100 Common Ci Pai
The following are some common Ci poems: Yu Meiren, Su Muzhe, Zuihuayin, Nanxiangzi, Niannujiao, Tianxianzi, Huitoufeng, Langtaosha, Yujia Ao, Tasha Xing, Linjiang Xian, Ruan Langgui, Ru Meng Ling, Qinyuanchun, Changyangsi, Broken Array, Recalling Qin E, Butterfly Love Flower, Cave Immortal Song. These Ci poems were often used in the works of many ancient Ci writers, and they had their own specific meter, word count, tone and rhyme requirements. For example, Yu Meiren was originally a song of Tang Jiaofang, which first sang about Xiang Yu's favorite concubine Yu Meiren, and Niannu Jiao originated from the famous singing prostitute Niannu during the Tianbao period of Tang Dynasty. However, it was far from enough to list these 100 examples. It was difficult to list all 100 common Ci Pai at once.
Common knowledge of Ci and Pai names
Ci Pai, also known as Ci Ge, was the name of the tune used to fill in lyrics. Ci was originally sung with a song. The melody and rhythm of the song were the tune of the song. Between the words and the tune, the tune was made according to the words or the words were filled according to the tune. The tune was called Ci Pai. After the Song Dynasty, Ci was mainly written according to the tune, and Ci tablets had nothing to do with the content of Ci. When Ci completely separated from the tune, Ci tablets became a fixed form of the structure of words and phonology. There were many common names of Ci, such as "Dream Order","Nian Nujiao","Recalling Jiangnan","Spring in Qin Garden","Everlasting Lovesickness","Broken Enchantment", etc. Different Ci tablets had different word count and tone requirements. For example, Huatangchun, also known as Huatangchun Ling and Wanfeng Zancui, took Qin Guan's Huatangchun·Luohongpu Path Level Pool as the main style, with 47 words in double tone, four sentences in the front and four sentences in the back. Sandianzi had 67 words in double tone, nine sentences in the front and nine sentences in the back. There were many famous works under some of them, such as Qin Guan's " The Golden Wind and Jade Dew Meet Each Other and Surpass the Countless in the World " in " The Magpie Bridge Immortal " and Yan Shu's " The Helpless Flowers Fall, and the Swallows Return from Deja Vaguely " in " Huanxi Sand ". Some of the names had other names, such as "Song of the Phoenix Flute", also known as "Song of the Phoenix Tower" and "Fragrant Grass".
List of Common Ci, Pai, Meters and Rhythms
The following are some of the common rhythms of Ci: ** 1."Immortal of Magpie Bridge"** The formal meter is: Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. ** 2. Like a Dream ** The tone is monotonous thirty-three words, five zonal rhymes, one alliteration, up to the general charge. The format of the Ci card: Ze (Ze) Ze (Ze) Ping Ze, Ze (Ze) Ping Ze. And they were all flat and flat. And he was in the midst of a storm, and he was in the midst of a storm. ** 3. Crow Crying at Night (also known as "Happy Meeting,""Autumn Night Moon,""Climbing the West Tower")** Two-tone thirty-six words, the first three flat rhyme, the second two flat rhyme, two flat rhyme. The format of the poem: flat (flat) flat (flat) flat, flat. (Ze) Ze (Ping) Ping Ze, Ze Ping Ping. (Ze)(Ping) Ze,(Ze)(Ping) Ze,(Ping) Ze. (Ze) Ze (Ping) Ping Ze, Ze Ping Ping. ** 4.<<Everlasting Lovesickness>>(also known as <<Everlasting Lovesickness Order><Lovesickness Order><Wu Shanqing>>)** Two-tone thirty-six words, before and after the same format, each three flat rhyme, a alliteration, a rhyme to the end. The format of the poem: Ze Ze Ping, Ze Ze Ping, Ze Ping, Ze Ping. Ze Ping Ping, Ze Ping Ping, Ze Ping, Zhong Ping Zhong Ze Ping. ** 5.<Sheng Zha Zi>(also known as <Chu Yunshen>)** Two-tone 40 words, before and after the same format, each with two tones, on the pass. The format of the Ci card is: flat, flat, and flat. And they were all flat and flat. [The sky is flat, and the sky is flat.] And they were all flat and flat. ** 6. Red Lips (also known as Cherry, Eighteen Fragrance, Nanpu Moon, Shatou Rain, and Yaocao)** Double-tone, the first piece of four sentences, the second piece of five sentences, the second piece of four sentences, the second piece of five sentences, the second piece of four sentences, the second piece of five sentences, The format of the Ci card: Ze flat, Ze flat, Ze flat. (Ze) Ping (Ping) Ze,(Ping) Ping Ze. ** 7. Qingping Music ** [This reference doesn't give a specific rhythm, so it's not listed yet.] ** 8. Moon on the West River ** [The reference here does not give the specific meter, so it is not listed for the time being.] Different Ci tablets had different requirements in terms of word count, tone, rhyme and other rhythms, which needed to be followed in the creation of Ci.
