3-word Ci Pai Name Encyclopedia
The following are the names of some three-word Ci tablets: Magpie Bridge Immortal, Ru Meng Ling, Su Muzhe, Zui Hua Yin, Nan Xiang Zi, Qing Ping Le, Chang Xiang Si, Xi Jiang Yue, etc. These names all had unique cultural meanings and fixed rhythmic forms, and many famous poets used these names to create works that had been passed down through the ages. For example, Qin Guan's Fairy on the Magpie Bridge, Li Qingzhao's Dreamy Dream, and Fan Zhongyan's Nostalgia.
Four-word Ci Pai
The following are some four-word Ci tablets: Su Muzhe, Zui Hua Yin, Tian Xian Zi, Huatou Feng, Yi Jiangnan, Yu Ge Zi, Chang Xiang Si, Huan Xian, Yi Qin E, etc. These Ci poems all had their own requirements such as meter and rhythm, and many Ci poems that were passed down through the ages were born under the pen of different Ci writers.
The Meaning and Name of Ci Pai
The name of a Ci tile was a name for a tune. It had a fixed rhythm and format. Once it was fixed, the rhythm and rhythm of the Ci would also be determined. There were many ways to name Ci tablets. Some of the names had historical allusions. For example, the original name of "Looking at Jiangnan" was Xie Qiuniang, which was written by Li Deyu for the dead prostitute Xie Qiuniang. Later, it was renamed because Bai Juyi's poem had "no memory of Jiangnan". Some of the names were taken from a certain phrase of their predecessors, while others were just elegant terms. In addition, the same format may have several Ci names, which may be due to different names; there are also cases where several forms share a Ci name, which is because they are several variations of the same format. There were a large number of Ci tablets, about 870 (including a few Jin and Yuan Ci tunes), and a total of more than 1,000 Ci forms (these forms were called Ci scores).
Ci-name Encyclopedia
The name of a Ci tablet is the name of the format of a Ci. The following are some common Ci names and related information: - ** Sandianzi **: Composed by Yuan Dynasty poet Yuan Haowen, the poem is 67 words in double tones, with nine sentences in the front and back, with four levels of rhyme. - Spring in Dongtian: It was created by Ouyang Xiu, a writer of the Northern Song Dynasty. It was represented as Spring in Dongtian. The orioles chirped and the green trees sang early. It usually used the form of forty-eight words with two tones. It was divided into two sections. The first section had four sentences with four rhymes, and the second section had five sentences with three rhymes. - [Remembering Jiangnan]: This was originally the name of the Tang Dynasty's Jiaofang song, and later used as a Ci tune. - ** Long Yearning **: The original name of Tang Jiaofang's song, later used as a tune. - Fisherman's Song, also known as Fisherman. - ** Su Mu Zhe **: Originally the name of Tang Jiaofang's song, later used as a Ci tune. - The name of the poem was taken from the meaning of "eternal encounter", which meant eternal joy and eternal peace. - ** Beauty Yu **: The name of the poem comes from Xiang Yu's favorite concubine, Beauty Yu. - [Qingping Music]: It was originally the name of the Tang Jiaofang song, named after the two tunes of the Han Yuefu,"Qingyue" and "Pingyue". - ** Picking Mulberry **, also known as "Ugly Slave's Order","Luo Fumei", etc. - ** Bodhisattva Man **: This is the song of Jiaofang in Tang Dynasty. Later, it was used as a Ci tune and also used as a Qu tune. Other than that, there were also names like Dream Order, Nian Nujiao, Qin Yuanchun, and so on. Different Ci tablets had different requirements for the rhythm, including the number of words, the number of sentences, the tone, the rhyme, and so on.
337 Ci Pai Meters
In Song Ci, the 337 form was more common. For example, the style of the Ci poems in " Chang Xiang Si " was more typical. Its format was " Ze Ze Ping, Ze Ze Ping, Ping Ze Ping, Ping Ze Ze Ping." Ze Ping Ping, Ze Ping Ping, Ze Ping Ze Ping, Zhong Ping Zhong Ze Ping ", like Lin Bu's" Wu Shan Qing, Yue Shan Qing, the two sides of the green mountains to send off. How can we bear to part? The king's tears are full, the concubine's tears are full, and the knot of the same heart is not formed. The tide by the river has leveled "followed this format. There was also the last line of Zhang Xian's Fairy of Heaven," The wind is uncertain, people are quiet at first, tomorrow's falling red should fill the path ", and Li Qingzhao's " Parcolin Sky "," Autumn is over, the days are still long, Zhongxuan is more desolate. It's better to get drunk before the branch, don't let the east fence chrysanthemum yellow "also reflected the sentence pattern of 337. In addition, the poem Gui Dian Qiu, the sentence pattern is 3375, 3375, the first and second half of each 18 words, a total of 36 words, the first and second half of each four sentences, with a four-level rhyme, such as "Autumn in the moon." Red banners and green banners descend from the palace. The peaches of immortality have already formed the dew of the Jade Pool, and the laurel seeds have just opened the wind of the Jade Palace."
