Stream Mountain and Spring Painting
The author of the painting was Li Yuezhen. It was created in 2015. The size was 180cm x 98cm, and the material was colored paper. Li Yuezhen had mastered the landscape brush technique. When he created the Painting of Creek Mountain and Spring, he could handle every line just right and organize it strictly. From the beginning to the end, not a single line became a stray soldier. In addition, there was also the Painting of Creek Mountain and Spring II, which was created in 2021. It size 160cm x 150cm and was also made of colored paper. Ou Aichun also had a work called " Stream Mountain Singing Spring," which size 180 90cm. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Stream Mountain Watching Spring Painting
There were many paintings called 'Stream Mountain Watching Spring Painting'. One of them was a hand-painted calligraphy and painting from Japan. The size of the heart of the painting was 35×101, and the size of the frame was 44×155. The head of the silk silk was mounted on a wooden frame. It was collected by an old Japanese family. As it was a painting from the middle ages, it was inevitable that there would be problems such as stains and defects. There was also the Painting of Watching the Spring in the Creek Mountain created by Ren Bonian in 1882. The size was 184.1× 45.4 cm. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Stream Mountain Flowing Spring Painting
The Painting of Streams and Springs was a Chinese painting by the Qing Dynasty painter Pu He. It was an album, golden paper, paper, and ink painting. It was 28.3 centimeters long and 28.6 centimeters wide. It was now stored in the Sichuan Province Museum. Sun Yuhua, a member of the Arts Association of the Anhui Province, also had an original Chinese landscape painting called " Stream Mountain Flowing Spring Painting." It size 100 x 50cm and was taken from the painter himself. He promised to keep it true. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
[Mountain Stream and Clear Distance Painting]
The Painting of Clear Mountains and Streams was the masterpiece of Xia Gui, a famous painter in the Southern Song Dynasty. This painting was a paper ink landscape painting. It was nine meters long and was made up of ten pieces of paper. Other than the first section, which was 25 centimeters long, the other nine sections were about 96 centimeters long. It is now in the collection of the National Palace Museum in Taiwan. In terms of painting style and techniques, Xia Gui used a hard brush as his main painting tool. His strokes were fast, powerful, free, and lively. Parallel strokes were used to describe the movement of leaves in the wind, and the texture of the rock surface was carved with a small axe, adding points, lines, and ink rendering elements to make the rock surface seem to sparkle with sunlight. In the mountain rock texturing method, often first use a water pen light ink sweep dye, take advantage of the wet with thick ink, form "slovenly water texturing". The key points of the tree copying method included using a bald pen center dipped in thick ink to draw the outline of the forest, gently rubbing at the knots, adding light ink along the outline to make the trunk clear, and using a similar "ink accumulation" painting method for the leaves. The painting depicted the magnificent scenery of Jiangnan. There were misty waves, overlapping peaks, scattered boulders, and distant mountains that created a misty atmosphere in Jiangnan. It also showed many elements of the lake and mountain scenery in detail, such as mountains, rocks, trees, pavilions, long bridges, cottages, thatched pavilions, fishing boats, sailing boats, etc. The scenery was varied and the density was appropriate, reflecting the artistic realm of "sparse can gallop a horse, dense but not airtight". The composition was simple, but the image was real and vivid. Xia Gui's landscape was imitated by Li Tang, and he also absorbed the strengths of Fan Kuan, Mi Fu, and Mi Youren to form his own style. He used small corners as the main composition method, which was called "Half Summer". Their painting style was similar to Ma Yuan's. Their paintings were influenced by the local customs and often appeared in the corners of the mountains. Their techniques were born out of Li Tang's. Moreover, their paintings were popular in the Southern Song Dynasty and were loved by the authorities. After they were introduced to Japan, they deeply influenced Japanese painting and formed the Kano School of Painting. In the Yuan Dynasty, although it was criticized by literati and painters, there were also scholars. For example, Wu Zhen, one of the four schools of the Yuan Dynasty, imitated the Xia Gui School of Painting. In addition, there was also a book called " The Great Painting Model of Ancient China Painting School in the Southern Song Dynasty, Four Xiagui Erxi Mountains, Clear and Far Painting ", which was published in July 2012 and could be imitated by painters. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Painting Method of the Clear Stream Mountain
