Calligraphy Appreciation Outside the Pavilion
The part of Master Hongyi Li Shutong's calligraphy work about "Outside the Pavilion" was very appreciative. Li Shutong was born into a wealthy family. He was familiar with poetry and calligraphy since he was a child. His calligraphy attainments were very high. He had copied many ancient names, integrated the famous calligraphers of the Tang and Song Dynasties, and copied the Wei stele. The official script of the North Stele, Su Shi, and Huang Tingjian's styles were very similar. Before becoming a monk, his calligraphy style was consistent with his radical political ideology of saving the world and helping the people in danger. It was simple, harmonious, and powerful. After becoming a monk, his calligraphy style had changed greatly. He abandoned the past and formed a concise and ethereal style, which was reserved and restrained. His style became neutral and indifferent. His calligraphy was a book that contained the Dao. It was infused with the Buddhist Dharma and his own spirit. It was the carrier of enlightenment. By appreciating his calligraphy of "Outside the Pavilion", the audience could not only experience the profound heritage of Chinese culture, but also experience the change in his life from actively entering the world to calmly leaving the world, as well as his understanding of Buddhism. His calligraphy no longer pursued techniques when writing Buddhist sayings and scriptures like in the past. Instead, he dispelled all techniques and was full of harmony and wisdom.
Appreciation of Pavilion Style Calligraphy Works
The pavilion style calligraphy was a style of calligraphy from the Ming and Qing Dynasties. It was neat, smooth, and vigorous. Shen Du of the Ming Dynasty was one of the representatives of the pavilion style calligraphy. His work, Jing Zhai Zhen Ce, was considered to be the highest level of the pavilion style calligraphy. This work had a standard font, strong strokes, even knots, neat rows, rich appearance, elegant grace. In addition, the court examination paper of Zhao Bingzhong, the top scholar of the Ming Dynasty, was also one of the precious relics of Guange calligraphy. Guange calligraphy was widely used in court documents and imperial examinations during the Ming and Qing Dynasties. Its standardized font and easy-to-read characteristics made it an official calligraphy style. However, for the development of the art of calligraphy, Pavilion Style Calligraphy was sometimes considered an obstacle because it was too standardized and lacked personal style and innovation. In general, the works of calligraphy in the pavilion style were still worth appreciating and learning today because they showed the skills and talents of calligraphers in the Ming and Qing Dynasties.
"Preface to the Orchid Pavilion" Calligraphy Works Appreciation
Preface to the Orchid Pavilion was one of Wang Xizhi's masterpieces and was known as the world's first semi-cursive script. This work had a fresh and simple style, and the sentence patterns were rich in changes, reflecting Wang Xizhi's active outlook on life. His calligraphy was both hard and soft, and the lines were flexible. It had a contrasting beauty, which could show his transcendence and gentle inner charm. The Preface to the Orchid Pavilion was exquisitely written, and the stippling was like a dance. It was regarded as the best in the calligraphy world. Although it was not as good as Wang Xizhi's cursive calligraphy, as an elegant, elegant and unrestrained style of the era, no one could surpass or accompany it.
Orchid Pavilion Preface Calligraphy Calligraphy Calligraphy
There were many versions of the Preface to the Orchid Pavilion, including Wang Xizhi's original work, Feng Chengsu's copy, Zhao Mengfu's copy, etc. Wang Xizhi's Preface to the Orchid Pavilion was regarded as a model for running script by later generations. Li Shimin, Emperor Taizong of the Tang Dynasty, once ordered Chu Suiliang, Ouyang Xun, Feng Chengsu and other calligraphers to copy several copies and give them to his subjects. In addition, Feng Chengsu and Zhao Mengfu also had their own copies. For beginners, they could choose Feng Chengsu's copy to practice. In addition, there were some copybooks and practice methods for reference, such as practice magnified version, using color printing version, tracing red copybooks, etc. In short, the selection of the Preface to the Orchid Pavilion calligraphy copybook should be decided according to personal preferences and learning needs.
Appreciation of Calligraphy Works
All the famous calligraphers of the past had created calligraphy works with the word "Fu". These works displayed the word "Fu" in different calligraphy styles for people to appreciate. Among them, there were five types of calligraphy: seal script, official script, regular script, running script, and cursive script. These works displayed the talent and artistic style of the calligraphers. For example, the character "Fu" written by Emperor Kangxi was considered to be a symbol of infinite mystery and infinite blessings. In addition, Wang Xizhi, Zhiyong, Ouyang Xun, Chu Suiliang, Yan Zhenqing and other ancient calligraphers also created exquisite works of the word "Fu". These works not only had artistic value, but also symbolized good fortune and good luck.
