Renderings of the Cultural Relics Exhibition Hall
The following are some ideas related to the renovation renderings of the cultural relics exhibition hall: - As for the Academy's cultural exhibition hall, its exhibition hall area was 500 square meters and was divided into four areas. For example, the "Source of Mind Learning" area adopted an archaic architectural style to reproduce the original appearance of the Academy. The history and architectural features of the Academy could be displayed in the form of exhibition boards, pictures, videos, sculptures, etc., as well as the panoramic model of the Academy.(High-definition three-dimensional model, touch-screen operation to view details), Wang Yangming's thought evolution map (dynamic Timeline, sliding screen to browse and inquire), Academy cultural heritage display cabinet (transparent display cabinet to display cultural heritage with text and voice explanation) and other multi-media equipment. The "Rhyme of Mind" area adopted a modern minimalist style. There was a Rhyme of Mind Wall (LED wall to display influence and contribution, and there were also interaction games and tests), a Rhyme of Mind Stage (using phantom imaging technology to display the performance inheritance in art forms and there were interaction devices), and a Rhyme of Mind Pavilion (semi-open space using special effects screen technology to display contemporary applications and promotion). The "Path of Mind" area adopted a modern technological style. It was equipped with the Path of Mind navigation (a large touch control all-in-one machine to display application guidance in different fields), the Path of Mind experience (a small VR device to display the influence of different periods and regions), and so on. - In the exhibition hall in Liulichang area of Jinjiang District, Chengdu City, digital media functions were arranged in the hall. There were 3D cultural relics display equipment without glasses, scene interaction digital media (to deepen the understanding of the theme), VR simulation display (digital simulation restoration of the past grand occasion), etc. The arrangement of these different functions could also be reflected in the decoration renderings, such as reserving suitable space for digital media display and reasonable viewing area. Read more exciting novels for free
Wedding Cultural Relics Exhibition
The following are some of the contents related to the wedding cultural relics display: - In the Anyang Folk Museum, there was an exhibition of modern marriage customs in Anyang, which displayed the cultural relics of modern marriage customs in Anyang, such as cultural relics related to banquets, food boxes, etc. From these cultural relics, one could see some characteristics and evolution of local marriage customs. - The Liaoning Province Museum had a silk curtain embroidered with dragon and phoenix, the representative work of the Qing Dynasty. In the middle of the curtain, there were wooden splints that could be placed. In the middle of the curtain, there was an embroidered dragon and phoenix pattern with auspicious clouds as the ground. There were five bats distributed in the four directions and under the word "Xi", which took the auspicious meaning of "dragon and phoenix" and "five bats coming to the door". This was a palace wedding item, showing the power and status of the royal family and entrusting them with good wishes for a happy marriage and a full house of children and grandchildren. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Small scale cultural relics exhibition
The small scale cultural relics exhibition was a part of the cultural relics exhibition. In terms of small-scale cultural relics display, it could be carried out from many angles. In terms of venue, a place like the Miaoli Railroad Cultural Relics Exhibition Hall, which specialized in preserving and publicly displaying cultural relics such as railway vehicles, was a place to display small-scale cultural relics. There were also various local museum. For example, the Grand Canal Museum in Hebei Province, through the cooperation between the People's Republic of China's Public Security Bureau and the cultural relics department, allowed many cultural relics, including small cultural relics, to be sorted out, maintained, and displayed. The canal scenery exhibition hall was open to the public to display small cultural relics and other collections, showing the historical changes and cultural content of the Grand Canal. In terms of exhibition activities, small-scale cultural relics would also be displayed in activities such as the National Cultural Relics Store Exchange Meeting held in Changsha, Hunan Province. More than 20 well-known cultural relics stores in China would gather and display thousands of precious cultural relics, including small-scale cultural relics. From the perspective of display methods, with the development of technology, OLED screens and the like began to be used in cultural relics display. Small cultural relics could also be displayed in this way of multi-media interaction, thereby improving the display effect and allowing the audience to better appreciate small cultural relics and the cultural value behind them. At the same time, some large-scale exhibition also included the display of small cultural relics, such as the exhibition of "Ritual Movement in the East: Essence of Shandong Ancient Civilization" in the Art Museum of Tsinghua University. There were small cultural relics such as the white pottery of Dawenkou culture. The exhibition integrated small cultural relics through careful exhibition design and reasonable unit division, so that the audience could fully understand the civilization and cultural characteristics of different periods. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Forbidden City will expand the cultural relics exhibition area
The Palace Museum North Campus Project was under construction. Its total construction area (second bid section) exceeded 60,000 square meters. It carried the important mission of expanding the exhibition space and number of cultural relics in the Palace Museum. The construction of this project would help the Palace Museum expand the cultural relics exhibition area. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relics unearthed in the Ming Dynasty were exhibited at the exhibition
This sentence had a language error of reversing the word order. " Unearthed Ming Dynasty cultural relics " was the logical expression. The revised sentence was: " The Ming Dynasty cultural relics unearthed were exhibited at the exhibition." <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relics exhibition of the ancient Tang and Tibetan roads appeared in the provincial museum
