A Modern Interpretation of Lin Rongsheng's Painting of Resting in the Mountain Stream
Based on the available information, Lin Rongsheng's 'Resting in a Mountain by Creek' was a modern work. In the context of modern art, this work might have a unique artistic expression on the basis of inheriting traditional China landscape painting. China landscape painting had a long history. It matured in the Sui and Tang Dynasties and became the main type of painting after the Song and Yuan Dynasties. The work of the modern painter Lin Rongsheng was created under such a great tradition. It might reflect the characteristics of the times in terms of the layout of the picture, the use of brush and ink, and the creation of artistic conception. Compared with other artists 'works, different artists' techniques could bring different artistic visual effects. Lin Rongsheng's "Resting in the Creek and Mountain Painting" might show the unique landscape scenery and quiet atmosphere under the theme of Resting in the Creek and Mountain through unique painting techniques. Through the unique expression of close-up, mid-range and long-range, it created the artistic conception of seclusion, showing the artistic charm of modern characteristics that inherited the traditional landscape painting.
[Mountain Stream and Clear Distance Painting]
The Painting of Clear Mountains and Streams was the masterpiece of Xia Gui, a famous painter in the Southern Song Dynasty. This painting was a paper ink landscape painting. It was nine meters long and was made up of ten pieces of paper. Other than the first section, which was 25 centimeters long, the other nine sections were about 96 centimeters long. It is now in the collection of the National Palace Museum in Taiwan. In terms of painting style and techniques, Xia Gui used a hard brush as his main painting tool. His strokes were fast, powerful, free, and lively. Parallel strokes were used to describe the movement of leaves in the wind, and the texture of the rock surface was carved with a small axe, adding points, lines, and ink rendering elements to make the rock surface seem to sparkle with sunlight. In the mountain rock texturing method, often first use a water pen light ink sweep dye, take advantage of the wet with thick ink, form "slovenly water texturing". The key points of the tree copying method included using a bald pen center dipped in thick ink to draw the outline of the forest, gently rubbing at the knots, adding light ink along the outline to make the trunk clear, and using a similar "ink accumulation" painting method for the leaves. The painting depicted the magnificent scenery of Jiangnan. There were misty waves, overlapping peaks, scattered boulders, and distant mountains that created a misty atmosphere in Jiangnan. It also showed many elements of the lake and mountain scenery in detail, such as mountains, rocks, trees, pavilions, long bridges, cottages, thatched pavilions, fishing boats, sailing boats, etc. The scenery was varied and the density was appropriate, reflecting the artistic realm of "sparse can gallop a horse, dense but not airtight". The composition was simple, but the image was real and vivid. Xia Gui's landscape was imitated by Li Tang, and he also absorbed the strengths of Fan Kuan, Mi Fu, and Mi Youren to form his own style. He used small corners as the main composition method, which was called "Half Summer". Their painting style was similar to Ma Yuan's. Their paintings were influenced by the local customs and often appeared in the corners of the mountains. Their techniques were born out of Li Tang's. Moreover, their paintings were popular in the Southern Song Dynasty and were loved by the authorities. After they were introduced to Japan, they deeply influenced Japanese painting and formed the Kano School of Painting. In the Yuan Dynasty, although it was criticized by literati and painters, there were also scholars. For example, Wu Zhen, one of the four schools of the Yuan Dynasty, imitated the Xia Gui School of Painting. In addition, there was also a book called " The Great Painting Model of Ancient China Painting School in the Southern Song Dynasty, Four Xiagui Erxi Mountains, Clear and Far Painting ", which was published in July 2012 and could be imitated by painters. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Stream Mountain Watching Spring Painting
There were many paintings called 'Stream Mountain Watching Spring Painting'. One of them was a hand-painted calligraphy and painting from Japan. The size of the heart of the painting was 35×101, and the size of the frame was 44×155. The head of the silk silk was mounted on a wooden frame. It was collected by an old Japanese family. As it was a painting from the middle ages, it was inevitable that there would be problems such as stains and defects. There was also the Painting of Watching the Spring in the Creek Mountain created by Ren Bonian in 1882. The size was 184.1× 45.4 cm. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Stream Mountain Flowing Spring Painting
The Painting of Streams and Springs was a Chinese painting by the Qing Dynasty painter Pu He. It was an album, golden paper, paper, and ink painting. It was 28.3 centimeters long and 28.6 centimeters wide. It was now stored in the Sichuan Province Museum. Sun Yuhua, a member of the Arts Association of the Anhui Province, also had an original Chinese landscape painting called " Stream Mountain Flowing Spring Painting." It size 100 x 50cm and was taken from the painter himself. He promised to keep it true. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Painting Method of the Clear Stream Mountain
