The archaeological work of the cultural relics in Anhui Province involved many aspects: ** 1. Archeological Project ** 1. ** Major Project Example-Archeology of Wuwang Dun Tomb in Huainan ** - The archaeological excavation of the outer chamber was progressing in an orderly manner. The excavation of the four side chambers in the north and west had been completed, while the excavation of the first and second chambers in the east was still in progress. More than 3000 cultural relics and a large number of animal and plant remains have been extracted. - The cultural relics unearthed from different side rooms have their own characteristics. For example, although the first and second rooms in the north were seriously robbed, more than 600 pieces (groups) of artifacts were still extracted, most of which were stringed instruments such as zither and lyre. The beams of the chime bell frame were preserved completely and consistent with the number of bronze chime bells recovered. Lacquer boxes, ear cups and other artifacts, jade walls, a large number of copper arrows, etc. were unearthed from the first and second rooms in the south. The relics of the first and second rooms in the west were mainly lacquer wood figurines, as well as wooden carts, musical instruments and a small number of bamboo slips. The first room in the east was mainly made of bronze, and more than 150 pieces (sets) had been extracted. The combination of bronze ritual vessels was completely preserved, and there were also lacquer wood dining utensils. 2. ** Management and coordination of archaeological work ** - The archeology department of the Provincial Department of Culture and tourism is responsible for coordinating and guiding the planning and implementation of major archaeological projects, investigations, and topics, guiding the province's archaeology and archaeological unearthed cultural relics, undertaking the protection, management, and utilization of ancient sites and ancient tombs, and coordinating the transfer of archaeological unearthed cultural relics. - The Cultural Relics Bureau of Anhui Province is responsible for the management of the archaeological excavation and scientific research of cultural relics in the province, reviewing and reporting the active excavation plan, organizing archaeological teams to cooperate with the archaeological excavation in key construction projects and coordinating the relationship between relevant departments, identifying the qualifications of archaeological exploration units and team leaders, inspecting and guiding the field archaeological excavation sites and appointing the unearthed cultural relics collection units. ** 2. Relic Protection ** 1. ** Protective measures at the scene-Take the tomb of King Wudun in Huainan as an example ** - Build an fogging spray system at the archaeological excavation site to control the micro-environment in the coffin chamber to prevent cracking and distortion of organic cultural relics such as coffin plates and lacquer wood due to temperature rise and water vapor. - Take emergency protection measures in time for all kinds of cultural relics extracted indoors, such as storing the samples of organic cultural relics that are prone to decay in the low-oxygen sterilization chamber, controlling humidity and oxygen to slow down their deterioration speed; Carry out cleaning and wetting treatment for a large number of extracted wooden figurines, and use silk protein technology to reinforce the fabric on the surface of the clothes figurines in place; Use curved micro-area X-ray fluorescence analyzer to extract information from the lacquer ware patterns and patterns to provide evidence for subsequent restoration. 2. ** Multidisciplinary research collaboration ** - Carry out animal and plant remains identification and residue analysis through cross-disciplinary and multi-platform collaboration. In the archeology of the tomb of Wuwang Dun in Huainan, more than 10 kinds of animals such as cattle, pigs and dogs were identified as animal bones. Melons and nuts such as gourds and melons, crops such as millet, millet and rice, spice crops such as pepper and mallow, as well as the traditional Chinese medicine plant Evodia rutaecarpa were identified. ** 3. Exhibition and utilization of archaeological results ** - For example, during the May Day holiday in Huainan City, the Huainan City Museum held an exhibition of pictures of the excavation progress of Wuwangdun and some physical objects to introduce the latest archaeological progress of Wuwangdun Tomb to the public. - An expert meeting was also organized in Anhui Province to discuss the age, nature, and value of the tomb. Experts believed that the unearthed cultural relics had the typical characteristics of Chu culture in the late Warring States Period, and the tomb owner might be King Kaolie of Chu. These archaeological achievements played an important role in promoting the creative transformation and innovative development of Chinese excellent traditional culture. Read more exciting novels for free
