Ten Famous Calligraphy Scrolls on Wei Monument
The ten famous inscriptions on the Wei Monument included the following inscriptions: 1. Stele of Zhang Menglong: The full name of the stele was Zhang Fujun, the prefect of Lu County. It was erected in the first month of the third year of Zhengguang of the Northern Wei Dynasty (522). The stele was in the Confucius Temple in Qufu, Shandong Province. There was no name written on it. The calligraphy style was the authentic Northern Stele calligraphy style. The strokes were vigorous and varied. It was more exquisite and delicate than the Duke of Shi Ping. The font was slightly longer and the structure was dignified. It was close to the standard regular script. Some strokes had the taste of running script. Kang Youwei commented that its structure was exquisite and its changes were unreasonable. It was the ancestor of the regular script of the early Tang Dynasty and was known as the first stele of Wei. 2. Epitaph of Zhang Heinu: Originally known as Epitaph of Zhang Xuan, the Governor of Nanyang in the Wei Dynasty, engraved in the first year of Putai in the Northern Wei Dynasty (531). Although it was a regular script, the strokes were not as rigid and lacking in change as Tang Kai. The strokes used both the center and the side, with both hardness and softness. The structure was flat and clear, and the style was similar to the maturity of Tang Kai, the variety of Wei steles, and the high and ancient atmosphere of official script. It was the representative work of Wei Epitaph. 3. "Stele of Zheng Wengong": It is divided into two steles, the upper and lower steles, which record the life stories of Zheng Daozhao's father, Zheng Xi. The upper stele was in the transition period from official script to regular script. It had the characteristics of seal script, official script, running script and regular script. The lower stele was broad and bold, with both square and round strokes. It was vigorous, solemn and elegant. Kang Youwei praised this stele and called it the "Master of Round Brush" of the Northern Wei Dynasty. 4. Cuan Longyan Stele: Together with Cuan Baozi Stele, they are called "Two Cuan". The strokes are firm and vigorous, the structure is dense, the strokes are unrestrained, and the changes are rich. The style is simple and elegant, and the skill is clumsy. 5. Epitaph of Su Xiaoci, also known as Epitaph of Su Ci and Epitaph of Su Shijun. It was carved in the third year of Renshou of Sui Dynasty (603). The original stone is now in Pucheng County Museum. The style was similar to that of the European style. The characters were precise, neat, flat, and small. It had the beauty of the southern post and the sharpness of the northern stele. It was the pioneer of Ouyang Xun's regular script in the Tang Dynasty. Because it was unearthed later, the handwriting was clear and intact. It was a good book to learn from the Wei stele. 6. "Song Gaoling Temple Stele": The calligraphy style is mixed with the official script. It is an immature regular script. It is of the same origin as "Zhang Qian Stele." The style is free, the pen is unrestrained, and there is a simple interest. 7. "Huayue Temple Stele": The calligraphy style is official script. The characteristics of silkworm head and goose tail are obvious. The knot characters follow the principle of symmetrical balance of Han Li. The decorative meaning of the strokes is strong. The waves are exaggerated and the strokes are firm and decisive. The seal script, official script, and regular script are mixed together, representing the new look of the Northern Dynasty's stele calligraphy. 8. "Yuan Xiang Epitaph": The owner of the tomb was a royal relative, a dignitary, and the writer was an expert. It was one of the representative works of the epitaph on the Wei stele. 9. "Sima Yue's Epitaph": Similarly, the owner of the tomb was of noble status and the calligrapher was of high standards. It was a representative work among the epitaph of the Wei stele. 10. "Yuan Huai Epitaph": Its epitaph is also a typical representative of the epitaph of the Wei Dynasty. From the perspective of calligraphy art, it has certain characteristics and value. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
What were the calligraphy scrolls of the Sui Dynasty?
