Huanxi Sha Ci Pai Meters
There are mainly the following types of Ci poems: 1. * * Original Form (Form 1)**: Double tone, 42 words. The first three sentences, three flat rhymes; The second three sentences, two flat rhymes. A comparison example of the rhythm (Han Wei's "Huanxi Sand·Hangover Separation Sorrow Slow Hairbun" at the end of Tang Dynasty): - The middle is flat, the hangover is sad, the bun is slow, - The middle is flat and the middle is flat. The six baht clothes are thin and cold. - The middle is flat and the middle is flat. the languid red and dull green hide the blue phoenix. - The middle is flat and the middle is flat. - The middle is flat and the middle is flat. the snow-white skin is still like jade. - The middle is flat and the middle is flat. fragrant bones, slender waists, even deeper sandalwood. 2. * * Form 2 **: Two-tone, 42 words. There are three sentences in the upper and lower pieces, two flat rhymes. A comparison example of meter (Xue Zhaoyun of the late Tang Dynasty and the Five Dynasties,"Huanxi Sand·Red Reed Dutou Autumn Rain "): - The tone is flat and narrow. The red knotweed crosses the head, autumn is raining, - The sound is flat and flat, and the footprints of the seagulls in the sand are self-contained. - Pale, flat, flat, flat. my neat sleeves waft with the fragrance of the wild wind. - The deep pool is silent and full of wrinkles. - The boat is flat and flat, and the boat is full of sorrow. - Pale, flat, flat, flat. Swallows return to sail, the waters are boundless. 3. * * Form 3 **: Double tone, 44 words. The first three sentences, three flat rhymes; The second five sentences, two flat rhymes. A comparison of rhyme and rhyme (Sun Guangxian's "Huanxi Sand·Wind Shakes Fragrant Fragrance in the Courtyard" in the Five Dynasties and the Early Song Dynasty): - The wind shakes the courtyard full of fragrance, - The four curtains are rolled up lazily, and the sun is long. - Pale, flat, flat, flat. clouds hang down from my temples, and my pillow makes a faint sound. - The spring dream has not come true, and I am sad and lonely. - Ping Ping Ze Ping Ping (rhyme)
Pipa Immortal Ci Pai Meters
Pipa immortal Ci card meter is as follows: Double-tone 100 words, the first nine sentences of four-tone rhyme, the latter eight sentences of four-tone rhyme. The specific meter is Zhongze Pingping, Pingze Ze, Zhongze Zhongping Pingze (The first six sentences of Yi Qun have a single tone and rhyme)(The second [meaning group] five-sentence single tone into rhyme); flat tone, flat tone (The third [Yi Qun] four-word sentence is single-toned and rhymed);"Ze Ze Ping, Ping Ze Ze", Ze Ping Ze (The fourth four-word sentence is single-tone and rhyming); Pingze, Zhongze Pingping, Pingze, Zhongze Pingping (The fifth [Yi Qun] five-sentence single-tone rhyme, including the "Ze Pingze" intoned sentence; the second and fourth simultaneous defects); the middle tone in the flat tone, the middle tone in the flat tone (the sixth [Yi Qun] five-sentence single-tone rhyme); the flat tone, the flat tone (the seventh [Yi Qun] four-sentence single-tone rhyme, the second and fourth simultaneous defects); the middle tone in the flat tone, the flat tone (the eighth [Yi Qun] four-sentence single-tone rhyme, the second and fourth simultaneous defects). There are more than ten syntactical patterns of "Ze Ping Ze", which is also the fixed pattern of this tune. This poem is mostly used in spring and summer, and is not suitable for autumn and winter. The writing requirements of the poem are stricter. There are not many antitheses, but there are many awkward sentences, suitable for intermediate practice.
Taicheng Road Ci Pai Meters
Taicheng Road Ci Pai meter for the double-tone, the first piece of ten sentences, the second piece of eleven sentences, a total of 102 words. The second, fifth, sixth, eighth, and tenth lines of the first part and the third, sixth, seventh, ninth, and eleventh lines of the second part were the rhyme of the sound. The original form was a hundred and two words in double tones, with ten sentences in the first paragraph and five rhymes in the second paragraph. There were also many variations, such as the first ten sentences with six rhymes, the second eleven sentences with five rhymes, and so on.