There were many interesting cultural relics in Anhui Province museum. Among them, the large green glazed jar with dragon patterns was a cultural relic of the Song Dynasty. There was also the cloud pattern copper five-pillar ware. Because there were no inscriptions on it and the shape of the ware was not found in archaeological materials, it was named according to the method of " decoration + shape." Although its use was not clear, its unique shape and exquisite craftsmanship made it a treasure among ancient bronze ware. The Chu Dading was a bronze ware from the Warring States Period and had a rich history. In 1958, Chairman Mao had observed it during his inspection. Moreover, this tripod was the prototype of the "National Public Sacrifice Tripod" of the Nanjing Massacre Memorial Hall. In 2002, it was listed as one of the first cultural relics in China that was banned from going abroad. In addition, creative products related to the Ejun Qijin Festival were made into scarves and worn by the director of Anhui Province museum in the show. The exhibition "Zhongdu in the World-Fine Cultural Relics Exhibition of the Hongwu Period of the Ming Dynasty" was organized by the Anhui Museum in cooperation with several units. More than 300 sets of cultural relics from the Hongwu Period of the Ming Dynasty were selected and would last until February 2025. The audience could go to see these cultural relics and experience the various styles of the early Ming Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following is the situation related to the collection of cultural relics data: - In the fourth national cultural relics survey, the Culture and Travel Bureau of Jinpu New District of Dalian actively participated. Their survey team carried out on-the-spot inspection and collection of information on immovable cultural relics in the area. They maintained a rigorous attitude, carefully measured the size, recorded the characteristics of cultural relics, investigated the surrounding environment, and communicated with local residents to obtain more clues. For example, the survey team would carry out relevant work on immovable cultural relics such as the Qu's Well, the Deputy General's Yamen Office, and Yan Fusheng's former residence. They would also carry out on-the-spot investigations on 294 immovable cultural relics in the entire region, thoroughly investigate them, and report basic data. The survey began in November 2023 and ended in June 2026. It was divided into three stages. The identified and registered immovable cultural relics would be re-examined, while the newly discovered immovable cultural relics would be investigated, identified and registered. The contents covered the names of the objects, spatial locations, protection levels, and many other aspects. - In the fourth national cultural relics survey in Bayuquan, the members of the survey used professional equipment to collect the data of immovable cultural relics. For example, during the on-the-spot survey at Tiehan Mountain in Hejiagou, the members of the survey used mobile devices to record the coordinate information of the location of the cultural relics, and analyzed the collected samples to determine the age of the cultural relics. Although there was no comprehensive and independent detailed description of the data collection and production of cultural relics in the Dalian, some of the work progress, methods, and significance of the collection of cultural relics in the Dalian could be learned from the data collection activities of these cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Cultural Relics Bureau of Anhui Province would conduct underwater archaeology on Taiping Lake. He had planned to use modern scientific and technological geological exploration equipment to explore the former site of Guangyang City, the former site of Yangxi Street, and the stone inscriptions on cliffs under Taiping Lake. The purpose was to carry out a more comprehensive and detailed exploration of the underwater ancient city of Taiping Lake on the basis of the original archaeological achievements, so as to obtain more information and data for subsequent archaeological research. The ancient city of Guangyang under Taiping Lake had a history of more than 2200 years. In the Han Dynasty, it was the seat of Lingyang County. Except for the short-term change in the Southern Song Dynasty, it had always been the seat of the county. In 1970, Taiping Lake sank to the bottom of the lake after water storage. In addition, during the underwater archaeological instrument exploration of the Guangyang City site, a high-rise building was found outside the west gate of the city site, which was determined to be the site of the Confucian Temple. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nanyang's archaeological work had many important results. For example, in the archaeological excavation of the Baliqiao site, the Baliqiao site was located in Chengzhuang Village, Zheyang Street, Fangcheng County, Nanyang City, Henan Province, on the west bank of Pan River. This site was the largest and highest-level Erlitou cultural settlement discovered in southern Henan. It was a large-scale moat settlement, around 3700 - 3600 years ago, with an excavated area of 1.35 million square meters. There were many ditch relics crisscrossing and orderly planning in the site, showing a "multi-grid" layout similar to Erlitou site, as well as wall and handicraft relics, including rammed earth building area, handicraft area, wall, roads and other facilities. The functional division was complete. The unearthed relics were basically the same as those of Erlitou Ruins, and they were highly similar in terms of political concepts, value systems, and religious beliefs. The site was formed in the second phase of the Erlitou culture, which was a critical period when the Xia culture began to expand outward. The Xia culture crossed the Fangcheng Pass and entered the Nanyang Basin to build a settlement. This was the key throat connecting the hinterland of the Central Plains and the Jianghan Plain. It was an