Cultural Relics in Tongzhou, Jiangsu Province
There were many cultural relics in Tongzhou. For example, the ruins of the North Pole Pavilion City Wall. The city wall of the southern part of the country was demolished during the Republic of China, leaving only the ruins of the North Pole Pavilion City Wall. In 2009, it was repaired and strengthened to become the scenic spot of the North City Wall Ruins. It is now a cultural relic protection unit of the southern part of the country. There was also Qian's memorial archway, built in the 26th year of the Qianlong reign of the Qing Dynasty. It was made of granite and had a single door, two pillars, and three floors. In 1989, it was announced as a Tongzhou municipal cultural relic protection unit. Tongzhou's three pagodas were also important cultural relics. They were Zhiyun Pagoda at the top of Langshan Mountain, Guangxiao Pagoda at the ancient alley of Sijie, and Wenfeng Pagoda by the Sanyuan Bridge. They had different appearances and different histories. Together, they witnessed the vicissitudes of the city and were important historical and cultural symbols on the land of Jianghai. Read more exciting novels for free
Internet celebrity in Tongzhou District, Jiangsu Province
There were some internet celebrities in Tongzhou District of Nan Tong. For example, there was an internet celebrity,"Diandian Happiness," with 5.491 million fans. She was a beautiful, young, and energetic beauty blogger and dance blogger. There was also "Don't Know At Home," with 2.849 million fans. He was a handsome male blogger who shared his family life. In addition, Tongzhou District also had an internet celebrity named "Flower Banxia"(Haiyan). She died at the age of 40. She was a rich woman who lived an exquisite life and ran a club and wine business. In addition, Tongzhou Bay has "Tongzhou Bay Top Ten Online Celebrity Card Cards", including the new sea mouth planning exhibition hall, Sanjiasha Lighthouse and other Tongzhou Bay Top Ten Cultural Landmarks. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Sophia Wedding photography in Tongzhou, Jiangsu Province
Sophia Wedding photography company was located in Tongzhou City, Jiangsu Province, China. It was located at No. 12 Jianshe Road, Tongzhou District, Tongzhou Nantong City, Jiangsu Province. The main business was wedding photography. The contact number was 0513 - 86515912, and the fax number was 86 - 0513 - 86677260. It carried out its business based on the principle of "customer first, integrity first" and established long-term cooperative relationships with many companies. It could also provide information on wedding savings and shopping for idle wedding items. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The position of the bright moon on the sea in Tongzhou, Jiangsu Province
The Bright Moon on the Sea in Tongzhou, Jiangsu Province was located at the intersection of Ligang Road and Yanjiang Road in Wujie Town, Tongzhou District.
Cultural Relics in Gangu, Gansu Province
Gangu was one of the important birthplaces of Chinese civilization and had rich cultural resources. Nearly 200 cultural relics were found in Gangu County, densely distributed on both sides of the Wei River. Its cultural relics cover from ancient times to the Republic of China. Gangu County Museum has a total of 2200 pieces (sets) of cultural relics, which are complete in categories and rich in content, covering 15 categories, including pottery, stone ware, jade ware, bronze ware, porcelain, fossils, calligraphy and painting, wood ware, etc. The main features of the collection are colored pottery of the Neolith Age, bronze ware of Han and Tang Dynasties, stone statues of the Northern Dynasty and calligraphy and painting of famous people of past dynasties. Among them, there were 16 national first-class cultural relics, 32 second-class cultural relics, and 50 third-class cultural relics. The Tri-colored Phoenix Head Pot of the Tang Dynasty unearthed in Gangu County is currently collected in the Gansu Museum. It is a cultural relic of the Tang Dynasty. It is 31 cm high and 4 cm in diameter. It is a craft that combines Chinese and Western cultural styles. It is also the best witness of the cultural exchange between China and the West and the Silk Road at that time. There was also the painted salamander fish pattern vase, which was a pottery cultural relic of the Neolith Age. It was 38 centimeters tall and 6.8 centimeters in diameter. The pattern of the human-faced salamander fish on the bottle was regarded as the "prehistoric ancestor" of the dragon. The unearthed shape was complete, and the pattern was preserved completely. It was relatively rare among the unearthed Yangshao culture painted pottery vases. In 1971, it was announced as a county-level cultural relic protection unit of Gangu County, Juehuang Temple, formerly known as Xingguo Temple, which was built in Ming Dynasty. In addition, Gangu also had cultural relics such as the human-faced salamander bottle that represented the embryonic form of the dragon totem, the money tree of the Han Dynasty that symbolized the level of Chinese casting technology, the Han bamboo slips of Gangu that were famous both at home and abroad, and the exquisite stone statues of the Northern Dynasty. These were all historical witnesses of the long history of Gangu's cultural history. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics of Kangxi in Henan Province
There were some cultural relics from the Kangxi period in Henan, such as the ear-shaped furnace of the Qing Kangxi halberd collected by the Henan Museum, as well as the September chrysanthemum cup of the "Colorful December Flower Cup", which was made in the official kiln porcelain during the Kangxi period. This cultural relic was shaped with chrysanthemum as the theme, embellished with lake stones, dead branches and butterflies. The picture was taken from the poem "Chrysanthemum" by Luo Yin of the Tang Dynasty, but the "frost" in the poem was written as "fragrance", which was very meaningful. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Luoyang, Luoyang, as a province of cultural relics,
