Too often leads to flat tones
Too often quoted the formal style as a double-tone forty-nine words, the first four sentences of Siping rhyme, the latter five sentences of Sanping rhyme. The comparison of the rhyme (represented by Xin Qiji's "Tai Chang Yin·Immortal Ji seems to want to weave silk") is: the middle is flat, the middle is narrow, the middle is flat. the middle is narrow and flat. the middle is narrow and flat. The middle is narrow, the middle is flat, and the middle is flat. the fairy machine seems to want to weave fine silk. It was like a golden shuttle. but I have no choice but to see how fine jade is. But impeachment, Qing Shang hate more. The middle is flat and the middle is narrow, the middle is flat and the middle is narrow, the middle is narrow and the middle is flat. The variation is a double-tone fifty words, the first four sentences have four flat rhymes, and the last five sentences have three flat rhymes. The second sentence of Gao Guanguo's "Taichang Yin·Jade Skin Light Lining Bixia Clothes" is different from the regular style, but the tone is slightly different. The situation of the regular style can be referred to in the score. When filling in the lyrics, the flat tones had to be filled in according to the requirements of the rhyme of the Ci. Moreover, the first four sentences had four flat rhymes, the second five sentences had three flat rhymes, and the first and second sentences had three upper and four lower sentences. The difference between the two is that the second sentence in the first film is a five-character sentence, and the other is two three-character sentences. At the same time, on the basis of following the basic rhythm, the level and tone of individual words may change according to the meaning of the word and other factors. You can refer to more works of the Song and Yuan Dynasties for proofreading.
16 types of flat tones
In regular poems, there were basic combinations of levels and tones, forming various forms. There are 16 basic types of common flat and oblique forms (take the five-character poem as an example): The first sentence of Ping Qi enters the rhyme style: Ping Ze Ze Ping, Ze Ping. It's flat, it's flat. It was flat and narrow, narrow and narrow. It's flat, it's flat. The first sentence does not enter the rhyme style: flat and oblique, oblique and oblique flat. It's flat, it's flat. It was flat and narrow, narrow and narrow. It's flat, it's flat. The first sentence of the sentence into the rhyme: Ze Ping, Ping Ze Ping. It was flat and narrow, narrow and narrow. It's flat, it's flat. It was flat and narrow, narrow and narrow. The first sentence does not enter the rhyme: Ze Ze flat Ze, Ping Ze flat. It was flat and narrow, narrow and narrow. It's flat, it's flat. It was flat and narrow, narrow and narrow. These 16 forms reflected the different arrangements and combinations of flat tones in the regular poems. Through the regular alternation and contrast of flat tones, the poems were read in cadence and full of musical beauty. At the same time, these rules were similar in seven-character poems, but on the basis of five-character poems, two words were added in front of each sentence, and the rules of level and tone were extended according to the basis of five-character poems. For example, the seven-character corresponding to the first sentence of five-character poems was "Ze Ze Ping". In actual poetry creation, there would be some variations to the rules of Pingze, but generally, it followed this basic format framework.
Pithy formula for flat tones
1. Basic rules: - Name to name, action to action, real to real, virtual to virtual, numbers up and down, word class structure is the same. The number of words in the upper and lower sentences is the same, and there is no overlapping word between them. - The first and second tones were flat (like the first and second tones in Chinese Pinyin, Ruyan YAN1, Yan YAN2), and the third and fourth tones were flat (like Yan YAN3, Yan YAN4). - The first sentence is ended with Ze, and the second couplet is tied with Ping. He had to avoid the three flat endings and the three flat endings (referring to the last three words in the first or second verse). - One, three, five could be ignored (one, three, five, refers to the first or second couplet, the word ranking is odd), two, four, six cleverly distinct (two, four, six, refers to the first or second couplet, the word ranking is even). The first, third, and fifth characters were more free, while the second, fourth, and sixth characters were strictly opposite. For example,"If he says it's peaceful, I'll say it's narrow. If he says it's narrow, I'll say it's peaceful." - In couplet sentences, singular words can be flexible, but double numbers should be strictly opposite. For example, the seven-character sentence "Ping Ping Ze Ping Ze, Ze Ze Ping Ze; Ping Ze Ze Ping Ze, Ze Ze Ping Ze Ping" and the five-character sentence "Ze Ze Ping Ze, Ping Ze Ping Ze; Ze Ze Ping Ze, Ping Ze Ping". 2. Special circumstances: - The first word of the sentence "Ping Ping Ze Ping" couldn't be changed."Ze Ping Ze Ping" was called "Gu Ping", which was taboo. If you want to change it, you can change it to "Ze Ping Ze Ping". The third word of the sentence "Ze Ze Ping Ze Ping" cannot be changed. Even if it is changed, it will still be lonely. If you want to change it, you can change it to "Ze Ze Ping Ze Ping". - The seven-character "Ze Ze Ping Ze Ping Ze" and the five-character "Ping Ze Ping Ze" did not conform to the "246 clear" principle, but it was still considered legal. - There were similar rules for the tones of regular poems, such as 'O Ze Ping Ze, Ping Ze Ping Ze. O flat and narrow, O narrow and narrow. It's flat, it's flat. It's flat and narrow, flat and narrow. O flat, flat, flat." Its basic format was like "Ze Ze Ping Ze Ping Ze Ze, Ping Ze Ze Ping Ze". Ping, ping, ze, ze, ping, ze, ping, ze, ze, After the format of the first sentence was chosen, the format of the following sentences would be fixed according to the rules. For example, there was a chant for the flat folding style,"Two different, three reversed, four identical, five different, three".
