Partridges in Heaven, Ci Pai, and Meters
The rhyme of the partridges was: O Ze Ping O Ze Ping (rhyme), O Ping O Ze Ping (rhyme). O flat O flat, O flat O flat. Level and Oblique, Oblique and Oblique (rhyme) O Ping O Ze Ping Ping (rhyme). O Ping O Ze Ping Ze, O Ze Ping Ze O Ze Ping (rhyme), where the "O" indicated that it could be flat or flat. Moreover, the first four sentences had three flat rhymes, the last five sentences had three flat rhymes, and the third and fourth sentences of the first and second sentences generally required antithesis.(Strictly speaking, the third and fourth sentences of the first and second sentences were antithesis, while the fifth and sixth sentences of the second sentence were antithesis.) "Francolin Sky" could be simply regarded as a seven-temperament poem with a rhyme. Then, the first seven words of the neck couplet were changed to six words, and the rhythm was "flat and flat."
The Zhengge of the Ci Pai in the Partridges of Heaven
Francolin day Ci card is a double-tone fifty-five words, the first four sentences three flat rhyme, the latter five sentences three flat rhyme. The third and fourth sentences of the first half of the song and the first and second sentences of the second half of the song generally required antithesis. The meter of the first sentence was completely in line with the seven-character temperament. The formal form was "Ze Ping Ze Ping". It was fixed as Yan Jidao's "Partridges Day·Colorful Sleeve Attentively Holding Jade Bell." The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
337 Ci Pai Meters
In Song Ci, the 337 form was more common. For example, the style of the Ci poems in " Chang Xiang Si " was more typical. Its format was " Ze Ze Ping, Ze Ze Ping, Ping Ze Ping, Ping Ze Ze Ping." Ze Ping Ping, Ze Ping Ping, Ze Ping Ze Ping, Zhong Ping Zhong Ze Ping ", like Lin Bu's" Wu Shan Qing, Yue Shan Qing, the two sides of the green mountains to send off. How can we bear to part? The king's tears are full, the concubine's tears are full, and the knot of the same heart is not formed. The tide by the river has leveled "followed this format. There was also the last line of Zhang Xian's Fairy of Heaven," The wind is uncertain, people are quiet at first, tomorrow's falling red should fill the path ", and Li Qingzhao's " Parcolin Sky "," Autumn is over, the days are still long, Zhongxuan is more desolate. It's better to get drunk before the branch, don't let the east fence chrysanthemum yellow "also reflected the sentence pattern of 337. In addition, the poem Gui Dian Qiu, the sentence pattern is 3375, 3375, the first and second half of each 18 words, a total of 36 words, the first and second half of each four sentences, with a four-level rhyme, such as "Autumn in the moon." Red banners and green banners descend from the palace. The peaches of immortality have already formed the dew of the Jade Pool, and the laurel seeds have just opened the wind of the Jade Palace."
Fanlanzhou Ci Ci and Pai Meters
Fanlanzhou tune can be found in "Plum Garden," and the previous "New Lotus Leaf" alias "Fanlanzhou" flat rhyme word is different. The rhythm is eighty-three words in double tone, with eight sentences in the first paragraph and three rhymes in the second paragraph. The lyrics are written according to the anonymous writer's "Pan Lan Zhou·Frost Moon Pavilion Season." The rhythm of his words is: Frost moon, pavilion season, wild stream open ice. The old friend's letter was handed over to the south of the Yangtze River. Who can I rely on when I return? Cold shadow low horizontal, light fragrance dark degree, sparse fence secluded courtyard. Ping Ze, ping Ze, ping Ze. It's flat, it's flat, it's flat. Ping Ze Ping Ze, Ping Ze Ping Ze, Ping Ze Ping Ze. where are you in Qin Tower and Zhu Pavilion? flat tones, flat tones, flat tones. It is said that the curtain carrying wine, together to see the new poetry drunk, more worthy of elegant light, a kind of natural, like snow decorated with thin smoke. Heartbroken to meet, hand twist twigs, recall the muddy like. It was flat, it was flat, it was flat. It's all flat, flat, flat. Ping Ze Ping Ze, Ping Ze Ping Ze, Ping Ze Ping Ze. The man dressed lightly and combed his hair. the pitch is flat, the pitch is flat.
Pingze Ci Pai Meters
The Pingze rhythm of Ci Pai was more complicated and varied. ** One and Two Word Ci Pai Ping Ze Metre example ** 1. ** Squeak ** - For example, the first two words of "thin luck" and "not seen" are flat and narrow. 2. ** Ping Ping ** - Like "Changchun" and "Chuiyang", the first two words are flat. 3. ** Pingze ** - For example, the first two words of Ci poems such as "Chun Nong" were flat and oblique. 4. ** Peace ** - Like "Dark Fragrance" and other Ci, the first two words are flat. ** Two and Three-word Ci Pai Ping Ze Metre example ** 1. ** Peace ** - For example,"Young Master An" and "Anyang is good" had a flat tone. 2. ** Common ** - For example,"Eight Treasures Make-up" and "Eight Pai Man" had a flat rhythm. 3. ** Intense ** - For example,"Anagqu","Anqing touch" and other Ci tablets, the three words of the flat tone meter is flat tone. 4. ** Common and flat ** - For example,"Ai Gu Yun" and "Ba Yin Xie" were three words with flat tones. Different Ci poems also had their own rules on the subsequent word count and meter. These flat tones and meters needed to be followed when writing lyrics to reflect the rhyme beauty and meter requirements of Ci poems.