important safety guarantee for the southern copper mines, turquoise, cinnabar, and other mineral resources to enter the king's city. It was also an important hub for the transfer and control of resources in Erlitou. It was of great value to the study of Erlitou culture's southward spread and the Xia culture's control over the southern land, especially the control of resources. The discovery of multi-grid layout filled the gaps in the internal spatial layout of the small and medium-sized cities in the Xia Dynasty. In the archaeological work of Nanyang, the Henan Province Institute of Cultural Relics and Archeology and the Nanyang Institute of Cultural Relics Protection participated in it. Many archaeologists carried out excavation, drawing, observation of soil samples, etc. at the Baliqiao site, unearthed high-level relics such as jade articles, divination bones, turquoise inlaid pieces, copper smelting remains, etc., and also discovered cultural relics such as painted vermilion stone portraits. Moreover, famous cultural relics and archaeologists would also go to the Baliqiao site to conduct research, check the archaeological layout, and analyze the relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yin Junmin, a citizen of Jieshou City, handed over 19 cultural relics from the Han and Tang Dynasties to the Jieshou City Museum. Among them were a Han Dynasty Dou Dou, a Han Dynasty double-eared pottery tripod with a lid, a Tang Dynasty white-glazed green high-necked pot, and 15 copper coins from different dynasties. The cultural relics were basically intact, but some details were damaged, such as the broken handle of the bucket, the missing foot of the pottery tripod, and the broken handle of the pot. Zhao Bing, curator of Jieshou City Museum, said that this batch of cultural relics was of high value for the study of Jieshou's local history and culture. In order to express his gratitude to Yin Junmin's enthusiasm, the museum specially issued a donation certificate to him. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Liaoning Province museum has a rich collection. The following are some of the selected cultural relics: - [Jade Pig Dragon]: A jade artifact from the Neoliths, a national first-class artifact. It was 15.7 cm tall, 10.4 cm wide, and 4.3 cm thick. It was a representative piece of jade from the Hongshan culture. It was large in size and had a regular shape. There was a small hole in the middle that could be used as a pendant. It had high historical and research value, and it was also the prototype of the emblem of the museum in Liaoning Province. - ** Duck-shaped glass note **: Glass cultural relic from the Northern Yan period, national first-class cultural relic. It was 20.5 centimeters long and 5.2 centimeters in diameter. It was a treasure among the early glassware imported from the Roman Empire. It was the only remaining 2000-year-old glassware in the world. In 2002, it was included in the first batch of cultural relics banned from going abroad. - [Luo Shen Fu Painting: Painting by Gu Kaizhi of the Eastern Jin Dynasty, a national first-class cultural relic.] It was 572.8cm in width and 27.1cm in length. Although the original was lost, there was a copy of it from the Song Dynasty. It was one of the top ten famous paintings in China. It was the first of its kind in traditional Chinese painting. It was regarded as the first painting adapted from a literary work and was known as the "ancestor of Chinese painting." - ** Painting of a Beautiful Woman with a Hairpin **: A painting by Zhou Fang of the Tang Dynasty, a national first-class cultural relic. It was 45.75 centimeters long and 179.6 centimeters wide. It was the only copy of the painting of a beautiful lady from the Tang Dynasty that had been passed down in the world. It had high artistic value and was a typical specimen of the painting of a beautiful lady from the Tang Dynasty. In 2012, it was included in the "Second List of Cultural Relics Prohibited from Exhibitions abroad". - ** Zhongni Dream Lien Tie **: The calligraphy work of Ouyang Xun of the Tang Dynasty, a national first-class cultural relic. It was 25.5 centimeters in length and 33.6 centimeters in width. It was Ouyang Xun's representative work at the peak of his semi-cursive achievements. It had an important position in the history of calligraphy and was listed as one of the top ten famous calligraphy pieces in China. In 2012, it was included in the "Second List of Cultural Relics Prohibited from Exhibitions abroad." - ** Cursive Thousand-Character Script **: The cursive calligraphy work of Zhao Ji, Emperor Huizong of the Northern Song Dynasty. It is a national first-class cultural relic. It was 11.72 meters long and 0.35 meters wide. It was the representative of Song Huizong's cursive calligraphy and the pinnacle of Chinese cursive calligraphy. It had high artistic value and was one of the top ten famous calligraphy pieces in China. It was known as the "peerless calligraphy treasure of the world." In 2012, it was included in the "Second List of Cultural Relics Prohibited from Exhibiting Overseas." - ** Painting of Lady Guo's Spring Tour **: Painted by Zhang Xuan of the Tang Dynasty, a national first-class cultural relic. It was 51.8 cm in length and 148 cm in width. The original was lost, and a copy of it from the Song Dynasty is now available. Its value lies in its superb skills and the description of historical figures and customs. It is a typical work of Zhang Xuan's figure painting and an outstanding representative of China's fine brush figure