Luoyang was a prefecture-level city in Henan Province, not a province. Luoyang was rich in cultural relics resources. As of July 2024, there were 197 cultural relics protection units above the provincial level in the city, including 51 national key cultural relics protection units, 146 provincial cultural relics protection units, and more than 9000 immovable cultural relics, ranking first in the country. At the same time, there were 2 provincial historical and cultural blocks, 1 provincial historical and cultural town, 6 famous villages, 25 traditional China villages, 104 provincial traditional villages, and 154 historical buildings (131 in the urban area and 23 counties under its jurisdiction). All of this reflected Luoyang's important position in the protection of historical and cultural heritage. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shanxi Province Cultural Relics and Museum
Shanxi Province has many cultural relics and museum resources. Shanxi Museum was located on the west bank of the Fen River in Taiyuan City, Shanxi Province. It was a national first-class museum. It was founded in 1919, and the new modern building was completed in 2004. It was officially opened on September 26, 2005. The collection was rich, including the cultural relics of the Tao Temple ruins of the new era, the cultural relics of the Shang Dynasty, the cultural relics of the Zhou Dynasty, the cultural relics of the Northern Dynasty, the local porcelain of Shanxi, the cultural relics of the Jin and Yuan Dynasties, and the cultural relics of the Jin merchants of the Ming and Qing Dynasties. The basic exhibition was themed with "Jin Hun". The exhibition space was more than 10,000 square meters and was divided into seven historical and cultural topics and five artistic topics. In March 2008, it was opened to the public for free. In May of the same year, it was selected as one of the first batch of national first-class museum. In 2009, it became one of the 11 state-level museum jointly built by the central government and local governments. In 2013, it was named "2013 Most innovative museum". It had eight treasures (also known as twelve treasures), such as the Jin Marquis Bird, the Shang Dynasty Dragon-shaped Gong, and the Houma Alliance. These cultural relics had extremely high historical and artistic value. For example, the Jin Marquis Bird was a bronze ware of the Western Zhou Dynasty. It had a unique shape and combined the shape of a bird and an elephant. It was the prototype of the academy emblem. The dragon-shaped gong of the Shang Dynasty was the representative work of the bronze culture of the "Fang State" in the late Shang Dynasty. The Hou Ma Alliance Book was a letter document related to the Zhao family's alliance activities in the Spring and Autumn Period. The Shanxi Museum of Archeology was a national second-class museum, directly under the Shanxi Provincial Cultural Relics Bureau. It was located in the west of No. 40 Confucian Temple Lane, Taiyuan City, Shanxi Province (formerly the Confucian Temple of Taiyuan Prefecture). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Protecting Cultural Relics in Gansu Province
Gansu has taken many measures to protect cultural relics according to law. First of all, the people's governments at all levels are responsible for the protection of cultural relics within their respective administrative areas. The cultural relics administrative departments at or above the county level implement supervision and management, and other departments cooperate with each other to do a good job in the protection of cultural relics within their respective responsibilities. In terms of planning, the people's governments at or above the county level will incorporate cultural relics protection into their national economic and social development plans and include the required funds in their financial budget to ensure the basic funding needs of the repair and maintenance of state-owned cultural relics protection sites. For famous historical and cultural cities, blocks, villages and towns, the local people's government shall formulate protection plans and measures in accordance with the regulations. The construction of the project shall conform to the cultural relics protection plan and seek the opinions of the cultural relics administrative department. In the management of cultural relics protection units, the provincial cultural relics administrative department is responsible for the specific protection measures of cultural relics protection units above the provincial level, and the city (prefecture) and county level are responsible for the relevant work at the same level. For immovable cultural relics that have not been approved and announced as cultural relics protection units, the county-level cultural relics administrative department shall register and announce them, establish archives, and formulate protection and management measures. Without the consent of the administrative department of cultural relics, buildings and structures shall not be built within the protection scope and construction control zone of the cultural relic protection unit; The relevant parties that use and manage immovable cultural relics shall keep the cultural relics in their original state and sign a protection agreement; When immovable cultural relics are moved to other places for protection, the construction unit shall formulate a plan and be guided and checked by experts; The state-owned immovable cultural relics shall not be transferred, pledged or operated as enterprise assets; The installation of electrical equipment in ancient buildings shall be reported for approval according to regulations. As for the buried areas of underground cultural relics, the people's governments at the city (prefecture) and county levels may organize exploration and demarcated areas. Without the approval of the administrative department of cultural relics, excavation and construction projects shall not be carried out in the designated areas without authorization. In addition, in the specific cultural relics protection work, many institutions such as Dunhuang Research Institute participated in it, and the Dunhuang Cultural Relics Protection Research Center of Gansu Province integrated multi-disciplinary talents to carry out cultural relics protection and research related work. These series of measures were the embodiment of cultural relics protection in Gansu Province according to law. