Preface to the exhibition hall of the Jia Pingwa Literature and Art Museum:
Preface to the exhibition hall of Jia Pingwa Literature and Art Museum: The Jia Pingwa Literature and Art Museum was an art museum that integrated literature, art, and culture. It was designed to showcase Mr. Jia Pingwa's literary achievements and artistic style. There were many exhibition halls in the art museum, including Mr. Jia Pingwa's personal literary journey, literary representative works, artistic creation process, and many other parts. At the same time, they also displayed the development and changes of modern Chinese literature. There were also many precious works of literature and art in the art museum, including Mr. Jia Pingwa's original manuscripts, manuscripts, prints, etc., which were important materials for studying Jia Pingwa's literary and artistic creation. The museum was open from 9 a.m. to 5 p.m. every Tuesday to Sunday. Guests could enter the art museum through the museum's official website or purchase tickets on the spot.
The content of the exhibition hall of Jia Pingwa Literature and Art Museum
The Jia Pingao Literature and Art Museum's exhibition hall mainly covered Jia Pingao's literary achievements and creative career, including the introduction of famous works such as Abandoned City, Qin Qiang, and Old Ruins 'Travels. The exhibition hall also showcased Jia Pingwa's cultural influence and social contribution, as well as his contribution and influence on the Chinese literary world. The exhibition hall also included an introduction of Jia Pingwa's artistic achievements and creative ideas, displaying his unique literary style and artistic charm. The whole exhibition hall was themed with Jia Pingwa's works to show his literary and artistic achievements, as well as his contribution to the development of Chinese society and culture.
Introduction to the Art Museum of Jia Pingao Literature and Art Museum
Exhibition at Luohu Art Museum, ShenZhen
The recent exhibition of Luohu Art Museum included the exhibition "Time·Seamless: Chen Xiangbing's Landscape Writing", which opened on November 14th, 2024 and will continue until November 27th, 2024. There was also "Harmony but Different-New Ink Painting Exhibition" from June 13th to June 26th, 2024. " Her Shenzhen-Writing the Future " is equally exciting. Everyone is welcome to click and read it!
Modern Art Exhibition Hall
The Pinakothek der Modern Art Museum was a modern art museum located in Barerstrasse in the art district of Barerstrasse. It was built in 2002. It combined four independent museum districts, namely the Art District (a collection of modern art, which is also part of the National Painting Collection of the State of Bayaria), the Print District (a collection of the National Print Collection of the State of Ber), the Construction District (a collection of the Museum of Construction of the Ber University of Technology), and the Design District (a collection of new collections-the Design Museum). The museum was one of the branches of the National Painting Collection of the State of Bayeria. It was recognized as the National Museum of Bayeria by the Ministry of Science, Research, and Art. It was developed from the original painting exhibition hall in Ber. Together with the old painting exhibition hall and the new painting exhibition hall, it was known as the three major painting exhibition halls in Ber. Although the German name was originally called the "Modern Painting Exhibition Hall", it had already deviated from the literal meaning of the name. In addition to paintings, it also collected a large number of sculptures. "Her Shenzhen-Writing the Future" is equally exciting. Everyone is welcome to click and read it!
Shanghai craftsman museum vr exhibition hall
In the VR exhibition hall of the Shanghai Artisan Museum, the audience could enter the exhibition through the public account of "Shengong Society". During the visit, they could simultaneously watch the detailed multi-media introduction of the VR digital exhibition hall, so as to fully understand and learn the craftsman spirit presented in the exhibition. There were more than 150 craftsmen from big countries, various deeds, and artifacts displayed here. Through VR panoramic views, 3D real-life techniques, and other technical means, it integrated animation, sound, video, and other multiple forms of expression. All the contents of the exhibition could be displayed on the mobile phone screen in a comprehensive manner. The general public could go online without leaving their homes. In addition, there would also be promotional activities for the VR exhibition hall in the exhibition area of the venue. " Her Shenzhen-Writing the Future " is equally exciting. Everyone is welcome to click and read it!
