Genuine calligraphy works of Pu Ru
Pu Ru's calligraphy had its own unique style and characteristics. He learned Liu Gongquan's regular script and was once known as the " first person in the Liu style " during the Republic of China. His handwriting was vigorous and beautiful, elegant and elegant. His strokes were light and slow, undulating and full of changes. He had the characteristics of Liu Gongquan's law script that emphasized the skeleton and momentum, and Yan Zhenqing's mellow and vigorous style. In the appraisal of Pu Ru's works, one could consider the lines of calligraphy, the movements of pressing, the flow of qi, the accuracy of the handwriting lines, the flexibility of the writing, the structure of the words, and the overall charm. For example, some works with clear calligraphy lines, good handwriting, and natural handwriting could be considered authentic, while some works with weak calligraphy lines and poor movement could be considered high-quality imitations. If some works could show Mr. Pu Ru's consistent strength of burnt ink on the paper, and the handwriting lines and charm were obvious, they could also be judged as authentic works. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Pu Yi's calligraphy
Pu Yi's existing calligraphy mainly consisted of letters. His calligraphy was rooted in tradition and had a high level of traditional cultivation. His regular script was dignified and beautiful, with the charm of Yan Zhenqing. He paid attention to the style of writing in seal script. His stippling was mainly light in horizontal and heavy in vertical, and he had his own opinions. The whole script was dignified and rigorous, but it also had some of Ouyang Xun's danger. His running script was free and easy, with the charm of Dong Qichang and Zhao Ziang. His strokes were free and easy, and his stippling and painting were closely connected. The lines were smooth and natural, and the contrast between thickness and thickness was obvious. The list was vigorous and vigorous. The arrangement of stippling and structural processing were in place. Words such as" tiger"," blessing" and" longevity" had been handed down to this day. His calligraphy was also influenced by the "Pavilion Style" and followed the path of calligraphy as a whole. His 28-character calligraphy was full of personality. The strokes were straight and the words were firm. The angle of the individual strokes was unexpected. The whole was tilted, the size of the characters was scattered, and they echoed closely, revealing a strong feeling. In addition, he was also good at official script and had the charm of the Rites Stele. When Pu Yi was in the palace, the vast collection of calligraphy in the Qing Dynasty were all his copybooks. He also brought a large number of treasures (including many famous calligraphy works) out of the Forbidden City. All of this reflected his high artistic cultivation and the fact that he had come into contact with many authentic calligraphy works. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
What was Pu Songling's calligraphy?
Pu Songling's calligraphy was Strange Tales from a Chinese Studio.
Ru Meng Ling Ci Pu Ge Lu
There are several types of ci scores and rhythms in Ru Meng Ling: Form 1: Monotone, thirty-three words, seven sentences, five rhymes, one alliteration. The rhythm of flat tones is: flat tones in middle tones (rhyme), flat tones in middle tones (rhyme). The middle tone is flat, the middle tone is flat. Level tones, level tones (rhyme)(reduplicated sentences), middle tones in level tones (rhyme). ("Middle" means flat or flat) Form 2: Monotone, thirty-three words, seven sentences, six rhyme. The fifth and sixth sentences of this word do not overlap. Form 3: Monotone, thirty-three words, seven sentences, five rhymes, one alliteration. The fifth and sixth sentences of this word are alliteration instead of repetition. Form 4: Monotone, thirty-three words, six sentences, four rhymes, one alliteration.
Calligraphy Works of Gulik
Van Gulik was a Sinologist from the Netherlands. His calligraphy had caused a lot of admiration in China. Even though he was not Chinese, his calligraphy works could make everyone in the Chinese calligraphy world marvel. His calligraphy works included couplets and other calligraphy works, one of which was still hung in the Shen family's former residence. His calligraphy works were drawn stroke by stroke. In addition to calligraphy, Gao Luopei was also a zither enthusiast. He had once taken Ye Shimeng, a famous zither master, as his teacher, and had written a book on the zither. His calligraphy works and zither skills both demonstrated his deep study and love for Chinese culture.