The Sui Dynasty (581 - 618) was a short dynasty in Chinese history. Although it only existed for 27 years, it had a profound influence on the history of Chinese calligraphy. During the Sui Dynasty, many famous calligraphy pieces appeared. The following are some of them: [1. Mysterious Secret Pagoda Stele: This is the inscription of Yang Jian, Emperor Wen of the Sui Dynasty. It is also one of the representative works of the Sui Dynasty's calligraphy.] The stele is about 25 meters high, 13 meters wide, beautiful characters and rigorous structure. It is one of the representative works of calligraphy in the Sui Dynasty. 2. Ode to Founding Emperor: This is a eulogy by Yang Guang, the prime minister of the Sui Dynasty. After the fall of the Sui Dynasty, it is now in the British Museum in London, England. The style of the eulogy was vigorous and majestic. It was a treasure in the calligraphy of the Sui Dynasty. 3. Preface to the Great Tang Sanzang: This was one of the representative works of Ouyang Xun, a great calligrapher of the Tang Dynasty. It was also a classic work in the history of Chinese calligraphy. The preface had Ouyang Xun's unique style of regular script. The strokes were strong, the structure was rigorous and precise. [4. Ninety percent Palace Liquan Inscription]: This was another representative work of Ouyang Xun, a calligrapher of the Tang Dynasty. It was also a classic work in the history of Chinese calligraphy. The inscription had Ouyang Xun's unique style of regular script. The strokes were strong and powerful, and the structure was rigorous and precise. Preface to the Orchid Pavilion: This is one of the representative works of Wang Xizhi, a famous calligrapher of the Tang Dynasty. It is also a classic work in the history of Chinese calligraphy. The Preface to the Orchid Pavilion was a beautiful funeral oration with exquisite structure and smooth strokes. It was one of Wang Xizhi's representative works. These are some of the famous calligraphy pieces from the Sui Dynasty. They not only left a precious legacy for the history of Chinese calligraphy, but also provided important learning reference for later calligraphers.
Wei Stele Calligraphy
The Wei Stele Calligraphy was an inscription from the Northern Wei Dynasty. It had a unique style and artistic value. The Wei stele style inherited the Han Li and the Tang Kai, showing the innovative spirit of calligraphy art. Among them, Epitaph of Zhang Heinu, Stele of Zhang Menglong, and Record of Yang Dayan's Statue were all classic works in the copybook of Wei Monument. These inscriptions were famous for their dignified and handsome strokes, delicate and upright knots, and colorful styles. The copybook of the Wei Stele was very popular among calligraphy students and was regarded as an important reference for learning the calligraphy of the Wei Stele.
Basic strokes of Wei stele calligraphy
The basic strokes of the Wei stele calligraphy style included horizontal, vertical, left-handed, right-handed, and dot strokes. Its basic stroke characteristics can be summarized as follows: the pen should be used to start and end the pen horizontally and vertically; the pen should be drawn back or written in a wave form; the pen should be folded horizontally or written as a point; the word mouth should be surrounded by the lower left and upper right corners. When learning the basic strokes of calligraphy on the Wei Stele, one had to master the structure, order, and strength of each stroke. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
What are the famous calligraphy works?
Calligraphy paper was a material used for calligraphy creation. It was usually soft, smooth, and airy, which could better reflect the calligrapher's strokes and emotions. The following are some famous calligraphy works: Xuan paper: Xuan paper is a traditional Chinese calligraphy paper. It is soft and has good water absorption and good ventilation. It is often used for calligraphy. 2. Bamboo paper: Bamboo paper is a type of calligraphy paper made of bamboo. It has a tough texture and good breathability. It is often used for hard pen calligraphy. 3. Crumbled tofu paper: Crumbled tofu paper is a kind of calligraphy paper made of tofu dregs. It is soft and has strong water absorption and good air ventilation. It is often used for hard pens and calligraphy. Watercolor paper: Watercolor paper is a kind of transparent and soft calligraphy paper often used for watercolor calligraphy. 5. Drawing paper: Drawing paper is a kind of hard calligraphy paper often used for calligraphy. 6. Woolen edge paper: Woolen edge paper is a kind of calligraphy paper with soft texture and good water absorption. It is often used for fountain pen words. These are some famous calligraphy papers. Different calligraphy styles and techniques require different calligraphy papers. Calligraphers can choose the appropriate calligraphy paper according to their own needs.
