The Calligraphy Works of Xu Wei in the Qing Dynasty
Xu Wei was a calligrapher in the Qing Dynasty. His calligraphy works were highly praised at that time. Xu Rong was proficient in semi-cursive. His handwriting was elegant, dignified and luxurious. His strokes were steady and precise. His works include inscriptions such as "Twenty-four Filial Piety" and round fans. Empress Dowager Cixi also liked Xu Xu's calligraphy very much and often praised his calligraphy for its good fortune. Xu Xu's calligraphy works have been handed down to this day and are widely collected and appreciated.
Xu Huanzhang of the Qing Dynasty
Xu Huanzhang was a ideologist and a flag slave at the end of the Qing Dynasty. He used to be a servant in a mansion in Beijing. Later, a street dispute caused a series of disasters. When the Eight-Nation Alliance invaded Beijing, Xu Huanzhang was appointed as the captain of the investigation team because he could speak Japanese. He took the opportunity to avenge the injustice he had suffered back then. However, his wife committed suicide because of this humiliation, and her family was destroyed. In the end, he moved into his master's house and inherited Gu Yuexuan's craftsmanship. Xu Huanzhang's exact date of birth and other details were unknown.
Xu Wei's Poetry of the Ming Dynasty
Xu Wei was a writer, painter, and military expert of the Ming Dynasty. His works of poetry included "Wind Kite Painting Poetry","Ink Grape Painting","Plum Blossom Satire","Night Rain Cutting Spring Leeks" and so on. Xu Wei's poems were full of emotion and artistic conception, with the theme of describing natural scenery and expressing the philosophy of life. Xu Wei's poems had a certain status and influence in the Ming Dynasty literature.
Wei Stele Calligraphy
The Wei Stele Calligraphy was an inscription from the Northern Wei Dynasty. It had a unique style and artistic value. The Wei stele style inherited the Han Li and the Tang Kai, showing the innovative spirit of calligraphy art. Among them, Epitaph of Zhang Heinu, Stele of Zhang Menglong, and Record of Yang Dayan's Statue were all classic works in the copybook of Wei Monument. These inscriptions were famous for their dignified and handsome strokes, delicate and upright knots, and colorful styles. The copybook of the Wei Stele was very popular among calligraphy students and was regarded as an important reference for learning the calligraphy of the Wei Stele.
Wei Qing, the Emperor of the Han Dynasty
The actor of Wei Qing was Dong Yong.
The most beautiful regular script calligraphy of the Qing Dynasty
Gao Yi was a famous calligrapher in the Qing Dynasty. His regular script was known as one of the most beautiful regular script in the Qing Dynasty. His calligraphy style combined the characteristics of Ouyang Xun and Chu Suiliang. It not only had the stability and standard of the European style, but also absorbed Chu Suiliang's fluency and naturalness, forming his own unique writing style. His regular script was exquisitely written and was praised as one of the most beautiful regular scripts of the Qing Dynasty. However, there were also some calligraphy experts who felt that Gao Yi's calligraphy was too standardized and patterned, lacking elegance and style. Experts had different opinions on Gao Yi's regular script.
Han Dynasty calligraphy
Han Dynasty calligraphy had gone through several periods of development. At first, the Han Dynasty inherited the calligraphy tradition of the Qin Dynasty and used seal script. However, as time passed, seal script gradually declined, while official script flourished and reached its peak in the Eastern Han Dynasty. The appearance of official script was a revolution in the history of calligraphy. It not only made the shape of Chinese characters tend to be square and regular, but also laid the foundation for the birth of various types of characters later. Under the influence of official script, cursive script, regular script, and running script also began to appear. The main carriers of calligraphy in the Han Dynasty were stone inscriptions and bamboo slips. The development of calligraphy in the Han Dynasty was driven by social progress, and people's demand for words continued to expand. Han Dynasty calligraphers made full use of this favorable factor to explore the beauty of words and the beauty that could be obtained in writing, creating many classic works. At the same time, the thoughts of the Han Dynasty's calligraphy theorists also had a profound impact on the history of calligraphy. In general, the Han Dynasty was a very important period in the history of Chinese calligraphy, and its calligraphy art showed a prosperous situation.
Xu Hongchen's Calligraphy
Xu Beihong's calligraphy works inherited the essence of the previous generation's calligraphy and displayed a unique personality and style. His calligraphy works could be divided into five categories according to their content: letters, handwritten notes, manuscripts and prefaces; couplets, screen-strips, banners; fasting names, hall names, horizontal boards, and banners. Xu Beihong's calligraphy was influenced by the Wei steles and inscriptions on gold. He repeatedly copied the steles of Zheng Wengong, the inscription on the stone gate, and Zhang Menglong. His calligraphy works were full of personality and skill, showing a distinct artistic charm. Xu Beihong's calligraphy works were considered to have a high aesthetic value in the modern era, and he was known as the first-class calligrapher in modern times. However, there was no information about Xu Hongchen's calligraphy works, so no conclusion could be drawn.
Xu Hong's Calligraphy
Xu Beihong was a famous Chinese painter, and his calligraphy art was also studied and appreciated. Xu Beihong's calligraphy style was unique, influenced by the Northern Stele and the inscriptions on gold. He had started learning the inscriptions when he was young, and after becoming Kang Youwei's disciple, he continued to study the Northern Stele System. Xu Beihong's calligraphy works showed his personal style. His strokes were coherent, handsome, and naive. His calligraphy works integrated the characteristics of the inscriptions in form, while retaining the style of calligraphy of Wang Duo and others in the Ming Dynasty. Xu Beihong's calligraphy works expressed his enthusiasm for fighting. His calligraphy was regarded as the best in modern times and had a high aesthetic value. Xu Beihong's calligraphy art has inspired and guided contemporary calligraphy lovers and calligraphers.
Xu Hongmin's Calligraphy
Xu Hongmin was a famous calligrapher, and his calligraphy works were highly praised. However, the search results did not provide any specific information about Xu Hongmin's calligraphy. Therefore, I don't know Xu Hongmin's calligraphy style, the characteristics of his works, or any other relevant information.
Xu Hongdao's Calligraphy
Xu Hongdao was a calligrapher, but the search results provided did not reveal the specific content or style of his calligraphy works. Xu Hongdao was born in November 1944 in Hangzhou City, Zhejiang Province. He was a professor-level senior engineer, a member of the Chinese Poetry Society, the executive director of the Zhejiang Province Poetry Society, and many other organizations. Xu Hongdao also participated in the work of some painter associations and clubs. However, detailed information about his calligraphy works was not mentioned in the search results provided.