Couplets, flat tones, check the rhyme of the flat water
You can check the couplet's level and tone by checking the table of Pingshui Rhyme. In the creation of couplets, those who have strict requirements for level and tone can use this rhyme book. Many Chinese characters are different from ancient and modern levels. When the number of couplets is small, beginners can verify word by word when creating couplets. While waiting for the TV series, he could also read the exciting content related to this site!
Too often leads to the flat tone
Too often cited as a double-tone forty-nine words, the first four sentences of Siping rhyme, the latter five sentences of Sanping rhyme. It was fixed as: Zhongping Zhongze Pingping (rhyme), Zhongze Pingping (rhyme). Middle Ze Ze Ping Ping (rhyme), Middle Ze, Ping Ping to Ping (rhyme). Middle level middle pitch, middle level middle pitch, middle pitch middle pitch flat (rhyme). Middle Ze Ze Ping Ping (rhyme), Middle Ze, Ping Ping to Ping (rhyme). The second last word of the two sentences must be dropped. (Different lyrics may have minor differences in tone and tone based on the general rhythm.)
One, two, three, four tones correspond to flat tones
In Chinese Pinyin, the first and second tones correspond to the flat tone, and the third and fourth tones correspond to the sound. However, it should be noted that this was based on the approximate correspondence of Pingze in modern Mandarin. In ancient Chinese, there were four tones: Ping, Shang, Qu, and Ru. Ping was the level tone, and Shang, Qu, and Ru were the sound. The ancient entering tone had changed in Mandarin, and some of them were included in the modern one, two, three, and four tones. In the strict use of Pingze in poetry, the entering tone needed to be considered separately. Watching " Suddenly Looking Back " wasn't satisfying enough. Everyone, please click to read the novel!
Couplets, couplets, flat tones, antithesis
The couplet's pithy formula is as follows: Ping against Ze, Ze against Ping, Ping and Ze must be distinguished clearly; One, three, five do not matter, two, four and six are clearly distinguished. According to the standard tone of Mandarin, the first tone (Yinping) and the second tone (Yangping) were flat tones, while the third tone (Shangsheng) and the fourth tone (Qusheng) were flat tones. In the aspect of antithesis, name against name, action against action, real against real, virtual against virtual, numbers up and down, word structure is the same, the number of words in the upper and lower sentences, etc., there is no double word in the middle, the upper sentence ends with Ze, the lower sentence ends with Ping, and at the same time, it is necessary to avoid the situation of three Ping endings and three Ze endings.
A cluster of flowers, poems, flat tones
The rhythm of a cluster of flowers was as follows: Double-tone seventy-eight words, before and after each seven sentences, Siping rhyme. Middle level, middle level. Middle level, middle tone, middle tone. "In the middle of the flat, in the middle of the flat." Middle level, middle level. Middle level, middle tone, middle tone. "In the middle of the flat, in the middle of the flat." The main rhythm was unified by the "Ze Ping Ping" of verse 4, and a cluster of flowers was actually a variation of the word spread out, which meant that the ending meaning group increased a word spread out into three sentences.
Must the lyrics follow the requirements of flat tones?
When filling in lyrics, one generally had to follow the requirements of flat tones. Pingze refers to the tone in Chinese pronunciation, which is an important rule in poetry creation and singing. The requirement of the level and tone meant that the level and tone of each sentence had to conform to a certain law, such as the alternating of level and tone, the antithesis of level and tone, etc. The tone requirement was very important to the rhythm and beauty of the poem, which could make the whole poem more smooth and beautiful. If one did not follow the requirements of the tone, it might cause the rhythm of the poem to be uneven and affect the beauty of the poem. Of course, there were also some special circumstances, such as some local dialect, where there might not be strict requirements for tones. However, in most cases, the lyrics should follow the requirements of flat tones to obtain better poetic effects.
The three basic pithy formulas of flat tones
The basic formula for Pingze was as follows: 1. "One, three, five, no matter, two, four, six are distinct": In couplets or regular poems, the requirements for the tones of the characters in odd positions (one, three, five, etc.) are relatively loose and can be changed flexibly; the requirements for the tones of the characters in even positions (two, four, six, etc.) are stricter and need to be relatively flat. However, there were some exceptions. For example, the first word of the sentence "Ping, Ze, Ze, Ping" could not be changed at will, otherwise, it would be lonely. If there was a change, it could be changed to "Ze, Ping, Ze, Ping, Ze, Ping"(Lonely Ping's refutation). The third word of the sentence "Ze, Ze, Ping, Ze, Ping" could not be changed at will, otherwise, it would become lonely. If there was a need to change it, it could be changed to "Ze, Ze, Ping, Ze, Ping, Ze, Ping". There were also seven words of "Ze [D] Pingze Pingze" and five words of "Pingze Pingze". Although they did not conform to the principle of "two, four, and six," they were still considered legal. 2. "The last word of the first sentence (first sentence) of a couplet or a regular poem should be the sound of the sound, and the last word of the second sentence (second sentence) should be the sound of the sound." Moreover, it was necessary to avoid the situation of three flat endings and three flat endings, that is, the last three words in the first or second couplet could not all be flat or flat. 3. "Name to name, action to action, real to real, virtual to virtual, numbers up and down, the word classes are quite similar. The number of words in the upper and lower sentences should be equal, and there should be no overlapping words between them. This pithy formula indicated that in the creation of couplets, the number of words should be equal, the word class should be the same, the structure should be the same, and the number of words in the upper and lower couplets should also be the same. The same words should be avoided as much as possible.
The three simplest pithy formulas of flat tones
The following were three relatively simple pithy formulas: 1. One or two tones are flat, three or four tones are flat. 2. One, three, five, two, four, and six are clearly defined (singular words can be flexible, double numbers need to be strict). 3. The first sentence is ended with Ze, and the second couplet is tied with Ping.