The stream winds around the painting pavilion, fragrant name
"The fragrant name of the stream surrounding the painting pavilion" was a description of a beautiful artistic conception. According to relevant information, it was often associated with a specific sun pillar (Wuxu Day). It described a natural environment, such as a beautiful and fragrant scene of a stream surrounding the painting pavilion on a high slope of the yellow soil. It could also be used to describe a beautiful and quiet environment.
The Pavilion of the Mountain Stream
Many artists had painted the Painting of the Pavilion on the Creek Mountain. Dong Qichang had painted a painting of a pavilion on a mountain stream, which was sold for 1.15 million yuan at Poly's 2015 spring auction. Xie Zhiliu's postscript was Dong Qichang's authentic painting of a pavilion on a mountain stream, and Lu Shuji also had a postscript. Ni Zan also painted the Painting of Pavilion on the Creek Mountain, which is not preserved today. From Wu Sheng's description, we can know its general style (the leaves are sparse, the pavilion is cool and spacious, the flowing spring is blowing, the image of the slope is extraordinary, and it is a powerful one among the pedantic old men). Nalan Xingde had collected Ni Zan's Painting of the Pavilion on the Creek Mountain. He had borrowed it from the commandant Geng Zhaozhong (Duke Xin) many times and talked about it in his letters to Zhang Jianyang. In the end, he bought the painting from Tongzhi Hall.
The painting of the stream stone
The Painting of Streams and Rocks was a traditional Chinese painting by Chen Hongshou, a Chinese artist from the Ming Dynasty. It was one of the best paintings in the Collection of Various Paintings, which had eight pages. The painting was painted on silk, 30.2 cm in length and 25.1 cm in width. It is now in the Palace Museum in Beijing.
Spring in the Stream Pavilion, I
There were two poems called "Spring in the River Pavilion, One of the Two". The first one was by Cheng Gongxu, who borrowed three houses near the suburbs. The stream was like a ribbon around the waterside highland full of orchids. The poet chatted with Tao Yuanming about returning home to plant chrysanthemums, but he refused to ask Xuandu about planting peaches. Separated for a long time, the mood is lax, when looking at each other's beard and hair have gradually become desolate. It was because the old school had been abandoned so badly that he was using his spare time to sort it out and repair it. The second one was made by Gauss. In spring, the suburbs were filled with the cheerful chirping of birds, and the old crane was leisurely sitting on the highlands by the water. In the gentle spring breeze, the five willows seemed to be sleeping peacefully, and the warm sun made the peach blossoms intoxicated. To the best of his heart, he gave his joy to the wonderful singing, and refused to entrust his sorrow to the continuation of Li Sao. Thinking of the old scenes of playing often dream, the spring grass in the West Hall should not be removed.
The story of the flag pavilion painting wall
The story of the flag pavilion painting wall was first seen in the Tang Dynasty scholar Xue Yongruo's "Ji Yi Ji." The protagonists of the story were three famous Tang Dynasty poets, Wang Changling, Gao Shi, and Wang Zhihuan. According to the story, the three of them came to the flag pavilion (restaurant) for a drink on a cold and snowy day. Coincidentally, a dozen opera actors and four famous courtesans had also come to the flag pavilion to perform. The three poets decided to judge who had the most poems by observing the songs sung by the performers. They drew symbols on the wall to calculate the numbers. However, the musicians sang three songs, but they did not sing Wang Zhihuan's poem. In the end, the most beautiful actor sang Wang Zhihuan's "Liangzhou Ci." The three poets suddenly realized that they were the three famous artists of that time. This story showed the poets of the Tang Dynasty's bold and unconstrained struggle for balance and the spiritual outlook of confidants.
Character Introduction of Painting Soul Pavilion
The characters included the male supporting role, the city bull, and the dark green long-tailed black fox. Black hair, golden eyes. (When in human form, under normal circumstances, the golden pupils will turn into the common color of humans.) Likes to drink and wander around. The male partner is Bai Yi, a nine-tailed white fox. She had long snow-white hair and sapphire blue eyes. (In the human world, the color of hair and pupils will usually be the same.) He likes to drink and play chess. [Painted Soul Pavilion] was written by the Clam. It was a fantasy romance/oriental fantasy novel. [User recommendation: There is a Soul Painting Pavilion at the source of the River of Resentment. The Soul Painting Masters in the pavilion can draw souls that have dissipated or repair incomplete souls.] Any soul could be drawn and repaired, as long as one paid the corresponding price.... I hope you will like this book.
