Exhibition Hall of Modern Art and Planning, Shanghai
The museum was the last large-scale public cultural building in Futian Central District, located on the east side of the north central axis of the central district. The two pavilions occupied a total area of 30,000 square meters, with a total building area of 91,000 square meters, of which 60,000 square meters were above ground, 31,000 square meters were underground, and the building height was 40 meters. The city planning hall was located on the north side of the building, with a total building area of 15,000 square meters. The main exhibition space was located on the third, fourth and fifth floors of the building. The museum consisted of two independent institutions, the contemporary art museum and the urban planning exhibition hall, which shared the same building. They were used as cultural intersections and architectural exhibition venues respectively. The hall, multi-purpose hall, auditorium, conference room and service area were used by the two. They adopted the mode of "two halls as one". The building was designed by the famous Austrian architectural firm Blue Sky Group. It had a unique shape, a complex structural system, and an irregular shape. It was composed of a large number of inclined and twisted rotating surfaces. It used a large number of inclined, twisted, rotating and other abnormal steel structures. The construction was extremely exploratory and challenging. The two museum projects comprehensively applied more than 100 new technologies that could be applied on a large scale, such as the integrated application of solar energy and buildings, automatic spraying dust-proof devices for construction roads, and bridge vibration reduction technology. There were also registered patent technologies such as sandbox unloading. The popular 3D building modeling (namely BIM system), high-precision automatic measurement and control technology for robots, and 3D printing were also widely applied. The permanent exhibition was divided into three themed exhibition areas: "City Symbiosis","City Co-construction" and "City Thinking". Each themed exhibition area had a floor of exhibition space. With the scale grid system as the basic design concept, the abstract development process of the city was visualized, allowing visitors to gradually get close to the city from far to near. Since it was opened to the public, it had received a total of 4894 batches of visitors, with a total of 1.73 million people. It won the "16th (2018) National Museum Top Ten Exhibitions Special Award" and was listed by the State Administration of Cultural Relics as a theme promotion project of "promoting Chinese excellent traditional culture and cultivating the core values of society". There had been many other events held here, including the "Forty Years of Sculpture", the "Fashion Week", the "Design Week", and the "Han Tianheng Painting and Calligraphy Exhibition". "Her Shenzhen-Writing the Future" is equally exciting. Everyone is welcome to click and read it!
Planning Exhibition Hall Design
The following are some of the planning points for the exhibition hall design: ** 1. Clear design concept ** 1. ** Reflects corporate culture ** - The company's culture should be placed first, so that the company's culture could permeate into the details of the exhibition hall design. For example, through specific color matching and selection of display elements, visitors could feel the unique cultural content of the company. 2. ** Conforms to common sense and experience ** - From the perspective of the visitors, the characteristics and psychology of the audience were fully analyzed. According to the audience, the display methods such as multi-media were set up so that visitors could actively interact with the exhibition as participants, so that they could intuitively understand the content of the exhibition. 3. ** Pursuing visual effects ** - The exhibition hall itself was a visual feast. After integrating the media, it had to have a technological and modern feel. The concept of multi-interaction should be combined with the style of the exhibition hall to create a unique, harmonious, and dynamic visual effect to attract the attention of visitors and achieve the expected benefits. ** 2. Space design ** 1. ** Overall Harmony ** - Pay attention to the unification of the exhibition hall in terms of shape, color, craftsmanship, and grilles. 2. ** Incorporate the elements of the times ** - It reflected the new comprehensive concept, human concept, space-time concept, ecological concept, system concept, information concept, high-tech concept, etc. 3. ** Showing the company logo ** - The company's unique logo was integrated into the image design of the exhibition hall, and the imagination of space was brought into play. The material selection, structure, color processing, and display methods were unique and novel, and a unique exhibition hall was designed for the company. ** 3. The relationship between the exhibit and the space ** 1. ** Focus on the product ** - The product was an important deciding factor for a designer's thinking. A space designer had to consider what kind of product was suitable for the space, and a product designer had to consider what kind of space was suitable for the product, so that the product and space could be integrated, and the space would pave the way for the product. 2. ** Lighting design ** - He realized that the importance of lighting was not only in lighting, but also in creating an atmosphere, shaping the shape, and increasing the level. 3. ** Soft decoration ** - Soft equipment could not only make up for the lack of space, but it could also reflect various styles, promote the integration of space, and make the simulated space closer to the actual space. " Her Shenzhen-Writing the Future " is equally exciting. Everyone is welcome to click and read it!
Shanghai craftsman museum vr exhibition hall
In the VR exhibition hall of the Shanghai Artisan Museum, the audience could enter the exhibition through the public account of "Shengong Society". During the visit, they could simultaneously watch the detailed multi-media introduction of the VR digital exhibition hall, so as to fully understand and learn the craftsman spirit presented in the exhibition. There were more than 150 craftsmen from big countries, various deeds, and artifacts displayed here. Through VR panoramic views, 3D real-life techniques, and other technical means, it integrated animation, sound, video, and other multiple forms of expression. All the contents of the exhibition could be displayed on the mobile phone screen in a comprehensive manner. The general public could go online without leaving their homes. In addition, there would also be promotional activities for the VR exhibition hall in the exhibition area of the venue. " Her Shenzhen-Writing the Future " is equally exciting. Everyone is welcome to click and read it!