There were the following main points in the painting of the Stream Mountain Clear Distance Painting: ** 1. Prepare before copying ** He needed to download the high-definition electronic version of the "Mountain Stream Clear Distance Map" and print it on large pieces of paper (A3, A2). He also needed to prepare a medium-sized inkstone, a Chinese calligraphy brush, red star ink, a cup of clear water, and a piece of folded paper (used to adjust the edge or absorb the moisture of the pen). ** 2. Key Points of Tree Method Imitation ** 1. ** The outline is outlined ** - Use the center of the bald pen dipped in thick ink to draw the outline of the forest. The pen should be stable, the wrist should be empty, the pen strength should be strong and not impatient. - The brush was completely soaked in water before writing. The pen was rolled over the paper to absorb the excess water. The tip of the brush was dipped in a small amount of ink from the tip to the inkstone (about one-third of the tip). 2. ** Knot treatment ** - When the ink was almost used up, he gently rubbed it on the knots of the forest. 3. ** Level Performance ** - A layer of light ink was applied along the outline to make the trunk distinct. 4. ** Leaf Painting ** - He used the "ink accumulation" painting method similar to mountain rocks. First, he dipped the pen in light ink, then dipped the pen tip in thick ink. The ink color gradually faded from thick to light, and gradually withered from wet to dry. The whole tree was green and lively. - The center of the painting tree was mainly used, and the side seams were supplemented. The posture was straight and concise, and the branches were flexible and thick. ** 3. Key Points of Mountain Rock Imitation ** 1. ** Writing characteristics ** - It was a variation of Li Tang's scraping iron and Fan Kuan's watercress, but the strokes were more concise than Fan Kuan's. - The pen must be straightforward and vigorous, intentional and unintentional, and the heart must be serious and not careless. 2. ** The outline is outlined and rubbed ** - The outline of the mountain rock was thick and clear with ink. After drawing the outline, the brush was slightly faster. - The outline of the mountain hook should be rotated between the center and the side. The center could be used when the brush was lifted, and the side could be used when the brush was moved, and vice versa. In addition, from the perspective of the creative process: 1. ** Overall layout description ** - With heavy ink, I painted the trees near the river bank and the stone slope. - Use heavy ink to draw a small bridge, rub out the stone. - A little lighter ink painted the houses on the opposite bank and the distant mountains and slopes. 2. ** Color rendering ** - The flowers were green and Kato's yellow was mixed into green to dye the trees. - The bridge was painted in ochre, and the dark parts were dyed in indigo and light ink. - The distant mountains were painted in a floral blue with a little bit of ethereal red, and the reflection in the water was also this color. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Spring Painting of Rich Residence Mountain
You might want to ask about the plot of the movie 'Residence in Fuchun Mountain'. The movie, Tianji: Residence in Fuchun Mountain, was about the famous painting of China Yuan Dynasty, Residence in Fuchun Mountain, which was about to be exhibited in the National Palace Museum in Taiwan. The China secret agents, Japanese gangsters, and British thieves fought for the treasure to protect and compete for the painting. The specific plot included that the Japanese cultural relic smuggling leader, Yamamoto Toshio (played by Tong Dawei), was eyeing the painting, while the China Empress Dowager (played by Siqin Gawa) and cultural relic merchants from Europe and the United States were also waiting for an opportunity to move. Hong Kong Police Department's overseas anti-smuggling agent Xiao Jinhan (Andy Liu) proved his innocence and returned to the Jianghu. He secretly carried out the protection plan and joined forces with the mysterious woman Wang Xueqing (Lin Zhiling) to fight fiercely with the smuggling gang led by Yamamoto around the world. In the meantime, the character played by Lin Chi-ling also had another undercover identity, which made the mission full of twists and turns. In the end, with the help of others, Xiao Jinhan successfully defeated Yamamoto Toshio and took back the painting. In terms of the story of the painting itself, it was created by Huang Gongwang, and the Useless Zen Master was the first to collect it. Later, it experienced twists and turns in the process of historical circulation, such as being burned into two pieces by fire, divided into "The Painting of the Remaining Mountain" and "Useless Master Scroll." Its original work was also misjudged in the circulation. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Wang Shen's Painting of Mountain Stream in Autumn
The Painting of Mountain Stream in Autumn was painted by Wang Shen of the Northern Song Dynasty. It was painted on silk with a light color. It was 45.2 cm in length and 206 cm in width. It is now stored in the Fleur Art Museum in Washington, USA. This painting is a long scroll depicting the countryside scenery after the rain in autumn. In the picture, the mountains rose and fell layer by layer, and the river was vast and boundless. The trees nearby became greener after the rain, and the grass houses were hidden in the woods by the river. Several ridges could be seen in the mountains. The mountains in the distance were even more charming in the clouds. The scenery in the scroll was ever-changing. Sometimes two mountains stood side by side, and the wild water meandered. Sometimes, there were endless layers of rocks and peaks. Sometimes, the river was vast and boundless. There were also high-ranking people and fishermen among them, reflecting the leisure life. Wang Shen, also known as Jin Qing, was good at painting mountains and rivers. He studied under Wang Wei and Li Cheng. His painting style was clear and elegant. With a sharp pen tip, the layout of the painting was orderly and the artistic conception was beautiful. It met the aesthetic requirements of the Song Dynasty for the landscape to be both scenic and habitable. His surviving works include "Snow Painting of Fishing Village" and "Painting of Yanjiang Mountain".