There were many cultural relics of the ancient Tang and Tibetan roads that appeared in the provincial museum. For example, on November 30,2018, the joint exhibition of fine cultural relics from seven provinces and regions with the theme of "Tang-Fan Ancient Road", led by Qinghai Province Museum and participated by cultural and cultural institutions in Qinghai, Shaanxi, Gansu, Sichuan, Ningxia, Xinjiang, Xizang, etc., was opened in Qinghai Province Museum for the first time. On October 25,2019, the exhibition arrived in Shaanxi Province and opened in the sixth exhibition hall of Shaanxi History Museum. 175 pieces (groups) of fine cultural relics from several museum were displayed. The exhibition was divided into five parts: "The Origin of the Ancient Tang-Tibetan Road","Political Relations between Tang and Tibet","economic exchanges between Tang and Tibet","Cultural Exchange between Tang and Tibet" and "Impact of the Ancient Tang-Tibetan Road". The prosperity and historical past of the Ancient Tang-Tibetan Road were displayed in various forms. In 2020, the "Long Song of the Sky Road_Joint Exhibition of Fine Cultural Relics of Seven Provinces along the Ancient Tang-Tibetan Road" was exhibited in Sichuan Museum. 189 pieces (sets) of fine cultural relics from Qinghai, Gansu, Shaanxi, Ningxia, Xinjiang, Xizang and Sichuan reflected the special value of the ancient Tang-Tibetan Road to the cultural exchange between Han and Tibet and its significance to the areas along the line. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics 4
The "four possessions" of cultural relics referred to the necessary protection scope, marking instructions, establishing records and archives, and setting up special protection and management agencies around the cultural protection unit. In 1961, the State Council approved the publication of the "Temporary Regulations on the Protection and Administration of Cultural Relics" for the first time, and in 1982, the State Council promulgated the "Law of the People's Republic of China on the Protection of Cultural Relics" for the first time in the form of law. The Law of the People's Republic of China on the Protection of Cultural Relics, which was revised in 2017, also pointed out: "The people's governments of provinces, autonomous regions, and cities directly under the Central Government, as well as the people's governments of cities and counties, respectively, shall define the necessary scope of protection for cultural relics protection units, make signs and descriptions, establish records and archives, and set up specialized agencies or special personnel to manage them according to the circumstances. The scope of protection and the records of the key cultural relics protected throughout the country shall be reported to the cultural relics administration department of the State Council for the record by the cultural relics administration department of the people's government of the province, autonomous region, or directly under the Central Government. The "Four Haves" archives work of cultural relics protection units is the most critical measure for cultural relics protection units to effectively protect cultural relics and the most important foundation for cultural relics management according to law. The contents of the archives involve all aspects of cultural relics protection. The scientific, complete and detailed "Four Haves" archives can provide complete information for the cultural relics protection unit in the protection, utilization, management and publicity of cultural relics, and can also provide reliable evidence for the restoration of cultural relics accidentally damaged by the cultural relics protection unit. In terms of filing, the national cultural relics protection unit shall file according to the requirements of the National Key Cultural Relics Protection Unit Record Archives Work Code and the National Key Cultural Relics Protection Unit Record Archives Description. The provincial cultural relics protection unit shall refer to the requirements of the national cultural relics protection unit to file one by one. The municipal and county (district) level cultural relics protection units shall strictly be equivalent to the requirements of the national cultural relics protection unit to file. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
353 new cultural relics discovered in the cultural relics survey
Please clarify the question. For example, do you want to know the specific areas of these discoveries, the scope of the survey, or other related content? The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Rebirth Cultural Relics
The following were some recommendations for novels related to the cultural relic category: " The Reborn Cultural Relic Master,"" The Great Appraiser,"" The Antique Appraiser,"" The Golden Eye Appraiser of Antiques,"" I Can Repair Antiques,"" The Foreignland's Ace Appraiser,"" The World's Collection," and so on. These novels covered topics such as the identification of cultural relics and the restoration of cultural relics. They were suitable for readers who liked such topics.
Lovesickness in the cultural relics
The cultural relics contained many feelings of longing. For example, in the Book of Songs, Xiaoya, Yuanyang, the mandarin duck was compared to the love between husband and wife, and the "red bean" mentioned in Wen Tingyun's "Two Songs of Southern Songs" represented deep love. These literary works also echoed the cultural significance embodied in cultural relics. For cultural relics like the engraved silver box, the bottom of the box was engraved with a pair of men and women standing side by side and the words "two people of the same heart". It was as if one could see the scene of a man giving a powder box to a woman he liked a thousand years ago. It contained the love between a man and a woman. The Western Zhou jade pendant was two meters long. It was the only thing Marquis Mu of Jin cared about and doted on the second wife. It reflected the deep feelings between husband and wife. Even if they were separated by yin and yang, it contained the thoughts of the living for the deceased. The golden hairpin in the Suzhou Museum had witnessed the love between Sun Ce and Da Qiao. Now, it could also make people feel the yearning and nostalgia that spanned thousands of years. More than 4800 pieces of exquisite jewelry were unearthed from the tomb of the King of Mingliang Zhuang and his step-concubine, which witnessed the experience of the husband and wife living together. Behind their "living in the same quilt and dying in the same cave", there was also endless longing and attachment for each other. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!
30 billion cultural relics
There were several mentions of cultural relics related to 30 billion yuan: First, the cultural relics on the South China Sea No. 1 shipwreck, which World Heritage expert Jones had said could be worth more than 30 billion US dollars; Second, the more than 380,000 cultural relics collected by the folk collector Li Jiquan, whose total value was estimated to be more than 30 billion yuan by the cultural relics experts in the collection industry. The ancient plate in his bedroom was valued at 600 million yuan. There was also the collection of Li Jiquan, the owner of the Silk Road Ancient Culture Museum in Beihai, Guangxi. The total value of the cultural relics collected exceeded 30 billion yuan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>