Appreciation of Taoist Calligraphy
The following is some content related to calligraphy appreciation: - Jing Xiaopeng's calligraphy works came in many forms, such as the true, the good, and the beautiful, the banner works "Looking at the Mountains","Old Friends Farewell to the Yellow Crane Tower", the fan works "Room Elegant Orchid Fragrance", and the fighting works "Heaven Rewards Hard Work". - Among the calligraphy works with the theme of " Watching the Sea and Listening to the Waves," Wang Wan's calligraphy was elegant and elegant. General Yuan Wei's works were bold and had different versions. One of them was written by President Obamas of the United States. His works could reflect the mystery of China calligraphy and the broad-mindedness of the Chinese nation. Lin Xiaozhi's calligraphy was stable, elegant and dignified, full of spirit. Jia Pingao's calligraphy was honest and gentle. Liu Bingsen's two versions were stable and steady. The ink was thick and heavy. The knot was flat and wide, thick and steady. Liu Binghui's calligraphy was thick and firm, plump and plump; Ouyang Zhongshi's two versions were handsome and elegant; Hong Pimo's "Listen to the Waves" had thick lines and was full of vigor; Shen Peng's three versions were smart and elegant, with rich content; Zhang Hai's calligraphy was ancient and strong; Sun Xiaoyun's two versions were thick and firm, bold and unrestrained; Li Gangtian's calligraphy was simple and agile; Long Kaisheng's two versions were beautiful; Gao Laibiao's two versions were thin and handsome, one was round and plump; Meng Fanbo's calligraphy was steady and beautiful. Cheng Wenzhe's calligraphy was thin and handsome; Gao Yuhai's calligraphy was strange and ingenious; Lu Shi's calligraphy was vivid and magnificent; Qi Zhenjian's calligraphy was honest and dignified; Wang Haixuan's calligraphy was smooth and agile, elegant and distant; Xia Yuanpu's four versions of running script were thin and straight, and the official script was clear and ancient; Xie Jun's calligraphy was rigorous and elegant. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Appreciation of cursive calligraphy
There were many important points in cursive calligraphy appreciation. From the point of view of the brush movement, Ni Yuanlu's cursive script, the middle and side strokes were used mutually, and the changes of the hidden and exposed edges were elusive. This unique way of writing was an important embodiment of the artistic characteristics of cursive script. In terms of overall layout, taking Chairman Mao's cursive works as an example, some works were compact but not crowded. Although the characters and columns were closely connected, they could create a compact and sparse visual effect through clever white spaces and echoes. There were also some whose layout was like the characters were freely "moving", with characters interweaving with each other, like a gathering of friends, showing a kind of agility. In terms of lines, Chairman Mao's cursive works varied in thickness. Some words were as thin as a needle, some were as thick as a stick, and there were even cases where the thickness was mixed. This change was like the rhythm of music, high, low, fast, and slow. It was full of harmonious beauty. In terms of word structure, the simple words in Chairman Mao's cursive works were given new life, such as "people" and "army", which were either rough and bold or delicate and tactful. Some of the words were like the word " analysis " in his works. The left and right parts were exaggerated in size and high and low in disorder. They were full of layering and dynamic, reflecting a kind of artistic creation that was at will. In addition, the different styles of cursive works of different calligraphers were also worth tasting. For example, Ni Yuanlu's cursive letters were unrestrained and strange, reaching the realm of happiness and joy. Chairman Mao's cursive script reflected his personal feelings, will, and his thoughts and opinions on various affairs, such as military strategy. At the same time, it was also a concentrated embodiment of the unrestrained spirit of the traditional Chinese culture. While waiting for the TV series, he could also read the exciting content related to this site!
Moon Pavilion Calligraphy
The Moon Pavilion was a building in Suzhou. It was also the three characters written by Song Richang, the chairman of the Shanghai Calligraphy Association. The architectural style of the Moon Obtaining Pavilion was simple and elegant. There was a flying dragon on both sides of the building. With the lace eaves on the back of the cloud pattern, it was exquisite and free, harmonious and handsome. There was a half-pavilion built on the front wall, and a pair of five-colored kylin hung upside down from the eaves of the half-pavilion. The Moon Pavilion was named one of the top ten buildings in Suzhou in 1986. In addition, Deyue Tower was also the venue of the Yu Garden Painting and Calligraphy Fair, providing a place for painters to gather, display, and promote. Regarding the calligraphy works of the Moon Pavilion, there was currently no relevant information provided.
Outside the Lotus Pavilion
The Lotus House side story referred to the side story or plot of the Lotus House drama series. The plot included the story of Li Lianhua and Li Lianpeng, their reunion and growth in the fishing village, as well as their reunion with Fang Duobing, Di Feisheng, and the others, as well as their adventures in Jianghu. The plot also involved Li Lianhua's death and success, as well as Fang Xiaobao's constant search for Li Lianhua. The specific content of the Lotus Pavilion may need to watch related videos or read related articles to understand.
Outside the Lotus Pavilion
The specific content of the Lotus Pavilion could not be found from the search results provided.
The lyrics outside the pavilion
The lyrics of Li Shutong's version of "Farewell"(extensive version) were: Outside the long pavilion, beside the ancient road, fragrant grass and green sky. The evening breeze blew the willows and the flute was still playing, and the sun was setting beyond the mountains. At the edge of the sky, at the corner of the earth, half of the acquaintances are scattered. A pot of turbid wine to make me happy, tonight farewell dream cold. Outside the pavilion, beside the ancient road, the fragrant grass and green sky. I ask you to go... In addition, there were some differences in the lyrics of other versions, such as "The end of the sky and the corner of the earth, my friends are half scattered. A pot of turbid wine to finish the rest of the joy, tonight farewell dream cold. A cup of wine filled with love, the sound of the flute urged. When will you return? When you come back, I dream of you." However, Li Shutong's version was more widely circulated. "Luo Han's Lyric Collection" is equally exciting. Everyone is welcome to click and read it!