The architectural reason of Jia Pingao's literature and art museum
Shanghai Dunhuang Exhibition, Shanghai Art Museum
At the Shanghai Art Museum (China Art Palace), there was an exhibition of Dunhuang art called "Why Dunhuang?" The exhibition opened on September 20, 2024, and lasted for three months until December 20. In the form of "cultural relics + replica of classic caves + murals and colored sculptures", the exhibition gathered 168 sets of cultural relics collected by the Dunhuang Research Institute, including the representative and rare first-class and second-class precious cultural relics and the copies of experts of past dynasties, the original and replicas of the "Sutra Cave", and the cultural relic of the Northern Wei embroidered Buddha statue. Among them,"Beiliang Stone Pagoda", Mogao Grottoes Six-character True Word Stele,"Shengli Stele" and other six cultural relics were exhibited in Shanghai for the first time. There were also six replicated caves of Mogao Grottoes, including Cave 285, Cave 45, Cave 320, Cave 158, Cave 17 and Cave 3. During the exhibition, the China Art Palace will also launch a series of lectures on "Why Dunhuang", inviting experts and scholars in the fields of Dunhuang research, fine arts, literature and literature once every two weeks to lead everyone to appreciate the past and present life of Dunhuang. On the opening day, they will also plan a variety of rich aesthetic education activities covering the whole day, such as hand-made experience, rock painting copying, lacquer art DIY, art talk show, etc. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Exhibition Hall of Modern Art and Planning, Shanghai
The museum was the last large-scale public cultural building in Futian Central District, located on the east side of the north central axis of the central district. The two pavilions occupied a total area of 30,000 square meters, with a total building area of 91,000 square meters, of which 60,000 square meters were above ground, 31,000 square meters were underground, and the building height was 40 meters. The city planning hall was located on the north side of the building, with a total building area of 15,000 square meters. The main exhibition space was located on the third, fourth and fifth floors of the building. The museum consisted of two independent institutions, the contemporary art museum and the urban planning exhibition hall, which shared the same building. They were used as cultural intersections and architectural exhibition venues respectively. The hall, multi-purpose hall, auditorium, conference room and service area were used by the two. They adopted the mode of "two halls as one". The building was designed by the famous Austrian architectural firm Blue Sky Group. It had a unique shape, a complex structural system, and an irregular shape. It was composed of a large number of inclined and twisted rotating surfaces. It used a large number of inclined, twisted, rotating and other abnormal steel structures. The construction was extremely exploratory and challenging. The two museum projects comprehensively applied more than 100 new technologies that could be applied on a large scale, such as the integrated application of solar energy and buildings, automatic spraying dust-proof devices for construction roads, and bridge vibration reduction technology. There were also registered patent technologies such as sandbox unloading. The popular 3D building modeling (namely BIM system), high-precision automatic measurement and control technology for robots, and 3D printing were also widely applied. The permanent exhibition was divided into three themed exhibition areas: "City Symbiosis","City Co-construction" and "City Thinking". Each themed exhibition area had a floor of exhibition space. With the scale grid system as the basic design concept, the abstract development process of the city was visualized, allowing visitors to gradually get close to the city from far to near. Since it was opened to the public, it had received a total of 4894 batches of visitors, with a total of 1.73 million people. It won the "16th (2018) National Museum Top Ten Exhibitions Special Award" and was listed by the State Administration of Cultural Relics as a theme promotion project of "promoting Chinese excellent traditional culture and cultivating the core values of society". There had been many other events held here, including the "Forty Years of Sculpture", the "Fashion Week", the "Design Week", and the "Han Tianheng Painting and Calligraphy Exhibition". "Her Shenzhen-Writing the Future" is equally exciting. Everyone is welcome to click and read it!
"Glass" by Jia Pingwa
They had agreed to meet at the tenth pole south of Debar Street, but he was nowhere to be seen. I decided to wait a little longer, so I went into a small teahouse to eat tea and stare at the pole. There was a newly built hotel next door. The glass installation was not completed yet, and someone was using white powder to write the words "Be careful of the glass." After a pot of tea, I returned home. His wife said that Wang Youfu had called and repeatedly explained that he was sick and could not go to the appointment. Could he meet again tomorrow morning at Derby Street behind Derby Street, still under the tenth electric pole on the south side of the road? The next day, I rushed to Derby Street. There was indeed an old man sitting under the pole with a piece of gauze wrapped around his forehead. I asked him if he was Wang Degui's father. He immediately bent down and said,"My name is Wang Youfu." I gave him the money I had brought along so that my mother could treat her illness. Seeing that there was no one around, he undid his belt and put the money into his pocket."I'll treat you to some liquor!" he said. I declined. He turned to the west end of the street and bowed back to me. I asked him if his house was far from here, and he said it was not far. It was in the alley on the south side of Deba Street. "Isn't it closer from here?" The old man smiled and said,"I'm not going to Deba Street." He doesn't want to go to Deba Street, but I want to go. The teahouse yesterday was pretty good. As he walked past the hotel, a notice was posted on the glass wall. Yesterday, because there was no sign on the glass, a passerby was accidentally injured. Please come to our shop to accept our apology and compensation. I was moved by the hotel's actions. I quickly thought that Wang Youfu might have been injured by hitting the glass. Suddenly, an idea came to my mind. Since they were willing to compensate, then they were in the wrong. Why not go to court and take the opportunity to claim a larger sum of money? I was proud of my