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Cao Quan's Stele Calligraphy Original Version

Cao Quan's Stele Calligraphy Original Version

2026-07-01 10:58
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Your name is Quan, the word Jingwan, Dunhuang Xiaogu people, your ancestors are the descendants of the Zhou Dynasty, King Wu of Zhou took the opportunity to cut down the Yin and Shang Dynasties, established your meritorious service, the same blessing and salary, granted your brother Shu Zhenduo in Cao State, so surnamed him. At the time of Qin and Han Dynasties, Cao Can assisted the royal family on both sides, Sejong expanded the territory and exiled the whole country. His descendants moved to the suburbs of Yongzhou and lived in Youfufeng respectively. Some lived in Anding, some lived in Wudu, some lived in Longxi, some lived in Dunhuang. The branches were divided into leaves and cloth, and the place where they lived was the most outstanding. Your grandfather, Fu Min, was elected as Xiao Lian, Wuwei Changshi, Bajun Qu Ren Ling, Zhangye Juyan Duwei. His great-grandfather Liu Shu, Xiao Lian, audience, Jincheng Changshi, Xia Yang Ling, Shu Prefecture Western Duwei, grandfather Liu Feng, Xiao Lian, Zhangye vassal state Duwei Cheng, right Fufeng Mi Hou Xiang, Jincheng Western Duwei, North Shou, father Liu Wei, young famous state and county, unfortunately early generation, so the position does not conform to the virtue, the monarch is young and studious, very wise, no article is not comprehensive, virtuous and filial nature, rooted in the heart, adopted Ji grandmother, served stepmother, first thought, life and death respect, etiquette is not lacking, so the villagers made this proverb: Cao Jingwan, who was very close to him, changed his virtue from generation to generation and did not lose his reputation. When he was in politics, he was as honest as Yi Qi and admired Shi Yu. He successively served as the right official of the county. He was appointed as the assistant history of the county. He was still recruited by Liangzhou. He often served as the governor of the county. He did not drive. He had a discipline of thousands of miles. He was not wrong. He went out to take charge of each county. He impeached injustice and corrected evil people. He was greedy and cruel. His colleagues admired his virtue. People near and far were afraid of his power. In the second year of Jianning, he was elected as filial piety and honesty. He was appointed as a doctor. He was appointed as the Sima of the Western Regions. At that time, King He De of Shule killed his father and usurped the throne. He did not pay tribute to the court. The monarch sent troops to attack. He had the kindness of Yan pus and the grace of sharing wine. He attacked the city and fought in the field. His strategy was like a spring. He was brave and brave. He De tied himself up and returned to his hometown to fight. He returned to the army to reorganize. The gifts given by the countries were nearly two million yuan. He was promoted to the right Fufeng Huaili order. He was abandoned by his brother's funeral. He was imprisoned and hidden in the alleys for seven years. In the sixth year of Guanghe, he was elected as filial piety and honesty. In March of the seventh year, he was appointed as a doctor. He was appointed as the chief of Jiuquan Lu Fu. He was the thief Zhang Jiao. He raised an army in Youji. Yan, Yu, Jing and Yang were attacked at the same time. The Guo family of the county people rebelled again, burned the city temple, harassed the people, and the people were uneasy. The three counties were in danger. The imperial edict still came, and at that time the emperor consulted, and all the officials said: You are really a monarch. You were appointed as the magistrate of Heyang County, collected the ashes, eliminated the rebels and cut off their roots. So you visited the old people and discussed with them. You helped Wang Chang, Wang Bi and other people to sympathize with the people, comfort the elderly, raise the widowed and widowed, buy rice and millet with the money of the family, give the sick and blind, the eldest daughter Tao Zhai and other people, gather the seven-headed medicine god ointment, personally go to Li Ting, subordinate officials Wang Gao, Cheng Heng and other people, give the sick people taxes, they all repent, the flow of benevolent government is even more than the post office. The common people are carrying children and carrying children, and there are many rebels. They repair the houses, arrange the shops in the market, and arrange them in rows. In the rainy season, there is a bumper harvest every year. The farmers weave women. In the first year of Heping County, Dai En, a hundred craftsmen, suffered from the flood disaster of Baimao Valley. He retired to Xuhai and built the city wall. From then on, the old surname and self-cultivation people could not take up their official positions. You sympathized with the failure of the scholar-bureaucrats, opened the gate of the South Temple, looked at the mountains and rivers, and ruled the country in a bright way. In this way, the scholars Li Ru, Luan Gui, Cheng Yin, etc. could each get the reward of the title, expand the hearing official residence, the court Cao corridor pavilion, rise and fall the steps of courtesy and pilgrimage. The cost did not come from the people, and the service did not interfere with the time. Wang Chang, Wang Bi, the chief clerk, Wang Li, Qin Shang, the household Cao, etc. Gong Cao Shi Wang Zhuan and others admired Xi Si and examined the merits of Xi Fu, so they jointly published a stone to record their achievements. The words read: After the reign of Emperor Ming, virtue and righteousness were displayed, tribute to the royal court, expedition to the ghost world, prestige spread, peace and prosperity, return to the army, visit the pagoda tree, feel the heart, attend the funeral ceremony, sigh for the rebels, burn the city, specially accept the mandate of heaven, govern the broken people, eliminate the disobedient ministers, calm the common people, repair the official temple, open the south gate, watch the towering mountains, look at the mountains, visit the Ming Dynasty, enjoy the benefits, officials are happy to govern the country, the people are well supplied, the monarch is promoted, and the bandits in the tripod foot are built on October Bingchen of that year. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!