337 Ci Pai Meters
In Song Ci, the 337 form was more common. For example, the style of the Ci poems in " Chang Xiang Si " was more typical. Its format was " Ze Ze Ping, Ze Ze Ping, Ping Ze Ping, Ping Ze Ze Ping." Ze Ping Ping, Ze Ping Ping, Ze Ping Ze Ping, Zhong Ping Zhong Ze Ping ", like Lin Bu's" Wu Shan Qing, Yue Shan Qing, the two sides of the green mountains to send off. How can we bear to part? The king's tears are full, the concubine's tears are full, and the knot of the same heart is not formed. The tide by the river has leveled "followed this format. There was also the last line of Zhang Xian's Fairy of Heaven," The wind is uncertain, people are quiet at first, tomorrow's falling red should fill the path ", and Li Qingzhao's " Parcolin Sky "," Autumn is over, the days are still long, Zhongxuan is more desolate. It's better to get drunk before the branch, don't let the east fence chrysanthemum yellow "also reflected the sentence pattern of 337. In addition, the poem Gui Dian Qiu, the sentence pattern is 3375, 3375, the first and second half of each 18 words, a total of 36 words, the first and second half of each four sentences, with a four-level rhyme, such as "Autumn in the moon." Red banners and green banners descend from the palace. The peaches of immortality have already formed the dew of the Jade Pool, and the laurel seeds have just opened the wind of the Jade Palace."
Fanlanzhou Ci Ci and Pai Meters
Fanlanzhou tune can be found in "Plum Garden," and the previous "New Lotus Leaf" alias "Fanlanzhou" flat rhyme word is different. The rhythm is eighty-three words in double tone, with eight sentences in the first paragraph and three rhymes in the second paragraph. The lyrics are written according to the anonymous writer's "Pan Lan Zhou·Frost Moon Pavilion Season." The rhythm of his words is: Frost moon, pavilion season, wild stream open ice. The old friend's letter was handed over to the south of the Yangtze River. Who can I rely on when I return? Cold shadow low horizontal, light fragrance dark degree, sparse fence secluded courtyard. Ping Ze, ping Ze, ping Ze. It's flat, it's flat, it's flat. Ping Ze Ping Ze, Ping Ze Ping Ze, Ping Ze Ping Ze. where are you in Qin Tower and Zhu Pavilion? flat tones, flat tones, flat tones. It is said that the curtain carrying wine, together to see the new poetry drunk, more worthy of elegant light, a kind of natural, like snow decorated with thin smoke. Heartbroken to meet, hand twist twigs, recall the muddy like. It was flat, it was flat, it was flat. It's all flat, flat, flat. Ping Ze Ping Ze, Ping Ze Ping Ze, Ping Ze Ping Ze. The man dressed lightly and combed his hair. the pitch is flat, the pitch is flat.
Shi Zhou Ci Ci Pai Meters
Shizhou cited the rhythm of Ci tablets to He Zhu's "Shizhou Man·Bo Yu Shou Han" as the contrast rhythm, double-tone 102 words, the first paragraph of the four-tone rhyme, the latter paragraph of the five-tone rhyme. There are also other variations, such as double-tone 102 words, the first ten sentences with four tones, the last eleven sentences with five tones, etc.
