337 Ci Pai Meters
In Song Ci, the 337 form was more common. For example, the style of the Ci poems in " Chang Xiang Si " was more typical. Its format was " Ze Ze Ping, Ze Ze Ping, Ping Ze Ping, Ping Ze Ze Ping." Ze Ping Ping, Ze Ping Ping, Ze Ping Ze Ping, Zhong Ping Zhong Ze Ping ", like Lin Bu's" Wu Shan Qing, Yue Shan Qing, the two sides of the green mountains to send off. How can we bear to part? The king's tears are full, the concubine's tears are full, and the knot of the same heart is not formed. The tide by the river has leveled "followed this format. There was also the last line of Zhang Xian's Fairy of Heaven," The wind is uncertain, people are quiet at first, tomorrow's falling red should fill the path ", and Li Qingzhao's " Parcolin Sky "," Autumn is over, the days are still long, Zhongxuan is more desolate. It's better to get drunk before the branch, don't let the east fence chrysanthemum yellow "also reflected the sentence pattern of 337. In addition, the poem Gui Dian Qiu, the sentence pattern is 3375, 3375, the first and second half of each 18 words, a total of 36 words, the first and second half of each four sentences, with a four-level rhyme, such as "Autumn in the moon." Red banners and green banners descend from the palace. The peaches of immortality have already formed the dew of the Jade Pool, and the laurel seeds have just opened the wind of the Jade Palace."
River Chuan Ci Pai Meters
There were many variations of the River Cipai Meters: - The original style: fifty-five words in double-tone, seven sentences in the first paragraph, two-tone rhyme, five-level rhyme; The last seven sentences, three-tone rhyme, four-level rhyme. - Variant 1: Double-tone fifty-four words, before and after each seven sentences, three Ze rhyme, Siping rhyme. - Variant 2: Double-tone fifty-three words, the first eight sentences with five rhymes, the last seven sentences with three rhymes with four rhymes. - Variant 3: Double-tone sixty-one words, the first six sentences with five rhymes, the second six sentences with four rhymes, etc. In terms of the specific tone and rhythm, Wen Tingyun's "River Biography·On the Lake" was taken as the representative of the formal style. In the rhythm, such as the fourth sentence, the fifth sentence in the first paragraph and the beginning sentence in the second paragraph, there were corresponding requirements for the tone and rhythm of some words. Other variants also had differences from the formal style. For example, compared with Wen Tingyun's "Lakeside View", the fourth sentence still had the tone and rhythm, and the fourth sentence began to have the flat rhyme.
Ci Pai Meters and Rhythms of Dingxi
There were many kinds of rhythms in Ci poems of the West: 1. ** Original Style **: Two-tone thirty-five words, the first four sentences have one oblique rhyme and two flat rhymes, and the last four sentences have two oblique rhymes and two flat rhymes. With Wen Tingyun's "Xi Xi Fan·Han Envoy's Farewell in the Past Years" as the representative, the rhythm was "Ze Ping Ze, Ping Ze Ze, Ze Ping Ping, Ze Ping Ping." It's flat, it's flat, it's flat. Middle pitch, middle level, middle pitch, middle level." The first sentence of the first paragraph and the third sentence of the second paragraph are all rhymed. 2. ** Variant 1 **: Two-tone thirty-five words, four sentences before and after each paragraph, one oblique rhyme, two flat rhyme. With Wen Tingyun's "Ding Xi Fan·Drizzle Xiaoying Spring Festival Gala" as the representative, the first sentence of this word is rhymed, and the third sentence of the latter paragraph does not need rhyme. 3. ** Variant 2 **: Two-tone thirty-five words, the first four sentences have two flat rhymes, and the last four sentences have two flat rhymes and two flat rhymes. With Wei Zhuang's "Ding Xi Fan·Picking Up the Golden Lamp and Red Ember" as the representative, the first sentence of this word does not use rhyme, and the first sentence and the third sentence of the latter paragraph are rhymed. 4. ** Variant 3 **: Two-tone thirty-five words, four sentences before and after each paragraph, two rhyme. With Sun Guangxian's "Dingxifan·Ji Lushan Qianyou Qi" as the representative, this word does not enter the rhyme. 5. ** Variant 4 **: 41 words in double tones, five sentences in the first paragraph with two rhymes, and four sentences in the second paragraph with two rhymes. With Zhang Xian's "Ding Xi Fan·Nine People Holding Huqin" as the representative, this word also does not enter the rhyme, the first paragraph of the third sentence under the additional six words.