Stele of Cao Quan

The Stele of Cao Quan was in the official style. Its full name was the Stele of Cao Quan, the Order of Heyang of Han Dynasty. It was also called the Stele of Cao Jingwan. It was erected by Wang Chang and others in the Eastern Han Dynasty to praise the merits of Cao Quan, the Order of Heyang. It was erected in October of the second year of Zhongping (185 years) of Emperor Ling of the Eastern Han Dynasty. It was unearthed in Shenli Village, Heyang (present-day Heyang, Shaanxi Province) in the early years of Wanli of Ming Dynasty. The stele is now preserved in the third room of Xi'an Stele Forest Museum. The Palace Museum in Beijing and Shanghai Museum have rubbings of Ming Dynasty. There are 20 lines on the front of the stele, each line has 45 words, and there are 33 lines on the back of the stele, divided into 5 rows. The seal inscription has been lost, the whole monument has a total of 1165 words. The front of the stele recorded the life and achievements of Cao Quan, the county magistrate of Heyang, while the back of the stele was engraved with the name, official position, and amount of money paid by the fund-raiser. This stele was unearthed relatively late. The inscription was well preserved, the handwriting was clear, and there were many rubbings. It was collected by Wang Chang's "Jinshi Collection", Fang Shuo's "Pillow Sutra Hall Jinshi Calligraphy and Painting Postscript", as well as the rubbings published by Xi'an Map Press. The rubbings of the steles in the Palace Museum were 253 centimeters high and 123 centimeters wide. It was said that the steles were broken at the end of the Ming Dynasty, and most of them were rubbings after breaking. Cao Quan's Stele was one of the representative works of the official script at the end of the Eastern Han Dynasty. The characters were even and neat, and the strokes were both square and round. The style was beautiful. It recorded Cao Quan's situation when he was in office and his participation in the Battle of Shule and the suppression of the Yellow Turban Uprising. It was an important historical material for studying the peasant uprising at the end of the Eastern Han Dynasty. It was also one of the few works with relatively complete preservation and clear font among the existing Han Dynasty stone tablets in China. In 1996, it was rated as a national treasure stone tablet. In 2004, it was made into official script stamps by the State Post Office. In addition, there was also a book published by the Shanghai Painting and Calligraphy Press called "Cao Quan Stele". Moreover, Xi Kui's "Official Script Thousand Character Essay" was written in the style of Cao Quan's stele. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!

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2026-06-30 01:17

Yishan Stele Calligraphy (Complete Version)

The complete version of the Stele of Mount Yi (HD version)(with an explanation) was carved on Mount Yi in the 28th year of the First Emperor of Qin (219 B.C.), written by Li Si. It was 218 cm high and 84 cm wide. It was also known as the Yuan Dynasty's Qin Seal Stele. It was originally located in the lobby of the county government in Zou County. In the early years of the Republic of China, it was moved into the tribute gate of Meng Temple. In 1973, it was moved into the Hall of Enlightenment for preservation. It is now in the Zoucheng City. Due to the age and the war, the raw stone was burned by wildfire. This stone was carved by Zheng Wenbao in the fourth year of Chunhua of Zhao Guangyi, Emperor Taizong of Song Dynasty (993 AD). Zheng Wenbao's inscription was engraved on the back of the stone tablet. There are many imitations of the Stone Engraving on Mount Yi, among which the best one is Xu Xuan's copy of the Southern Tang Dynasty carved by the Song Dynasty, which is now hidden in the Forest of Steles in Xi'an. There are seven re-engraved copies: Chang 'an, Shaoxing, Pujiang Zheng's, Ying Tianfu Xue, Qingshe, Shu and Zouxian. Chang' an was re-engraved in Xi'an, Shaanxi Province in the fourth year of Chunhua (993) of Song Dynasty by Zheng Wenbao's teacher Xu Xuanzang. It is now stored in Shaanxi Provincial Museum. Among the seven re-engraved copies, Chang' an is the best. In addition, there were also some copybooks published by the publishing house, such as the Chinese 10,000 volumes of brush high-definition primary color magnified comparison, and the calligraphy of the inscriptions published by the Anhui Fine Arts Press. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!

