One of Yan Zhenqing's most famous works was Yan Qinli Stele. This inscription was the tombstone that Yan Zhenqing had erected for his great-grandfather, Yan Qinli. Its full name was 'The Divine Monument of Yan Jun, the Protector Army in the Thin History of Kuizhou Dudu Mansion, the Former Secretary of Tang Dynasty'. It was Yan Zhenqing's representative work in his later years, showing the aesthetic fashion of the prosperous Tang Dynasty. Yan Qinli Stele was dignified, wide and smooth, with a strong momentum. The skeleton was wide, square and outward, and the horizontal and vertical strokes were very clear. The strokes of the circle and turn were clear. This stele emphasized laws and regulations, and it had the aura of the Great Tang. It was one of Yan Zhenqing's masterpieces during his mature period of calligraphy. It displayed his unique writing style and structural design. "Yan Qinli Stele" is now in Xi'an Stele Forest Museum.
Yan Zhenqing's collection of diligent steles included Yan Qinli Stele, Yan Family Temple Stele, etc. Among them,'Yan Qinli Stele' was one of Yan Zhenqing's representative works in his later years. It was considered to be the regular script work that could best convey the original form and spirit of Yan's stele inscriptions. This stele was erected in Chang 'an in the 14th year of the Tang Dynasty (779 AD). It was erected by Yan Zhenqing for his great-grandfather. There were 19 lines on the surface of the stele and 20 lines on the surface of the stele. There were a total of 38 words. Other than that,'Yan Family Temple Stele' was also one of his representative works. These works showed the evolution of Yan Zhenqing's calligraphy style, from the solemn and powerful in his early years to the clear and strong in his later years, which had great artistic influence.
Yan Zhenqing's most famous works were "Sacrificial Nephew Manuscript,""Pagoda Stele,""Yan Qinli Stele," etc.
Yan Zhenqing's most famous calligraphy works were "Sacrificial Nephew Manuscript" and "Pagoda Stele". Among them," Sacrificial Nephew Manuscript " was Yan Zhenqing's representative work of cursive writing. It was known as " the second cursive writing in the world ". It showed the characteristics of his writing, his emotional expression, and his vigorous writing style. " Pagoda Stele " was Yan Zhenqing's early masterpiece. It had a respectful and sincere style and combined the characteristics of many calligraphers. It was considered an important milestone in the development of Yan Zhenqing's calligraphy art.
Yan Zhenqing's most famous works were "Pagoda Stele","Yan Qinli Stele" and "Magu Immortal Altar Record".
Yan Zhenqing's most famous calligraphy works included "Sacrificial Nephew Manuscript","Yan Family Temple Stele","Fighting for Seat Post","Yan Qin Li Stele" and so on.
Yan Zhenqing's 'Yan Qinli Stele' was a Shinto Stele he erected for his great-grandfather, Yan Qinli. It was one of his representative works in his later years. This monument was erected in the 14th year of the Tang Dynasty (779) and is now in the Forest of Steles Museum in Xi'an. The stele was 175 cm tall, 90 cm wide, and 22 cm thick. It was surrounded by carvings on all four sides. There were a total of 19 lines of positive inscriptions and 20 lines of negative inscriptions. Each line had 38 words, and there was a side engraved on both sides. Yan Zhenqing used the horizontal and thick strokes in the "Yan Qin Li Stele", combined with the square technique, showing his calligraphy style. This monument was dignified and open-minded, relaxed and cheerful, combined with movement and stillness, clever and clumsy, graceful and generous, and had the atmosphere of the prosperous Tang Dynasty. Yan Qinli Stele was Yan Zhenqing's masterpiece when his calligraphy was mature. It was also one of the models for learning Yan Style.
The full text of Yan Zhenqing's Diligence Stele could not be obtained from the search results provided.
Yan Zhenqing's Stele of Diligence, the full name of the stele was "The Shinto Stele of Yan Jun, the Chief Historian of Kuizhou Dudu Mansion, the Former Secretary of the Tang Dynasty." It was the Shinto Stele that Yan Zhenqing wrote for his great-grandfather Yan Qinli. It was the representative work of Yan Zhenqing's regular script in his later years. This stele was erected in the 14th year of the Tang Dynasty (779) and was unearthed in Xi'an, Shaanxi Province in October of the 11th year of the Republic of China (1922). It is now in the Xi'an Forest of Steles Museum. Yan Qinli Stele was engraved on all four sides. There were 19 lines on the positive side of the stele, 20 lines on the negative side of the stele, 38 words per line, and 5 lines on the side of the stele, 37 words per line. The inscription traced the merits of Yan's ancestors and described the achievements of future generations in the Tang Dynasty. The brush strokes are horizontal, thin and vertical, covering the head and protecting the tail, and using both square and round strokes; the body is dignified and generous, wide and stretched, and there is a skill in the clumsy; the breath is strong and vigorous, and the vitality is vigorous, representing the aesthetic fashion of the prosperous Tang Dynasty.
Yan Zhenqing's famous works were "Sacrifice to Nephew Manuscript,""Sacrifice to Uncle Manuscript," and "Fight for Seat Manuscript." Among them, the Manuscript of Sacrifice to Nephew was known as the second running script in the world, second only to Wang Xizhi's Preface to the Orchid Pavilion. "The Manuscript of Sacrifice to Uncle" was a work of Yan Zhenqing's memorial to his uncle. It was a combination of cursive and semi-cursive. "Manuscript for a Seat" was Yan Zhenqing's representative work. These works played an important role in Yan Zhenqing's calligraphy career, showing his talent and artistic achievements.
Yan Zhenqing's most famous calligraphy works were "Sacrificial Nephew Manuscript" and "Pagoda Stele".