Moon Pavilion Calligraphy
The Moon Pavilion was a building in Suzhou. It was also the three characters written by Song Richang, the chairman of the Shanghai Calligraphy Association. The architectural style of the Moon Obtaining Pavilion was simple and elegant. There was a flying dragon on both sides of the building. With the lace eaves on the back of the cloud pattern, it was exquisite and free, harmonious and handsome. There was a half-pavilion built on the front wall, and a pair of five-colored kylin hung upside down from the eaves of the half-pavilion. The Moon Pavilion was named one of the top ten buildings in Suzhou in 1986. In addition, Deyue Tower was also the venue of the Yu Garden Painting and Calligraphy Fair, providing a place for painters to gather, display, and promote. Regarding the calligraphy works of the Moon Pavilion, there was currently no relevant information provided.
Orchid Pavilion Preface Calligraphy Calligraphy Calligraphy
There were many versions of the Preface to the Orchid Pavilion, including Wang Xizhi's original work, Feng Chengsu's copy, Zhao Mengfu's copy, etc. Wang Xizhi's Preface to the Orchid Pavilion was regarded as a model for running script by later generations. Li Shimin, Emperor Taizong of the Tang Dynasty, once ordered Chu Suiliang, Ouyang Xun, Feng Chengsu and other calligraphers to copy several copies and give them to his subjects. In addition, Feng Chengsu and Zhao Mengfu also had their own copies. For beginners, they could choose Feng Chengsu's copy to practice. In addition, there were some copybooks and practice methods for reference, such as practice magnified version, using color printing version, tracing red copybooks, etc. In short, the selection of the Preface to the Orchid Pavilion calligraphy copybook should be decided according to personal preferences and learning needs.
Preface to Tengwang Pavilion, Calligraphy Calligraphy with Brush Pen
The calligraphy of the Preface to King Teng's Pavilion was not in the search results.
Is the Moon Worship Pavilion the same as the Moon Worship Pavilion?
The Moon Worship Pavilion was different from the Moon Worship Pavilion. The Moon Worship Pavilion was a southern opera of the Yuan Dynasty. It was adapted from Guan Hanqing's drama, The Moon Worship Pavilion. It told the love story of Wang Ruilan and Jiang Shilong against the background of the war caused by the invasion of the Jin Dynasty by foreign soldiers. The Moon Worship Pavilion was one of the representative works of Guan Hanqing, a dramatist of the Yuan Dynasty. Its full name was the Moon Worship Pavilion of the Beauty in the Secluded Guesthouse. Although the two had similar names, they were different scripts.
Is the Moon Worship Pavilion the same as the Moon Worship Pavilion?
Moon Worship Pavilion and Moon Worship Pavilion were not the same script. The Moon Worship Pavilion was a southern opera of the Yuan Dynasty. It was adapted from Guan Hanqing's drama, The Moon Worship Pavilion, which told the love story of Wang Ruilan and Jiang Shilong. The Moon Worship Pavilion was one of the representative works of Guan Hanqing, a dramatist of the Yuan Dynasty. Its full name was The Moon Worship Pavilion of the Beauty in the Secluded Guesthouse. Although the two had similar names, they were different scripts.
Moon Pavilion
The Moon Pavilion was a building located in the Black Dragon Pool Park. It was built in the second year of Guangxu of the Qing Dynasty. The existing building was rebuilt in 1963. It was a pavilion with three eaves and a pointed roof. In front of the building, there was a horizontal board with the words "Bright Moon and Thousand Miles". The Moon Obtaining Tower was surrounded by water and had a beautiful environment. It was a scenic spot in the Black Dragon Pool Park.
Baoyue Pavilion Master's Calligraphy
The owner of Baoyue Pavilion's calligraphy works were well-known in the Chinese calligraphy world. Yao Nai was a calligrapher in the Qianjia period. His calligraphy was mainly expressed in running script, and the main melody was a touch of lyricism. His calligraphy has been passed down to this day, showing his smooth and elegant style. In addition, Chen Jiazhi was also an artist who was good at calligraphy. Her calligraphy skills were strong and she was considered to be better than many big shots of the Calligraphy Association. However, the information provided so far was not enough to draw a clear conclusion about the specific calligraphy works and style of the owner of Baoyue Pavilion.
Appreciation of Pavilion Style Calligraphy Works
The pavilion style calligraphy was a style of calligraphy from the Ming and Qing Dynasties. It was neat, smooth, and vigorous. Shen Du of the Ming Dynasty was one of the representatives of the pavilion style calligraphy. His work, Jing Zhai Zhen Ce, was considered to be the highest level of the pavilion style calligraphy. This work had a standard font, strong strokes, even knots, neat rows, rich appearance, elegant grace. In addition, the court examination paper of Zhao Bingzhong, the top scholar of the Ming Dynasty, was also one of the precious relics of Guange calligraphy. Guange calligraphy was widely used in court documents and imperial examinations during the Ming and Qing Dynasties. Its standardized font and easy-to-read characteristics made it an official calligraphy style. However, for the development of the art of calligraphy, Pavilion Style Calligraphy was sometimes considered an obstacle because it was too standardized and lacked personal style and innovation. In general, the works of calligraphy in the pavilion style were still worth appreciating and learning today because they showed the skills and talents of calligraphers in the Ming and Qing Dynasties.
Baoyue Pavilion Master's Calligraphy
The owner of Baoyue Pavilion's calligraphy works were well-known in the Chinese calligraphy world. Yao Nai was a calligrapher in the Qianjia period. His calligraphy was mainly expressed in running script, and the main melody was a touch of lyricism. His calligraphy has been passed down to this day, showing his smooth and elegant style. Chen Jiazhi was also an artist who was good at calligraphy. She was one of the owners of Baoyue Pavilion. Yin Dongyuan was another owner of Baoyi Pavilion, and his cursive calligraphy was highly appreciated. As for the other owners of Baoyue Pavilion and their calligraphy works, the search results did not provide any relevant information.
Baoyue Pavilion Master's Calligraphy
The owner of Baoyue Pavilion's calligraphy works were well-known in the Chinese calligraphy world. Yao Nai was a calligrapher in the Qianjia period. His calligraphy was mainly expressed in running script, and the main melody was a touch of lyricism. His calligraphy has been passed down to this day, showing his smooth and elegant style. In addition, Chen Jiazhi was also an artist who was good at calligraphy. Her calligraphy skills were strong and she was considered to be better than many big shots of the Calligraphy Association. However, the information provided so far was not enough to draw a clear conclusion about the specific calligraphy works and style of the owner of Baoyue Pavilion.
The difference between the Moon Worship Pavilion and the Moon Worship Pavilion
The Moon Worship Pavilion and the Moon Worship Pavilion were the same work, there was no difference. The Moon Worship Pavilion was a legendary play created by Shi Hui in the Yuan Dynasty. It was also known as the Moon Worship Pavilion and the Secret Guesthouse. This work mainly described the development of love between Jiang Ruilian and Wang Ruilan, and praised their loyalty. At the same time, the work also exposed and criticized the behavior of feudal parents who despised the poor and loved the rich, and used their power to break up the young generation's independent marriage, expressing the wishes of the people and the anti-feudal ideology. The Moon Worship Pavilion, along with the Jingchai, the White Rabbit, and the Dog Killing, was one of the four great southern operas and one of the Five Legends.