Pu Ru landscape scroll page painting
Pu Ru (1896 - 1963), formerly known as Aisin Gioro Pu Ru, originally known as Zhongheng, changed his name to Xinshe. He called himself Master Xihuang and Xishan Yishi. He was a Manchu and was the grandson of Prince Qinggong. In terms of painting, Pu Ru's landscape works were quite unique. His landscape scroll paintings had many forms of expression, such as his "Landscape Class Drawing", which was 29×716 cm, about 18.7 square feet, and "Landscape Octagonal Color Paper Book", each of which was 14.5×8.5 cm, about 0.1 square feet. In terms of painting techniques, he was deeply influenced by Ma Yuan and Xia Gui. He inherited the "Mustard Seed Garden Style" and "Ma Xia Style", and combined the two. The axe suddenly became "scattered brush", and the "Ma" suddenly became "sharp". When applied to landscape painting, it highlighted the novelty. He emphasized the fast rhythm of the brush, like cursive strokes; The ink technique was exquisite, like watercolor; The shape was square, hard, sharp, and new, like crystal; The style was fresh and bright, like a new lotus. His works were neat and exquisite in style. There were not too many messy strokes and patterns in the painting. The composition was carefully considered, giving people a fresh, elegant, leisurely and refreshing feeling. It was full of the aura of a scholar. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
The Painting of Pu Ru Visiting Friends in Spring Mountain
Pu Ru's Painting of Visiting Friends in Spring Mountain was one of the many famous artists 'works depicting the theme of Spring Mountain. Spring mountains were often filled with hope and vitality in paintings. Artists often expressed the theme of spring mountains through the description and coloring of trees and rocks. In ancient paintings, many artists had created paintings related to the Painting of Visiting Friends in Spring Mountain. Pu Ru's work was also a creation of this traditional painting theme. However, the reference materials did not have a more detailed explanation of the painting style and artistic features of Pu Ru's Painting of Visiting Friends in Spring Mountain. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Landscape bamboo landscape painting
Li Guosheng was a famous bamboo landscape painter. His works were famous for their fresh and beautiful colors and poetic atmosphere. His landscape bamboo paintings showed the vitality of bamboo growing rapidly under the nourishment of spring rain and spring breeze. At the same time, he expressed his idea of learning and working hard to become a talent. His works were full of tranquility and peace, giving people a refreshing sense of enjoyment. In Li Guosheng's paintings, the brush and ink of bamboo were free and natural, clear and clear, quiet and lively. He was good at defeating many with fewer. Through the sparse bamboo branches and leaves, he showed the beautiful posture of bamboo. In his works, the landscape and bamboo blended together to form a fresh, natural, and pleasing landscape. In general, Li Guosheng's landscape bamboo paintings gave people a sense of tranquility and indifference, making people feel relaxed and happy.
Landscape painting?
Landscape painting was a painting art form that used scenery as the subject. It usually used strong contrast of light and shade and color changes to express the beauty and magnificence of nature. Landscape paintings could portray natural landscapes such as mountains, rivers, lakes, oceans, forests, grasslands, cities, and villages. There were many forms of landscape painting. It could be a simple still life painting or a painting with a story. Artists could express their love and awe of nature through different techniques such as perspective, line, shadow, color, light and shadow. Common landscape paintings included Mona Lisa, sunrise Impression, The Catcher in the Rye, The Scream, and so on.
Pu Ru signed
Pu Ru signed in a variety of ways. Judging from his works, the inscription in "Looking at the Sea from the Tower" was "Looking at the Sea from the Tower, Facing the Zhejiang Tide." In the twelfth month of Bingxu, Pu Ru painted in Jinling. The inscription in the painting was: " The grass in the pot grows new green, and the flowers in the vase are inserted into the dew branches. Magpie to know the festival, good news to spring. Xinshe." The inscription in the Landscape Painting was "Pine Shadow Cold Stream Color". idle clouds, the posture of distant peaks. Xinshe." "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Ink painting landscape painting pine
Pine trees were a common material element in ink landscape paintings. From a technical point of view, there were many ways to match pine trees with other scenery. For example, when pine and chrysanthemum are matched, first write the upper right inclined pine trunk, then add pine branches to dye pine needles, and write chrysanthemum in the lower right corner to echo the drooping pine branches; When pine and orchid are matched, first write the orchid on the cliff, then draw the inclined pine trunk to echo the orchid; When pine and plum are matched, the pine trunk is drawn behind the stone, the pine branches look back, and the plum and pine trunk are interlaced behind the stone; When pine and bamboo are matched, the bamboo is written first, then the pine trunk is added, and the pine branches droop. In other paintings like " Tianqu " and " Three Friends in Spring ", the layout and drawing method of pine trees in the painting were also reflected, including the drawing of pine needles and pine trunks, as well as the matters to pay attention to when dyeing. In terms of the type of work, there was an ink landscape painting that used pine trees as elements. For example, the 2023 new Huangshan welcoming pine Chinese ink landscape Chinese living room hanging painting. At the same time, there were also Chinese landscape paintings and Chinese ink paintings of pine trees created by Qianku Network designers. There were also AI paintings with pine trees as the theme. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
ancient landscape painting
Ancient landscape painting was a specific style of China painting, mainly depicting the natural landscape of mountains and rivers. It originated in ancient China and experienced many periods of development and evolution. Ancient landscape paintings usually used ink as the main medium, using the changes and techniques of ink to express the shape and atmosphere of the landscape. In ancient landscape painting, the common types of painting included ink landscape painting, meticulous flower and bird ancient style illustration, and so on. The characteristics of ancient landscape paintings were that they focused on the expression of artistic conception and pursued the harmony and unity of nature and humanity. In the history of China art, ancient landscape paintings had always occupied an important position, and there were many classic works handed down from generation to generation. Some famous painters such as Li Cheng, Fan Kuan, and Ma Yuan were all representatives of ancient landscape paintings. Ancient landscape painting played an important role in China culture. It was not only a form of artistic expression, but also an important part of China traditional culture.