The Rhythm and Form of the Ci Pai of the Partridges
The rhyme of Zhe Gu Tian Ci Pai was as follows: The first half of the song: O flat flat O flat (rhyme), O flat O flat flat (rhyme). O flat O flat, O flat O flat. The second part: flat and oblique, flat and flat (rhyme). O Ping O Ze Ping Ping (rhyme). O flat O flat, O flat O flat. Its format is double-tone, fifty-five words, divided into two parts. On the piece of four sentences, bet three flat rhyme; The next piece of five sentences, bet three flat rhyme, a rhyme to the end. The third and fourth sentences of the first half of the song and the first and second sentences of the second half of the song generally required antithesis. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Shi Zhou Ci Ci Pai Meters
Shizhou cited the rhythm of Ci tablets to He Zhu's "Shizhou Man·Bo Yu Shou Han" as the contrast rhythm, double-tone 102 words, the first paragraph of the four-tone rhyme, the latter paragraph of the five-tone rhyme. There are also other variations, such as double-tone 102 words, the first ten sentences with four tones, the last eleven sentences with five tones, etc.
Yao Hua Ci Pai Meters
It is a variation of 102 double-tone words, nine sentences in the front and nine sentences in the back. There are also 102 double-tone words, nine sentences in the front and nine sentences in the back.
Huaxi Bi-Ci-Pai Meters
Huaxi Bi is the alias of Bodhisattva Man, and Bodhisattva Man's rhyme is forty-four words in double tone, which is composed of five or seven characters. The whole poem is composed of two sentences and one rhyme. There are four easy rhymes, two flat and two Ze. The first and second sentences were seven-character rhyme sentences, and the third and fourth sentences were five-character rhyme sentences. The first sentence of the second film is a five-character sentence with flat rhyme, the second sentence is a five-character sentence with flat rhyme, and the third and fourth sentences are the same as the third and fourth sentences of the previous film.
Huanxi Sha Ci Pai Meters
There are mainly the following types of Ci poems: 1. * * Original Form (Form 1)**: Double tone, 42 words. The first three sentences, three flat rhymes; The second three sentences, two flat rhymes. A comparison example of the rhythm (Han Wei's "Huanxi Sand·Hangover Separation Sorrow Slow Hairbun" at the end of Tang Dynasty): - The middle is flat, the hangover is sad, the bun is slow, - The middle is flat and the middle is flat. The six baht clothes are thin and cold. - The middle is flat and the middle is flat. the languid red and dull green hide the blue phoenix. - The middle is flat and the middle is flat. - The middle is flat and the middle is flat. the snow-white skin is still like jade. - The middle is flat and the middle is flat. fragrant bones, slender waists, even deeper sandalwood. 2. * * Form 2 **: Two-tone, 42 words. There are three sentences in the upper and lower pieces, two flat rhymes. A comparison example of meter (Xue Zhaoyun of the late Tang Dynasty and the Five Dynasties,"Huanxi Sand·Red Reed Dutou Autumn Rain "): - The tone is flat and narrow. The red knotweed crosses the head, autumn is raining, - The sound is flat and flat, and the footprints of the seagulls in the sand are self-contained. - Pale, flat, flat, flat. my neat sleeves waft with the fragrance of the wild wind. - The deep pool is silent and full of wrinkles. - The boat is flat and flat, and the boat is full of sorrow. - Pale, flat, flat, flat. Swallows return to sail, the waters are boundless. 3. * * Form 3 **: Double tone, 44 words. The first three sentences, three flat rhymes; The second five sentences, two flat rhymes. A comparison of rhyme and rhyme (Sun Guangxian's "Huanxi Sand·Wind Shakes Fragrant Fragrance in the Courtyard" in the Five Dynasties and the Early Song Dynasty): - The wind shakes the courtyard full of fragrance, - The four curtains are rolled up lazily, and the sun is long. - Pale, flat, flat, flat. clouds hang down from my temples, and my pillow makes a faint sound. - The spring dream has not come true, and I am sad and lonely. - Ping Ping Ze Ping Ping (rhyme)
Pipa Immortal Ci Pai Meters
Pipa immortal Ci card meter is as follows: Double-tone 100 words, the first nine sentences of four-tone rhyme, the latter eight sentences of four-tone rhyme. The specific meter is Zhongze Pingping, Pingze Ze, Zhongze Zhongping Pingze (The first six sentences of Yi Qun have a single tone and rhyme)(The second [meaning group] five-sentence single tone into rhyme); flat tone, flat tone (The third [Yi Qun] four-word sentence is single-toned and rhymed);"Ze Ze Ping, Ping Ze Ze", Ze Ping Ze (The fourth four-word sentence is single-tone and rhyming); Pingze, Zhongze Pingping, Pingze, Zhongze Pingping (The fifth [Yi Qun] five-sentence single-tone rhyme, including the "Ze Pingze" intoned sentence; the second and fourth simultaneous defects); the middle tone in the flat tone, the middle tone in the flat tone (the sixth [Yi Qun] five-sentence single-tone rhyme); the flat tone, the flat tone (the seventh [Yi Qun] four-sentence single-tone rhyme, the second and fourth simultaneous defects); the middle tone in the flat tone, the flat tone (the eighth [Yi Qun] four-sentence single-tone rhyme, the second and fourth simultaneous defects). There are more than ten syntactical patterns of "Ze Ping Ze", which is also the fixed pattern of this tune. This poem is mostly used in spring and summer, and is not suitable for autumn and winter. The writing requirements of the poem are stricter. There are not many antitheses, but there are many awkward sentences, suitable for intermediate practice.