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics in Luyi, Henan Province
Luyi in Henan Province had many important cultural relics. In 1997, the eldest son's cup was unearthed in the ancient tomb of Taiqing Palace in Luyi County. In the same year, the bronze tripod with the animal face pattern of the eldest son mouth of the Western Zhou Dynasty was unearthed from the tomb of the eldest son mouth in Luyi County, which is now stored in Henan Museum. The copper knife with the head of the scroll was also unearthed from the tomb of the eldest son mouth in Taiqing Palace in Luyi County, which is now stored in Henan Province Institute of Cultural Relics and Archeology. During the archaeological excavation of Taiqing Palace, thirteen inscriptions related to Taiqing Palace were also unearthed, including eight real estate inscriptions of Taiqing Palace in Jin Dynasty. This was the most complete and detailed real estate inscriptions in China. These cultural relics were of great significance to the study of local history and culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shaanxi Province Museum introduced cultural relics
The Shaanxi History Museum has many precious cultural relics. In terms of their signature treasures, the Basic Exhibition Hall had 10 signature treasures, and the Treasure Hall had 3 signature treasures. In the first exhibition hall, there were national treasures such as the Western Zhou Dynasty Ding, the Five Sacrifice Wei Ding, and the Duoyou Ding. The Duoyou Cauldron was 51.5 centimeters high, 50 centimeters in diameter, 31 centimeters deep, and 35 kilograms in weight. The hoof-shaped foot was 20 centimeters high and 7 centimeters in diameter. The bottom of the cauldron's abdomen was 0.2 centimeters thick. There were 22 lines of 279-word inscriptions cast on the back of the inner wall. The inscriptions were simple and elegant, and the text was fine and neat. In the second exhibition hall, there was the Queen's Seal and the gilt gold bamboo copper stove. However, the ones displayed here were replicas. The real ones were hidden in the Qin and Han Pavilion, which charged fees. The Queen's seal was square-shaped, carved from Hetian suet white jade. The texture was clear, and the jade seal had the shape of a dragon tiger. The gilded gold-silver bamboo joint copper smoking furnace was made of copper. It was 58 centimeters high, with a slender pillar below and a gilded smoking furnace above. In the third exhibition hall, there were Tang Dynasty tri-colored camels carrying music figurines, green glaze beam inverted pot, black glaze oil drop bowl, mandarin duck lotus petal pattern gold bowl (two pieces). The camels were 48.5 cm high and the musical figures were 11.5 cm high. The camels stood upright on the rectangular bottom plate with their heads raised and mouths open. On the hunchback were seven musical figures holding various musical instruments and dressed in different colors. The lid of the green glazed inverted pot was connected to the body of the pot. The body of the pot was engraved with four peony flowers. The water injection port was in the shape of plum blossoms. The glaze was crystal clear and smooth. The black glazed oil drop bowl was completely black and 8.5 centimeters high. The bowl was covered with small dots of different sizes to make it more shiny. The golden bowl with mandarin duck lotus petals was made of gold and shaped like a blooming lotus flower. The petals were covered with decorative animal patterns. The gold-inlaid beast head agate cup in the Treasure Hall was a treasure of the Tang Dynasty. It was the first batch of cultural relics that were banned from export exhibition in China. It was made of agate material that imitated the shape of beast horns and gold-inlaid cup mouth. The gilded dancing horse holding a cup and silver pot was a national treasure of the Tang Dynasty. It was the first batch of cultural relics that were banned from export exhibition in China. The horse on the silver pot held a wine glass in its mouth, vividly recreating the grand scene of the birthday celebration of Emperor Xuanzong of the Tang Dynasty. The gilded parrot pattern silver jar was round and round. The jar was engraved with decorations, and the parrot was in a beautiful posture among the flowers. Other than these national treasures, there were also 'ordinary' collections such as peacock silver boxes, secret glazes, Tang tri-colored pottery, murals of beautiful women, Western Zhou cattle statues, and Western Zhou Riyi Gong. The sides of the silver square box with peacock patterns were carved with patterns of peacocks, two children playing with dogs, phoenixes, mountain peaks, flowing clouds, flowers and birds, etc. The Western Zhou Dynasty's Ox Zun was a wine dispenser from 3000 years ago. There was a tiger handle cover on the back of the ox to prevent the smell of wine from spilling out. The ox body was used as a container, and the ox nose was used for drainage. These cultural relics had extremely high cultural and historical value. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>