The three basic pithy formulas of flat tones
The basic formula for Pingze was as follows: 1. "One, three, five, no matter, two, four, six are distinct": In couplets or regular poems, the requirements for the tones of the characters in odd positions (one, three, five, etc.) are relatively loose and can be changed flexibly; the requirements for the tones of the characters in even positions (two, four, six, etc.) are stricter and need to be relatively flat. However, there were some exceptions. For example, the first word of the sentence "Ping, Ze, Ze, Ping" could not be changed at will, otherwise, it would be lonely. If there was a change, it could be changed to "Ze, Ping, Ze, Ping, Ze, Ping"(Lonely Ping's refutation). The third word of the sentence "Ze, Ze, Ping, Ze, Ping" could not be changed at will, otherwise, it would become lonely. If there was a need to change it, it could be changed to "Ze, Ze, Ping, Ze, Ping, Ze, Ping". There were also seven words of "Ze [D] Pingze Pingze" and five words of "Pingze Pingze". Although they did not conform to the principle of "two, four, and six," they were still considered legal. 2. "The last word of the first sentence (first sentence) of a couplet or a regular poem should be the sound of the sound, and the last word of the second sentence (second sentence) should be the sound of the sound." Moreover, it was necessary to avoid the situation of three flat endings and three flat endings, that is, the last three words in the first or second couplet could not all be flat or flat. 3. "Name to name, action to action, real to real, virtual to virtual, numbers up and down, the word classes are quite similar. The number of words in the upper and lower sentences should be equal, and there should be no overlapping words between them. This pithy formula indicated that in the creation of couplets, the number of words should be equal, the word class should be the same, the structure should be the same, and the number of words in the upper and lower couplets should also be the same. The same words should be avoided as much as possible.
The three simplest pithy formulas of flat tones
The following were three relatively simple pithy formulas: 1. One or two tones are flat, three or four tones are flat. 2. One, three, five, two, four, and six are clearly defined (singular words can be flexible, double numbers need to be strict). 3. The first sentence is ended with Ze, and the second couplet is tied with Ping.
What is the basic formula for the antithesis of flat tones?
The basic formula for the antithesis of flat tones was "flat tones against flat tones, flat tones must be distinguished clearly; one, three, five are not important, two, four, six are clearly distinguished." At the same time, the level tones could be distinguished according to the four tones of "Ping, Shang, Qu, Ru". Now, it could also be distinguished according to the first and second tones of Mandarin as level, and the third and fourth tones as tones. In the couplet, the last word of the first sentence is Ze, and the last word of the next sentence is Ping. The sentence's Ping Ze roughly changes from two words to one, and it is necessary to avoid three Ping endings and three Ze endings. There were also some exceptions. For example, the first word of the sentence "Ping, Ze, Ping, Ze, Ping" could not be changed, or it would be considered as a lonely peace (if it had to be changed, it could be changed to "Ze, Ping, Ze, Ping, Ze, Ze, Ping" to be used as a lonely peace); the third word of the sentence "Ze, Ze, Ping, Ze, Ping, Ze, Ping" could not be changed (if it had to be changed, it could be changed to "Ze, Ze, Ping, Ping, Ze, Ping, Ze, Ping, Ping
The complete collection of pithy formulas for thanking the earth
The pithy formula for thanking the soil in the countryside: Sowing in spring and harvesting in autumn to accumulate plowing power, plowing in winter and weeding in spring to improve the soil quality. More deep loosening, ploughing and deep reclamation, less ploughing, hard ash and gravel. It improved the soil, increased the yield, and improved the quality. In addition, there was also the pithy formula of Xie Tu in the rare Taoist [Kong Zami] of the Qing Dynasty, but no more specific content could be found to form a comprehensive answer. " Shen Mingri " is equally exciting. Everyone is welcome to click and read it!
Which novels contained a lot of Taoist pithy formulas?
I recommend the following two novels to you: The Way of Five Buckets of Rice and The Good Taoist Nun. The former described the rise and fall of a Taoist sect, involving many Taoist schools, incantations, and cultivation spells, while the latter took a female Taoist priest as the protagonist and told her life in an alternate history, which was also interwoven with many Taoist knowledge and incantations. I hope you like my recommendation.😗
Couplets, couplets, flat tones, antithesis
The couplet's pithy formula is as follows: Ping against Ze, Ze against Ping, Ping and Ze must be distinguished clearly; One, three, five do not matter, two, four and six are clearly distinguished. According to the standard tone of Mandarin, the first tone (Yinping) and the second tone (Yangping) were flat tones, while the third tone (Shangsheng) and the fourth tone (Qusheng) were flat tones. In the aspect of antithesis, name against name, action against action, real against real, virtual against virtual, numbers up and down, word structure is the same, the number of words in the upper and lower sentences, etc., there is no double word in the middle, the upper sentence ends with Ze, the lower sentence ends with Ping, and at the same time, it is necessary to avoid the situation of three Ping endings and three Ze endings.