Ink Painting Fragrant Flower North Peak
City Construction·Ink Painting Fanghua is located beside Puxian Road, Xiamei Community, Beifeng Street, Fengze District, Quanzhou City. There were over 1,000 acres of lake parks in this area (such as March Lake Park and the first phase of the Xihua Ocean Flood Holding Lake project had been completed). It was close to Quanzhou Train Station and surrounded by a multi-dimensional traffic network, including the North-South Avenue, Huanglong Bridge, Jiangbin North Road, East-West Avenue, etc., making it more convenient to travel. The Beifeng area had a total area of about 22.25 square kilometers. According to the plan, it was positioned as an important transportation hub of the city. It was an ecological New town area with the characteristics of Minnan culture and landscape tourism. The planned population was about 200,000 people. Around the Ink Painting Fragrance of the West Huayang Plate in the North Peak, supporting facilities such as ecological parks and key schools were gradually improved. A number of high-quality educational resources would be introduced in the area, which was expected to provide nearly 12000 degrees. Medical and commercial facilities were also constantly being developed and improved. However, the area also faced some development problems, such as the lack of popularity and poor sales of real estate after the large-scale "demolition of villages and construction of cities". "Prosperous Brocade Record" is equally exciting. Everyone is welcome to click and read it!
The club name of the painting club had a bit of ancient style. For example, the last word could be "Pavilion, Pavilion" or "Inn".
A painting club with a bit of ancient style could be called Qinglan Painting Club. The last word of the club name could be "Qing","Lan","Hua", and "She". These four Chinese characters could be combined to form the words "Qinglan Painting Club". For example, in the novel " Lord Snow Eagle ", there was an art team called " Qinglan Art Society ".
[Mountain Stream and Clear Distance Painting]
The Painting of Clear Mountains and Streams was the masterpiece of Xia Gui, a famous painter in the Southern Song Dynasty. This painting was a paper ink landscape painting. It was nine meters long and was made up of ten pieces of paper. Other than the first section, which was 25 centimeters long, the other nine sections were about 96 centimeters long. It is now in the collection of the National Palace Museum in Taiwan. In terms of painting style and techniques, Xia Gui used a hard brush as his main painting tool. His strokes were fast, powerful, free, and lively. Parallel strokes were used to describe the movement of leaves in the wind, and the texture of the rock surface was carved with a small axe, adding points, lines, and ink rendering elements to make the rock surface seem to sparkle with sunlight. In the mountain rock texturing method, often first use a water pen light ink sweep dye, take advantage of the wet with thick ink, form "slovenly water texturing". The key points of the tree copying method included using a bald pen center dipped in thick ink to draw the outline of the forest, gently rubbing at the knots, adding light ink along the outline to make the trunk clear, and using a similar "ink accumulation" painting method for the leaves. The painting depicted the magnificent scenery of Jiangnan. There were misty waves, overlapping peaks, scattered boulders, and distant mountains that created a misty atmosphere in Jiangnan. It also showed many elements of the lake and mountain scenery in detail, such as mountains, rocks, trees, pavilions, long bridges, cottages, thatched pavilions, fishing boats, sailing boats, etc. The scenery was varied and the density was appropriate, reflecting the artistic realm of "sparse can gallop a horse, dense but not airtight". The composition was simple, but the image was real and vivid. Xia Gui's landscape was imitated by Li Tang, and he also absorbed the strengths of Fan Kuan, Mi Fu, and Mi Youren to form his own style. He used small corners as the main composition method, which was called "Half Summer". Their painting style was similar to Ma Yuan's. Their paintings were influenced by the local customs and often appeared in the corners of the mountains. Their techniques were born out of Li Tang's. Moreover, their paintings were popular in the Southern Song Dynasty and were loved by the authorities. After they were introduced to Japan, they deeply influenced Japanese painting and formed the Kano School of Painting. In the Yuan Dynasty, although it was criticized by literati and painters, there were also scholars. For example, Wu Zhen, one of the four schools of the Yuan Dynasty, imitated the Xia Gui School of Painting. In addition, there was also a book called " The Great Painting Model of Ancient China Painting School in the Southern Song Dynasty, Four Xiagui Erxi Mountains, Clear and Far Painting ", which was published in July 2012 and could be imitated by painters. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Stream Mountain Watching Spring Painting
There were many paintings called 'Stream Mountain Watching Spring Painting'. One of them was a hand-painted calligraphy and painting from Japan. The size of the heart of the painting was 35×101, and the size of the frame was 44×155. The head of the silk silk was mounted on a wooden frame. It was collected by an old Japanese family. As it was a painting from the middle ages, it was inevitable that there would be problems such as stains and defects. There was also the Painting of Watching the Spring in the Creek Mountain created by Ren Bonian in 1882. The size was 184.1× 45.4 cm. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Stream Mountain Flowing Spring Painting
The Painting of Streams and Springs was a Chinese painting by the Qing Dynasty painter Pu He. It was an album, golden paper, paper, and ink painting. It was 28.3 centimeters long and 28.6 centimeters wide. It was now stored in the Sichuan Province Museum. Sun Yuhua, a member of the Arts Association of the Anhui Province, also had an original Chinese landscape painting called " Stream Mountain Flowing Spring Painting." It size 100 x 50cm and was taken from the painter himself. He promised to keep it true. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!