The works of calligraphy are not recommended
Mo Bao Fei Bao was a female writer and screenwriter from Mainland China. Her series of works included " A Lifetime "," Easy "," So Far "," Secret Room ", and " Drunken Life and Dream Death ". Among them," Forever, Beauty's Bone " and " Forever, Old Jiangnan " were her masterpieces. These novels used romantic love stories as their theme. The style of writing was elegant, and the plot was exciting. In addition, she also served as the screenwriter for many TV series, such as "Startling Step by Step","Why Silent Flute","Fire Like Song", etc. The works of Mo Bao Fei Bao were deeply loved by readers and were known as the unshakable existence of the Chinese novel world.
Appreciation of Calligraphy Works
All the famous calligraphers of the past had created calligraphy works with the word "Fu". These works displayed the word "Fu" in different calligraphy styles for people to appreciate. Among them, there were five types of calligraphy: seal script, official script, regular script, running script, and cursive script. These works displayed the talent and artistic style of the calligraphers. For example, the character "Fu" written by Emperor Kangxi was considered to be a symbol of infinite mystery and infinite blessings. In addition, Wang Xizhi, Zhiyong, Ouyang Xun, Chu Suiliang, Yan Zhenqing and other ancient calligraphers also created exquisite works of the word "Fu". These works not only had artistic value, but also symbolized good fortune and good luck.
Crane Calligraphy Works
The following are some of the calligraphy works related to "crane": ** I. The character "crane" in the works of different calligraphers ** 1. [Tan Yankai: His calligraphy is "The crane has a fairy heart flower, the mountain follows the painting and the living clouds remain as a poem". The words are wide and the strokes are free and easy. The whole is smart and romantic.] 2. Wang Shoupeng: In the calligraphy of "Hulong ploughs smoke and grows Yao grass, and the clouds sleep under the crane", the ink color is thick, and the words are square and beautiful. They are round and elegant, honest and upright. 3. ** Looking at the calligraphy of the character "crane" from the perspective of writing skills ** - It was a left-right structure, so it had to be narrow on the left and wide on the right when written. On the left side, the left point is slightly upright, the horizontal hook is not big, the stroke is sharp and sharp, the vertical stroke is straight, the dot stroke is slightly flat, and the horizontal stroke is inclined and parallel. The bird on the right side is slightly upright with a short leash. The horizontal folding hook is slightly shoulder-shouldered. The dotted picture is close to the top. The vertical folding hook is stretched out and the horizontal drawing is converged. ** 2. Calligraphers influenced by many factors and their calligraphy styles related to "crane"** 1. ** The relationship between the monk's calligraphy and the crane (from the perspective of cultural symbolism)** - He was known as a master of poetry, calligraphy, and painting at the end of the Ming Dynasty and was known as the "Crane in the Clouds". The formation of his calligraphy style was influenced by many factors. His early calligraphy was influenced by the calligraphy of Jin and Tang Dynasties and Dong Qichang, so his style was more traditional. Later, he became a monk and was influenced by Zen. The style of calligraphy gradually had the characteristics of Zen, such as natural, wild and desolate. This change could also be understood from the symbolic meaning of "crane" in China culture."Crane" symbolized noble purity, seclusion, etc. The characteristics of the monk's later calligraphy style such as wild and desolate echoed the cultural symbol of "crane" to some extent. If his calligraphy works involved the word "crane" or reflected the artistic conception related to "crane", it would show its unique artistic charm from its unique calligraphy style. 2. ** The cultural symbolism of the "crane" in the works of other calligraphers ** - In some calligraphic works, the cultural symbolism of the crane was rich and varied. For example, the crane could symbolize a gentleman with both virtue and ability, a person with noble character and great ambition, a hermit and his hermit life, family harmony, sincere friendship, strong love between lovers, loving husband and wife, old age or longevity, homesickness and parting. It was a symbol of the fear and danger of the environment, the mount of the immortals in myths and legends, the symbol of immortals and fairyland, and so on. When a calligrapher created a calligraphy work that involved the word "crane" or had the word "crane" as the theme, these symbolic meanings might be integrated into the artistic conception, style, or emotional expression of the calligrapher. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
