16 types of flat tones
In regular poems, there were basic combinations of levels and tones, forming various forms. There are 16 basic types of common flat and oblique forms (take the five-character poem as an example): The first sentence of Ping Qi enters the rhyme style: Ping Ze Ze Ping, Ze Ping. It's flat, it's flat. It was flat and narrow, narrow and narrow. It's flat, it's flat. The first sentence does not enter the rhyme style: flat and oblique, oblique and oblique flat. It's flat, it's flat. It was flat and narrow, narrow and narrow. It's flat, it's flat. The first sentence of the sentence into the rhyme: Ze Ping, Ping Ze Ping. It was flat and narrow, narrow and narrow. It's flat, it's flat. It was flat and narrow, narrow and narrow. The first sentence does not enter the rhyme: Ze Ze flat Ze, Ping Ze flat. It was flat and narrow, narrow and narrow. It's flat, it's flat. It was flat and narrow, narrow and narrow. These 16 forms reflected the different arrangements and combinations of flat tones in the regular poems. Through the regular alternation and contrast of flat tones, the poems were read in cadence and full of musical beauty. At the same time, these rules were similar in seven-character poems, but on the basis of five-character poems, two words were added in front of each sentence, and the rules of level and tone were extended according to the basis of five-character poems. For example, the seven-character corresponding to the first sentence of five-character poems was "Ze Ze Ping". In actual poetry creation, there would be some variations to the rules of Pingze, but generally, it followed this basic format framework.
Pithy formula for flat tones
1. Basic rules: - Name to name, action to action, real to real, virtual to virtual, numbers up and down, word class structure is the same. The number of words in the upper and lower sentences is the same, and there is no overlapping word between them. - The first and second tones were flat (like the first and second tones in Chinese Pinyin, Ruyan YAN1, Yan YAN2), and the third and fourth tones were flat (like Yan YAN3, Yan YAN4). - The first sentence is ended with Ze, and the second couplet is tied with Ping. He had to avoid the three flat endings and the three flat endings (referring to the last three words in the first or second verse). - One, three, five could be ignored (one, three, five, refers to the first or second couplet, the word ranking is odd), two, four, six cleverly distinct (two, four, six, refers to the first or second couplet, the word ranking is even). The first, third, and fifth characters were more free, while the second, fourth, and sixth characters were strictly opposite. For example,"If he says it's peaceful, I'll say it's narrow. If he says it's narrow, I'll say it's peaceful." - In couplet sentences, singular words can be flexible, but double numbers should be strictly opposite. For example, the seven-character sentence "Ping Ping Ze Ping Ze, Ze Ze Ping Ze; Ping Ze Ze Ping Ze, Ze Ze Ping Ze Ping" and the five-character sentence "Ze Ze Ping Ze, Ping Ze Ping Ze; Ze Ze Ping Ze, Ping Ze Ping". 2. Special circumstances: - The first word of the sentence "Ping Ping Ze Ping" couldn't be changed."Ze Ping Ze Ping" was called "Gu Ping", which was taboo. If you want to change it, you can change it to "Ze Ping Ze Ping". The third word of the sentence "Ze Ze Ping Ze Ping" cannot be changed. Even if it is changed, it will still be lonely. If you want to change it, you can change it to "Ze Ze Ping Ze Ping". - The seven-character "Ze Ze Ping Ze Ping Ze" and the five-character "Ping Ze Ping Ze" did not conform to the "246 clear" principle, but it was still considered legal. - There were similar rules for the tones of regular poems, such as 'O Ze Ping Ze, Ping Ze Ping Ze. O flat and narrow, O narrow and narrow. It's flat, it's flat. It's flat and narrow, flat and narrow. O flat, flat, flat." Its basic format was like "Ze Ze Ping Ze Ping Ze Ze, Ping Ze Ze Ping Ze". Ping, ping, ze, ze, ping, ze, ping, ze, ze, After the format of the first sentence was chosen, the format of the following sentences would be fixed according to the rules. For example, there was a chant for the flat folding style,"Two different, three reversed, four identical, five different, three".