Guizhou landscape painting
Guizhou landscape painting was a form of traditional China painting that depicted the landscape of Guizhou. Guizhou landscape painting was unique in its regional characteristics and strong in the times. It not only showed the natural scenery of Guizhou, but also integrated modern aesthetic concepts and painting techniques. The common elements in Guizhou landscape paintings included Guizhou's karst landforms, mountainous terrains, waterfalls, streams, and so on. Some landscape painters in Guizhou also incorporated modern scenery such as cars and fire wheels into their works, showing the modern appearance of Guizhou. Guizhou landscape painters Zhang Runsheng, Meng Guangtao, Xu Heng and others made important contributions to the development of Guizhou landscape painting. Through field sketching and innovative painting techniques, they created landscape paintings with Guizhou characteristics. The Guizhou landscape painting exhibition was also one of the important ways to inherit and promote the cultural spirit of Guizhou.
Ancient landscape painting
Ancient landscape paintings played an important role in the history of China painting. From the existing ancient landscape paintings, there were many classic works. For example, Zhang Hong's "Landscape Painting" of the Ming Dynasty was a painting on paper with light colors. It was classified as a first-class cultural relic and was now in the collection of the National Palace Museum in Taiwan. Wang Ximeng's Painting of Thousands of Miles of Rivers and Mountains in the Northern Song Dynasty was even more famous. The 18-year-old Wang Ximeng completed a 12-meter-long meticulous painting in less than half a year. The painting was filled with undulating mountains, vast water waves, and pavilions. A large number of mineral colors such as stone cyan and stone green were used. It was a collection of the great achievements of ink painting since the Northern Song Dynasty and integrated the creator's emotions into it. It represented the development of green landscape painting. It is now in the Palace Museum. However, due to the characteristics of the paint and its age, Unfolding it would cause the color to peel off, and even the researchers inside the Forbidden City rarely saw it. There were also many ancient landscape paintings by other painters, such as Li Sixun's "River Sails and Pavilions" from the Tang Dynasty, which was collected in the National Palace Museum in China. Wang Wei's "Thousand Rocks and Ten Thousand Gullies"(partial) from the Tang Dynasty was collected in the National Palace Museum. These ancient landscape paintings had their own characteristics in terms of composition, strokes, and colors, showing the understanding and expression of the landscape by the artists of different periods. When appreciating ancient landscape paintings, one could appreciate them from the overall artistic conception, local details, and many other aspects to feel the artistic value and cultural content contained in them.
Guizhou landscape painting
Guizhou had many sceneries that were suitable to be drawn into landscape paintings. Fanjing Mountain was the fifth most famous Buddhist mountain in the world. It was known as " the first mountain in Guizhou and the first peak in Wuling." After snowing, Fanjing Mountain instantly became a pure land on earth, like a paradise in heaven. The Wanfeng Forest in Xingyi was magnificent and had a unique landscape. The eight sceneries of peaks, dragons, pits, cracks, forests, lakes, springs, and caves were widely distributed. It was a typical representative of karst landforms in Southwest China, like an ink painting. The small seven holes in Libo were like " the emerald on the belt of the earth." There were the water of Jiuzhaigou and the mountains of Guilin, forming a beautiful picture scroll. The Jiabang terraced fields in Qiandongnan were built against the mountains. They were stacked layer by layer and were of a large scale. Their curves were beautiful and were the most beautiful curves of the Moon Mountain. The Huangguoshu Waterfall in Anshun was one of the world's famous waterfalls. It was 77.8 meters high and 101 meters wide. The water was vast. The ancient city of Zhenyuan was located between the valleys of the Muyang River. It was surrounded by mountains on both sides. The ancient streets and alleys, stone bridges and city walls in the ancient city were well-arranged. The clear water and morning mist were in a myriad of postures. The Miao Village in Basha, Congjiang, still retained the ancient customs of carrying firearms. The landscape here and the unique ethnic culture complemented each other. The Wu River meandered past, the water surging. The rivers and mountains on both sides were magnificent. The river surface was curved like a string, reflecting the distant mountains and clouds. All these elements could be used as materials for Guizhou's landscape painting. The novel "Taoist Qianshan" is equally exciting. Everyone is welcome to click and read it!
Guilin landscape painting
Guilin landscape painting occupied a unique position in China traditional painting. In China history, there were many painters involved in Guilin landscape painting, such as Shi Tao in the 15th century, Qi Baishi, Huang Binhong, Xu Beihong, Li Keran in the 20th century, etc. Shuai Chujian, Yang Taiyang, Huang Dufeng, Tu Ke, Huang Taihua, and other older painters from Guangxi had also created a large number of excellent landscape works of the Li River, which laid a good foundation for the development of the Li River School of Painting. Since the mid-1980s, the Guangxi painters led by Huang Gesheng focused on the landscape of the Li River and the southern scenery of Guangxi, forming the "Li River School" with distinctive regional characteristics and unique artistic pursuits. The works of the contemporary painter Bai Xueshi (1915 - 2011) were known as the "White School Landscape" and had the reputation of "Guilin's landscape is the best in the world, and the White School Landscape is the best in Guilin." Guilin local painter Huang Yunhong (born in 1974), good at flower and bird painting and landscape painting. His landscape painting is simple and elegant, with free and easy brush and ink. These artists and their works all embodied the unique charm and rich content of Guilin landscape painting in the field of traditional Chinese painting. While waiting for the TV series, he could also read the exciting content related to this site!