Longzang Temple Stele Calligraphy
There was no information about the copybooks of the 'Longzang Temple Stele' that were being sold or published. However, from the information provided, it could be seen that the Stele of Longzang Temple was of great significance in the history of calligraphy. It was a representative stele of the Sui Dynasty. The font was simple and pure, and the font was slightly square. It retained the style of official script and was hailed as the first stele of the Sui and Tang Dynasties. The pen was powerful, and the strokes were carved into the bones and muscles. The structure was square, the arrangement was symmetrical and wide, the layout was horizontal and vertical, the characters were dense on the left and right, sparse on the top and bottom, similar to the layout of official script, full of ancient and natural beauty. Many calligraphers of the Tang Dynasty absorbed its essence and formed Tang Kai. If you want to find the copybook of Longzang Temple Stele, you can search through calligraphy bookstores, online calligraphy platforms, or related cultural and art stores. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Introduction to the Calligraphy of Longzang Temple Stele
The calligraphy features of Longzang Temple Stele mainly had the following aspects: 1. ** Strokes and strokes **: The strokes are varied and precise, laying the foundation for Tang Kai's "advocating the law". From this, one can see the appearance of the regular script when it is close to maturity. Although there is a hint of official script when it is drawn horizontally, the overall technique and structure of the regular script are quite mature. 2. ** Space structure **: The space structure is full of aesthetic meaning, and the use of space has the artistic feature of " appropriate interweaving is wonderful ". This kind of open space beauty plus the characteristics of the pen makes it appear beautiful, beautiful, empty and elegant. Kang Youwei commented that this stele " has the meaning of penetration "," like golden flowers everywhere, fine and exquisite ". 3. ** Overall Qi and Charm **: It has the beauty of " moderate and tranquil "." moderate " is a state after the fusion of various styles. It is " mild " and tasteful. The style is a combination of graceful, gorgeous, ancient, and deep. It has a solemn and quiet charm. It does not have the dangerous habits of the Six Dynasties 'epitaph. The strokes are subtle, the structure is neat, broad, and elegant. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele, Brush Calligraphy
The Longzang Temple Stele was carved in the sixth year of Emperor Kaihuang of the Sui Dynasty (586 years). From the perspective of its calligraphy art, it occupied an important position in the history of the development of regular script. His pen is thin and vigorous, deep and sincere, square outside and round inside, straight pen square edge, thick and sharp, integrating the solemn and solemn stele with the graceful and exquisite post. The body is flat and elegant, graceful and beautiful, clear and sparse, melting elegant and elegant, ancient and clumsy, broad and deep in a furnace. From the perspective of writing style, it gathered the writing style of the Northern and Southern Dynasties, and sometimes came from the Han Dynasty. It was straight, straight, wide, elegant, flat, and natural. It made the graceful, beautiful, thin, hard, and steep into one, forming a "new regular script", which played a leading role in the emergence of calligraphy in the Tang Dynasty. The famous works of many calligraphers in later generations flashed with the light and shadow of "Longzang Temple Stele". Many scholars had high comments on it. For example, Ouyang Xiu of the Song Dynasty thought that "the calligraphy and painting were vigorous, with the style of Ou and Yu"; Bao Shichen of the Qing Dynasty said that "Longzang Temple" was enough to inherit the right army, all in the middle of fairness and understanding, with inconceivable changes "and so on. Its calligraphy techniques and structure had developed quite well at that time. Its style had broken away from the dangerous habits of the previous six dynasties 'epitaphs and became gentle and graceful. The strokes were varied and precise, laying the foundation for Tang Kai's style. The structure of the frame was full of aesthetic meaning, and the overall performance was peaceful and thorough, with the beauty of space and clarity. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
The Calligraphy Characteristics of the Stele of Longzang Temple
The calligraphy features of Longzang Temple Stele were mainly as follows: 1. ** Strokes and strokes **: The strokes were varied and precise, which laid the foundation for Tang Kai's " advocating Dharma ". The writing style of regular script was close to the appearance of a mature period. Although there was a hint of official script when it was drawn horizontally, the overall technique and structure of regular script were quite mature. 2. ** Space frame structure **: The structure is full of aesthetic meaning, and the use of space is " appropriate and intricate ". It has the beauty of open space. The beauty of this space, coupled with the characteristics of the pen, made it seem elegant, empty, and elegant. It had the meaning of "insight", like "golden flowers everywhere, fine and exquisite". 3. ** Overall Style **: It has the beauty of "moderate and tranquil". The style was a combination of graceful beauty and ancient simplicity. There was a gentle beauty in the thin and hard, without the dangerous and steep habits of the epitaph carved on the Six Dynasties. The writing style is subtle, the structure is grand and broad, flat and elegant, with a solemn and quiet charm. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
The calligraphy style of Longzang Temple Stele is
The stele of Longzang Temple was carved in regular script, but it retained a certain sense of official script. The handwriting was simple and pure, and the font was slightly square. The overall style of the book is broad and broad, and the pen is fine and straight. It shows a peaceful atmosphere and has the style of a gentleman. The pen was powerful, and the strokes were carved into the bones and muscles. The body was square, the arrangement was well-proportioned, broad, generous, mature and steady, and the words echoed each other. The layout was arranged vertically and horizontally, the words were dense on the left and right, sparse on the top and bottom, similar to the layout of official script, full of ancient and natural beauty. It was not only different from the rough and strong Wei steles of the Northern and Southern Dynasties, but also different from the strict rules of the Tang Dynasty. It had the characteristics of connecting the past and the future. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
What are the characteristics of the calligraphy of the Longzang Temple stele?
