"The fragrant name of the stream surrounding the painting pavilion" was a description of a beautiful artistic conception. According to relevant information, it was often associated with a specific sun pillar (Wuxu Day). It described a natural environment, such as a beautiful and fragrant scene of a stream surrounding the painting pavilion on a high slope of the yellow soil. It could also be used to describe a beautiful and quiet environment.
From the description, the pavilion represented a beautiful and quiet environment. From the perspective of the natural environment, this was a pleasant and poetic scene. It had a high aesthetic value, and from this perspective, it was good. In terms of cultural content, it was also used to describe a beautiful place, reflecting people's yearning and love for a beautiful environment. It could also be seen as a good expression. From the images related to the 1898 sun pillar, although the mention of "the fragrant name of the stream around the painting pavilion" was describing an image situation and did not have a clear value judgment on its quality, it was generally describing some characteristics related to the sun pillar, and from the perspective of the situation itself, it was relatively good. Therefore, in general, the "Painting Pavilion by the Stream" was good.
"Wuxu Day Stream Around Painting Pavilion" might be an image expression in traditional fortune-telling culture. From the perspective of the natural environment, the 1898 Day may correspond to the characteristics of high slopes on the yellow soil, straw of wormwood, dense clouds without rain, etc., and the "stream around the painting pavilion" was one of the poetic images. In the study of fate, the people of the Wuxu Sun Pillar were outgoing and cheerful. They were the day of the first star. They had a strong sense of self and were easy to be complacent and proud (more wood and fire would be more obvious). They were bold but could do things rashly. They were smart and had high comprehension. Women were easy to change their marriages. They were not willing to admit defeat and had perseverance. At the same time, they could also be stubborn and willful. The images such as the "painting pavilion surrounded by streams" here might be an overall and cultural description of the environment and characteristics given by the ancients to the people born on the 1898 day when they constructed the fortune-telling system. It symbolized the characteristics of the person related to the pillar of the sun, such as the character, fate, or aura. However, it was important to note that this concept lacked modern scientific basis.
According to the relevant explanation of the day of "Stream Around Painting Pavilion","Stream Around Painting Pavilion" meant that in the case of "Stream Around Painting Pavilion"(1898), it was in a state of self-prosperity. Entering the tomb meant that some of the five elements had entered the tomb vault. At this time, it was in a relatively special state. Self-prosperity meant that one's body was prosperous. However, there may be different situations in this state. For example, when the armor is out, it will be rich, but there will be a hidden disaster. At the same time, the person in the sun pillar is outgoing and cheerful. It is the day of Kui Gang. It has strong self-awareness and is easy to be complacent and proud. These characteristics will be more obvious when there are many wood and fire. There are also other related characteristics such as not being able to go hand in hand with Hai, afraid of Chen Chong, and so on.
The meaning of 'stream around painting pavilion' was that the stream surrounded the pavilion. This scene often depicted a beautiful environment and a quiet atmosphere for the painter to admire the scenery and paint in the pavilion.
In terms of meaning, the name of the pavilion represented a fresh and natural beauty. The stream referred to the flowing water, and the pavilion referred to the small pavilion. The combination of the two formed a beautiful scene that could make people feel the beauty of nature. It was suitable for people who liked nature and loved life. In terms of meaning, the stream represented flowing and continuous progress, while the pavilion represented tranquility and comfort. This name tells us that life is like a constantly flowing stream. We need to keep moving forward and work hard to reach our goals. At the same time, we must maintain inner peace and tranquility in this process. Only then can we truly enjoy the beauty of life. Therefore, it is also suitable for people who pursue progress and inner peace.
Many artists had painted the Painting of the Pavilion on the Creek Mountain. Dong Qichang had painted a painting of a pavilion on a mountain stream, which was sold for 1.15 million yuan at Poly's 2015 spring auction. Xie Zhiliu's postscript was Dong Qichang's authentic painting of a pavilion on a mountain stream, and Lu Shuji also had a postscript. Ni Zan also painted the Painting of Pavilion on the Creek Mountain, which is not preserved today. From Wu Sheng's description, we can know its general style (the leaves are sparse, the pavilion is cool and spacious, the flowing spring is blowing, the image of the slope is extraordinary, and it is a powerful one among the pedantic old men). Nalan Xingde had collected Ni Zan's Painting of the Pavilion on the Creek Mountain. He had borrowed it from the commandant Geng Zhaozhong (Duke Xin) many times and talked about it in his letters to Zhang Jianyang. In the end, he bought the painting from Tongzhi Hall.
The Painting of Streams and Rocks was a traditional Chinese painting by Chen Hongshou, a Chinese artist from the Ming Dynasty. It was one of the best paintings in the Collection of Various Paintings, which had eight pages. The painting was painted on silk, 30.2 cm in length and 25.1 cm in width. It is now in the Palace Museum in Beijing.
"Cooking Fragrant Tea in a Small Pavilion" depicted the scene of cooking fragrant tea in a small pavilion. In ancient times, brewing tea was a common way of drinking tea. Tea was first used as a soup. Until the Tang Dynasty, brewing tea was the main drinking method. Fresh tea leaves were picked and cooked with onions, ginger, dates, salt, and other seasonings. Nowadays, the concept of brewing tea had also been integrated into modern tea drinks. For example, the milk tea of the tea maker used raw tea leaves and fresh milk to make low-cal and low-sugar tea drinks. When brewing tea, according to tradition, one also needed to clean the tea utensils and various tea sets. Different seasons also had to pay attention to brewing tea and drinking tea. For example, during the beginning of winter, one could choose to drink green tea (such as oolong tea) or black tea (such as ripe Pu 'er tea, Liubao tea, etc.) according to the season and the physical signs of the person, and drink hot tea. While waiting for the TV series, he could also read the exciting content related to this site!
There were two poems called "Spring in the River Pavilion, One of the Two". The first one was by Cheng Gongxu, who borrowed three houses near the suburbs. The stream was like a ribbon around the waterside highland full of orchids. The poet chatted with Tao Yuanming about returning home to plant chrysanthemums, but he refused to ask Xuandu about planting peaches. Separated for a long time, the mood is lax, when looking at each other's beard and hair have gradually become desolate. It was because the old school had been abandoned so badly that he was using his spare time to sort it out and repair it. The second one was made by Gauss. In spring, the suburbs were filled with the cheerful chirping of birds, and the old crane was leisurely sitting on the highlands by the water. In the gentle spring breeze, the five willows seemed to be sleeping peacefully, and the warm sun made the peach blossoms intoxicated. To the best of his heart, he gave his joy to the wonderful singing, and refused to entrust his sorrow to the continuation of Li Sao. Thinking of the old scenes of playing often dream, the spring grass in the West Hall should not be removed.
The author of the painting was Li Yuezhen. It was created in 2015. The size was 180cm x 98cm, and the material was colored paper. Li Yuezhen had mastered the landscape brush technique. When he created the Painting of Creek Mountain and Spring, he could handle every line just right and organize it strictly. From the beginning to the end, not a single line became a stray soldier. In addition, there was also the Painting of Creek Mountain and Spring II, which was created in 2021. It size 160cm x 150cm and was also made of colored paper. Ou Aichun also had a work called " Stream Mountain Singing Spring," which size 180 90cm. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!