There were the following main points in the painting of the Stream Mountain Clear Distance Painting: ** 1. Prepare before copying ** He needed to download the high-definition electronic version of the "Mountain Stream Clear Distance Map" and print it on large pieces of paper (A3, A2). He also needed to prepare a medium-sized inkstone, a Chinese calligraphy brush, red star ink, a cup of clear water, and a piece of folded paper (used to adjust the edge or absorb the moisture of the pen). ** 2. Key Points of Tree Method Imitation ** 1. ** The outline is outlined ** - Use the center of the bald pen dipped in thick ink to draw the outline of the forest. The pen should be stable, the wrist should be empty, the pen strength should be strong and not impatient. - The brush was completely soaked in water before writing. The pen was rolled over the paper to absorb the excess water. The tip of the brush was dipped in a small amount of ink from the tip to the inkstone (about one-third of the tip). 2. ** Knot treatment ** - When the ink was almost used up, he gently rubbed it on the knots of the forest. 3. ** Level Performance ** - A layer of light ink was applied along the outline to make the trunk distinct. 4. ** Leaf Painting ** - He used the "ink accumulation" painting method similar to mountain rocks. First, he dipped the pen in light ink, then dipped the pen tip in thick ink. The ink color gradually faded from thick to light, and gradually withered from wet to dry. The whole tree was green and lively. - The center of the painting tree was mainly used, and the side seams were supplemented. The posture was straight and concise, and the branches were flexible and thick. ** 3. Key Points of Mountain Rock Imitation ** 1. ** Writing characteristics ** - It was a variation of Li Tang's scraping iron and Fan Kuan's watercress, but the strokes were more concise than Fan Kuan's. - The pen must be straightforward and vigorous, intentional and unintentional, and the heart must be serious and not careless. 2. ** The outline is outlined and rubbed ** - The outline of the mountain rock was thick and clear with ink. After drawing the outline, the brush was slightly faster. - The outline of the mountain hook should be rotated between the center and the side. The center could be used when the brush was lifted, and the side could be used when the brush was moved, and vice versa. In addition, from the perspective of the creative process: 1. ** Overall layout description ** - With heavy ink, I painted the trees near the river bank and the stone slope. - Use heavy ink to draw a small bridge, rub out the stone. - A little lighter ink painted the houses on the opposite bank and the distant mountains and slopes. 2. ** Color rendering ** - The flowers were green and Kato's yellow was mixed into green to dye the trees. - The bridge was painted in ochre, and the dark parts were dyed in indigo and light ink. - The distant mountains were painted in a floral blue with a little bit of ethereal red, and the reflection in the water was also this color. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The painting of the stream stone
The Painting of Streams and Rocks was a traditional Chinese painting by Chen Hongshou, a Chinese artist from the Ming Dynasty. It was one of the best paintings in the Collection of Various Paintings, which had eight pages. The painting was painted on silk, 30.2 cm in length and 25.1 cm in width. It is now in the Palace Museum in Beijing.
Painting of Mud Mountain
I can't provide any relevant help. You can try to provide other topics, and I'll try my best to answer them for you. While waiting for the TV series, you can also click on the link below to read the original work of " Little Fox Demon Matchmaker " to understand the plot in advance!
Painting of Mud Mountain
Tushan Rong Rong, also known as Tushan's Second Master, was a character in the Chinese manga " Little Fox Demon Matchmaker " and its derivative works. Liu Xiaoyu was the voice actor. She was the second-in-command of the Tushan fox monster clan. She was good at calculating and scheming. Her real identity was Tushan Yaya's sister. Her image was usually depicted as a woman wearing a blue ancient costume and a white hairpin. She had a beautiful face and an elegant temperament. In the manga, Tushan Rong Rong's style was delicate and fresh. Her face and clothes were drawn very exquisitely, showing her elegant temperament and beautiful image. At the same time, the manga also showed her intelligence and deep scheming through her words, actions, and demeanor, making her a character that was deeply loved by readers. Waiting too long for the TV series? Then click on the link below to read the original novel and understand the relevant plot in advance!
Painting of Mud Mountain
Is there a better novel than "Resting in the Sun on Green Mountain"?
Over the mountain stream
Crossing the Mountain Stream was a poem from Xin Qiji's "The River is Red, River Travel and Yang Jiweng Rhyme". This poem described the scenery of the mountains and streams that the poet saw on his journey along the river, as well as his memories and emotions of the past. To be specific, the mountains and streams that the poet saw during his journey were all familiar, as if he had traveled all over Jiangnan and Jiangbei in his dream. This poem expressed the poet's nostalgia for the past and his feelings for the flow of time.