River Chuan Ci Pai Meters
There were many variations of the River Cipai Meters: - The original style: fifty-five words in double-tone, seven sentences in the first paragraph, two-tone rhyme, five-level rhyme; The last seven sentences, three-tone rhyme, four-level rhyme. - Variant 1: Double-tone fifty-four words, before and after each seven sentences, three Ze rhyme, Siping rhyme. - Variant 2: Double-tone fifty-three words, the first eight sentences with five rhymes, the last seven sentences with three rhymes with four rhymes. - Variant 3: Double-tone sixty-one words, the first six sentences with five rhymes, the second six sentences with four rhymes, etc. In terms of the specific tone and rhythm, Wen Tingyun's "River Biography·On the Lake" was taken as the representative of the formal style. In the rhythm, such as the fourth sentence, the fifth sentence in the first paragraph and the beginning sentence in the second paragraph, there were corresponding requirements for the tone and rhythm of some words. Other variants also had differences from the formal style. For example, compared with Wen Tingyun's "Lakeside View", the fourth sentence still had the tone and rhythm, and the fourth sentence began to have the flat rhyme.
Ci Pai Meters and Rhythms of Dingxi
There were many kinds of rhythms in Ci poems of the West: 1. ** Original Style **: Two-tone thirty-five words, the first four sentences have one oblique rhyme and two flat rhymes, and the last four sentences have two oblique rhymes and two flat rhymes. With Wen Tingyun's "Xi Xi Fan·Han Envoy's Farewell in the Past Years" as the representative, the rhythm was "Ze Ping Ze, Ping Ze Ze, Ze Ping Ping, Ze Ping Ping." It's flat, it's flat, it's flat. Middle pitch, middle level, middle pitch, middle level." The first sentence of the first paragraph and the third sentence of the second paragraph are all rhymed. 2. ** Variant 1 **: Two-tone thirty-five words, four sentences before and after each paragraph, one oblique rhyme, two flat rhyme. With Wen Tingyun's "Ding Xi Fan·Drizzle Xiaoying Spring Festival Gala" as the representative, the first sentence of this word is rhymed, and the third sentence of the latter paragraph does not need rhyme. 3. ** Variant 2 **: Two-tone thirty-five words, the first four sentences have two flat rhymes, and the last four sentences have two flat rhymes and two flat rhymes. With Wei Zhuang's "Ding Xi Fan·Picking Up the Golden Lamp and Red Ember" as the representative, the first sentence of this word does not use rhyme, and the first sentence and the third sentence of the latter paragraph are rhymed. 4. ** Variant 3 **: Two-tone thirty-five words, four sentences before and after each paragraph, two rhyme. With Sun Guangxian's "Dingxifan·Ji Lushan Qianyou Qi" as the representative, this word does not enter the rhyme. 5. ** Variant 4 **: 41 words in double tones, five sentences in the first paragraph with two rhymes, and four sentences in the second paragraph with two rhymes. With Zhang Xian's "Ding Xi Fan·Nine People Holding Huqin" as the representative, this word also does not enter the rhyme, the first paragraph of the third sentence under the additional six words.
Yu Lan Gan Ci Pai Meters
There are different situations in the rhythm of Yu Lan Gan Ci Pai. One was a double-toned fifty-six-word poem, with four sentences in the front and back, and three rhymes, just like Du Anshi's poem. The meter was: Ping Ze Ping Ze (rhyme), Ze Ze Ping Ze (rhyme), Ping Ze Ze Ping Ze, Ping Ze, Ze Ping Ze (rhyme); Ze Ping Ze Ping Ze (rhyme), Ze Ping Ze, Ping Ze Ping Ze (rhyme), Ze Ping Ze, Ping Ze (rhyme). There was also a kind of double-tone 46-word rhythm, the first six sentences had two oblique rhymes and two flat rhymes, and the last six sentences had three oblique rhymes and two flat rhymes, represented by Ouyang Jiong's Geng Lou Zi Yu Lan Gan.
