The Xi'an Museum had a collection of exquisite jade. Among them, there is a jade belt plate with Tang character patterns from the Tang Dynasty, which was unearthed from the cellar in Xi'an, Shaanxi Province in 1970. The thallium-tail is 5.4 cm long and the crotch is 3.5 cm long.(5000 - 3000 B.C.), which is the earliest jade in the museum collection. It was unearthed in the Yuhua Village Street Office of Yanta District. The early jade was not accurately punched, and the processing level was relatively low.(3000 B.C. -2000 B.C.), unearthed at the entrance of Yanta District. This jade cong is a single-layer, with no decorative patterns on all sides. At the same time, there are three-hole jade knives, jade axes, jade shovels, jade hairpins and other jade articles. In addition, there is a phoenix-shaped jade coffin of the Western Han Dynasty, unearthed from the Han Tomb at Hongmiaopo in the northern suburbs of Xi'an City, Shaanxi Province. It is 10.2 cm long, 1.7 cm wide and 0.3 cm thick. It is now stored in the Xi'an Cultural Relics Protection and Archeological Institute. Read more exciting novels for free
The Jinsha Ruins Museum has a rich collection of jade artifacts, and more than 2000 pieces of jade artifacts have been unearthed. There were many kinds of jade articles, including jade Zhang, jade Cong (such as the ten-section jade Cong), jade plate, jade Ge, collared jade tooth wall, jade bracelet, jade adze, god face jade Zhang, wind shaped jade axe, jade wall, jade shell, jade chisel, beast face pattern jade axe, oval jade decoration, jade spear, jade Gui, etc. Most of the Jinsha jade articles were made from local materials. They were crafted with a variety of techniques. They were exquisitely carved, smooth and delicate, and rich in distinctive regional characteristics. They highlighted the perseverance, refinement, and natural beauty of the jade articles to the greatest extent. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The exquisite jade ware of the Qin and Han Dynasties had many characteristics. In terms of material, Hetian jade was a common material. Its texture was delicate and warm, and it felt comfortable to the touch. It was suitable for carving and polishing. In terms of craftsmanship, compared to the exquisitely carved jade carvings of the Spring and Autumn Period and the Warring States Period, the Qin and Han jade carvings tended to be bold and unconstrained in artistic style. The hidden areas of Han jade were often carved with hair-thin Yin lines, which were strong and powerful to make up for the weakness of the three-dimensional sense. This technique had a profound impact on the jade of later generations. For example, the Jade Cicada Saber Technique of the Han Dynasty was simple, rough and powerful, and its blade was sharp. It was commonly known as the Eight Blades of the Han Dynasty. The head of the Jade Cicada had a flat head and a small round head. There was an elephant trunk on the top of the head, and a horizontal line on the abdomen to indicate the retreat of the cicada. The ends of the two wings were sharp, and the sharp edge pressed against the hand. The edges of the Jade Cicada were relatively thin on both sides. He had made great progress in modeling, polishing, and embedding. The hollowing technique was widely used, and the composition broke the symmetrical pattern. He successfully used the law of equilibrium to obtain a flexible effect and boldly applied the S-shaped structure. Judging from the meaning of the patterns, the jade articles of that time were most eye-catching in various forms of strange beasts. These strange beasts were endowed with supernatural characteristics and had a strong aura. In terms of color characteristics, there were roots (the surface of the ancient jade showed red, yellow and other fine threads. This type of ancient jade had a history of more than two thousand years), color (the surface of the ancient jade showed uneven colors such as green and black. This type of ancient jade was from the Qin and Han Dynasties), and so on. From a historical and cultural perspective, after Qin Shihuang unified the six countries, he used Heshi Bi as the emperor's seal. Moreover, the embodiment of jade and royal power in the Qin and Han Dynasties was mainly reflected in the regulations on the official seal materials. In addition, Qin and Han jade also reflected the rich content of social customs at that time. For example, the Qin and Han Dynasty jade bottle with Kui phoenix pattern, white jade with brown spots, is the representative of exquisite jade of this period, now in the collection of the Palace Museum in Beijing. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Aurora Museum in Shanghai has a collection of jade artifacts from the Han Dynasty. One of them was a jade divine beast of the Han Dynasty. It lowered its body and stretched its body, like a lion or tiger quietly approaching its prey before attacking and preparing to attack at any time. Its body was beautiful and its expression was agile. It was a rare fine jade artifact of the Han Dynasty. There was also a collection of bird-headed mythical beasts of the Han Dynasty. They had bird heads, beast bodies, horns, and wings. There were no similar animals in reality. There was also a dragon-phoenix-patterned jade pendant. During the Western Han Dynasty, the jade pendant gradually evolved from the initial hook string to a decorative ornament. There was also the Longevity Bi, which was made of green topaz and had a regular body. It was decorated with regular patterns of milk Ding. At the edge of the wall, it was carved with a combination pattern of a dragon carrying the word "Longevity". It was speculated that it was related to the concept of longevity. This kind of shape, which combined the characters of the seal script and jade Bi, only appeared in the Eastern Han Dynasty. In addition, there was also a feather cup, carved from the whole jade. The jade was green and white, with reddish-brown spots on some parts. The cup was oval like a boat, and there were bridge ears on both sides of the long edge for holding. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Xi'an was known as Chang' an in ancient times. It was the capital of the prosperous Zhou, Qin, Han and Tang dynasties and was also the center of China's gold and jade culture. The Xi'an Museum has over 10,000 pieces of gold, silver, and jade. Most of these fine items are from the Han and Tang Dynasties, showing the historical glory of the ancient capital for thousands of years. The essence of the collection of gold, silver, and jade allowed people to appreciate the Chinese people's love for gold and jade. Gold symbolized honor, wealth, eternity, and sincerity, while jade symbolized virtue and beauty. Gold and jade culture was an important part of China traditional culture. The Xi'an Museum's " Full Hall of Gold and Jade: Gold, Silver and Jade from the Museum of Jiangning District, Nanjing City " was also an exchange exhibition, which went to more than 40 state-owned museum in the country for exhibition and exchange. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The National Museum of Iraq has a collection of about 250,000 precious historical relics, covering all historical periods of Iraq from the Stone Age 100,000 years ago to the mid-19th century. The collection in the museum included prehistoric stone tools and pottery from the Middle Ages, as well as the female head made of alabaster unearthed from the Ur site, and the crafts unearthed from the tomb of King Ur. There were also more than 70,000 rare books in various languages and about 6000 unique manuscripts. There were also masterpieces of the Middle East ancient civilizations such as the Sumerian civilization and the Babylonian civilization, such as Sumerian sculptures and cuneiform inscriptions, winged lions and bulls from the ancient Babylonian period, and Assyrian murals. In addition, the Baghdad battery was also one of the museum's collections. It was discovered in June 1936, about 2,000 years ago. It looked like a simple terrine, but from the internal material and manufacturing intent, it looked like a battery shell. It was a man-made craft of the two rivers civilization, dating back to the Parthia era. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Exquisite Jade was a very outstanding novelist and had written many novels, such as "I'm the Big Boss's Little Sweetheart","Sky-priced Cute Treasure: My Mommy is the Big Boss","The World's Warm Marriage: The Chief Billionaire Courting His Wife","The Ugly Queen is Very Arrogant","The Concubine Who Sends the World","The Concubine Who Abandoned Her Name","The First Lady: Mr. Yun Dotes His Wife Like Her Life","Burning Heart Endowment: Your Highness, Try to Divorce Me","I'm Willing to Reunite with the Rest of My Life"," The CEO of Hidden Marriage, Addicted by Kissing"," The Crown of the Six Palaces: The Mad Queen Bewitching the King'The Love of a Gentle Tyrant "," Ex-Wife at a High Price: The Domineering Chief's Favorite ", etc. The plot of his works is full of ups and downs, exciting, and the plot and writing are excellent. The novel "Glittering Four Seasons" is equally exciting. Everyone is welcome to click and read it!
