"Wuxu Day Stream Around Painting Pavilion" might be an image expression in traditional fortune-telling culture. From the perspective of the natural environment, the 1898 Day may correspond to the characteristics of high slopes on the yellow soil, straw of wormwood, dense clouds without rain, etc., and the "stream around the painting pavilion" was one of the poetic images. In the study of fate, the people of the Wuxu Sun Pillar were outgoing and cheerful. They were the day of the first star. They had a strong sense of self and were easy to be complacent and proud (more wood and fire would be more obvious). They were bold but could do things rashly. They were smart and had high comprehension. Women were easy to change their marriages. They were not willing to admit defeat and had perseverance. At the same time, they could also be stubborn and willful. The images such as the "painting pavilion surrounded by streams" here might be an overall and cultural description of the environment and characteristics given by the ancients to the people born on the 1898 day when they constructed the fortune-telling system. It symbolized the characteristics of the person related to the pillar of the sun, such as the character, fate, or aura. However, it was important to note that this concept lacked modern scientific basis.
"The fragrant name of the stream surrounding the painting pavilion" was a description of a beautiful artistic conception. According to relevant information, it was often associated with a specific sun pillar (Wuxu Day). It described a natural environment, such as a beautiful and fragrant scene of a stream surrounding the painting pavilion on a high slope of the yellow soil. It could also be used to describe a beautiful and quiet environment.
Many artists had painted the Painting of the Pavilion on the Creek Mountain. Dong Qichang had painted a painting of a pavilion on a mountain stream, which was sold for 1.15 million yuan at Poly's 2015 spring auction. Xie Zhiliu's postscript was Dong Qichang's authentic painting of a pavilion on a mountain stream, and Lu Shuji also had a postscript. Ni Zan also painted the Painting of Pavilion on the Creek Mountain, which is not preserved today. From Wu Sheng's description, we can know its general style (the leaves are sparse, the pavilion is cool and spacious, the flowing spring is blowing, the image of the slope is extraordinary, and it is a powerful one among the pedantic old men). Nalan Xingde had collected Ni Zan's Painting of the Pavilion on the Creek Mountain. He had borrowed it from the commandant Geng Zhaozhong (Duke Xin) many times and talked about it in his letters to Zhang Jianyang. In the end, he bought the painting from Tongzhi Hall.
The Painting of Streams and Rocks was a traditional Chinese painting by Chen Hongshou, a Chinese artist from the Ming Dynasty. It was one of the best paintings in the Collection of Various Paintings, which had eight pages. The painting was painted on silk, 30.2 cm in length and 25.1 cm in width. It is now in the Palace Museum in Beijing.
There were two poems called "Spring in the River Pavilion, One of the Two". The first one was by Cheng Gongxu, who borrowed three houses near the suburbs. The stream was like a ribbon around the waterside highland full of orchids. The poet chatted with Tao Yuanming about returning home to plant chrysanthemums, but he refused to ask Xuandu about planting peaches. Separated for a long time, the mood is lax, when looking at each other's beard and hair have gradually become desolate. It was because the old school had been abandoned so badly that he was using his spare time to sort it out and repair it. The second one was made by Gauss. In spring, the suburbs were filled with the cheerful chirping of birds, and the old crane was leisurely sitting on the highlands by the water. In the gentle spring breeze, the five willows seemed to be sleeping peacefully, and the warm sun made the peach blossoms intoxicated. To the best of his heart, he gave his joy to the wonderful singing, and refused to entrust his sorrow to the continuation of Li Sao. Thinking of the old scenes of playing often dream, the spring grass in the West Hall should not be removed.
In a Word document, you could use different methods to enter the circled characters. One way was to copy and paste circled characters from other places into the Word document. The other method was to use the circled character function of Word. The specific steps were as follows: First, enter the special character in the Word document and select it. Then, select the format menu, then select the Chinese character, then select the circled character, and finally select the circled character in the circle number. Another method was to use Unicode characters to enter circled numbers. In short, there were many ways to enter circled words in a Word document.
The story of the flag pavilion painting wall was first seen in the Tang Dynasty scholar Xue Yongruo's "Ji Yi Ji." The protagonists of the story were three famous Tang Dynasty poets, Wang Changling, Gao Shi, and Wang Zhihuan. According to the story, the three of them came to the flag pavilion (restaurant) for a drink on a cold and snowy day. Coincidentally, a dozen opera actors and four famous courtesans had also come to the flag pavilion to perform. The three poets decided to judge who had the most poems by observing the songs sung by the performers. They drew symbols on the wall to calculate the numbers. However, the musicians sang three songs, but they did not sing Wang Zhihuan's poem. In the end, the most beautiful actor sang Wang Zhihuan's "Liangzhou Ci." The three poets suddenly realized that they were the three famous artists of that time. This story showed the poets of the Tang Dynasty's bold and unconstrained struggle for balance and the spiritual outlook of confidants.
The characters included the male supporting role, the city bull, and the dark green long-tailed black fox. Black hair, golden eyes. (When in human form, under normal circumstances, the golden pupils will turn into the common color of humans.) Likes to drink and wander around. The male partner is Bai Yi, a nine-tailed white fox. She had long snow-white hair and sapphire blue eyes. (In the human world, the color of hair and pupils will usually be the same.) He likes to drink and play chess. [Painted Soul Pavilion] was written by the Clam. It was a fantasy romance/oriental fantasy novel. [User recommendation: There is a Soul Painting Pavilion at the source of the River of Resentment. The Soul Painting Masters in the pavilion can draw souls that have dissipated or repair incomplete souls.] Any soul could be drawn and repaired, as long as one paid the corresponding price.... I hope you will like this book.
This sentence explained five aspects: [Scene 1: The scene of Changji Creek Pavilion and Nightfall, as well as the state of being intoxicated and not knowing the way back.] 2. Character: The protagonist Chang Ji Xiting and another character were intoxicated and did not know how to return. 3. Emotion: It expressed the love and intoxicated mood of the protagonist Chang Ji Xi Ting for this trip, as well as the feelings brought by the intoxicated state of not knowing the way back. 4. Story background: The background of this story is a trip to Xiting. [5. The theme of the story is the feeling and thinking of traveling.]
This poem came from the Tang Dynasty poet Li Qingzhao's "Dreamlike Order": I often remember that I was drunk at dusk in the stream pavilion and didn't know how to return. This sentence explained five aspects: 1. The location and time of the story: Changji Creek Pavilion is located in today's Shaoxing, Zhejiang Province. Twilight meant that it was already evening. 2. The emotional state of the protagonist: intoxicated means that the protagonist has been intoxicated by the scenery and forgot the way home. 3. The background of the story: Li Qingzhao's poem described the author's visit to Changji Creek Pavilion, reflecting the author's love for natural beauty and relaxation. 4 explained the theme of the story: not knowing the way back meant that the protagonist was confused and lost when he got lost and did not know what to do next. This reflects the protagonist's inner uneasiness and anxiety, and also hints at the theme of the story--life is like a journey, you need to find your own direction. The protagonist was immersed in the beautiful scenery and forgot the way home, which reflected her relaxation and satisfaction, but also hinted at her carelessness and lack of vigilance.