Wang Shen's Painting of Mountain Stream in Autumn
The Painting of Mountain Stream in Autumn was painted by Wang Shen of the Northern Song Dynasty. It was painted on silk with a light color. It was 45.2 cm in length and 206 cm in width. It is now stored in the Fleur Art Museum in Washington, USA. This painting is a long scroll depicting the countryside scenery after the rain in autumn. In the picture, the mountains rose and fell layer by layer, and the river was vast and boundless. The trees nearby became greener after the rain, and the grass houses were hidden in the woods by the river. Several ridges could be seen in the mountains. The mountains in the distance were even more charming in the clouds. The scenery in the scroll was ever-changing. Sometimes two mountains stood side by side, and the wild water meandered. Sometimes, there were endless layers of rocks and peaks. Sometimes, the river was vast and boundless. There were also high-ranking people and fishermen among them, reflecting the leisure life. Wang Shen, also known as Jin Qing, was good at painting mountains and rivers. He studied under Wang Wei and Li Cheng. His painting style was clear and elegant. With a sharp pen tip, the layout of the painting was orderly and the artistic conception was beautiful. It met the aesthetic requirements of the Song Dynasty for the landscape to be both scenic and habitable. His surviving works include "Snow Painting of Fishing Village" and "Painting of Yanjiang Mountain".
[Mountain Stream and Clear Distance Painting]
The Painting of Clear Mountains and Streams was the masterpiece of Xia Gui, a famous painter in the Southern Song Dynasty. This painting was a paper ink landscape painting. It was nine meters long and was made up of ten pieces of paper. Other than the first section, which was 25 centimeters long, the other nine sections were about 96 centimeters long. It is now in the collection of the National Palace Museum in Taiwan. In terms of painting style and techniques, Xia Gui used a hard brush as his main painting tool. His strokes were fast, powerful, free, and lively. Parallel strokes were used to describe the movement of leaves in the wind, and the texture of the rock surface was carved with a small axe, adding points, lines, and ink rendering elements to make the rock surface seem to sparkle with sunlight. In the mountain rock texturing method, often first use a water pen light ink sweep dye, take advantage of the wet with thick ink, form "slovenly water texturing". The key points of the tree copying method included using a bald pen center dipped in thick ink to draw the outline of the forest, gently rubbing at the knots, adding light ink along the outline to make the trunk clear, and using a similar "ink accumulation" painting method for the leaves. The painting depicted the magnificent scenery of Jiangnan. There were misty waves, overlapping peaks, scattered boulders, and distant mountains that created a misty atmosphere in Jiangnan. It also showed many elements of the lake and mountain scenery in detail, such as mountains, rocks, trees, pavilions, long bridges, cottages, thatched pavilions, fishing boats, sailing boats, etc. The scenery was varied and the density was appropriate, reflecting the artistic realm of "sparse can gallop a horse, dense but not airtight". The composition was simple, but the image was real and vivid. Xia Gui's landscape was imitated by Li Tang, and he also absorbed the strengths of Fan Kuan, Mi Fu, and Mi Youren to form his own style. He used small corners as the main composition method, which was called "Half Summer". Their painting style was similar to Ma Yuan's. Their paintings were influenced by the local customs and often appeared in the corners of the mountains. Their techniques were born out of Li Tang's. Moreover, their paintings were popular in the Southern Song Dynasty and were loved by the authorities. After they were introduced to Japan, they deeply influenced Japanese painting and formed the Kano School of Painting. In the Yuan Dynasty, although it was criticized by literati and painters, there were also scholars. For example, Wu Zhen, one of the four schools of the Yuan Dynasty, imitated the Xia Gui School of Painting. In addition, there was also a book called " The Great Painting Model of Ancient China Painting School in the Southern Song Dynasty, Four Xiagui Erxi Mountains, Clear and Far Painting ", which was published in July 2012 and could be imitated by painters. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Stream Mountain Watching Spring Painting
There were many paintings called 'Stream Mountain Watching Spring Painting'. One of them was a hand-painted calligraphy and painting from Japan. The size of the heart of the painting was 35×101, and the size of the frame was 44×155. The head of the silk silk was mounted on a wooden frame. It was collected by an old Japanese family. As it was a painting from the middle ages, it was inevitable that there would be problems such as stains and defects. There was also the Painting of Watching the Spring in the Creek Mountain created by Ren Bonian in 1882. The size was 184.1× 45.4 cm. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Stream Mountain Flowing Spring Painting