Pen calligraphy works
Pen calligraphy works had a unique artistic charm. From an appreciative point of view, there were outstanding modern pen calligraphy works, with fine and even lines and smooth strokes. There were also nine pen-and-ink calligraphy works by Zhang Xiu. The strokes were beautiful and gentle. The handwriting was strong and bright. It was lively and natural, revealing a strong aura. The calligraphy was clean and tidy, not cliché. The style of the works pursued elegance, simplicity, strength, and beauty. However, there were flaws in the use of the calendar. Wu Yusheng's fountain pen calligraphy works were also very distinctive. He loved calligraphy and had been in the pool for many years. He had won many awards in many calligraphy competitions. From the perspective of creating fountain pen calligraphy works, if one wanted to write good fountain pen calligraphy, one must first make it clear that there were no shortcuts and that one needed to practice for a long time. This required a firm will. The specific practice methods were as follows: one was to see the direction of the pen movement and imitate it according to the copybook; the second was to study the structure of the glyph and improve it by constantly learning the words, because the beauty of a word was mainly reflected in the structure; the third was to pay attention to the overall layout. For example, when writing sentences, you had to master the changing skills of the word size. You could find some short poems to practice. First, write a single word 20 times, then write the whole 20 - 30 times to exercise patience and perseverance. In addition, there were some writing rules that helped to write beautiful pen words, such as " the left side of the hour is on the left side, and the right side of the hour is slightly lower. Write low on the lower right and high on the upper right. The rules such as "the bottom of the heart is slightly to the right" and "there is a vertical vertical left high right low" can be realized by writing He, Zhu, Zhen, Jing and other example characters. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
What are the famous calligraphy works?
Calligraphy paper was a material used for calligraphy creation. It was usually soft, smooth, and airy, which could better reflect the calligrapher's strokes and emotions. The following are some famous calligraphy works: Xuan paper: Xuan paper is a traditional Chinese calligraphy paper. It is soft and has good water absorption and good ventilation. It is often used for calligraphy. 2. Bamboo paper: Bamboo paper is a type of calligraphy paper made of bamboo. It has a tough texture and good breathability. It is often used for hard pen calligraphy. 3. Crumbled tofu paper: Crumbled tofu paper is a kind of calligraphy paper made of tofu dregs. It is soft and has strong water absorption and good air ventilation. It is often used for hard pens and calligraphy. Watercolor paper: Watercolor paper is a kind of transparent and soft calligraphy paper often used for watercolor calligraphy. 5. Drawing paper: Drawing paper is a kind of hard calligraphy paper often used for calligraphy. 6. Woolen edge paper: Woolen edge paper is a kind of calligraphy paper with soft texture and good water absorption. It is often used for fountain pen words. These are some famous calligraphy papers. Different calligraphy styles and techniques require different calligraphy papers. Calligraphers can choose the appropriate calligraphy paper according to their own needs.
The evaluation of the works of calligraphy is not a treasure
The evaluation of a work that was not a treasure varied from person to person. Her works did not stick to the old routines in terms of character design and subject matter. She chose relatively unpopular occupations and vertical circles to bring novelty to the audience. Her writing style was praised as fresh and sweet, able to handle many types of story subjects. Nearly 90% of her novels had been remade into movies and television dramas, which meant that her works were loved by the audience. However, there were also some criticisms of her works. They felt that her works lacked descriptions of getting along in the love story and pursued too much of a sweet and sweet pattern, resulting in the lack of emotional logic in the love process of the male and female protagonists. All in all, Mo Bao's works had achieved a certain degree of success in the market, and her writing style had also been recognized by some readers.