painting. - ** Yuan Dynasty Blue and White Porcelain Octagonal Jar with Pine, Bamboo and Plum Pattern **: A porcelain cultural relic of the Yuan Dynasty, a national first-class cultural relic. It was 39.7 centimeters high and 15.3 centimeters in diameter. There were only two pieces of blue-and-white porcelain from the Yuan Dynasty. They could be called national treasures. One was in the Liaoning Province Museum, and the other was in Thailand. They were included in the "China Cultural Relics Essence""ceramic volume." <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There are many cultural relics in Xunyang County, Shaanxi Province. The total collection of Xunyang County Museum was 10131 pieces/set, including 308 precious cultural relics/set. Xunyang City had a total of 16 provincial-level cultural relics protection units, covering important historical relics and representative buildings from ancient times to modern times, including the Tomb of Mengda during the Three Kingdoms Period, the Xunyang Confucian Temple of the Ming Dynasty, the Huangzhou Guild Hall of the Qing Dynasty, and the West Gate built in the eighth year of Chongzhen of the Ming Dynasty (1635). Xunyang Confucian Temple had a history of more than 500 years. It was a relatively well-preserved ancient building group of Ming and Qing Dynasties in Ankang City and even southern Shaanxi. It was also a provincial cultural relic protection unit and had been declared as a national key cultural relic protection unit to be announced. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many cultural relics in Lantian County, Shaanxi Province. The following were some of the representative cultural relics: - In Jiaodai Village, Jiaodai Town, Lantian County, there is the ruins of Dinghu Yanshou Palace, a key cultural relic protection unit in Shaanxi Province. - Lantian had once unearthed Lantian ape-man skull fossils, more than 1200 ancient animal fossils, and 12 paleolith artifacts. This place was famous overseas because of these discoveries. - Shuilu Nunnery was located in Lantian County. There were more than 3700 colored clay sculptures preserved. It was known as the "treasure of wall sculptures" and was also one of the filming locations of Black Mythology: Wukong. - A piece of pottery was found in the Lantian County Cultural Center. It was 19 cm high, 11 cm wide at the bottom, 6.4 cm wide at the top, 8 cm thick at the bottom, and 4 cm thick at the top. There were relevant inscriptions on it. Its name and use were pending. It was speculated that it might be one of the upper components of the building. The lower limit should be in the sixth year of Emperor Jing (144 B.C.). - The bronze axe of the Western Zhou Dynasty was a cultural relic of the Western Zhou Dynasty. It was handed over by the supply and marketing cooperative of Xiehu Town, Lantian County. It was 12.5 cm long, 4.3 cm wide, and 2 cm thick. It was made of bronze, rectangular, straight, flat, and hollow. There was a hoop pattern near the mouth of the axe. The blade was curved and wider than the body. The double-edged axe was relatively sharp. It was collected in the Cai Wenji Memorial Hall of Lantian County. - There was a Zhenwu Temple on the Bali Plateau of Lantian. It was built in the Qing Dynasty and was listed as the fourth batch of cultural relics protection units in Lantian County in 2013. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many cultural relics in Tongzhou. For example, the ruins of the North Pole Pavilion City Wall. The city wall of the southern part of the country was demolished during the Republic of China, leaving only the ruins of the North Pole Pavilion City Wall. In 2009, it was repaired and strengthened to become the scenic spot of the North City Wall Ruins. It is now a cultural relic protection unit of the southern part of the country. There was also Qian's memorial archway, built in the 26th year of the Qianlong reign of the Qing Dynasty. It was made of granite and had a single door, two pillars, and three floors. In 1989, it was announced as a Tongzhou municipal cultural relic protection unit. Tongzhou's three pagodas were also important cultural relics. They were Zhiyun Pagoda at the top of Langshan Mountain, Guangxiao Pagoda at the ancient alley of Sijie, and Wenfeng Pagoda by the Sanyuan Bridge. They had different appearances and different histories. Together, they witnessed the vicissitudes of the city and were important historical and cultural symbols on the land of Jianghai. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Luyi in Henan Province had many important cultural relics. In 1997, the eldest son's cup was unearthed in the ancient tomb of Taiqing Palace in Luyi County. In the same year, the bronze tripod with the animal face pattern of the eldest son mouth of the Western Zhou Dynasty was unearthed from the tomb of the eldest son mouth in Luyi County, which is now stored in Henan Museum. The copper knife with the head of the scroll was also unearthed from the tomb of the eldest son mouth in Taiqing Palace in Luyi County, which is now stored in Henan Province Institute of Cultural Relics and Archeology. During the archaeological excavation of Taiqing Palace, thirteen inscriptions related to Taiqing Palace were also unearthed, including eight real estate inscriptions of Taiqing Palace in Jin Dynasty. This was the most complete and detailed real estate inscriptions in China. These cultural relics were of great significance to the study of local history and culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>