Fanlanzhou Ci Ci and Pai Meters
Fanlanzhou tune can be found in "Plum Garden," and the previous "New Lotus Leaf" alias "Fanlanzhou" flat rhyme word is different. The rhythm is eighty-three words in double tone, with eight sentences in the first paragraph and three rhymes in the second paragraph. The lyrics are written according to the anonymous writer's "Pan Lan Zhou·Frost Moon Pavilion Season." The rhythm of his words is: Frost moon, pavilion season, wild stream open ice. The old friend's letter was handed over to the south of the Yangtze River. Who can I rely on when I return? Cold shadow low horizontal, light fragrance dark degree, sparse fence secluded courtyard. Ping Ze, ping Ze, ping Ze. It's flat, it's flat, it's flat. Ping Ze Ping Ze, Ping Ze Ping Ze, Ping Ze Ping Ze. where are you in Qin Tower and Zhu Pavilion? flat tones, flat tones, flat tones. It is said that the curtain carrying wine, together to see the new poetry drunk, more worthy of elegant light, a kind of natural, like snow decorated with thin smoke. Heartbroken to meet, hand twist twigs, recall the muddy like. It was flat, it was flat, it was flat. It's all flat, flat, flat. Ping Ze Ping Ze, Ping Ze Ping Ze, Ping Ze Ping Ze. The man dressed lightly and combed his hair. the pitch is flat, the pitch is flat.
Shi Zhou Ci Ci Pai Meters
Shizhou cited the rhythm of Ci tablets to He Zhu's "Shizhou Man·Bo Yu Shou Han" as the contrast rhythm, double-tone 102 words, the first paragraph of the four-tone rhyme, the latter paragraph of the five-tone rhyme. There are also other variations, such as double-tone 102 words, the first ten sentences with four tones, the last eleven sentences with five tones, etc.
Huaqing Ci Ci Pai Metre Detection
Hua Qing cited it as a double-tone, forty-five words. There are four sentences in the front and back, and the first, second and fourth sentences rhyme with flat rhyme. The lyrics are: Ping Ping Ze Ping Ze ❮ Ze-Ze Ping (Ping) Ze ❯ Ping Ze, Ze-Ping Ze ❮ Ping Ze Ping Ze ❯ Ze-Ze Ping (Ping) Ze ❯ Ping Ze, Ze-Ping Ze ❯
Wangxian School Ci Pai
"Wangxian Gate" is the name of Ci, which can be found in Yan Shu's "Pearl Jade Ci." With his "Wangxian Gate·Jade Pool Wave Blue Like Scales" as the main style, with 46 words in double tone, four sentences in the front section with four flat rhymes, five sentences in the back section with three flat rhymes and one alliteration, there are also variations such as "Wangxian Gate·Crape Myrtle Branch Lu Huannong." Immortal Gate referred to the gate of the Imperial Palace. The name of the tune was taken from Yan Shu's Ci of the Northern Song Dynasty. Because there was a sentence in the Ci that said,"I am indebted to you, and I sing together to look at the Immortal Gate," the original meaning of the name was to sing the ministers looking at the gate of the Imperial Palace. Yan Shu wrote three poems.
A Glance of Ci Pai Names
The following are some of the names of Ci tablets: Sandianzi, Ru Meng Ling, Nian Nujiao, Yi Jiangnan, Qin Yuan Chun, Chang Xiang Si, Po Zai Zi, Yangzhou Man, Magpie Bridge Immortal, Huanxi Sha, Sheng Sheng Man, Shui Diao Ge Tou, Yong Yu Le, Xijiang Moon, Sapphire Case, Yu Lin Ling, Yu Mei Ren, Su Mu Zhe, Zui Hua Yin, Nan Xiang Zi, Qing Ping Le, Dong Tian Chun, Cai Sang Zi, Bodhisattva Man, Yu Ge Zi, etc.
Qingping Music Ci Pai
Qingping Music was originally the name of the Tang Dynasty's Jiaofang, and later used as the name of the Ci. It was also known as "Qingping Music Order","Drunken East Wind","Recalling Luo Yue", etc. This tune is composed of eight sentences and forty-six words in double tones, with four zonal rhymes in the front and three flat rhymes in the back. "History of Song·Music Annals" classified it as "Dashi Diao","Golden Casket Collection" and "Movement Collection" merged it into "Yue Diao", usually based on Li Yu's Ci. The name of the tune is usually thought to be named after the two tunes of Han Yuefu,"Qingyue" and "Pingyue", but there are other explanations. In history, many Ci writers used this tune, such as Yan Shu, Yan Jidao, Huang Tingjian, Xin Qiji, etc., among which Yan Jidao used it most. It began to rise in the Tang Dynasty and became popular in the Song Dynasty. It became a common Ci tune in Song Ci. At the same time, Qingping Music was also the name of a tune, belonging to the Southern Tune.