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2026-06-27 17:57

Cao Quan's stele, official script, online search for words

You can search for the words in Cao Quan's stele online by searching the official script calligraphy dictionary. For example, some search engines can provide the function of searching for words, which will include examples of the words in Cao Quan's stele, such as the writing method of the word "check" in Cao Quan's stele. In addition, some calligraphy websites might also provide such inquiry services. By entering the words you want to find, you can obtain the results related to Cao Quanbei's official script. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!

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2026-06-27 19:23

Multi-Pagoda Stele Calligraphy Complete Version

The complete version of the multi-pagoda stele copybook can be found in the search results provided. According to the contents of document [1], document [2], document [3], document [4], document [5], document [6], document [7], document [8], document [9], and document [10], the Duobao Pagoda Stele was the work of Yan Zhenqing, a calligrapher of the Tang Dynasty. Its full name was the "Duobao Pagoda Induction Stele of Qianfu Temple in Xijing, Tang Dynasty." This stele was one of Yan Zhenqing's early representative works, and it was also one of the models for future generations to learn regular script. The stele was 2.63 meters tall and 1.4 meters wide. It had 34 lines and 66 words. The content mainly recorded the whole story of how Chu Jin, the Zen Master of Longxing Temple in Xijing, built the pagoda. The font of the pagoda stele was neat and meticulous, the structure was standardized and strict, the strokes were rich and beautiful, moist and steady. The high-definition picture and the original text of this stele could be copied and learned by calligraphy enthusiasts. Thus, the complete version of the Multi-Pagoda Stele Calligraphy could be found in the relevant resources.

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2024-12-24 18:53

Wei Stele Calligraphy

The Wei Stele Calligraphy was an inscription from the Northern Wei Dynasty. It had a unique style and artistic value. The Wei stele style inherited the Han Li and the Tang Kai, showing the innovative spirit of calligraphy art. Among them, Epitaph of Zhang Heinu, Stele of Zhang Menglong, and Record of Yang Dayan's Statue were all classic works in the copybook of Wei Monument. These inscriptions were famous for their dignified and handsome strokes, delicate and upright knots, and colorful styles. The copybook of the Wei Stele was very popular among calligraphy students and was regarded as an important reference for learning the calligraphy of the Wei Stele.

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2024-12-21 04:41

Zhang Qian's Stele Calligraphy

The calligraphy of Zhang Qian Stele was called Ode to Zhang Junbiao, the Changdang Yin Order of Gucheng in the Old Han Dynasty. It was an official script work carved by an unknown calligrapher in the late Eastern Han Dynasty and Sun Xing, an inscription master in the Eastern Han Dynasty. It was carved in the third year of Zhongping of the Eastern Han Dynasty (186 years) and unearthed in the early years of the Ming Dynasty. It is now stored in the stone corridor of Dai Temple in Mount Tai, Shandong Province. The seal characters on the forehead are inscribed with 12 words,"Ode to Zhang Jun, the commander of the old hub city of Han Dynasty". The characters on the forehead are flat and the meaning of the calligraphy is between seal characters and official script. There are 15 lines in the main body of the stele, with 42 words in each line. There are 3 columns in the back of the stele, with 19 lines in the upper 2 columns and 3 lines of inscriptions in the lower 3 lines. Zhang Qian Stele had high calligraphy attainments. Since it was unearthed, it was highly praised by the calligraphers of the past dynasties. It was the representative work of the Han Dynasty's square brush system. Its style was simple, heavy, and elegant. The words were frank and honest, with the simple style of the people. The style was solemn and steady. The pen is wide and wide, the corner is square and round, the pen is strong and powerful, and the pen is steady. The four corners of the knot were full, and the whole character was square and neat. It presented the artistic style characteristics of straightforwardness, simplicity, and simplicity. The pen of "wave pick" was steady and heavy, without a sense of frivolity. The awkwardness contained in this "wave pick" was a manifestation of the calligraphy style at that time. There were many people who studied Zhang Qian Stele. If they wanted to copy it, they would copy the word card at close range. Its advantage was that it was small and easy to carry. It was easy to copy the six characters in a single row, and it was easy to identify the characters with simplified side notes. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!

