Wei Stele Calligraphy
The Wei Stele Calligraphy was an inscription from the Northern Wei Dynasty. It had a unique style and artistic value. The Wei stele style inherited the Han Li and the Tang Kai, showing the innovative spirit of calligraphy art. Among them, Epitaph of Zhang Heinu, Stele of Zhang Menglong, and Record of Yang Dayan's Statue were all classic works in the copybook of Wei Monument. These inscriptions were famous for their dignified and handsome strokes, delicate and upright knots, and colorful styles. The copybook of the Wei Stele was very popular among calligraphy students and was regarded as an important reference for learning the calligraphy of the Wei Stele.
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Basic strokes of Wei stele calligraphy
The basic strokes of the Wei stele calligraphy style included horizontal, vertical, left-handed, right-handed, and dot strokes. Its basic stroke characteristics can be summarized as follows: the pen should be used to start and end the pen horizontally and vertically; the pen should be drawn back or written in a wave form; the pen should be folded horizontally or written as a point; the word mouth should be surrounded by the lower left and upper right corners. When learning the basic strokes of calligraphy on the Wei Stele, one had to master the structure, order, and strength of each stroke. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele Calligraphy
There was no information about the copybooks of the 'Longzang Temple Stele' that were being sold or published. However, from the information provided, it could be seen that the Stele of Longzang Temple was of great significance in the history of calligraphy. It was a representative stele of the Sui Dynasty. The font was simple and pure, and the font was slightly square. It retained the style of official script and was hailed as the first stele of the Sui and Tang Dynasties. The pen was powerful, and the strokes were carved into the bones and muscles. The structure was square, the arrangement was symmetrical and wide, the layout was horizontal and vertical, the characters were dense on the left and right, sparse on the top and bottom, similar to the layout of official script, full of ancient and natural beauty. Many calligraphers of the Tang Dynasty absorbed its essence and formed Tang Kai. If you want to find the copybook of Longzang Temple Stele, you can search through calligraphy bookstores, online calligraphy platforms, or related cultural and art stores. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Wei stele
The Wei Stele was the general name for the Northern Dynasty's stele calligraphy during the Wei, Jin, and Southern and Northern Dynasties. It was mainly composed of four parts: the statue inscription, the stele inscription, the cliff carving, and the epitaph. It got its name from the Northern Dynasty (439 - 581), where there were many schools of writing and calligraphy. The tombstones, tower inscriptions, brick carvings, and other writing relics of the Wei Dynasty (including the Northern Wei, Eastern Wei, and Western Wei) had the highest level of inscriptions. The Wei stele font was created and became popular during the Pingcheng and Luoyang stages of the Northern Wei Dynasty. From the stagnation of the Tang Dynasty to the revival of the Qing Dynasty with the development of the study of epigraphy, the concept of epigraphy was gradually formed during the prosperity of the Qing Dynasty. As a new font of the Northern Dynasty, the Wei Stele had not yet been completely finalized. It was in the transition stage from official script to regular script. It was influenced by the cultural exchange and integration of the ethnic groups at that time. It had the characteristics of the Han style being reserved and restrained, and the simplicity and magnificence of the ethnic minorities. Moreover, because the carving material was stone, the seal carving was more flexible and changeable. His representative works include Twenty Items of Longmen, Zhang Xuan's Epitaph, Zheng Wengong's Stele, Zhang Heinu's Epitaph, Yao Boduo's Statue, etc. The continuous development of the Wei Stele calligraphy style promoted the progress of running script and regular script, laying a solid foundation for the structure of modern Chinese characters. It was of great significance to the development of China characters and the transformation of forms. In terms of calligraphy style, Wei Stele Style (similar to the concept of Wei Stele, referring to the calligraphy style of the Northern Wei Dynasty) used swift strokes, sharp strokes, round inside and outside at the turning point, ancient and clumsy structure, dense and natural, strong and strong. The structure of Yuanzhen's Wei stele was tight yet flexible. The whole stele was tightened in the middle and stretched out on the outside. Different Wei stele works also had their own characteristics in the words. For example, some of the strokes were close and rhythmic, while others were compact and majestic. As a traditional China calligraphy, the culture and heritage protection of the Wei Monument were highly valued. Experts and scholars established the Wei Monument Research Institute, established the Ming Hall of the Northern Wei Dynasty and other museum to protect cultural relics, and also held genuine rubbing exhibition,"Yungang Cup" and other activities to inherit and carry forward the Wei Monument culture. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele, Brush Calligraphy
