Pu Ru signed in a variety of ways. Judging from his works, the inscription in "Looking at the Sea from the Tower" was "Looking at the Sea from the Tower, Facing the Zhejiang Tide." In the twelfth month of Bingxu, Pu Ru painted in Jinling. The inscription in the painting was: " The grass in the pot grows new green, and the flowers in the vase are inserted into the dew branches. Magpie to know the festival, good news to spring. Xinshe." The inscription in the Landscape Painting was "Pine Shadow Cold Stream Color". idle clouds, the posture of distant peaks. Xinshe." "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Pu Ru's calligraphy had its own unique style and characteristics. He learned Liu Gongquan's regular script and was once known as the " first person in the Liu style " during the Republic of China. His handwriting was vigorous and beautiful, elegant and elegant. His strokes were light and slow, undulating and full of changes. He had the characteristics of Liu Gongquan's law script that emphasized the skeleton and momentum, and Yan Zhenqing's mellow and vigorous style. In the appraisal of Pu Ru's works, one could consider the lines of calligraphy, the movements of pressing, the flow of qi, the accuracy of the handwriting lines, the flexibility of the writing, the structure of the words, and the overall charm. For example, some works with clear calligraphy lines, good handwriting, and natural handwriting could be considered authentic, while some works with weak calligraphy lines and poor movement could be considered high-quality imitations. If some works could show Mr. Pu Ru's consistent strength of burnt ink on the paper, and the handwriting lines and charm were obvious, they could also be judged as authentic works. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Pu Ru (1896 - 1963), formerly known as Aisin Gioro Pu Ru, originally known as Zhongheng, changed his name to Xinshe. He called himself Master Xihuang and Xishan Yishi. He was a Manchu and was the grandson of Prince Qinggong. In terms of painting, Pu Ru's landscape works were quite unique. His landscape scroll paintings had many forms of expression, such as his "Landscape Class Drawing", which was 29×716 cm, about 18.7 square feet, and "Landscape Octagonal Color Paper Book", each of which was 14.5×8.5 cm, about 0.1 square feet. In terms of painting techniques, he was deeply influenced by Ma Yuan and Xia Gui. He inherited the "Mustard Seed Garden Style" and "Ma Xia Style", and combined the two. The axe suddenly became "scattered brush", and the "Ma" suddenly became "sharp". When applied to landscape painting, it highlighted the novelty. He emphasized the fast rhythm of the brush, like cursive strokes; The ink technique was exquisite, like watercolor; The shape was square, hard, sharp, and new, like crystal; The style was fresh and bright, like a new lotus. His works were neat and exquisite in style. There were not too many messy strokes and patterns in the painting. The composition was carefully considered, giving people a fresh, elegant, leisurely and refreshing feeling. It was full of the aura of a scholar. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
There are several types of ci scores and rhythms in Ru Meng Ling: Form 1: Monotone, thirty-three words, seven sentences, five rhymes, one alliteration. The rhythm of flat tones is: flat tones in middle tones (rhyme), flat tones in middle tones (rhyme). The middle tone is flat, the middle tone is flat. Level tones, level tones (rhyme)(reduplicated sentences), middle tones in level tones (rhyme). ("Middle" means flat or flat) Form 2: Monotone, thirty-three words, seven sentences, six rhyme. The fifth and sixth sentences of this word do not overlap. Form 3: Monotone, thirty-three words, seven sentences, five rhymes, one alliteration. The fifth and sixth sentences of this word are alliteration instead of repetition. Form 4: Monotone, thirty-three words, six sentences, four rhymes, one alliteration.
"Ru Meng Ling" Cipu formal meter is: Zhongze in Pingze (rhyme), Zhongze in Pingze (rhyme). The middle tone is flat, the middle tone is flat. Level tones, level tones (rhyme)(reduplicated sentences), middle tones in level tones (rhyme). There was also a formal form of measurement that was expressed as: flat and flat, flat and flat, flat and flat. Ping Ze Ze Ping Ze, Ping Ze Ping Ze. The sound is flat, the sound is flat, and the sound is flat. It is monotonous, thirty-three words, seven sentences, five rhymes, one alliteration, the fifth and sixth sentences are repeated sentences.
In the plant world, Pu Shu's "Pu" was pronounced p, while the singer Pu Shu's "Pu" came from his surname "Pu", and the "Pu" in his name was pronounced p. "Life Like a White Birch" is equally exciting. Everyone is welcome to click and read it!
The pronunciation of the plant hackberry tree was "pō sh", neither" piao "nor" pu ". The singer Pu Shu's Pu came from his surname, Pu. "Life Like a White Birch" is equally exciting. Everyone is welcome to click and read it!
In Chinese, Ru meant you. It was often used to refer to people of the same generation or younger generation. It was used to address each other with "Ru" to express their intimacy. Ru Ru could refer to you in Chinese and was usually used as a mood particle. In spoken language, it was often equivalent to the meaning of Nan Nan. It was a nickname for girls by their parents. In ancient times, it also referred to young girls in boudoir, little girls that had never been heard of in the world, which highlighted intimacy. In some areas, Ru Ru meant daughter. It was a nickname for daughters in the south. In the dialect of Lin County, Shanxi Province, it usually referred to unmarried girls. Married women did not call them that. It could also refer to women and girls. In addition, as a name, Ruoru meant a quiet and beautiful woman with the appearance of a flower and the moon. The novel,"The Morality of the Past", is equally exciting. Everyone is welcome to click and read it!