Pingze Ci Pai Meters
The Pingze rhythm of Ci Pai was more complicated and varied. ** One and Two Word Ci Pai Ping Ze Metre example ** 1. ** Squeak ** - For example, the first two words of "thin luck" and "not seen" are flat and narrow. 2. ** Ping Ping ** - Like "Changchun" and "Chuiyang", the first two words are flat. 3. ** Pingze ** - For example, the first two words of Ci poems such as "Chun Nong" were flat and oblique. 4. ** Peace ** - Like "Dark Fragrance" and other Ci, the first two words are flat. ** Two and Three-word Ci Pai Ping Ze Metre example ** 1. ** Peace ** - For example,"Young Master An" and "Anyang is good" had a flat tone. 2. ** Common ** - For example,"Eight Treasures Make-up" and "Eight Pai Man" had a flat rhythm. 3. ** Intense ** - For example,"Anagqu","Anqing touch" and other Ci tablets, the three words of the flat tone meter is flat tone. 4. ** Common and flat ** - For example,"Ai Gu Yun" and "Ba Yin Xie" were three words with flat tones. Different Ci poems also had their own rules on the subsequent word count and meter. These flat tones and meters needed to be followed when writing lyrics to reflect the rhyme beauty and meter requirements of Ci poems.
337 Ci Pai Meters
In Song Ci, the 337 form was more common. For example, the style of the Ci poems in " Chang Xiang Si " was more typical. Its format was " Ze Ze Ping, Ze Ze Ping, Ping Ze Ping, Ping Ze Ze Ping." Ze Ping Ping, Ze Ping Ping, Ze Ping Ze Ping, Zhong Ping Zhong Ze Ping ", like Lin Bu's" Wu Shan Qing, Yue Shan Qing, the two sides of the green mountains to send off. How can we bear to part? The king's tears are full, the concubine's tears are full, and the knot of the same heart is not formed. The tide by the river has leveled "followed this format. There was also the last line of Zhang Xian's Fairy of Heaven," The wind is uncertain, people are quiet at first, tomorrow's falling red should fill the path ", and Li Qingzhao's " Parcolin Sky "," Autumn is over, the days are still long, Zhongxuan is more desolate. It's better to get drunk before the branch, don't let the east fence chrysanthemum yellow "also reflected the sentence pattern of 337. In addition, the poem Gui Dian Qiu, the sentence pattern is 3375, 3375, the first and second half of each 18 words, a total of 36 words, the first and second half of each four sentences, with a four-level rhyme, such as "Autumn in the moon." Red banners and green banners descend from the palace. The peaches of immortality have already formed the dew of the Jade Pool, and the laurel seeds have just opened the wind of the Jade Palace."
Ci Pai, Francolin, Heaven, Pingze, Metre
The rhythm of the Ci poem "Paragon Heaven" was: O Ze Ping O Ze Ping (rhyme), O Ping O Ze Ping (rhyme). O flat O flat, O flat O flat. Level and Oblique, Oblique and Oblique (rhyme) O Ping O Ze Ping Ping (rhyme). O flat O flat, O flat O flat. The "O" meant that it could be flat or narrow. Strictly speaking, the third and fourth sentences were antithetical, and the fifth and sixth sentences were antithetical. This tone is fifty-five words, the first four sentences have three flat rhymes, and the last five sentences have three flat rhymes.
Shi Zhou Ci Ci Pai Meters
Shizhou cited the rhythm of Ci tablets to He Zhu's "Shizhou Man·Bo Yu Shou Han" as the contrast rhythm, double-tone 102 words, the first paragraph of the four-tone rhyme, the latter paragraph of the five-tone rhyme. There are also other variations, such as double-tone 102 words, the first ten sentences with four tones, the last eleven sentences with five tones, etc.