Couplets, couplets, flat tones, antithesis
The couplet's pithy formula is as follows: Ping against Ze, Ze against Ping, Ping and Ze must be distinguished clearly; One, three, five do not matter, two, four and six are clearly distinguished. According to the standard tone of Mandarin, the first tone (Yinping) and the second tone (Yangping) were flat tones, while the third tone (Shangsheng) and the fourth tone (Qusheng) were flat tones. In the aspect of antithesis, name against name, action against action, real against real, virtual against virtual, numbers up and down, word structure is the same, the number of words in the upper and lower sentences, etc., there is no double word in the middle, the upper sentence ends with Ze, the lower sentence ends with Ping, and at the same time, it is necessary to avoid the situation of three Ping endings and three Ze endings.
A cluster of flowers, poems, flat tones
The rhythm of a cluster of flowers was as follows: Double-tone seventy-eight words, before and after each seven sentences, Siping rhyme. Middle level, middle level. Middle level, middle tone, middle tone. "In the middle of the flat, in the middle of the flat." Middle level, middle level. Middle level, middle tone, middle tone. "In the middle of the flat, in the middle of the flat." The main rhythm was unified by the "Ze Ping Ping" of verse 4, and a cluster of flowers was actually a variation of the word spread out, which meant that the ending meaning group increased a word spread out into three sentences.
Must the lyrics follow the requirements of flat tones?
When filling in lyrics, one generally had to follow the requirements of flat tones. Pingze refers to the tone in Chinese pronunciation, which is an important rule in poetry creation and singing. The requirement of the level and tone meant that the level and tone of each sentence had to conform to a certain law, such as the alternating of level and tone, the antithesis of level and tone, etc. The tone requirement was very important to the rhythm and beauty of the poem, which could make the whole poem more smooth and beautiful. If one did not follow the requirements of the tone, it might cause the rhythm of the poem to be uneven and affect the beauty of the poem. Of course, there were also some special circumstances, such as some local dialect, where there might not be strict requirements for tones. However, in most cases, the lyrics should follow the requirements of flat tones to obtain better poetic effects.
The three simplest pithy formulas of flat tones
The following were three relatively simple pithy formulas: 1. One or two tones are flat, three or four tones are flat. 2. One, three, five, two, four, and six are clearly defined (singular words can be flexible, double numbers need to be strict). 3. The first sentence is ended with Ze, and the second couplet is tied with Ping.
The three basic pithy formulas of flat tones
The basic formula for Pingze was as follows: 1. "One, three, five, no matter, two, four, six are distinct": In couplets or regular poems, the requirements for the tones of the characters in odd positions (one, three, five, etc.) are relatively loose and can be changed flexibly; the requirements for the tones of the characters in even positions (two, four, six, etc.) are stricter and need to be relatively flat. However, there were some exceptions. For example, the first word of the sentence "Ping, Ze, Ze, Ping" could not be changed at will, otherwise, it would be lonely. If there was a change, it could be changed to "Ze, Ping, Ze, Ping, Ze, Ping"(Lonely Ping's refutation). The third word of the sentence "Ze, Ze, Ping, Ze, Ping" could not be changed at will, otherwise, it would become lonely. If there was a need to change it, it could be changed to "Ze, Ze, Ping, Ze, Ping, Ze, Ping". There were also seven words of "Ze [D] Pingze Pingze" and five words of "Pingze Pingze". Although they did not conform to the principle of "two, four, and six," they were still considered legal. 2. "The last word of the first sentence (first sentence) of a couplet or a regular poem should be the sound of the sound, and the last word of the second sentence (second sentence) should be the sound of the sound." Moreover, it was necessary to avoid the situation of three flat endings and three flat endings, that is, the last three words in the first or second couplet could not all be flat or flat. 3. "Name to name, action to action, real to real, virtual to virtual, numbers up and down, the word classes are quite similar. The number of words in the upper and lower sentences should be equal, and there should be no overlapping words between them. This pithy formula indicated that in the creation of couplets, the number of words should be equal, the word class should be the same, the structure should be the same, and the number of words in the upper and lower couplets should also be the same. The same words should be avoided as much as possible.