Preface to the exhibition hall of the Jia Pingwa Literature and Art Museum:
Preface to the exhibition hall of Jia Pingwa Literature and Art Museum: The Jia Pingwa Literature and Art Museum was an art museum that integrated literature, art, and culture. It was designed to showcase Mr. Jia Pingwa's literary achievements and artistic style. There were many exhibition halls in the art museum, including Mr. Jia Pingwa's personal literary journey, literary representative works, artistic creation process, and many other parts. At the same time, they also displayed the development and changes of modern Chinese literature. There were also many precious works of literature and art in the art museum, including Mr. Jia Pingwa's original manuscripts, manuscripts, prints, etc., which were important materials for studying Jia Pingwa's literary and artistic creation. The museum was open from 9 a.m. to 5 p.m. every Tuesday to Sunday. Guests could enter the art museum through the museum's official website or purchase tickets on the spot.
The content of the exhibition hall of Jia Pingwa Literature and Art Museum
The Jia Pingao Literature and Art Museum's exhibition hall mainly covered Jia Pingao's literary achievements and creative career, including the introduction of famous works such as Abandoned City, Qin Qiang, and Old Ruins 'Travels. The exhibition hall also showcased Jia Pingwa's cultural influence and social contribution, as well as his contribution and influence on the Chinese literary world. The exhibition hall also included an introduction of Jia Pingwa's artistic achievements and creative ideas, displaying his unique literary style and artistic charm. The whole exhibition hall was themed with Jia Pingwa's works to show his literary and artistic achievements, as well as his contribution to the development of Chinese society and culture.
Liangzhu exhibition hall
Liangzhu had many related exhibition halls. Liangzhu Museum was located at No. 1 Meilizhou Road, Yuhang District, Hangzhou City, Zhejiang Province. It was a museum dedicated to social science archaeology. Construction was put on the agenda in May 1990, construction began in September 1991, renamed and opened to the public in September 2008, upgraded in August 2017, and reopened in June 2018. There were 3266 pieces of collections and 114 pieces of precious cultural relics in each set. The exhibition area was more than 4000 square meters and was divided into three exhibition halls. The theme was that Liangzhu Ruins was a holy land that proved the 5,000-year history of Chinese civilization. The archaeological achievements were displayed in the three exhibition halls of "Water Country","Holy Land of Civilization" and "Jade Soul Country". There was also the Liangzhu Memory Exhibition Hall, located at No. 1630, Mogan Mountain Road, Liangzhu Street, Yuhang District, Hangzhou City (the former site of the Liangzhu Ruins Management Area Management Committee). The museum contained elements of Liangzhu culture, scenes of the ancestors 'lives, ancient historical and cultural celebrities, and modern Liangzhu's highly recognizable landmarks. The novel "Watching the Moon on Fish Island" is equally exciting. Everyone is welcome to click and read it!
Shanghai Prosperity Road Planning
From the reference materials, there was a plan for Prosperity Road in Zhoupu Town. Fanrong Road would extend to the S3 expressway on the west side of Zhoupu East Station of Line 16. The new section (Zhouda Road- S3) had a red line width of 32 meters, two-way four lanes, and the whole area was about 690 meters. It was the city's secondary trunk road, and the east extension of Fanrong Road, Zhoudong Road-Zhouda Road, would also start construction. After the completion of the east extension of Fanrong Road, it would connect the subway line 18 Fanrong Road Station and the subway line 16 Zhoupu East Station, becoming an important East-West road in the south of Zhoupu Town. In addition, the TOD development plot plan on the west side of Line 18 Fanrong Road Station was released, and the industrial layout requirements of Pudong New District were implemented. The industrial functions of Zhoupu City Industrial Park will be upgraded. The original planned commercial land south of Jiangyue East Road and north of Shenmei Road will be adjusted to R & D industrial land. At the same time, in combination with the layout of commercial functions around the rail transit station, the commercial office + commercial + four-class residential mixed land will be planned on the 16A- 01 plot on the west side of Fanrong Road Station of Line 18. The building height will be controlled to be 100 meters. The plot is planned to include a P+R parking lot with no less than 200 berths.
Zhang Xinzhe's exhibition in Shanghai
Zhang Xinzhe held an art exhibition in Shanghai called " People's Tide: Rare Paintings of Lunar Cards and 20th Century Fashion Exhibition." The exhibition was officially opened to the public on October 16th at the Aurora Museum in Shanghai. The exhibition displayed Zhang Xinzhe's collection of month card manuscripts and more than 100 pieces of related clothing from the 20th century, showing the audience the evolution of Shanghai's fashion trends. This was Zhang Xinzhe's first large-scale exhibition of his collection in the " niche " category of monthly cards. In the exhibition, the audience could appreciate the old calendar drawings in the old street scenes, as well as the early 20th-century costumes that echoed them, creating a magical atmosphere. The exhibition was set in Shanghai from 1910 to 1950, displaying more than 60 monthly card paintings and more than 40 sets of cheongsam. The exhibition as a whole presented a rich old Shanghai style.