Appreciating and evaluating jade articles can be done from the following aspects: * * 1. Material ** 1. * * Color **: The color of natural jade is natural, and the color distribution is even and natural. The color of dyed jade is gorgeous, regular, and floating on the surface. For example, all kinds of jade should have this natural color characteristic. 2. * * Hand feeling **: Due to the different density, the jade feels different. For example, Hetian jade had a high density, and it felt heavy and cold. Generally, natural jade felt like it was falling when held in the hand, while fake jade was often light and floating. 3. * * Internal structure **: Observing the internal structure of the jade with light, the internal structure of the natural jade is naturally orderly. For example, under the light or sunlight, the internal structure of natural jade looked comfortable, while artificial imitation jade may have obvious artificial traces and even bubbles inside. 4. * * Gravity **: Natural jade has a high density, which can be judged by measuring its gravity. For example, Hetian jade, jade, and other dense jade stones could feel their weight in his hand. * * 2. Styling ** 1. * * Overall styling **: The proportion of the styling should be balanced and harmonious. It should not appear stiff. It should pay attention to the overall beauty. 2. [Details: For a jade with a shape, details are very important. For example, the lines must be smooth, without any broken lines, and the thickness must be uniform and appropriate.] * * 3. Craftsmanship ** 1. * * Pattern **: Pattern is an important part of jade appreciation. It is a form of ancient art. Different periods had different characteristics of decorative patterns, and their complexity might contain the cultural thoughts of the time, which not only helped to determine the generation of jade articles, but also helped to understand the life, culture, and thoughts of the people at that time. Moreover, good jade articles had smooth lines, uniform thickness, and more charm. 2. * * Craftsmanship Difficulty **: For example, some jade carvings of the Han Dynasty have high requirements for artistry, craftsmanship, and material. They can be used as a reference to determine the value of jade. * * 4. Sound ** Hanging the jade with a rope, hanging it in the air and fixing it properly, and then gently knocking it with another jade stone, the sound of natural jade knocking out is clear (as the ancient saying goes, the sound is melodious), but the sound of fake jade knocking out is more muffled. He could also use the jade to knock on the jade to judge by the sound. * * 5. Historical and cultural value ** 1. * * Age **: Jade articles of different ages have different historical and cultural values. For example, the Han Dynasty was the peak period of Chinese jade articles. Jade articles of this period were unique in terms of artistry and craftsmanship. 2. Jade ware is a high-level cultural carrier. It reflects ancient politics, etiquette, commerce, totems, religion, beliefs, and even life customs and aesthetic tastes. It carries rich cultural content. When appreciating and evaluating jade, one had to consider all the above aspects. One could not draw conclusions based on just one factor. If there were still doubts after the initial judgment, the jade could be sent to a professional appraisal agency for appraisal. The appraisal report issued by the formal agency when the merchant sold it could also be used as a reference. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Rongcheng Museum has jade artifacts of different ages. Among them, there was a piece of jade from the Qin and Han Dynasties from the end of the Warring States Period to the beginning of the Han Dynasty. It was unearthed in 1982 at the Dongjing Building of Chengshantou Ruins (now Wolong Village). The jade was damaged, the jade color was green and white, and the surface was decorated with grain patterns. The two pieces of jade were the same color as the jade, both plain, and each had a hole at the bottom. There was also a jade pendant from the Han Dynasty that was collected in Buliu Town. It was white jade with dark brown carvings on some parts. One corner was missing and the shape was like a Huang. It was carved with cloud patterns and beast patterns, and there was a horned dragon on one side of the top. In addition, in October 1979, the villagers of Wolong Village near Chengshantou found a group of jade articles including one jade wall, two jade guides and one jade Huang when leveling the mound. This group of jade articles was sent to the museum of Qing Dao for collection. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
As for the origin of jade, the academic community speculated that it could be traced back to the late primitive society based on the records that came out later. For example, the Bamboo Book Annals and other documents mentioned that there were records of jade articles during the period of the Yellow Emperor, Shun, and Xia Yu, about 4200 years ago. At that time, the origin of jade seemed to be related to the Queen Mother of the West in the Kunlun Mountains in the West. There should be more jade origins in the Xia Yu era. However, archaeological excavation shows that the history of China people using jade is much earlier than recorded in the literature. As early as seven or eight thousand years ago, the primitive ancestors had created jade culture on both sides of the Liaohe River and Songhua River. Moreover, prehistoric jade articles were widely distributed and varied in texture. Before the Shang and Zhou Dynasties widely used Hetian jade in the Western Regions, they experienced an era of "jade and stone were not separated, and local materials were used". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>