On Calligraphy in the Wei, Jin, Southern and Northern Dynasties
During the Wei, Jin, and Southern and Northern Dynasties, there were some important books on calligraphy. Among them,"The General System and the Governor System of the Wei, Jin, Southern and Northern Dynasties" was a book that studied the general system and the governor system of the Wei, Jin, Southern and Northern Dynasties. It mainly investigated the relationship between the bugle general and the provincial governor, the military of the prefectures, and the commander-in-chief of the expedition, as well as the emergence, characteristics and role of the commander-in-chief in the expedition. In addition,"Wei Jin/Southern and Northern Dynasties Calligraphy" was also a book worth recommending. It introduced the development of calligraphy art and the study of calligraphy theory during the Wei Jin and Southern and Northern Dynasties. In addition, The Literature Theory of the Wei, Jin, Southern and Northern Dynasties and Cao Pi's Dian Lun·Wen Lun was a book that studied the literary criticism and literature theory of the Wei, Jin, Southern and Northern Dynasties. It explored the characteristics of literary creation and the creative personality of writers, as well as the changes in literary concepts and literary criticism. In addition,"Research on the Essay of the Wei, Jin, Southern and Northern Dynasties" was also a book that studied the Essay of the Wei, Jin, Southern and Northern Dynasties. It described the various styles of Essay and their relationships with other styles. It also discussed the subject matter and theme of Essay, as well as the rhetoric, structure, and style of Essay. Generally speaking, the calligraphy theory of the Wei, Jin, Southern and Northern Dynasties covered many aspects, such as the general system and the governor system, the art of calligraphy and calligraphy theory, literary criticism and literary theory, and argumentative articles.
The Calligraphy Works of Xu Wei in the Qing Dynasty
Xu Wei was a calligrapher in the Qing Dynasty. His calligraphy works were highly praised at that time. Xu Rong was proficient in semi-cursive. His handwriting was elegant, dignified and luxurious. His strokes were steady and precise. His works include inscriptions such as "Twenty-four Filial Piety" and round fans. Empress Dowager Cixi also liked Xu Xu's calligraphy very much and often praised his calligraphy for its good fortune. Xu Xu's calligraphy works have been handed down to this day and are widely collected and appreciated.
Wei Yanjun's Calligraphy Collection Value
Wei Yanjun's calligraphy had a certain collection value. Judging from his artistic achievements, he was a famous contemporary painter with many titles, such as the vice president of the China Art Society. He had also contributed to calligraphy teaching, such as teaching calligraphy to children in kindergarten and spreading traditional culture. From a market point of view, his works were sold specifically. For example, at the school's calligraphy and painting exhibition, a 100cm x 70cm banner was sold for 250 yuan. Although the price was not expensive, it also showed that his works had a certain degree of circulation in the market. However, the value of this calligraphy was still far from that of the real famous calligraphers (such as Huang Shen, Qi Gong, etc.), but it was still considered above average. Therefore, it had a certain collection value for collectors who were interested in its calligraphy style and artistic achievements.
Price inquiry of famous calligraphy and paintings
To quickly check the price of famous calligraphy and paintings, one could use some art auction software or art market applications. For example, the Encyclopedic Auction APP, the Art Information APP, and the Art Market APP could all provide price inquiry functions for famous calligraphy and paintings. They also integrated information from major auction houses, exhibition, and investment institutions at home and abroad, providing the latest auction house prices and helping collectors understand the latest price trends of calligraphy and paintings. In addition, he could also check the price of some famous calligraphy and painting websites or famous calligraphy and painting trading platforms. According to professionals, the price of a famous calligraphy painting was affected by many factors, including the artist's artistic level, the age of the work, whether there was an inscription and postscript, and whether it had been appreciated by famous people. Therefore, when inquiring about the price of famous calligraphy and paintings, one had to consider all these factors.
Yan Zhenqing's Famous Calligraphy
Yan Zhenqing had many famous calligraphy works, some of which were worth recommending, including Yan Qinli Stele, Li Xuanjing Stele, Sacrifice to Nephew Manuscript, Ode to the Resurgence of Tang Dynasty, and Liu Zhong's Invitation. These works showcased Yan Zhenqing's unique writing style and structural design, such as the integration of seal script into regular script, as well as the characteristics of firm writing and strong writing style. Yan Zhenqing's calligraphy style was emotional and spiritual, and his thoughts were grand and open. He was known as one of the four masters of regular script. His calligraphy works had an important position and influence in the history of Chinese calligraphy.