The City Planning Museum and the Museum of Modern Art
The City Planning Museum and the Museum of Modern Art together form the City Planning Exhibition Hall and the Museum of Modern Art in the City of Guangzhou. This building was located on the east side of the north central axis of Futian Central District, and was an important part of the art and culture planning of the central district of Shen Zhen. It was also the last major public welfare cultural project in the central district of Shen Zhen. The two pavilions occupied a total area of 30,000 square meters, with a total building area of 91,000 square meters, of which 60,000 square meters were above ground, 31,000 square meters were underground, and the building height was 40 meters. They were two independent structures that shared the same building. The structure was complex and irregular. It was composed of a large number of inclined and twisted rotating surfaces. The construction was extremely exploratory and challenging. The city planning hall was located on the north side of the building, with a total building area of 15,000 square meters. The main exhibition space was located on the third, fourth and fifth floors of the building. The building was designed by the famous Austrian architectural firm Blue Sky Group. It used three kinds of skin materials: glass, punched plate, and stone. The steel structure system extended and twisted each other to form a complex and lively building. He overcame many challenges in lighting design and used relevant lamps and smart lighting controllers from Lele Optoelectronics (China) to present a crystal clear visual effect. Since it was opened to the public, it has received 4894 batches of visiting groups with 1.73 million visitors. It won the "Special Award for Top Ten Exhibitions in the 16th (2018) National Museum" and was listed by the State Administration of Cultural Relics as the theme promotion project of "Carrying forward the excellent traditional Chinese culture and cultivating the core values of society". This place was operated in a "two-in-one" mode. The hall, multi-purpose hall, auditorium, conference room, and service area were shared by both. Moreover, the exhibition hall was free of charge and could be reached from the A2 exit of the Children's Palace on the subway. It was a good place to take photos and learn about the culture of Shenzhen-related areas. "Her Shenzhen-Writing the Future" is equally exciting. Everyone is welcome to click and read it!
National Art Exhibition 2024
The 7th National University Student Art Exhibition (referred to as the National Art Exhibition) was held from June 12 to June 18,2024 in Xiangyang City, Hubei Province. It was co-sponsored by the Ministry of Education and the People's Government of Hubei Province, and co-organized by the Education Department of Hubei Province and the People's Government of Xiangyang City. The theme of the activity was "Cultivating the feelings of the country and cultivating the character of progress". At that time, more than 7400 teachers and students from 282 projects from 31 provinces (autonomous regions and cities), Xinjiang Production and Construction Corps, Hong Kong Special Administrative Region and Macao Special Administrative Region participated in the live performance. Among them, 225 art performances were performed live, including 57 vocal music, 42 instruments, 62 dances, 34 plays and 30 recitals; 57 student art practice workshops were displayed live, nearly 300 works of art were displayed live, and 93 excellent cases of aesthetic education reform and innovation in colleges and universities were discussed and displayed in groups. The opening ceremony of the Dayi Exhibition was held at 19:30 on June 12th at the Xiangyang Academy Stadium of the Central China Agricultural University. Before the opening ceremony, the outdoor stadium was held. Dayi Village was an exhibition of creative works of art from universities, focusing on the achievements of aesthetic education in recent years. In terms of artistic performances, the vocal performance will be held in the concert hall of Xiangyang City from June 13 to 15; The instrument performance will be held in Xiangyang Theater from June 13 to 16; The dance performance will be held in the University Student Art Center of Xiangyang College of Huazhong Agricultural University from June 13 to 15; The drama performance and recitation performance will be held in the Science Hall of Xiangyang Vehicle Polytechnical College from June 13 to 16. From June 13th to 17th, the National Fitness Center of Xiangyang National Sports Center held a live exhibition of students 'art practice workshops, as well as an exhibition of students' art works and an exhibition of university principals 'calligraphy, painting and photography works. The closing ceremony of the Great Art Exhibition was held at 19:30 on June 17 at the Xiangyang Academy Stadium of the Central China Agricultural University. If you want to know more about the follow-up, click on the link and read it!
Shanghai Chang'e Attends SIOF Exhibition
Shanghai Chang'e attended the SIOF exhibition. Shanghai Chang'e Optic Instrument Technology Co., Ltd. mentioned the invitation to participate in SIOF exhibition in many documents. The exhibition was the China (Shanghai) International Eyewear Industry Exhibition. It was one of the three major international eyewear exhibition and the largest international eyewear exhibition in China. Shanghai Chang'e Optics, as a benchmark company in the field of fitting equipment, sincerely invites customers to participate in the 22nd China (Shanghai) International Eyewear Industry Exhibition. The exhibition will be held at the Shanghai World Exhibition Hall from March 11 to 13, 2024, bringing together more than 700 attendees from around the world, including internationally renowned brands and industry leaders. Shanghai Chang'e Optics hopes to witness this important moment with its customers.