-data Based on the Digital Museum
With the rapid spread of digital technology, the construction of mobile revolutionary cultural relics digital assets has become an important issue that needs to be solved urgently, and the establishment of effective meta-data standards is the premise and foundation to achieve this goal. At this stage, there are limitations in the meta-data standard of cultural relics. For example, it is only aimed at the core commonality of cultural relics, or it is mainly based on a single material cultural relic category, which is difficult to meet the multi-texture and profound meaning of revolutionary cultural relics. Based on the precious revolutionary cultural relics data of Shandong Province, the existing museum collection registration standards and cultural relics meta-data standards such as the Art Description Catalog (CD UA) and the Museum Collection Information Index Description Standard, the construction of meta-data standards with revolutionary cultural relics as the main body can lay a foundation for the smooth advancement of the digital protection and utilization of revolutionary cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Tang Dynasty pottery relics
The pottery cultural relics of the Tang Dynasty include the Tri-colored Colored Glazed Tile of the Tang Dynasty, the dragon head pot with pottery decals, and the Kunlun slave figurines of the Tang Dynasty. Tri-colored glazed pottery of the Tang Dynasty was popular during the Tang Dynasty. Its full name was "Tri-colored glazed pottery of the Tang Dynasty." It belonged to low-temperature glazed pottery. The glaze colors were yellow, green, white, brown, blue, black, etc. Most of them were yellow, green, and white as the basic glaze colors. It was unearthed in a vast area, and the Tri-colored Glazed Tile of the Tang Dynasty unearthed in Luoyang, Henan Province was the earliest, the largest in quantity, and the largest in scale. It was also known as the "Tri-colored Glazed Tile of the Tang Dynasty in Luoyang". It rose in the period of Emperor Gaozong of the Tang Dynasty. In the early Tang Dynasty, the production process was simple and the types of products were few. In the prosperous Tang Dynasty, the production process was complicated and the quality of the products was high. In the late Tang Dynasty, the production and development declined, the production scope was reduced and the process was rough. After the Tang Dynasty, only parts of the north continued to produce and the level of craftsmanship was relatively low. The firing process was exquisite. Generally, it needed to be fired twice. First, it was fired at a high temperature of about 1000 - 1100 ° C. Then, it was evenly glazed and put into the kiln to be baked at about 800 ° C for the second time. There was also the painted Tri-colored Colored Glaze of the Tang Dynasty that was directly painted after the firing. Tri-colored glazed pottery of the Tang Dynasty had various shapes, including daily utensils.(as) a plate, bowl, pot, jar, animal (such as horses, camels, cattle, sheep, etc.), figures (such as figurines, Buddha statues, etc.), etc. Their shapes reflect the living customs and aesthetic concepts of the Tang Dynasty society. The colors are mainly yellow, green, and white. The colors are bright and the contrast is strong. It is an outstanding achievement in the handicraft industry of the Tang Dynasty. It is also a representative art product formed by the collision of China local culture and foreign culture. In 2008, its firing skills were selected into the second batch of national intangible cultural heritage representative projects. The dragon head pot with ceramic decals was a pottery from the Tang Dynasty, which was now in the Palace Museum. The Kunlun slave figure was a pottery work from the Tang Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What is the standard for filing a case for the crime of selling cultural relics?
According to the criminal law, the following circumstances should be filed: 1. Reselling Grade 3 cultural relics, the amount of illegal profits or illegal business is relatively large; 2. repeatedly reselling cultural relics below Grade 3, reselling multiple cultural relics below Grade 3, etc.; 3. Reselling Class II cultural relics or Class I cultural relics, with huge illegal profits or huge illegal operations; 4. Selling rare national treasures. Those who sell or purchase, transport, or store "cultural relics prohibited by the state" as stipulated in the Law of the People's Republic of China on the Protection of Cultural Relics shall be deemed to be reselling cultural relics prohibited by the state. Reselling cultural relics prohibited by the state under any of the following circumstances shall be deemed as "serious circumstances": 1. Reselling Level 3 cultural relics; 2. The transaction amount is more than 50,000 yuan; 3. Other serious circumstances. The implementation of the acts stipulated in the previous paragraph shall be deemed as "especially serious" if any of the following circumstances occur: 1. Reselling cultural relics of Grade 2 or above; 2. Reselling five or more Grade 3 cultural relics; 3. The transaction amount is more than 250,000 yuan; 4. Other especially serious circumstances. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Grade 2 pottery cultural relic