Huaqing Ci Ci Pai Metre Detection
Hua Qing cited it as a double-tone, forty-five words. There are four sentences in the front and back, and the first, second and fourth sentences rhyme with flat rhyme. The lyrics are: Ping Ping Ze Ping Ze ❮ Ze-Ze Ping (Ping) Ze ❯ Ping Ze, Ze-Ping Ze ❮ Ping Ze Ping Ze ❯ Ze-Ze Ping (Ping) Ze ❯ Ping Ze, Ze-Ping Ze ❯
Wangxian School Ci Pai
"Wangxian Gate" is the name of Ci, which can be found in Yan Shu's "Pearl Jade Ci." With his "Wangxian Gate·Jade Pool Wave Blue Like Scales" as the main style, with 46 words in double tone, four sentences in the front section with four flat rhymes, five sentences in the back section with three flat rhymes and one alliteration, there are also variations such as "Wangxian Gate·Crape Myrtle Branch Lu Huannong." Immortal Gate referred to the gate of the Imperial Palace. The name of the tune was taken from Yan Shu's Ci of the Northern Song Dynasty. Because there was a sentence in the Ci that said,"I am indebted to you, and I sing together to look at the Immortal Gate," the original meaning of the name was to sing the ministers looking at the gate of the Imperial Palace. Yan Shu wrote three poems.
A Glance of Ci Pai Names
The following are some of the names of Ci tablets: Sandianzi, Ru Meng Ling, Nian Nujiao, Yi Jiangnan, Qin Yuan Chun, Chang Xiang Si, Po Zai Zi, Yangzhou Man, Magpie Bridge Immortal, Huanxi Sha, Sheng Sheng Man, Shui Diao Ge Tou, Yong Yu Le, Xijiang Moon, Sapphire Case, Yu Lin Ling, Yu Mei Ren, Su Mu Zhe, Zui Hua Yin, Nan Xiang Zi, Qing Ping Le, Dong Tian Chun, Cai Sang Zi, Bodhisattva Man, Yu Ge Zi, etc.
Qingping Music Ci Pai
Qingping Music was originally the name of the Tang Dynasty's Jiaofang, and later used as the name of the Ci. It was also known as "Qingping Music Order","Drunken East Wind","Recalling Luo Yue", etc. This tune is composed of eight sentences and forty-six words in double tones, with four zonal rhymes in the front and three flat rhymes in the back. "History of Song·Music Annals" classified it as "Dashi Diao","Golden Casket Collection" and "Movement Collection" merged it into "Yue Diao", usually based on Li Yu's Ci. The name of the tune is usually thought to be named after the two tunes of Han Yuefu,"Qingyue" and "Pingyue", but there are other explanations. In history, many Ci writers used this tune, such as Yan Shu, Yan Jidao, Huang Tingjian, Xin Qiji, etc., among which Yan Jidao used it most. It began to rise in the Tang Dynasty and became popular in the Song Dynasty. It became a common Ci tune in Song Ci. At the same time, Qingping Music was also the name of a tune, belonging to the Southern Tune.
The rhythm of Ci and Pai in Buhua
Buhua is another name for the Ci card of expressing one's feelings. The rhyme of the poem is as follows: The main style is monotonous, thirty-three words, eleven sentences, five flat rhymes and six flat rhymes, represented by Wen Tingyun's "Venting Love·Yingyu"; Variant 1 is monotonous, thirty-three words, nine sentences, six flat rhymes and two flat rhymes, represented by Wei Zhuang's "Venting Love·Bishui Hongfang Yanyu Jing"; Variant 2 is monotonous, thirty-seven words, nine sentences, six flat rhymes and two flat rhymes, represented by Gu Pao's "Venting Love·Yongye Xiong Ren Where to Go"; The third variation is double-tone, forty-one words, five sentences in the front, four sentences in the back, four sentences in the back, four sentences, four sentences in the There are many people in the Song Dynasty who use this tune, but only forty-four characters are used. This tone of flat rhyme inserted two oblique rhyme, there are many short sentences, very varied.