A Glance of Ci Pai Names
The following are some of the names of Ci tablets: Sandianzi, Ru Meng Ling, Nian Nujiao, Yi Jiangnan, Qin Yuan Chun, Chang Xiang Si, Po Zai Zi, Yangzhou Man, Magpie Bridge Immortal, Huanxi Sha, Sheng Sheng Man, Shui Diao Ge Tou, Yong Yu Le, Xijiang Moon, Sapphire Case, Yu Lin Ling, Yu Mei Ren, Su Mu Zhe, Zui Hua Yin, Nan Xiang Zi, Qing Ping Le, Dong Tian Chun, Cai Sang Zi, Bodhisattva Man, Yu Ge Zi, etc.
Common knowledge of Ci and Pai names
Ci Pai, also known as Ci Ge, was the name of the tune used to fill in lyrics. Ci was originally sung with a song. The melody and rhythm of the song were the tune of the song. Between the words and the tune, the tune was made according to the words or the words were filled according to the tune. The tune was called Ci Pai. After the Song Dynasty, Ci was mainly written according to the tune, and Ci tablets had nothing to do with the content of Ci. When Ci completely separated from the tune, Ci tablets became a fixed form of the structure of words and phonology. There were many common names of Ci, such as "Dream Order","Nian Nujiao","Recalling Jiangnan","Spring in Qin Garden","Everlasting Lovesickness","Broken Enchantment", etc. Different Ci tablets had different word count and tone requirements. For example, Huatangchun, also known as Huatangchun Ling and Wanfeng Zancui, took Qin Guan's Huatangchun·Luohongpu Path Level Pool as the main style, with 47 words in double tone, four sentences in the front and four sentences in the back. Sandianzi had 67 words in double tone, nine sentences in the front and nine sentences in the back. There were many famous works under some of them, such as Qin Guan's " The Golden Wind and Jade Dew Meet Each Other and Surpass the Countless in the World " in " The Magpie Bridge Immortal " and Yan Shu's " The Helpless Flowers Fall, and the Swallows Return from Deja Vaguely " in " Huanxi Sand ". Some of the names had other names, such as "Song of the Phoenix Flute", also known as "Song of the Phoenix Tower" and "Fragrant Grass".
What are the names of Ci and Pai in ancient China?
In ancient China, there were many Ci and Pai names. 1 Quiet Night Thoughts: This is one of the representative works of the Tang Dynasty poet Li Bai and one of the most commonly used Ci names. 2. Wuyi Alley: One of the works of the Tang Dynasty poet Liu Yuxi described an ancient alley. 3. Jiangnan Music: One of the representative works of Su Shi, a poet of the Song Dynasty, described the natural scenery and beautiful life of Jiangnan. 4. Moon in the West River: One of the representative works of the Song Dynasty poet, Xin Qiji, depicted a city under the night sky. 5. Huanxi Sand: One of the representative works of the Tang Dynasty poet Bai Juyi described the scene of a woman in Huanxi Sand. 6. Bodhisattva Man: One of the representative works of Wei Zhuang, a poet of the Tang Dynasty, depicted the charming posture of a woman. 7. Difficulty on the Road: One of the representative works of the Tang Dynasty poet Li Bai depicted the scene of a person encountering setbacks on the road. 8. Qingping Music: One of the representative works of Xin Qiji, a poet of the Song Dynasty, depicted a cheerful and harmonious scene. [9. The Dream: One of the representative works of Li Qingzhao, a poet of the Song Dynasty, depicted the charming image of a woman.] One of the representative works of the Tang Dynasty poet Zhang Yanghao depicted the rise and fall of a dynasty that walked out of history.
What are the commonly used Ci and Pai names?
Commonly used names include Dream Order, Nian Nujiao, Recalling Jiangnan, Qin Yuan Chun, Long Lovesickness, Broken Array, Feng Xiao Yin (also known as Feng Lou Yin, Fragrant Grass), Shuidiao Ge Tou, Xijiang Yue, Sapphire Case, Bodhisattva Man, Picking Mulberry, Qingping Music, Manjiang Hong, Yu Linling, Butterfly Love Flower, Tasha Xing, Youtou Phoenix, Osmanthus Zhixiang, Fisherman's Ao, Yongyule, Jiangcheng Zi, Water Dragon Song, Dingfeng Wave, Yijian Mei, Shengsheng Man, Huanxi Sand, Magpie Bridge Immortal, Yangzhou Man, etc.
How were the names of ancient Ci and Pai classified?
The ancient names of Ci and Pai were classified according to certain rules. These rules might be different in different eras and regions. Generally speaking, the names of ancient Ci tablets could be classified according to the following methods: 1. Tones classification: The names of ancient Ci tablets were usually classified according to their tones. For example, the "Nian Nujiao" in "Nian Nujiao·Remembering the Ancient Red Cliff" was classified according to the tone of one flat tone and three flat tones. 2. Category of topics: The names of ancient Ci tablets can be categorized according to the theme. For example, Sapphire Case·Yuanxi and Sapphire Case·Hengtang Road are categorized according to the Lantern Festival and the Mid-Autumn Festival. 3. Genre classification: Ancient Ci names can also be classified according to genre. For example,"Shuidiao Getou·When will the bright moon appear" and "Shuidiao Getou·Bingchen Mid-Autumn Festival" are classified according to poetry and Ci. 4. Musical instrument classification: The names of ancient Ci tablets can also be classified according to the classification of musical instruments. For example, Bodhisattva Man·Overlapping Golden Light of the Small Mountain is classified according to the guitar instrument. It should be noted that these classifications are not absolute. Some Ci names may conform to multiple classifications at the same time, and these classifications may be different in different eras and regions.