In the information provided, the second-class pottery cultural relics mentioned were Xindian culture triangular pattern colored pottery jars. Its size was 19 cm high, 17.9 cm abdominal diameter, 11 cm caliber, 7 cm bottom diameter, muddy orange-yellow pottery, extravagant mouth, high neck, smooth shoulders, round belly, flat bottom tight, symmetrical ears, white pottery clothes, black and red color on the top, a red color on the inner decoration of the mouth, the neck decorated with red color wide band pattern, filled with triangular pattern, the abdomen decorated with inverted large triangular pattern, and the lower abdomen had a string pattern of patting print. There was also the Bianjialin type pottery of the Majiayao culture. It was 27 centimeters high, 24 centimeters in diameter, 9.7 centimeters in diameter, and 9.5 centimeters in diameter at the bottom. It was orange-yellow clay with a straight mouth and neck. The shoulders were folded down, and the belly was gradually closed down. It had a flat bottom. There were symmetrical ears on the belly. It was decorated with black and red colors. The belly was decorated with large triangular patterns, the shoulders were decorated with fine symmetrical arc patterns of black and red, and the belly was decorated with water ripples. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
pottery cultural relic with characters
There were many cultural relics with words on them. The following are some examples: - There were Chinese characters engraved on the pottery unearthed in Dajiayi, Gaoling County, Gyeongsangbuk Province, South Korea. The word "big" could be recognized, and the other word was suspected to be "king". This pottery was thousands of years old. In addition, the wooden slips unearthed in Gyeongsangdo, South Korea in 2019 were engraved with 94 characters, all of which were Chinese characters. - In China, during the joint archaeological excavation of the construction project of Yuncheng City and Exhibition Center from August to October 2020, 10 ink-written terrines were found in the tomb M15 of the middle and late Western Han Dynasty. There were characters written in official script near the mouth of the terrine shoulders, such as "Five Species","Mai Yiqi","Rice Yiqi","White Grain Rice","Food Yiqi","Water Yiqi","Salt Soy","General Yiqi","Mash Yiqi","Mu Yiqi", etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relics
I'm not sure about the specific content of your question about the term "cultural relics museum". If you want to ask about the cultural relics museum, then the cultural relics museum is an important place for education and cultural inheritance. Nowadays, as young people joined the ranks of the museum, there were more innovative exhibition forms. For example, some interesting cultural relics exhibition plans, such as placing bronze swords in the shape of fighter jets, arrowheads in the shape of "Qin", silver coins in the shape of "Yuan", etc., made the cultural relics more concrete. In addition, there were books like the National Treasures of China, which included many top-notch cultural relics, allowing people to understand the full picture of national treasures without leaving their homes. At the same time, there were also many wonderful cultural relics exhibition, such as Beijing Sanxing Dui cultural relics exhibition, Shaanxi History Museum Qin and Han museum exhibition, etc. If that's not your question, please clarify it. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics 4
The "four possessions" of cultural relics referred to the necessary protection scope, marking instructions, establishing records and archives, and setting up special protection and management agencies around the cultural protection unit. In 1961, the State Council approved the publication of the "Temporary Regulations on the Protection and Administration of Cultural Relics" for the first time, and in 1982, the State Council promulgated the "Law of the People's Republic of China on the Protection of Cultural Relics" for the first time in the form of law. The Law of the People's Republic of China on the Protection of Cultural Relics, which was revised in 2017, also pointed out: "The people's governments of provinces, autonomous regions, and cities directly under the Central Government, as well as the people's governments of cities and counties, respectively, shall define the necessary scope of protection for cultural relics protection units, make signs and descriptions, establish records and archives, and set up specialized agencies or special personnel to manage them according to the circumstances. The scope of protection and the records of the key cultural relics protected throughout the country shall be reported to the cultural relics administration department of the State Council for the record by the cultural relics administration department of the people's government of the province, autonomous region, or directly under the Central Government. The "Four Haves" archives work of cultural relics protection units is the most critical measure for cultural relics protection units to effectively protect cultural relics and the most important foundation for cultural relics management according to law. The contents of the archives involve all aspects of cultural relics protection. The scientific, complete and detailed "Four Haves" archives can provide complete information for the cultural relics protection unit in the protection, utilization, management and publicity of cultural relics, and can also provide reliable evidence for the restoration of cultural relics accidentally damaged by the cultural relics protection unit. In terms of filing, the national cultural relics protection unit shall file according to the requirements of the National Key Cultural Relics Protection Unit Record Archives Work Code and the National Key Cultural Relics Protection Unit Record Archives Description. The provincial cultural relics protection unit shall refer to the requirements of the national cultural relics protection unit to file one by one. The municipal and county (district) level cultural relics protection units shall strictly be equivalent to the requirements of the national cultural relics protection unit to file. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
353 new cultural relics discovered in the cultural relics survey
Please clarify the question. For example, do you want to know the specific areas of these discoveries, the scope of the survey, or other related content? The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!