There are several kinds of flat tones in the partridges sky
Francolin Tian's flat and flat rhythm was as follows: O Ze Ping O Ze Ping (rhyme), O Ping O Ze Ping (rhyme). O flat O flat, O flat O flat. Level and Oblique, Oblique and Oblique (rhyme) O Ping O Ze Ping Ping (rhyme). O Ping O Ze Ping Ze, O Ze Ping Ze O Ze Ping (rhyme), where the "O" referred to the word "oppressible." He did not find any other Pingze tables, so at present, there was only one Pingze table in Zhe Gu Tian. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
What is the basic formula for the antithesis of flat tones?
The basic formula for the antithesis of flat tones was "flat tones against flat tones, flat tones must be distinguished clearly; one, three, five are not important, two, four, six are clearly distinguished." At the same time, the level tones could be distinguished according to the four tones of "Ping, Shang, Qu, Ru". Now, it could also be distinguished according to the first and second tones of Mandarin as level, and the third and fourth tones as tones. In the couplet, the last word of the first sentence is Ze, and the last word of the next sentence is Ping. The sentence's Ping Ze roughly changes from two words to one, and it is necessary to avoid three Ping endings and three Ze endings. There were also some exceptions. For example, the first word of the sentence "Ping, Ze, Ping, Ze, Ping" could not be changed, or it would be considered as a lonely peace (if it had to be changed, it could be changed to "Ze, Ping, Ze, Ping, Ze, Ze, Ping" to be used as a lonely peace); the third word of the sentence "Ze, Ze, Ping, Ze, Ping, Ze, Ping" could not be changed (if it had to be changed, it could be changed to "Ze, Ze, Ping, Ping, Ze, Ping, Ze, Ping, Ping
The types and tones of Ci poems
Ci tablets can be divided into two-word Ci tablets and three-word Ci tablets according to the number of words. Different Ci poems had their own requirements: - ** Two-word Ci Plate **: - ** Ze Ze **: such as "eight plug, thin luck, not see" and so on. - ** Pingping **: Like " Changchun, Chuiyang, Chunqing " and so on. - ** Ping Ze **: For example," Chun Nong, Cui Xue, Duo Li " and so on. - ** Ze Ping **: Dark Fragrance, Eight Return, White Xuan, and others belonged to this category. - ** Three-word Ci Plate **: - ** Pingze **:" Young Master An, Anyang is good, Banana Rain " and other Ci tablets are in the form of Pingze. - ** Ze Ze Ping **: Ci tablets such as "Eight Treasures Make-up, Eight Pai Man, White Snow Ci" follow the Ze Ze Ping rules. - ** Pingze Ze **: For example,"Anagqu, Anqing Mo, Yuanhui Qu" and other Ci are Pingze forms of Pingze Ze. - ** Ze Ping Ping **:" Ai Gu Yun, Ba Yin Xie, Bai Ping Xiang " belonged to the Ze Ping Ping Ze type.
The main palace is upright and likes the rhythm of flat tones
Zhenggong Zhengzheng is good at double-tone fifty-four words, four sentences before and after each paragraph, four oblique rhymes. The standard form of the comparison example is: Ze Ze Ping Ze Ping Ze. Ping Ze Ping Ze. Pale, flat, flat. the pitch is flat, the pitch is flat. Ping Ping Ze, Ping Ping Ze. Ping Ze Ping Ze, Ze Ze Ping Ze, Ping Ze. The variation of the rhythm comparison example is also: Ze Ze Ping Ze. Ping Ze Ping Ze. Pale, flat, flat. In the Pingze rhythm,"Ping" refers to straight,"Ze" refers to twists and turns. In the flat tone, the straight tone is "Yin Ping", and the slowly rising tone is "Yang Ping". In addition to the flat tone, the other three tones (up, go, enter) have high and low changes, collectively known as the sound. The works of different poets may have some differences in level and tone. The level and tone meter was an important temperament standard when writing, which helped to make the pronunciation of the poem clear and smooth.