Blue-and-white painting of a rich spring mountain residence
The blue-and-white painting of the Fuchun Mountain Residence might be referring to the blue-and-white porcelain collection that was created based on the painting. In order to commemorate the first anniversary of "Residence in Fuchun Mountain", the blue-and-white porcelain collection of "Residence in Fuchun Mountain" was jointly created by China arts and crafts masters Wang Huaijun and Wang Huaimin. Ms. Ye Peilan, a researcher of the Palace Museum, was specially invited to supervise the whole process. There was also a hand-painted blue-and-white porcelain bracelet with a painting of a rich spring mountain residence. The porcelain was transparent and warm. The hand-painted bracelet had been fired at a high temperature of 1850 degrees. It was painted with fine brush strokes of mountains and rivers. These works combined the painting of "Residence in Fuchun Mountain" with the blue and white art, which was the embodiment of the fusion of art and culture. "Residence in Fuchun Mountain" was a paper ink painting created by Huang Gongwang of the Yuan Dynasty. It was one of the top ten famous paintings in China. After several circulation, it was divided into two sections by fire. The first half of the remaining mountain painting is now stored in the Zhejiang Province Museum, and the second half is stored in the National Palace Museum in Taiwan. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
The Painting of Pu Ru Visiting Friends in Spring Mountain
Pu Ru's Painting of Visiting Friends in Spring Mountain was one of the many famous artists 'works depicting the theme of Spring Mountain. Spring mountains were often filled with hope and vitality in paintings. Artists often expressed the theme of spring mountains through the description and coloring of trees and rocks. In ancient paintings, many artists had created paintings related to the Painting of Visiting Friends in Spring Mountain. Pu Ru's work was also a creation of this traditional painting theme. However, the reference materials did not have a more detailed explanation of the painting style and artistic features of Pu Ru's Painting of Visiting Friends in Spring Mountain. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
A Modern Interpretation of Lin Rongsheng's Painting of Resting in the Mountain Stream
Based on the available information, Lin Rongsheng's 'Resting in a Mountain by Creek' was a modern work. In the context of modern art, this work might have a unique artistic expression on the basis of inheriting traditional China landscape painting. China landscape painting had a long history. It matured in the Sui and Tang Dynasties and became the main type of painting after the Song and Yuan Dynasties. The work of the modern painter Lin Rongsheng was created under such a great tradition. It might reflect the characteristics of the times in terms of the layout of the picture, the use of brush and ink, and the creation of artistic conception. Compared with other artists 'works, different artists' techniques could bring different artistic visual effects. Lin Rongsheng's "Resting in the Creek and Mountain Painting" might show the unique landscape scenery and quiet atmosphere under the theme of Resting in the Creek and Mountain through unique painting techniques. Through the unique expression of close-up, mid-range and long-range, it created the artistic conception of seclusion, showing the artistic charm of modern characteristics that inherited the traditional landscape painting.
The painting of the stream stone
The Painting of Streams and Rocks was a traditional Chinese painting by Chen Hongshou, a Chinese artist from the Ming Dynasty. It was one of the best paintings in the Collection of Various Paintings, which had eight pages. The painting was painted on silk, 30.2 cm in length and 25.1 cm in width. It is now in the Palace Museum in Beijing.