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2026-06-28 04:19

Longzang Temple Stele Calligraphy

There was no information about the copybooks of the 'Longzang Temple Stele' that were being sold or published. However, from the information provided, it could be seen that the Stele of Longzang Temple was of great significance in the history of calligraphy. It was a representative stele of the Sui Dynasty. The font was simple and pure, and the font was slightly square. It retained the style of official script and was hailed as the first stele of the Sui and Tang Dynasties. The pen was powerful, and the strokes were carved into the bones and muscles. The structure was square, the arrangement was symmetrical and wide, the layout was horizontal and vertical, the characters were dense on the left and right, sparse on the top and bottom, similar to the layout of official script, full of ancient and natural beauty. Many calligraphers of the Tang Dynasty absorbed its essence and formed Tang Kai. If you want to find the copybook of Longzang Temple Stele, you can search through calligraphy bookstores, online calligraphy platforms, or related cultural and art stores. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!

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2026-06-29 12:04

Longzang Temple Stele, Brush Calligraphy

The Longzang Temple Stele was carved in the sixth year of Emperor Kaihuang of the Sui Dynasty (586 years). From the perspective of its calligraphy art, it occupied an important position in the history of the development of regular script. His pen is thin and vigorous, deep and sincere, square outside and round inside, straight pen square edge, thick and sharp, integrating the solemn and solemn stele with the graceful and exquisite post. The body is flat and elegant, graceful and beautiful, clear and sparse, melting elegant and elegant, ancient and clumsy, broad and deep in a furnace. From the perspective of writing style, it gathered the writing style of the Northern and Southern Dynasties, and sometimes came from the Han Dynasty. It was straight, straight, wide, elegant, flat, and natural. It made the graceful, beautiful, thin, hard, and steep into one, forming a "new regular script", which played a leading role in the emergence of calligraphy in the Tang Dynasty. The famous works of many calligraphers in later generations flashed with the light and shadow of "Longzang Temple Stele". Many scholars had high comments on it. For example, Ouyang Xiu of the Song Dynasty thought that "the calligraphy and painting were vigorous, with the style of Ou and Yu"; Bao Shichen of the Qing Dynasty said that "Longzang Temple" was enough to inherit the right army, all in the middle of fairness and understanding, with inconceivable changes "and so on. Its calligraphy techniques and structure had developed quite well at that time. Its style had broken away from the dangerous habits of the previous six dynasties 'epitaphs and became gentle and graceful. The strokes were varied and precise, laying the foundation for Tang Kai's style. The structure of the frame was full of aesthetic meaning, and the overall performance was peaceful and thorough, with the beauty of space and clarity. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!

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2026-06-28 11:45

The Calligraphy Characteristics of the Stele of Longzang Temple

The calligraphy features of Longzang Temple Stele were mainly as follows: 1. ** Strokes and strokes **: The strokes were varied and precise, which laid the foundation for Tang Kai's " advocating Dharma ". The writing style of regular script was close to the appearance of a mature period. Although there was a hint of official script when it was drawn horizontally, the overall technique and structure of regular script were quite mature. 2. ** Space frame structure **: The structure is full of aesthetic meaning, and the use of space is " appropriate and intricate ". It has the beauty of open space. The beauty of this space, coupled with the characteristics of the pen, made it seem elegant, empty, and elegant. It had the meaning of "insight", like "golden flowers everywhere, fine and exquisite". 3. ** Overall Style **: It has the beauty of "moderate and tranquil". The style was a combination of graceful beauty and ancient simplicity. There was a gentle beauty in the thin and hard, without the dangerous and steep habits of the epitaph carved on the Six Dynasties. The writing style is subtle, the structure is grand and broad, flat and elegant, with a solemn and quiet charm. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!

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2026-06-28 11:13

Basic strokes of Wei stele calligraphy

The basic strokes of the Wei stele calligraphy style included horizontal, vertical, left-handed, right-handed, and dot strokes. Its basic stroke characteristics can be summarized as follows: the pen should be used to start and end the pen horizontally and vertically; the pen should be drawn back or written in a wave form; the pen should be folded horizontally or written as a point; the word mouth should be surrounded by the lower left and upper right corners. When learning the basic strokes of calligraphy on the Wei Stele, one had to master the structure, order, and strength of each stroke. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!

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2026-06-27 10:57
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