Pipa Immortal Ci Pai Meters
Pipa immortal Ci card meter is as follows: Double-tone 100 words, the first nine sentences of four-tone rhyme, the latter eight sentences of four-tone rhyme. The specific meter is Zhongze Pingping, Pingze Ze, Zhongze Zhongping Pingze (The first six sentences of Yi Qun have a single tone and rhyme)(The second [meaning group] five-sentence single tone into rhyme); flat tone, flat tone (The third [Yi Qun] four-word sentence is single-toned and rhymed);"Ze Ze Ping, Ping Ze Ze", Ze Ping Ze (The fourth four-word sentence is single-tone and rhyming); Pingze, Zhongze Pingping, Pingze, Zhongze Pingping (The fifth [Yi Qun] five-sentence single-tone rhyme, including the "Ze Pingze" intoned sentence; the second and fourth simultaneous defects); the middle tone in the flat tone, the middle tone in the flat tone (the sixth [Yi Qun] five-sentence single-tone rhyme); the flat tone, the flat tone (the seventh [Yi Qun] four-sentence single-tone rhyme, the second and fourth simultaneous defects); the middle tone in the flat tone, the flat tone (the eighth [Yi Qun] four-sentence single-tone rhyme, the second and fourth simultaneous defects). There are more than ten syntactical patterns of "Ze Ping Ze", which is also the fixed pattern of this tune. This poem is mostly used in spring and summer, and is not suitable for autumn and winter. The writing requirements of the poem are stricter. There are not many antitheses, but there are many awkward sentences, suitable for intermediate practice.
Taicheng Road Ci Pai Meters
Taicheng Road Ci Pai meter for the double-tone, the first piece of ten sentences, the second piece of eleven sentences, a total of 102 words. The second, fifth, sixth, eighth, and tenth lines of the first part and the third, sixth, seventh, ninth, and eleventh lines of the second part were the rhyme of the sound. The original form was a hundred and two words in double tones, with ten sentences in the first paragraph and five rhymes in the second paragraph. There were also many variations, such as the first ten sentences with six rhymes, the second eleven sentences with five rhymes, and so on.
Huanxi Sha Ci Pai Meters
There are mainly the following types of Ci poems: 1. * * Original Form (Form 1)**: Double tone, 42 words. The first three sentences, three flat rhymes; The second three sentences, two flat rhymes. A comparison example of the rhythm (Han Wei's "Huanxi Sand·Hangover Separation Sorrow Slow Hairbun" at the end of Tang Dynasty): - The middle is flat, the hangover is sad, the bun is slow, - The middle is flat and the middle is flat. The six baht clothes are thin and cold. - The middle is flat and the middle is flat. the languid red and dull green hide the blue phoenix. - The middle is flat and the middle is flat. - The middle is flat and the middle is flat. the snow-white skin is still like jade. - The middle is flat and the middle is flat. fragrant bones, slender waists, even deeper sandalwood. 2. * * Form 2 **: Two-tone, 42 words. There are three sentences in the upper and lower pieces, two flat rhymes. A comparison example of meter (Xue Zhaoyun of the late Tang Dynasty and the Five Dynasties,"Huanxi Sand·Red Reed Dutou Autumn Rain "): - The tone is flat and narrow. The red knotweed crosses the head, autumn is raining, - The sound is flat and flat, and the footprints of the seagulls in the sand are self-contained. - Pale, flat, flat, flat. my neat sleeves waft with the fragrance of the wild wind. - The deep pool is silent and full of wrinkles. - The boat is flat and flat, and the boat is full of sorrow. - Pale, flat, flat, flat. Swallows return to sail, the waters are boundless. 3. * * Form 3 **: Double tone, 44 words. The first three sentences, three flat rhymes; The second five sentences, two flat rhymes. A comparison of rhyme and rhyme (Sun Guangxian's "Huanxi Sand·Wind Shakes Fragrant Fragrance in the Courtyard" in the Five Dynasties and the Early Song Dynasty): - The wind shakes the courtyard full of fragrance, - The four curtains are rolled up lazily, and the sun is long. - Pale, flat, flat, flat. clouds hang down from my temples, and my pillow makes a faint sound. - The spring dream has not come true, and I am sad and lonely. - Ping Ping Ze Ping Ping (rhyme)
The Lanting Dream Makes Ci Pai Meters
Lanting dream order for Lanting princess self-measurement Ci card, a total of 58 words, up and down each three flat rhyme, a rhyme to the end, after a piece of five words need to be antithesis. The lyrics are: Zhongping Pingze Ze, Zhongze Ze Pingping, Zhongping Zhongze Pingping. The middle is flat and the middle is flat. The middle level is flat and the middle is flat. The middle is flat and the middle is flat.