Magpie Bridge Immortal Ci Pai Pingze Form
Magpie Bridge Immortal Ci Pai takes Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body, with fifty-six words in double tone, five sentences in the front and back, and two tones. The flat tone format is Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. There are also fifty-six words in double tone, five sentences in front and five sentences in two sentences. There were also lyrics that used Qin Guan's "Fairy of Magpie Bridge," which were composed in the same rhythm. Ping Ping Ze Ping Ze, Ze, Ping Ze Ze. Ping Ping Ze Ze, Ping Ze Ze, Ze Ping Ze. Ping Ping Ze Ping Ze, Ze, Ping Ze Ze. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
River Chuan Ci Pai Meters
There were many variations of the River Cipai Meters: - The original style: fifty-five words in double-tone, seven sentences in the first paragraph, two-tone rhyme, five-level rhyme; The last seven sentences, three-tone rhyme, four-level rhyme. - Variant 1: Double-tone fifty-four words, before and after each seven sentences, three Ze rhyme, Siping rhyme. - Variant 2: Double-tone fifty-three words, the first eight sentences with five rhymes, the last seven sentences with three rhymes with four rhymes. - Variant 3: Double-tone sixty-one words, the first six sentences with five rhymes, the second six sentences with four rhymes, etc. In terms of the specific tone and rhythm, Wen Tingyun's "River Biography·On the Lake" was taken as the representative of the formal style. In the rhythm, such as the fourth sentence, the fifth sentence in the first paragraph and the beginning sentence in the second paragraph, there were corresponding requirements for the tone and rhythm of some words. Other variants also had differences from the formal style. For example, compared with Wen Tingyun's "Lakeside View", the fourth sentence still had the tone and rhythm, and the fourth sentence began to have the flat rhyme.
Ci Pai Meters and Rhythms of Dingxi
There were many kinds of rhythms in Ci poems of the West: 1. ** Original Style **: Two-tone thirty-five words, the first four sentences have one oblique rhyme and two flat rhymes, and the last four sentences have two oblique rhymes and two flat rhymes. With Wen Tingyun's "Xi Xi Fan·Han Envoy's Farewell in the Past Years" as the representative, the rhythm was "Ze Ping Ze, Ping Ze Ze, Ze Ping Ping, Ze Ping Ping." It's flat, it's flat, it's flat. Middle pitch, middle level, middle pitch, middle level." The first sentence of the first paragraph and the third sentence of the second paragraph are all rhymed. 2. ** Variant 1 **: Two-tone thirty-five words, four sentences before and after each paragraph, one oblique rhyme, two flat rhyme. With Wen Tingyun's "Ding Xi Fan·Drizzle Xiaoying Spring Festival Gala" as the representative, the first sentence of this word is rhymed, and the third sentence of the latter paragraph does not need rhyme. 3. ** Variant 2 **: Two-tone thirty-five words, the first four sentences have two flat rhymes, and the last four sentences have two flat rhymes and two flat rhymes. With Wei Zhuang's "Ding Xi Fan·Picking Up the Golden Lamp and Red Ember" as the representative, the first sentence of this word does not use rhyme, and the first sentence and the third sentence of the latter paragraph are rhymed. 4. ** Variant 3 **: Two-tone thirty-five words, four sentences before and after each paragraph, two rhyme. With Sun Guangxian's "Dingxifan·Ji Lushan Qianyou Qi" as the representative, this word does not enter the rhyme. 5. ** Variant 4 **: 41 words in double tones, five sentences in the first paragraph with two rhymes, and four sentences in the second paragraph with two rhymes. With Zhang Xian's "Ding Xi Fan·Nine People Holding Huqin" as the representative, this word also does not enter the rhyme, the first paragraph of the third sentence under the additional six words.
Pipa Immortal Ci Pai Meters
Pipa immortal Ci card meter is as follows: Double-tone 100 words, the first nine sentences of four-tone rhyme, the latter eight sentences of four-tone rhyme. The specific meter is Zhongze Pingping, Pingze Ze, Zhongze Zhongping Pingze (The first six sentences of Yi Qun have a single tone and rhyme)(The second [meaning group] five-sentence single tone into rhyme); flat tone, flat tone (The third [Yi Qun] four-word sentence is single-toned and rhymed);"Ze Ze Ping, Ping Ze Ze", Ze Ping Ze (The fourth four-word sentence is single-tone and rhyming); Pingze, Zhongze Pingping, Pingze, Zhongze Pingping (The fifth [Yi Qun] five-sentence single-tone rhyme, including the "Ze Pingze" intoned sentence; the second and fourth simultaneous defects); the middle tone in the flat tone, the middle tone in the flat tone (the sixth [Yi Qun] five-sentence single-tone rhyme); the flat tone, the flat tone (the seventh [Yi Qun] four-sentence single-tone rhyme, the second and fourth simultaneous defects); the middle tone in the flat tone, the flat tone (the eighth [Yi Qun] four-sentence single-tone rhyme, the second and fourth simultaneous defects). There are more than ten syntactical patterns of "Ze Ping Ze", which is also the fixed pattern of this tune. This poem is mostly used in spring and summer, and is not suitable for autumn and winter. The writing requirements of the poem are stricter. There are not many antitheses, but there are many awkward sentences, suitable for intermediate practice.