The calligraphy of the Longzang Temple stele had the following characteristics: - In terms of strokes, the strokes were clean and vigorous, and the strokes were extremely precise, subtle and powerful, carving into the bones and muscles. There was a hint of official script left behind in the horizontal paintings. In many places, the strokes still retained the strokes of the Han and Wei official script. For example, the horizontal paintings mostly picked up the strokes to show the trend of retro, and some strokes added seal script to show the ancient meaning. - In terms of structure, the structure is neat and broad, flat and elegant, the font is slightly square, the structure is square and evenly arranged, and the words echo each other. However, the sizes of the characters on the stele were different, making the composition look natural and cute. Although it was already regular script, it still retained the style of official script. For example, the combination of many characters showed a square shape similar to the style of official script. Some characters had the same glyph characteristics as some inscriptions in the Northern Qi Dynasty. Its composition was similar to that of official script, and the word spacing was similar to the line spacing. - In terms of overall charm, it was a combination of beauty and ancientness. It had a solemn and quiet charm and a unique charm. The style did not have the dangerous and steep habits of the Six Dynasties 'epitaph. It inherited the remnants of the Northern and Southern Dynasties and was the first of its kind in the early Tang Dynasty. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Similar to the stele of Longzang Temple
The inscriptions similar to the stele of Longzang Temple include Gao Zhan's Epitaph, which is similar in style to the stele of Longzang Temple taken by Chu Suiliang; there is also the Stele of Temple Hall, which is very similar to the stele of Longzang Temple, but it is difficult to know the degree of similarity between the two without seeing the old version. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele Inscription
The stele of Longzang Temple mainly recorded the process of the governor of Hengzhou, Duke of E, Wang Xiaoxian, persuading more than 10,000 commoners in Hengzhou to build Longzang Temple under the emperor's order. At the same time, it also introduced the scale, architectural landscape and surrounding environment of the temple at that time. The inscription is written in regular script. There are 30 lines on the front of the tablet, each line is about 50 words, a total of 1446 words. There are titles and the names of Hengzhou counties on the back and left of the tablet, divided into 5 sections and 30 lines, with different words per line. The original author of the stele and the author of the book did not sign their names. Ouyang Xiu believed that the author was Zhang Gongli, who signed at the end of the stele, but the author of the book could not be verified. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele Version
There are several good copies of Longzang Temple Stele handed down from generation to generation: First, Qing Huangyun, Tang Handi, Shen Shuyong and others handed over the rubbings of Yuan and Ming Dynasties, which are now stored in Shanghai Library; Second, Wang Yirong and Wang Daxie handed over the rubbings of the early Ming Dynasty. Unfortunately, half a page and twenty-eight words were missing. Zhang Yansheng added Jiadao's edition to complete the whole edition. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
The Evolution of the Script of the Stele of Longzang Temple
Regular script originated from the end of the Eastern Han Dynasty and had gone through a long period of evolution in the Northern and Southern Dynasties. In the regular script of the Northern Wei Dynasty, the inscriptions and epitaphs were of great significance in the evolution of the font during the 30-year period from 500 to 530 A.D., with obvious artistic features. The Longzang Temple Stele was published in the sixth year of the Sui Dynasty (586 AD), only 50 years after the end of the Northern Wei Dynasty's heyday. In the stele of Longzang Temple, there were obvious traces of the structure of the Northern Wei steles (including the epitaph) and the use of pen in the front, front, back and sides of the stele. For example, the writing style of the big characters on the stele of Longzang Temple was similar to that of Zhang Menglong Stele, which was engraved in 522 (the third year of Zhengguang of Northern Wei Dynasty). When writing, all the strokes were pressed down. "Longzang Temple Stele" was written very neatly in squares. This kind of neat writing, structure, and style could be found in the vast number of Northern Wei epitaphs. As for the inscriptions on the back and sides of the stele, they were not placed in the grid, so they were written relatively casually. Moreover, the angle of the horizontal drawing to the upper right corner was very obvious. This method of writing was similar to the horizontal drawing in many Northern Wei inscriptions. The Longzang Temple Stele played an important role in the development and evolution of the Wei Stele and the Tang Kai. Together with Ding Daohu's Qifa Temple Stele, they formed the forerunner of the Tang Kai. From the calligraphy style of Longzang Temple Stele, the regular script of Ouyang Xun and Yu Shinan in the early Tang Dynasty inherited and used for reference to varying degrees. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Mo Youzhi Longzang Temple Stele
Mo Youzhi (1811 - 1871) was a famous scholar in the late Qing Dynasty. Mo Youzhi mentioned in his postscript in the year of Tongzhi (1869) that true calligraphy flourished in the early Tang Dynasty. The early Tang Dynasty was proficient in the calligraphy of the Northern Dynasty, and the Stele of Longzang Temple was almost indistinguishable among Chu Suiliang's works, which showed the origin of his calligraphy style. The rubbings of "Zhang Gongli's Unfinished Version" and "Longzang Temple Stele" collected by Shanghai Library during the Yuan and Ming Dynasties were signed by Mo Youzhi, and this was the earliest one handed down from generation to generation, with the most preserved words and the most exquisite rubbings. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!