The Longzang Temple Stele was carved in the sixth year of Emperor Kaihuang of the Sui Dynasty (586 years). From the perspective of its calligraphy art, it occupied an important position in the history of the development of regular script. His pen is thin and vigorous, deep and sincere, square outside and round inside, straight pen square edge, thick and sharp, integrating the solemn and solemn stele with the graceful and exquisite post. The body is flat and elegant, graceful and beautiful, clear and sparse, melting elegant and elegant, ancient and clumsy, broad and deep in a furnace. From the perspective of writing style, it gathered the writing style of the Northern and Southern Dynasties, and sometimes came from the Han Dynasty. It was straight, straight, wide, elegant, flat, and natural. It made the graceful, beautiful, thin, hard, and steep into one, forming a "new regular script", which played a leading role in the emergence of calligraphy in the Tang Dynasty. The famous works of many calligraphers in later generations flashed with the light and shadow of "Longzang Temple Stele". Many scholars had high comments on it. For example, Ouyang Xiu of the Song Dynasty thought that "the calligraphy and painting were vigorous, with the style of Ou and Yu"; Bao Shichen of the Qing Dynasty said that "Longzang Temple" was enough to inherit the right army, all in the middle of fairness and understanding, with inconceivable changes "and so on. Its calligraphy techniques and structure had developed quite well at that time. Its style had broken away from the dangerous habits of the previous six dynasties 'epitaphs and became gentle and graceful. The strokes were varied and precise, laying the foundation for Tang Kai's style. The structure of the frame was full of aesthetic meaning, and the overall performance was peaceful and thorough, with the beauty of space and clarity. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
The Calligraphy Characteristics of the Stele of Longzang Temple
The calligraphy features of Longzang Temple Stele were mainly as follows: 1. ** Strokes and strokes **: The strokes were varied and precise, which laid the foundation for Tang Kai's " advocating Dharma ". The writing style of regular script was close to the appearance of a mature period. Although there was a hint of official script when it was drawn horizontally, the overall technique and structure of regular script were quite mature. 2. ** Space frame structure **: The structure is full of aesthetic meaning, and the use of space is " appropriate and intricate ". It has the beauty of open space. The beauty of this space, coupled with the characteristics of the pen, made it seem elegant, empty, and elegant. It had the meaning of "insight", like "golden flowers everywhere, fine and exquisite". 3. ** Overall Style **: It has the beauty of "moderate and tranquil". The style was a combination of graceful beauty and ancient simplicity. There was a gentle beauty in the thin and hard, without the dangerous and steep habits of the epitaph carved on the Six Dynasties. The writing style is subtle, the structure is grand and broad, flat and elegant, with a solemn and quiet charm. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Zhang Qian's Stele Calligraphy
The calligraphy of Zhang Qian Stele was called Ode to Zhang Junbiao, the Changdang Yin Order of Gucheng in the Old Han Dynasty. It was an official script work carved by an unknown calligrapher in the late Eastern Han Dynasty and Sun Xing, an inscription master in the Eastern Han Dynasty. It was carved in the third year of Zhongping of the Eastern Han Dynasty (186 years) and unearthed in the early years of the Ming Dynasty. It is now stored in the stone corridor of Dai Temple in Mount Tai, Shandong Province. The seal characters on the forehead are inscribed with 12 words,"Ode to Zhang Jun, the commander of the old hub city of Han Dynasty". The characters on the forehead are flat and the meaning of the calligraphy is between seal characters and official script. There are 15 lines in the main body of the stele, with 42 words in each line. There are 3 columns in the back of the stele, with 19 lines in the upper 2 columns and 3 lines of inscriptions in the lower 3 lines. Zhang Qian Stele had high calligraphy attainments. Since it was unearthed, it was highly praised by the calligraphers of the past dynasties. It was the representative work of the Han Dynasty's square brush system. Its style was simple, heavy, and elegant. The words were frank and honest, with the simple style of the people. The style was solemn and steady. The pen is wide and wide, the corner is square and round, the pen is strong and powerful, and the pen is steady. The four corners of the knot were full, and the whole character was square and neat. It presented the artistic style characteristics of straightforwardness, simplicity, and simplicity. The pen of "wave pick" was steady and heavy, without a sense of frivolity. The awkwardness contained in this "wave pick" was a manifestation of the calligraphy style at that time. There were many people who studied Zhang Qian Stele. If they wanted to copy it, they would copy the word card at close range. Its advantage was that it was small and easy to carry. It was easy to copy the six characters in a single row, and it was easy to identify the characters with simplified side notes. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Yishan Stele Calligraphy (Complete Version)
The complete version of the Stele of Mount Yi (HD version)(with an explanation) was carved on Mount Yi in the 28th year of the First Emperor of Qin (219 B.C.), written by Li Si. It was 218 cm high and 84 cm wide. It was also known as the Yuan Dynasty's Qin Seal Stele. It was originally located in the lobby of the county government in Zou County. In the early years of the Republic of China, it was moved into the tribute gate of Meng Temple. In 1973, it was moved into the Hall of Enlightenment for preservation. It is now in the Zoucheng City. Due to the age and the war, the raw stone was burned by wildfire. This stone was carved by Zheng Wenbao in the fourth year of Chunhua of Zhao Guangyi, Emperor Taizong of Song Dynasty (993 AD). Zheng Wenbao's inscription was engraved on the back of the stone tablet. There are many imitations of the Stone Engraving on Mount Yi, among which the best one is Xu Xuan's copy of the Southern Tang Dynasty carved by the Song Dynasty, which is now hidden in the Forest of Steles in Xi'an. There are seven re-engraved copies: Chang 'an, Shaoxing, Pujiang Zheng's, Ying Tianfu Xue, Qingshe, Shu and Zouxian. Chang' an was re-engraved in Xi'an, Shaanxi Province in the fourth year of Chunhua (993) of Song Dynasty by Zheng Wenbao's teacher Xu Xuanzang. It is now stored in Shaanxi Provincial Museum. Among the seven re-engraved copies, Chang' an is the best. In addition, there were also some copybooks published by the publishing house, such as the Chinese 10,000 volumes of brush high-definition primary color magnified comparison, and the calligraphy of the inscriptions published by the Anhui Fine Arts Press. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