The names of Ci and Pai are too often cited in the rhythm
There are many kinds of rhythms in Taichang Ci, and the most common one is the double-tone forty-nine-word formal form. The rhyme is four sentences in the front and three sentences in the back. The specific rhythmic comparison example words: (Ping) Ping (Ze) Ze Ze Ping,(Ze) Ze Ze Ping. (Ze) Ze Ze Ping Ping,(Ze) Ze Ping. (Ze) Ping (Ping) Ze,(Ze) Ping (Ping) Ze,(Ze) Ping (Ping) Ze. (Ze) Ze Ze Ping Ping,(Ze) Ze Ping. There was also a variant of the double-tone fifty-word, whose meter was four sentences in the first paragraph and three sentences in the second paragraph. The second sentence of the first paragraph was six words, which was different from the original.
337 Ci Pai Meters
In Song Ci, the 337 form was more common. For example, the style of the Ci poems in " Chang Xiang Si " was more typical. Its format was " Ze Ze Ping, Ze Ze Ping, Ping Ze Ping, Ping Ze Ze Ping." Ze Ping Ping, Ze Ping Ping, Ze Ping Ze Ping, Zhong Ping Zhong Ze Ping ", like Lin Bu's" Wu Shan Qing, Yue Shan Qing, the two sides of the green mountains to send off. How can we bear to part? The king's tears are full, the concubine's tears are full, and the knot of the same heart is not formed. The tide by the river has leveled "followed this format. There was also the last line of Zhang Xian's Fairy of Heaven," The wind is uncertain, people are quiet at first, tomorrow's falling red should fill the path ", and Li Qingzhao's " Parcolin Sky "," Autumn is over, the days are still long, Zhongxuan is more desolate. It's better to get drunk before the branch, don't let the east fence chrysanthemum yellow "also reflected the sentence pattern of 337. In addition, the poem Gui Dian Qiu, the sentence pattern is 3375, 3375, the first and second half of each 18 words, a total of 36 words, the first and second half of each four sentences, with a four-level rhyme, such as "Autumn in the moon." Red banners and green banners descend from the palace. The peaches of immortality have already formed the dew of the Jade Pool, and the laurel seeds have just opened the wind of the Jade Palace."
What are the names of Ci and Pai that I learned in primary school?
The names of the Ci poems he learned in primary school included Recalling Jiangnan, Fisherman's Song, Changyangsi, Xijiang Moon, Bodhisattva Man, Bu Suanzi, Qingpingle, Huanxi Sand, and Ru Meng Ling.
Echo Music Ci Pai
Echo Music, also known as "Echo Ci", was originally the name of Tang Jiaofang, but later developed into the name of Ci tune. Zhu Rong of the Northern Wei Dynasty once sang "Echo Music" with his left and right hands. The lyrics were lost for a long time, and the tune entered Daqu in the Tang Dynasty. There were two monotonous sentences, both of which had 24 words. The first sentence used the words "Back to Boer". Except for the third sentence, the other sentences were all rhymed. One was flat rhyme, and the other was flat rhyme. His representative works include Li Jingbo's "Echo Music·Wine Cup when Returning to Boer" in Tang Dynasty. According to records, during the Jinglong years, Emperor Zhongzong of Tang Dynasty once visited Xingqing Pool. The banquet attendants raised their drums and sang "Echo Ci." Li Jingbo also danced and wrote lyrics to the matter. "Echo" is a Shangdiao song, which was composed by Emperor Zhongzong of Tang Dynasty. It probably originated from Qushui to drain the wine cup, and later became a dance song."Jiaofang Ji" called it soft dance. In terms of meter, the first meter is monotonous, with twenty-four words, four sentences and three flat rhymes, represented by Li Jingbo's Echo Music·Hui Boer Shi Wine Cup; The second meter is monotonous, with twenty-four words, four sentences and three zonal rhymes, represented by Pei Tan's Echo Music·Hui Boer Shi Kaolao. The atmosphere of the Tang Dynasty began to develop, and there was still the meaning of the ancient Yuefu, which was often not restrained. The existing Tang Ci are all six-character quatrains.
Pipa Immortal Ci Pai
Pipa Immortal was the name of the Ci Pai, which was originally Jiang Baishi's self-tune. Double tone, 100 words. The first film has eleven sentences and four tones, and the second film has eight sentences and four tones. Jiang Kui's "Pipa Immortal·When the Double Oars Come" is a relatively famous Ci under this Ci card. In addition, Yang Kuisheng's Pipa Immortal·Mr. Tao Fuxiang's Liang's Title "Guest Boat Ci Painting" in the Qing Dynasty and Ye Dazhuang's Pipa Immortal·Orange Creek Night Mooring in the Qing Dynasty also adopted this Ci tile.
The Meaning and Name of Ci Pai
The name of a Ci tile was a name for a tune. It had a fixed rhythm and format. Once it was fixed, the rhythm and rhythm of the Ci would also be determined. There were many ways to name Ci tablets. Some of the names had historical allusions. For example, the original name of "Looking at Jiangnan" was Xie Qiuniang, which was written by Li Deyu for the dead prostitute Xie Qiuniang. Later, it was renamed because Bai Juyi's poem had "no memory of Jiangnan". Some of the names were taken from a certain phrase of their predecessors, while others were just elegant terms. In addition, the same format may have several Ci names, which may be due to different names; there are also cases where several forms share a Ci name, which is because they are several variations of the same format. There were a large number of Ci tablets, about 870 (including a few Jin and Yuan Ci tunes), and a total of more than 1,000 Ci forms (these forms were called Ci scores).