The Lanting Dream Makes Ci Pai Meters
Lanting dream order for Lanting princess self-measurement Ci card, a total of 58 words, up and down each three flat rhyme, a rhyme to the end, after a piece of five words need to be antithesis. The lyrics are: Zhongping Pingze Ze, Zhongze Ze Pingping, Zhongping Zhongze Pingping. The middle is flat and the middle is flat. The middle level is flat and the middle is flat. The middle is flat and the middle is flat.
Magpie Bridge Immortal Ci Pai Meters and Forms
Magpie Bridge Immortal takes Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body, its meter is fifty-six words in double tone, five sentences in front and back, and two rhyme. The formal meter is: Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. There are also fifty-six words in double tone, five sentences in front and five sentences in two sentences. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
What kind of poems were there in the Ci tile named "Huanxi Sha"?
"Huanxi Sand" is a famous poem written by Liu Yong, a poet of the Northern Song Dynasty. The following are some poems with artistic conception: A new song, a glass of wine, an old pavilion in last year's weather. When will the sunset return? I asked with tears in my eyes, but the flowers didn't speak. The red flowers flew over the swing. 3. The garden is full of spring colors, and you can't keep a single red apricot out of the wall. The flowers have fallen, and the swallows have returned. In whose house is spring hidden in the small pavilion? The fan is idle, the window is empty, and the night rain has scattered the agarwood. It is even more speechless to leave the feelings, and the most is a cup of wine. 6 I pity the orioles singing in the deep trees by the secluded grass stream. Seven days to meet the clouds and waves, even the morning fog, the river of stars, about to turn a thousand sails dance. 8. The frosty wind is cold, the river is cold, and the last light shines on the tower. Holding hands and looking at each other with tearful eyes, I am speechless. How many red beans grow in the southern spring? I hope you will pick more of these things and miss them the most.
Translated by Jiang Kui of Huanxi Sha
The following is the translation of Jiang Kui's three poems: "Huanxi Sand·Bingchen Year Less than Five Days by Wu Song": Overlapping clouds are low, and the wild geese are too frightened to cry. The painted boat sailed past the west bank of the stone pond with worry. The wind and waves were extremely fierce, wantonly fiddling with the boat. The spring shore gradually grew green against the oars. Xiaomei's new branches should have grown close to the lintel. The annual Lantern Festival seemed to be summoning people home. "Huanxi Sand·Hairpin Swallow Cage Cloud Evening": At night, I don't have the interest to wear a hairpin decorated in the shape of a swallow and tie the cloud. She wanted to use her skirt to tie up Langjun's boat and not let him leave. The taste of parting would be tasted again this year. In the cold night, the willows were still dancing alone, and the mandarin ducks could not sleep when the wind was strong. Don't dwell on these small matters. "Huanxi Sand·Wine Line Full of Wind": Walking forward with drunkenness, sleeves full of breeze, autumn grass withered, goshawk flying down from the clear sky. The melancholy of parting was in the sunset. Hate entered people's hearts along with the sound of the zither strings, making people old. In dreams, they searched for it in thousands of relay stations, but their hearts were difficult to communicate. At that time, it was better not to leave in such a hurry.
Pipa Immortal Ci Pai
Pipa Immortal was the name of the Ci Pai, which was originally Jiang Baishi's self-tune. Double tone, 100 words. The first film has eleven sentences and four tones, and the second film has eight sentences and four tones. Jiang Kui's "Pipa Immortal·When the Double Oars Come" is a relatively famous Ci under this Ci card. In addition, Yang Kuisheng's Pipa Immortal·Mr. Tao Fuxiang's Liang's Title "Guest Boat Ci Painting" in the Qing Dynasty and Ye Dazhuang's Pipa Immortal·Orange Creek Night Mooring in the Qing Dynasty also adopted this Ci tile.