Taicheng Road Ci Pai Meters
Taicheng Road Ci Pai meter for the double-tone, the first piece of ten sentences, the second piece of eleven sentences, a total of 102 words. The second, fifth, sixth, eighth, and tenth lines of the first part and the third, sixth, seventh, ninth, and eleventh lines of the second part were the rhyme of the sound. The original form was a hundred and two words in double tones, with ten sentences in the first paragraph and five rhymes in the second paragraph. There were also many variations, such as the first ten sentences with six rhymes, the second eleven sentences with five rhymes, and so on.
Partridges in Heaven, Ci Pai, and Meters
The rhyme of the partridges was: O Ze Ping O Ze Ping (rhyme), O Ping O Ze Ping (rhyme). O flat O flat, O flat O flat. Level and Oblique, Oblique and Oblique (rhyme) O Ping O Ze Ping Ping (rhyme). O Ping O Ze Ping Ze, O Ze Ping Ze O Ze Ping (rhyme), where the "O" indicated that it could be flat or flat. Moreover, the first four sentences had three flat rhymes, the last five sentences had three flat rhymes, and the third and fourth sentences of the first and second sentences generally required antithesis.(Strictly speaking, the third and fourth sentences of the first and second sentences were antithesis, while the fifth and sixth sentences of the second sentence were antithesis.) "Francolin Sky" could be simply regarded as a seven-temperament poem with a rhyme. Then, the first seven words of the neck couplet were changed to six words, and the rhythm was "flat and flat."
Huanxi Sha Ci Pai Meters
There are mainly the following types of Ci poems: 1. * * Original Form (Form 1)**: Double tone, 42 words. The first three sentences, three flat rhymes; The second three sentences, two flat rhymes. A comparison example of the rhythm (Han Wei's "Huanxi Sand·Hangover Separation Sorrow Slow Hairbun" at the end of Tang Dynasty): - The middle is flat, the hangover is sad, the bun is slow, - The middle is flat and the middle is flat. The six baht clothes are thin and cold. - The middle is flat and the middle is flat. the languid red and dull green hide the blue phoenix. - The middle is flat and the middle is flat. - The middle is flat and the middle is flat. the snow-white skin is still like jade. - The middle is flat and the middle is flat. fragrant bones, slender waists, even deeper sandalwood. 2. * * Form 2 **: Two-tone, 42 words. There are three sentences in the upper and lower pieces, two flat rhymes. A comparison example of meter (Xue Zhaoyun of the late Tang Dynasty and the Five Dynasties,"Huanxi Sand·Red Reed Dutou Autumn Rain "): - The tone is flat and narrow. The red knotweed crosses the head, autumn is raining, - The sound is flat and flat, and the footprints of the seagulls in the sand are self-contained. - Pale, flat, flat, flat. my neat sleeves waft with the fragrance of the wild wind. - The deep pool is silent and full of wrinkles. - The boat is flat and flat, and the boat is full of sorrow. - Pale, flat, flat, flat. Swallows return to sail, the waters are boundless. 3. * * Form 3 **: Double tone, 44 words. The first three sentences, three flat rhymes; The second five sentences, two flat rhymes. A comparison of rhyme and rhyme (Sun Guangxian's "Huanxi Sand·Wind Shakes Fragrant Fragrance in the Courtyard" in the Five Dynasties and the Early Song Dynasty): - The wind shakes the courtyard full of fragrance, - The four curtains are rolled up lazily, and the sun is long. - Pale, flat, flat, flat. clouds hang down from my temples, and my pillow makes a faint sound. - The spring dream has not come true, and I am sad and lonely. - Ping Ping Ze Ping Ping (rhyme)