The Basic Pithy Formula of the Rhythmic Poetry
The basic formula for regular poems was "One, three, five, no matter, two, four, six are distinct". However, although this formula was simple and clear, it was not comprehensive enough. It was easy to cause misunderstandings in actual operation, but it still had a certain guiding significance for beginners.
Must the lyrics follow the requirements of flat tones?
When filling in lyrics, one generally had to follow the requirements of flat tones. Pingze refers to the tone in Chinese pronunciation, which is an important rule in poetry creation and singing. The requirement of the level and tone meant that the level and tone of each sentence had to conform to a certain law, such as the alternating of level and tone, the antithesis of level and tone, etc. The tone requirement was very important to the rhythm and beauty of the poem, which could make the whole poem more smooth and beautiful. If one did not follow the requirements of the tone, it might cause the rhythm of the poem to be uneven and affect the beauty of the poem. Of course, there were also some special circumstances, such as some local dialect, where there might not be strict requirements for tones. However, in most cases, the lyrics should follow the requirements of flat tones to obtain better poetic effects.
The main palace is upright and likes the rhythm of flat tones
Zhenggong Zhengzheng is good at double-tone fifty-four words, four sentences before and after each paragraph, four oblique rhymes. The standard form of the comparison example is: Ze Ze Ping Ze Ping Ze. Ping Ze Ping Ze. Pale, flat, flat. the pitch is flat, the pitch is flat. Ping Ping Ze, Ping Ping Ze. Ping Ze Ping Ze, Ze Ze Ping Ze, Ping Ze. The variation of the rhythm comparison example is also: Ze Ze Ping Ze. Ping Ze Ping Ze. Pale, flat, flat. In the Pingze rhythm,"Ping" refers to straight,"Ze" refers to twists and turns. In the flat tone, the straight tone is "Yin Ping", and the slowly rising tone is "Yang Ping". In addition to the flat tone, the other three tones (up, go, enter) have high and low changes, collectively known as the sound. The works of different poets may have some differences in level and tone. The level and tone meter was an important temperament standard when writing, which helped to make the pronunciation of the poem clear and smooth.
How to describe the battle of magic, pithy formulas, and sword techniques in Xianxia cultivation novels?
In Xianxia cultivation novels, fighting spells, incantations, sword techniques, and so on were all cultivation techniques that were usually used to describe the combat skills between cultivators. Here are some possible descriptions: 1. Description: Battles of magic were usually battles between cultivators. They were constantly exploring and improving their cultivation realm, mastering various magical cultivation techniques. In the process of fighting, cultivators would usually use all kinds of strange gestures and incantations to stimulate the energy in their bodies to increase their combat strength. Some of them would even use mysterious sword techniques to attack their opponents with the help of sword qi. 2. Description: The incantation was a cultivation method for cultivators to improve their cultivation speed and realm by reciting and reciting the incantation. The incantations usually contained the various cultivation techniques and secrets that the cultivator had mastered, such as the Mystic Yin Sutra, the Hunyuan Sword Technique, and so on. Some cultivators would even use chants to stimulate their own energy and increase their combat strength. 3. Description of the sword technique: The sword technique was a sword technique used by cultivators to trigger sword qi to attack their opponents through specific gestures and incantations. Sword scriptures usually contained all kinds of gorgeous sword moves and techniques, such as the Thousand Dragon Sword Technique, the Five Mountain Sword Sect Sword Technique, and so on. When cultivators used sword techniques, they would usually use the long sword in their hands to attack their opponents quickly and accurately.
Collect widely the pithy formulas and methods of Xianxia cultivation. The language must be good! You have a share ~~~
There were many different authors who had different experiences and cultivation methods. The following are some common cultivation chants: Heaven rewards diligence. This was a saying in many Xianxia novels that said that as long as one worked hard, they could succeed in cultivation. In Xianxia novels, cultivators need to constantly improve their instincts and abilities in order to better cope with various challenges. 3. Step by step. In cultivation, one needs to follow certain steps and methods to gradually increase one's strength. 4. The improvement of the state of mind. Cultivators need to pay attention to the cultivation of the heart to improve the state of mind in order to better control their own strength. Practitioners need to master the use of reiki in order to better use reiki to improve their strength. As for the cultivation method, it varied from person to person. Some cultivators would choose to cultivate in seclusion, some would choose to cultivate spells, and some would choose to cultivate martial arts. Different cultivation methods required different talents and patience. There was no universal method that was suitable for everyone.