cleverness. The next day, I called Wang Youfu and asked him to eat at the Red Star Restaurant in the afternoon. The Red Star Hotel also has glass decorations. I chose this hotel to confirm if he was really injured in the hotel. When he saw me, a smile appeared on his swollen face, but his steps were careful. When he reached the door, he even touched it with his hand to confirm that it was the door. He walked in while shaking his little head. "I didn't invite you, but you invited me!" he said. "A meal is nothing!" I poured him a glass of wine. He hurriedly said,"I don't dare to drink. I'm injured." "Uncle, did you get hurt at the Debar Street Hotel?" "You…What happened to the hotel?" "So you really did hit it there!" "This…" The old man stood there and tried to deny it. However, his face immediately turned red. He lowered his voice and said,"I bumped into him there." She suddenly became listless, like a pitiful child who had done something wrong. "That's good." I said. "I didn't do it on purpose." The old man became anxious. "I had a cold that day and felt dizzy. When I received your call, I passed by that place. I didn't see anything, so I walked over and bumped into it." "You were injured. Why did you leave?" "With a crash, I realized that I hit the glass. The three girls came out to help me. Their faces were covered in blood, which scared them. They wanted to bandage my wounds, so I got up and ran. I can't afford that glass!" "They've been looking for you everywhere." "Is that so? I haven't dared to go to Deba Street for a few days. Are they recognizing people at the street corner?" "They put up a notice..." The old man pulled a long face and took out some money from his waist. He asked me how much a piece of glass cost. I chuckled. "You're not the one paying for them. They're the ones paying for you!" "Compensate me?" "I'm compensating you." I said,"But don't accept their compensation. How much can they pay? If we sue them in court, the compensation won't be a few hundred or a few thousand yuan!" The old man was stunned. He stared at me with his black eyes and said,"Your uncle had his own selfish motives. He ran away because he was afraid of compensation. But I've been through a lifetime of things. I won't be deceived again!" "I'm not lying to you. Go and see the notice!" "Even if you didn't lie to me, the hotel lied to me too. Didn't I turn myself in when I went there?" "Uncle, listen to me…" The old man took out a roll of money and placed it on the table."If you are willing to acknowledge me as your uncle, please give me this money." If it wasn't enough, he would make up for it with his money. Can you promise me that you won't tell outsiders about this?" "I agree." The old man's eyes were full of tears as he bowed to me and left the dining table. No matter how I called him, he wouldn't turn around. He walked to the glass wall and saw that there was a door on the glass. He reached out and touched it. There was no glass, so he walked out. I sat there and finished a jug of wine. I didn't eat a single bite of food. I left the restaurant and headed for Derba Street. When no one paid attention, I took down the notice. Walking east along the street, there was another pile of broken glass under the window of the photo studio. The manager was cursing loudly,"Who hit it? Are you blind?!" I walked out of the narrow Debar Street. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
Introduction to the exhibition at the museum
The museum has a number of displays: - Permanent Exhibition: - "Ancient Shen Zhen": Showing the history and culture of ancient Shen Zhen. - "Modern Shenzhen': Presents the situation in modern Shenzhen'. - "History of the reform and opening-up in Shenzhen': showing the history of the reform and opening-up in Shenzhen'. - "Folkways of Shen Zhen": Demonstrate the folk culture of Shen Zhen. - Temporary Exhibition: - "Panda Era-Revealing the Past and Present Life of Giant Panda": A natural science themed exhibition organized by the Guangdong Museum and the Chongqing Museum of Nature. Through the models and specimens of the Fourth Epoch giant panda-xiphodon animal group, various types of giant panda specimens and fossils, specimens of wild animals associated with giant pandas, and specimens of natural resources native to Shen Zhen, more than 200 pieces of exhibit, combined with modern interaction means such as multi-media, intuitively showed the evolution process and living habits of giant pandas, told the story of harmonious symbiosis between man and nature, and also introduced the achievements of Shen Zhen's ecological environment and the protection of biological diverse, revealing the relationship between ecological environment, biological diverse and cities. It was a concept that was closely related to the individual. - "The Language of Plants and Vegetation--The World of Plants in Medieval Ancient Paintings" was organized by the Shen Zhen Museum in collaboration with the Shen Zhen Museum Association and the Shen Zhen Jinshi Art Museum. The stone inscriptions and plant specimens containing images of willow, bamboo, orchid, Chinese palm, and banana were selected to display, focusing on the plant portraits of the Middle Ages. Relying on the images of the stone inscriptions of the Northern Dynasty collected by the Jinshi Art Museum in Shen Zhen and related research results, the plant stories in the portraits of the Middle Ages were told from both natural and cultural perspectives. - "Qizhai Seal Collection": 130 pieces of seals and related cultural relics donated by Mr. Shang Chengzuo and his family members were selected for exhibition. The era of seal collection spanned from the Ming and Qing Dynasties to the contemporary era. It was like a living history of seal carving art, clearly outlining the development of seal carving art and showing the profound foundation of traditional culture. - "Art's Description of Shenzhen': An original exhibition with the theme of the reform and opening up of Shenzhen'. It is divided into three chapters: " Spring Tide,"" Vientiane,"and" Power."It displays 123 pieces/set of works of art and historical evidence, most of which have been collected by the Shenzhenmuseum over the years. The first chapter,"Spring Tide", exhibited works such as "July 1979: The First Cannon of Shekou Mountain"; the second chapter,"Vientiane", exhibited works such as "Spring Tide"; the third chapter,"Power", exhibited works such as "Time is Money, efficiency is Life", vividly presenting major historical events and changes in people's lives since the reform and opening up of Guangzhou. "Her Shenzhen-Writing the Future" is equally exciting. Everyone is welcome to click and read it!