The calligraphy style of Longzang Temple Stele is
The stele of Longzang Temple was carved in regular script, but it retained a certain sense of official script. The handwriting was simple and pure, and the font was slightly square. The overall style of the book is broad and broad, and the pen is fine and straight. It shows a peaceful atmosphere and has the style of a gentleman. The pen was powerful, and the strokes were carved into the bones and muscles. The body was square, the arrangement was well-proportioned, broad, generous, mature and steady, and the words echoed each other. The layout was arranged vertically and horizontally, the words were dense on the left and right, sparse on the top and bottom, similar to the layout of official script, full of ancient and natural beauty. It was not only different from the rough and strong Wei steles of the Northern and Southern Dynasties, but also different from the strict rules of the Tang Dynasty. It had the characteristics of connecting the past and the future. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Introduction to the Calligraphy of Longzang Temple Stele
The calligraphy features of Longzang Temple Stele mainly had the following aspects: 1. ** Strokes and strokes **: The strokes are varied and precise, laying the foundation for Tang Kai's "advocating the law". From this, one can see the appearance of the regular script when it is close to maturity. Although there is a hint of official script when it is drawn horizontally, the overall technique and structure of the regular script are quite mature. 2. ** Space structure **: The space structure is full of aesthetic meaning, and the use of space has the artistic feature of " appropriate interweaving is wonderful ". This kind of open space beauty plus the characteristics of the pen makes it appear beautiful, beautiful, empty and elegant. Kang Youwei commented that this stele " has the meaning of penetration "," like golden flowers everywhere, fine and exquisite ". 3. ** Overall Qi and Charm **: It has the beauty of " moderate and tranquil "." moderate " is a state after the fusion of various styles. It is " mild " and tasteful. The style is a combination of graceful, gorgeous, ancient, and deep. It has a solemn and quiet charm. It does not have the dangerous habits of the Six Dynasties 'epitaph. The strokes are subtle, the structure is neat, broad, and elegant. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Wei stele font
In a broad sense, the Wei Stele was the general term for the inscriptions on steles, cliffs, statues, and epitaphs of the Northern and Southern Dynasties in China. Among them, the works of the Northern Dynasties were of extremely high quality, so the narrow Wei Stele also referred to the inscriptions of the Northern Dynasties. It was founded and popular in the Pingcheng and Luoyang stages of the Northern Wei Dynasty. It fell into a stagnant period in the Tang Dynasty and then ushered in a revival period with the development of epigraphy in the Qing Dynasty. Its concept gradually formed until the prosperity of epigraphy in the Qing Dynasty. The Wei Stele was a new font from the Northern Dynasty. It had not yet been completely finalized. Due to the influence of the cultural exchange and the liberation of the people during the Wei, Jin, and Southern and Northern Dynasties, it had been continuously transitioned from official script to regular script. It had both the characteristics of the Han style and the simplicity of the minority. At the same time, because stone was used as the carving material, the seal carving was more flexible and changeable. It was mainly composed of four parts: statue inscription, stele inscription, cliff carving stone and epitaph. Representative works included "Dragon Gate Twenty Grades","Zhang Xuan's Epitaph","Zheng Wengong Stele","Zhang Heinu's Epitaph","Yao Boduo's Statue Record" and so on. There were many styles of Wei steles. Most people's impression of Wei steles was simple and unadorned, but there were also bold and unconstrained styles like Zhang Menglong's stele, graceful and restrained styles like Zhang Xuan's epitaph, and some styles that were both. The concept of the Wei stele style was formed in the late Qing Dynasty. It referred to the regular script style of the Northern Wei steles, which was featured by the tight knot of the oblique painting and the square and steep stippling. It was mainly popular in the steles of Luoyang after Emperor Xiaowen of the Northern Wei Dynasty moved the capital to Luoyang, when the Northern Wei Dynasty split into the Eastern and Western Wei. The continuous development of the Wei Stele calligraphy style promoted the progress of running script and regular script, laying a solid foundation for the structure of modern Chinese characters. It was of great significance to the development of China characters and the change of forms. The protection of its culture and relics was highly valued. Experts and scholars established the Wei Stele Research Institute, established a museum to protect precious cultural relics, and held relevant activities to inherit and carry forward the Wei Stele culture. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!