The Painting of Streams and Springs was a Chinese painting by the Qing Dynasty painter Pu He. It was an album, golden paper, paper, and ink painting. It was 28.3 centimeters long and 28.6 centimeters wide. It was now stored in the Sichuan Province Museum. Sun Yuhua, a member of the Arts Association of the Anhui Province, also had an original Chinese landscape painting called " Stream Mountain Flowing Spring Painting." It size 100 x 50cm and was taken from the painter himself. He promised to keep it true. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Painting Method of the Clear Stream Mountain
There were the following main points in the painting of the Stream Mountain Clear Distance Painting: ** 1. Prepare before copying ** He needed to download the high-definition electronic version of the "Mountain Stream Clear Distance Map" and print it on large pieces of paper (A3, A2). He also needed to prepare a medium-sized inkstone, a Chinese calligraphy brush, red star ink, a cup of clear water, and a piece of folded paper (used to adjust the edge or absorb the moisture of the pen). ** 2. Key Points of Tree Method Imitation ** 1. ** The outline is outlined ** - Use the center of the bald pen dipped in thick ink to draw the outline of the forest. The pen should be stable, the wrist should be empty, the pen strength should be strong and not impatient. - The brush was completely soaked in water before writing. The pen was rolled over the paper to absorb the excess water. The tip of the brush was dipped in a small amount of ink from the tip to the inkstone (about one-third of the tip). 2. ** Knot treatment ** - When the ink was almost used up, he gently rubbed it on the knots of the forest. 3. ** Level Performance ** - A layer of light ink was applied along the outline to make the trunk distinct. 4. ** Leaf Painting ** - He used the "ink accumulation" painting method similar to mountain rocks. First, he dipped the pen in light ink, then dipped the pen tip in thick ink. The ink color gradually faded from thick to light, and gradually withered from wet to dry. The whole tree was green and lively. - The center of the painting tree was mainly used, and the side seams were supplemented. The posture was straight and concise, and the branches were flexible and thick. ** 3. Key Points of Mountain Rock Imitation ** 1. ** Writing characteristics ** - It was a variation of Li Tang's scraping iron and Fan Kuan's watercress, but the strokes were more concise than Fan Kuan's. - The pen must be straightforward and vigorous, intentional and unintentional, and the heart must be serious and not careless. 2. ** The outline is outlined and rubbed ** - The outline of the mountain rock was thick and clear with ink. After drawing the outline, the brush was slightly faster. - The outline of the mountain hook should be rotated between the center and the side. The center could be used when the brush was lifted, and the side could be used when the brush was moved, and vice versa. In addition, from the perspective of the creative process: 1. ** Overall layout description ** - With heavy ink, I painted the trees near the river bank and the stone slope. - Use heavy ink to draw a small bridge, rub out the stone. - A little lighter ink painted the houses on the opposite bank and the distant mountains and slopes. 2. ** Color rendering ** - The flowers were green and Kato's yellow was mixed into green to dye the trees. - The bridge was painted in ochre, and the dark parts were dyed in indigo and light ink. - The distant mountains were painted in a floral blue with a little bit of ethereal red, and the reflection in the water was also this color. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
A Modern Interpretation of Lin Rongsheng's Painting of Resting in the Mountain Stream
Based on the available information, Lin Rongsheng's 'Resting in a Mountain by Creek' was a modern work. In the context of modern art, this work might have a unique artistic expression on the basis of inheriting traditional China landscape painting. China landscape painting had a long history. It matured in the Sui and Tang Dynasties and became the main type of painting after the Song and Yuan Dynasties. The work of the modern painter Lin Rongsheng was created under such a great tradition. It might reflect the characteristics of the times in terms of the layout of the picture, the use of brush and ink, and the creation of artistic conception. Compared with other artists 'works, different artists' techniques could bring different artistic visual effects. Lin Rongsheng's "Resting in the Creek and Mountain Painting" might show the unique landscape scenery and quiet atmosphere under the theme of Resting in the Creek and Mountain through unique painting techniques. Through the unique expression of close-up, mid-range and long-range, it created the artistic conception of seclusion, showing the artistic charm of modern characteristics that inherited the traditional landscape painting.