Yu Lan Gan Ci Pai Meters
There are different situations in the rhythm of Yu Lan Gan Ci Pai. One was a double-toned fifty-six-word poem, with four sentences in the front and back, and three rhymes, just like Du Anshi's poem. The meter was: Ping Ze Ping Ze (rhyme), Ze Ze Ping Ze (rhyme), Ping Ze Ze Ping Ze, Ping Ze, Ze Ping Ze (rhyme); Ze Ping Ze Ping Ze (rhyme), Ze Ping Ze, Ping Ze Ping Ze (rhyme), Ze Ping Ze, Ping Ze (rhyme). There was also a kind of double-tone 46-word rhythm, the first six sentences had two oblique rhymes and two flat rhymes, and the last six sentences had three oblique rhymes and two flat rhymes, represented by Ouyang Jiong's Geng Lou Zi Yu Lan Gan.
Magpie Bridge Immortal Ci Pai Meters and Forms
Magpie Bridge Immortal takes Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body, its meter is fifty-six words in double tone, five sentences in front and back, and two rhyme. The formal meter is: Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. There are also fifty-six words in double tone, five sentences in front and five sentences in two sentences. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
Echo Music Ci Pai
Echo Music, also known as "Echo Ci", was originally the name of Tang Jiaofang, but later developed into the name of Ci tune. Zhu Rong of the Northern Wei Dynasty once sang "Echo Music" with his left and right hands. The lyrics were lost for a long time, and the tune entered Daqu in the Tang Dynasty. There were two monotonous sentences, both of which had 24 words. The first sentence used the words "Back to Boer". Except for the third sentence, the other sentences were all rhymed. One was flat rhyme, and the other was flat rhyme. His representative works include Li Jingbo's "Echo Music·Wine Cup when Returning to Boer" in Tang Dynasty. According to records, during the Jinglong years, Emperor Zhongzong of Tang Dynasty once visited Xingqing Pool. The banquet attendants raised their drums and sang "Echo Ci." Li Jingbo also danced and wrote lyrics to the matter. "Echo" is a Shangdiao song, which was composed by Emperor Zhongzong of Tang Dynasty. It probably originated from Qushui to drain the wine cup, and later became a dance song."Jiaofang Ji" called it soft dance. In terms of meter, the first meter is monotonous, with twenty-four words, four sentences and three flat rhymes, represented by Li Jingbo's Echo Music·Hui Boer Shi Wine Cup; The second meter is monotonous, with twenty-four words, four sentences and three zonal rhymes, represented by Pei Tan's Echo Music·Hui Boer Shi Kaolao. The atmosphere of the Tang Dynasty began to develop, and there was still the meaning of the ancient Yuefu, which was often not restrained. The existing Tang Ci are all six-character quatrains.
Pipa Immortal Ci Pai
Pipa Immortal was the name of the Ci Pai, which was originally Jiang Baishi's self-tune. Double tone, 100 words. The first film has eleven sentences and four tones, and the second film has eight sentences and four tones. Jiang Kui's "Pipa Immortal·When the Double Oars Come" is a relatively famous Ci under this Ci card. In addition, Yang Kuisheng's Pipa Immortal·Mr. Tao Fuxiang's Liang's Title "Guest Boat Ci Painting" in the Qing Dynasty and Ye Dazhuang's Pipa Immortal·Orange Creek Night Mooring in the Qing Dynasty also adopted this Ci tile.