Northern Song Dynasty Guo Xixi Mountain Autumn Painting
The Painting of Mountain Stream in Autumn depicted the beautiful scenery of mountains and rivers after the rain in autumn. The mountains in the painting were undulating, the river was wide and vast, the trees nearby were green after the rain, and the grass houses by the river were hidden in the woods. Several roofs could be seen in the mountains, and the mountains under the clouds in the distance were even more enchanting. The painting style of this volume is clear and elegant, with a sharp pen tip. The painting was arranged in an orderly manner and the artistic conception was beautiful. It reflected the requirements of the Song Dynasty for landscape painting. This painting, in the form of a long scroll, shows the beautiful scenery of the countryside after the rain in autumn. It starts with high and far-reaching mountains, which represent the peaceful artistic conception of autumn in the wilderness. The trees were luxuriant, and two people were walking by the water with sticks in their hands. In the distance, a noble man riding a donkey was striding forward with a servant. The main scene of the painting was a majestic mountain. At the foot of the mountain, there were thatched cottages and ancient trees that towered into the sky. The temple in the mountain was vaguely visible. The end of the painting was flat and far-reaching, making people daydream. In the scroll, there are two mountains sandwiched by the winding wild water, sometimes there are layers of rocks and peaks rising continuously, and sometimes the river is vast and empty, among which there are high people and fishermen fishing, showing their leisure life interest. The author of this painting was still controversial. It was classified under Guo Xi's name because of the postscript of Wen Jia at the end of the paper. However, Xie Zhiliu, the appraiser and collector, inferred that it was Wang Shen's work, and Zhang Heng also agreed with this judgment. Moreover, this painting style was clear and elegant, with a sharp pen tip. It was quite different from Guo Xi's vigorous and vigorous style. The Xuanhe Painting Manual recorded that there were 30 works of Guo Xi, but there was no "Autumn Painting of Mountain Stream". However, no matter who the author was, this painting was the embodiment of the aesthetic taste of the Song Dynasty landscape painting. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Painting of Wang Jian in Fuchun Mountain Residence
Wang Jian had copied Huang Gongwang's Painting of Residence in Fuchun Mountain. He made the long scroll into a vertical axis and dyed it light crimson. This work was blended with brush and ink, and the color was elegant, expressing Wang Jian's respect for the classics of the senior masters. Wang Jian was good at painting mountains and rivers. He followed Dong Yuan and Ju Ran far away, and Wang Meng and Huang Gongwang near him. His painting techniques integrated the strengths of various schools. In the imitation of Fuchun Mountain Residence, the actual and false, thickness, weight, urgency and urgency were varied, appropriately expressing the spatial distance of the scenery before and after, as well as the beginning and ending. The fine and smooth center was subtle and smooth, and the scenery of mountains and rivers was clear and deep. Tianjin Museum has Wang Jian's "Residence in Fuchun Mountain Painting" vertical axis, paper color, showing his superb painting skills. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
The painting of the stream stone
The Painting of Streams and Rocks was a traditional Chinese painting by Chen Hongshou, a Chinese artist from the Ming Dynasty. It was one of the best paintings in the Collection of Various Paintings, which had eight pages. The painting was painted on silk, 30.2 cm in length and 25.1 cm in width. It is now in the Palace Museum in Beijing.
Wang Jiexi's Painting
" Wang Jiexi's portrait " referred to the portrait of the character Wang Jiexi in The King's Avatar. " The King's Avatar " was an esports novel created by Butterfly Blue. It was based on the game " Glory " and told the story of the top esports expert, Ye Xiu, who was expelled from the club after he retired. He rose again in an Internet cafe and returned to the peak. There were many portraits of Wang Jiexi on the Internet, including but not limited to Glory All Star Wang Jiexi, Glory All Star Wang Jiexi animated version, Glory All Star Wang Jiexi poster version, Glory All Star Wang Jiexi manga version, etc. While waiting for the anime, you can also click on the link below to read the classic original work of The King's Avatar!
Wang Pu's Painting
In the reference materials, it was mentioned that two characters named Wang Pu were related to painting. One of them was the master painter Wang Pu, who began to search for information about the Cloud Child Dance at the end of the 1970s and drew many paintings of the Cloud Child Dance of Huaying Mountain based on ancient legends. The other was the immortal painter Wang Pu of Guilin Yuanzhou Village in Gaiyang Township of the Song Dynasty. He was talented and loved painting since childhood. His paintings were unparalleled in the entire township. He was kind and charitable, and was deeply respected by his neighbors. The novel " Dream Chaser's Half Dream Residence " is equally exciting. Everyone is welcome to click and read it!